Zoltán Somhegyi – författare

This companion investigates the philosophical and theoretical foundations determining the conditions of possibility and the limits that make the conservation, readaptation, and transformation of past buildings legitimate operations.As increasing ecological and economic challenges question opportunities for new construction, the process of restoring, transforming, and readapting buildings for new or continued use is becoming an essential part of architectural practice. At the same time, the role of building conservation is changing from mere material preservation to being part of a broader strategy for social regeneration, eco-awareness, and inclusive urban planning. Chapters of this volume explore the complex set of considerations that inform decisions to merely preserve, accurately restore or variously reuse a building. They also look at the broader philosophical concerns such as ethical and aesthetic values, combined with ideas of heritage, history, and collective identity. Case studies on reconstruction after war, gentrification, the restoration of ancient edifices, reconstruction following the effects of climate change, and the use of technology solutions among many others, make this a timely and urgent volume.Adopting a broad transcultural perspective with contributions from five continents, the volume combines theoretical approaches with more practical, case study-based investigations and will be of great interest to upper-level students and academics working in the fields of architecture, conservation, urban design, aesthetics, and heritage management.

This companion investigates the philosophical and theoretical foundations determining the conditions of possibility and the limits that make the conservation, readaptation, and transformation of past buildings legitimate operations.As increasing ecological and economic challenges question opportunities for new construction, the process of restoring, transforming, and readapting buildings for new or continued use is becoming an essential part of architectural practice. At the same time, the role of building conservation is changing from mere material preservation to being part of a broader strategy for social regeneration, eco-awareness, and inclusive urban planning. Chapters of this volume explore the complex set of considerations that inform decisions to merely preserve, accurately restore or variously reuse a building. They also look at the broader philosophical concerns such as ethical and aesthetic values, combined with ideas of heritage, history, and collective identity. Case studies on reconstruction after war, gentrification, the restoration of ancient edifices, reconstruction following the effects of climate change, and the use of technology solutions among many others, make this a timely and urgent volume.Adopting a broad transcultural perspective with contributions from five continents, the volume combines theoretical approaches with more practical, case study-based investigations and will be of great interest to upper-level students and academics working in the fields of architecture, conservation, urban design, aesthetics, and heritage management.

What is aesthetics? How is it related to other disciplines? The chapters of this book examine the history, theoretical conditions and connection points between aesthetics and other disciplines. At the same time, the authors are also interested in practical clashes of methodology and agenda, especially when it is not merely about the securing of the position of one or the other discipline, but is used, in a dialogical manner, as the form of understanding better the nature of both as well as the benefits of their collaboration. The authors work on the border of aesthetics and at least one other academic field. Through their regular scholarly activities, the contributors constantly benefit from cross- and interdisciplinary practice, and this makes them ideal interpreters of these methodological questions. Contributors include: Mami Aota, Karl Axelsson, Paul Duncum, Lisa Giombini, Oiva Kuisma, Jacob Lund, Tyrus Miller, Max Ryynänen, Mateusz Salwa, Zoltán Somhegyi, Wendy Steiner, and Joseph Tanke.

What is aesthetics? How is it related to other disciplines? The chapters of this book examine the history, theoretical conditions and connection points between aesthetics and other disciplines. At the same time, the authors are also interested in practical clashes of methodology and agenda, especially when it is not merely about the securing of the position of one or the other discipline, but is used, in a dialogical manner, as the form of understanding better the nature of both as well as the benefits of their collaboration. The authors work on the border of aesthetics and at least one other academic field. Through their regular scholarly activities, the contributors constantly benefit from cross- and interdisciplinary practice, and this makes them ideal interpreters of these methodological questions. Contributors include: Mami Aota, Karl Axelsson, Paul Duncum, Lisa Giombini, Oiva Kuisma, Jacob Lund, Tyrus Miller, Max Ryynänen, Mateusz Salwa, Zoltán Somhegyi, Wendy Steiner, and Joseph Tanke.

Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay. This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from “high art” as well as popular culture. Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.

Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay. This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from “high art” as well as popular culture. Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.

Architectural decay as well as the reasons, effects, appearance and representation of ruination have always been important sources of understanding the state of our culture. The essays in this co-written book offer broad perspectives on the potential of ruins, on the use and appropriation of derelict architecture and on the aesthetics and also touristification of places by analysing a variety of phenomena in the range from classical to fake ruins, from historic city centres to hot dog stands, from debris to theme parks. The survey travels from Tallin through Venice and Istanbul to Beirut, discussing among others actual spaces, allegorical monuments and nostalgic aestheticisations of the past in high and popular culture, thus showing numerous inspiring opportunities of learning from decay.

The impact of aesthetics is increasing again. For today’s scholars, aesthetic theories are a significant companion and contribution in studying and ana-lysing cultural phenomena and production. Today’s scene of aesthetics is more global than what it is in most disciplines, as it does not just include scholars from all over the world, but also keeps on applying philosophical traditions globally