Zhou Xian – författare

From the perspective of critical cultural sociology, this book delves into the intertwining relations of cultural transformation and social evolution, illuminating contemporary Chinese culture’s landscape and underlying logic since the 1980s.

With a special focus on the tensions among politics, economy, and culture itself, this book examines the transitions of Chinese culture from tradition to the modern age. It expounds the cultural differentiation and its effect in contemporary China. Within this framework, the author addresses some key issues and phenomena that figure in the cultural scene of modern China, ranging from the crisis of Chinese cultural identity in the context of globalization, the media culture, and its impacts on everyday life, to the visual culture and social transformation.

Offering a panoramic view of Chinese contemporary culture, literature, arts, and society, this title will serve as an essential read for scholars of China studies, Cultural studies, and visual culture, as well as anyone interested in what’s going on in Chinese contemporary culture.

From the perspective of critical cultural sociology, this book delves into the intertwining relations of cultural transformation and social evolution, illuminating contemporary Chinese culture’s landscape and underlying logic since the 1980s.

With a special focus on the tensions among politics, economy, and culture itself, this book examines the transitions of Chinese culture from tradition to the modern age. It expounds the cultural differentiation and its effect in contemporary China. Within this framework, the author addresses some key issues and phenomena that figure in the cultural scene of modern China, ranging from the crisis of Chinese cultural identity in the context of globalization, the media culture, and its impacts on everyday life, to the visual culture and social transformation.

Offering a panoramic view of Chinese contemporary culture, literature, arts, and society, this title will serve as an essential read for scholars of China studies, Cultural studies, and visual culture, as well as anyone interested in what’s going on in Chinese contemporary culture.

As the first volume of a two-volume set that examines the interaction between social transformation and visual culture in contemporary China, this book explores the visual construction of popular culture, avant-garde art, and grassroots media culture.

Drawing on an approach of Marxist historic materialism and academic resources of sociology, communication, and art, this study of contemporary China’s visual culture emphasizes two inter-related aspects – the visual construction of society and the social construction of the visual. It seeks to unravel how visual culture is produced and constructed, as well as how it reflects the profound social transformation and reshapes people’s understanding and experience of modernization. In this volume, the contributors revisit popular culture, avant-garde art, and grassroots media culture in contemporary China, analyzing the visual image and representation, and visual culture’s role in social construction. In doing so, the book also reveals the cultural tension of contemporary China, in which the visual aspect figures prominently.

This book will serve as an essential read for scholars and students of China studies and cultural studies, as well as all levels of readers interested in visual culture in contemporary China.

As the first volume of a two-volume set that examines the interaction between social transformation and visual culture in contemporary China, this book explores the visual construction of popular culture, avant-garde art, and grassroots media culture.

Drawing on an approach of Marxist historic materialism and academic resources of sociology, communication, and art, this study of contemporary China’s visual culture emphasizes two inter-related aspects – the visual construction of society and the social construction of the visual. It seeks to unravel how visual culture is produced and constructed, as well as how it reflects the profound social transformation and reshapes people’s understanding and experience of modernization. In this volume, the contributors revisit popular culture, avant-garde art, and grassroots media culture in contemporary China, analyzing the visual image and representation, and visual culture’s role in social construction. In doing so, the book also reveals the cultural tension of contemporary China, in which the visual aspect figures prominently.

This book will serve as an essential read for scholars and students of China studies and cultural studies, as well as all levels of readers interested in visual culture in contemporary China.

The second in a two-volume series that explores the interplay between social transformation and visual culture in contemporary China, this book examines the profound changes in the cityscapes, visual regimes, and visual technologies that shape the aestheticization of everyday life.

Drawing on an approach of Marxist historical materialism and interdisciplinary resources from sociology, communication, and art, this volume investigates three key aspects of visual culture in modern China: the transformation of urban landscapes and its impact on cultural autonomy and local identity; the development of visual regimes, focusing on public museums as sites for the construction of public visuality; and the role of visual technologies in reshaping everyday life, from the influence of television on traditional customs to the rise of internet subcultures.

This title will provide valuable insights for scholars and students of Chinese, cultural, and urban studies, as well as readers interested in the ongoing visual transformation of contemporary Chinese society.

The second in a two-volume series that explores the interplay between social transformation and visual culture in contemporary China, this book examines the profound changes in the cityscapes, visual regimes, and visual technologies that shape the aestheticization of everyday life.

Drawing on an approach of Marxist historical materialism and interdisciplinary resources from sociology, communication, and art, this volume investigates three key aspects of visual culture in modern China: the transformation of urban landscapes and its impact on cultural autonomy and local identity; the development of visual regimes, focusing on public museums as sites for the construction of public visuality; and the role of visual technologies in reshaping everyday life, from the influence of television on traditional customs to the rise of internet subcultures.

This title will provide valuable insights for scholars and students of Chinese, cultural, and urban studies, as well as readers interested in the ongoing visual transformation of contemporary Chinese society.