Zhongshu Qian – författare

Qian Zhongshu was one of twentieth-century China's most ingenious literary stylists, one whose insights into the ironies and travesties of modern China remain stunningly fresh. Between the early years of the Second Sino-Japanese War (1937-1945) and the Communist takeover in 1949, Qian wrote a brilliant series of short stories, essays, and a comedic novel that continue to inspire generations of Chinese readers. With this long-awaited translation, English-language readers can immerse themselves in the invention and satirical wit of one of the world's great literary cosmopolitans. This collection brings together Qian's best short works, combining his iconoclastic essays on the "book of life" from Written in the Margins of Life (1941) with the four masterful short stories of Human, Beast, Ghost (1946). His essays elucidate substantive issues through deceptively simple subjects-the significance of windows versus doors, for example, or the blind spots of literary critics--and assert the primacy of critical and creative independence. His stories blur the boundaries between humans, beasts, and ghosts as they struggle through life, death, and resurrection. Christopher G.Rea situates these works within China's wartime politics and Qian's literary vision, highlighting significant changes that Qian Zhongshu made to different editions of his writings and providing unprecedented insight into the author's creative process.

Zhongshu Qian was one of twentieth-century China's most ingenious literary stylists, the author of short stories, essays, and a brilliant comedic novel that has inspired generations of Chinese readers. Writing between the early years of the Second Sino-Japanese War (1937-1945) and the Communist takeover in 1949, Qian was a pioneering modernist and extraordinary satirist whose insight into the irony and travesties of modern China remains stunningly fresh.This eagerly awaited translation joins Qian's collection of iconoclastic essays on life, language, and literature, Written on the Margins of Life (1941), with his masterful short story collection, Man, Beast, Ghost (1946). Qian's essays elucidate substantive issues through deceptively simple subjects-the significance of windows versus doors, for example, or the blind spots of literary critics-and assert the primacy of critical and creative independence. His humorous stories blur the boundaries between various incarnations of humans, beasts, and ghosts who struggle through life, death, and resurrection. Christopher Rea situates these works within China's wartime politics and Qian's literary vision, highlighting significant changes between different editions that provide unprecedented insight into the author's creative process.

Patchwork: Seven Essays on Art and Literature presents in English translation a number of essays written by the Chinese literary scholar and novelist Qian Zhongshu (1910-1998). One of the great minds of the twentieth century, Qian, with his characteristic erudition and wit, addresses here aspects of the classical literary and artistic traditions of China. Better known, as a scholar, for his magisterial Limited Views: Essays on Ideas & Letters (Guanzhui bian) (1979-80) and, as a novelist, for his Fortress Besieged (Weicheng) (1947), these essays, first written during the period 1948-83 and much revised over the years, allow readers insight into Qian’s abiding concern with “striking connections” between disparate literary, historical, and intellectual traditions, ancient and modern, Chinese and Western.Dr. Duncan Campbell was awarded the China Book Award for Special Contributions at the 23rd Beijing International Book Fair. Dr. Campbell received this award for his translation of this volume.

Patchwork: Seven Essays on Art and Literature presents in English translation a number of essays written by the Chinese literary scholar and novelist Qian Zhongshu (1910-1998). One of the great minds of the twentieth century, Qian, with his characteristic erudition and wit, addresses here aspects of the classical literary and artistic traditions of China. Better known, as a scholar, for his magisterial Limited Views: Essays on Ideas & Letters (Guanzhui bian) (1979-80) and, as a novelist, for his Fortress Besieged (Weicheng) (1947), these essays, first written during the period 1948-83 and much revised over the years, allow readers insight into Qian's abiding concern with "e;striking connections"e; between disparate literary, historical, and intellectual traditions, ancient and modern, Chinese and Western.Dr. Duncan Campbell was awarded the China Book Award for Special Contributions at the 23rd Beijing International Book Fair. Dr. Campbell received this award for his translation of this volume.