Anthology Editions – förlag

In 1979, JEB (Joan E. Biren) self-published her first book, Eye to Eye: Portraits of Lesbians. Revolutionary at that time, JEB made photographs of lesbians from different ages and backgrounds in their everyday lives—working, playing, raising families, and striving to remake their worlds. The photographs were accompanied by testimonials from the women pictured in the book, as well as writings from icons including Audre Lorde, Adrienne Rich and a foreword from Joan Nestle. Eye to Eye signalled a radical new way of seeing — moving lesbian lives from the margins to the centre, and reversing a history of invisibility. More than just a book, it was an affirmation of the existence of lesbians that helped to propel a political movement. Reprinted for the first time in forty years and featuring new essays from photographer Lola Flash and former soccer player Lori Lindsey, Eye to Eye is a faithful reproduction of a work that continues to resonate in the queer community and beyond.

Illustrator, musician and self-described “comic stripper” Brian Blomerth has spent years combining classic underground art styles with his bitingly irreverent visual wit in zines, comics, and album covers. With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Combining an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style, Brian Blomerth’s Bicycle Day is a testament to mind expansion and a stunningly original visual history.

A visual biography of the infamous ketamine researcher John C. Lilly.Since 2019, graphic novelist Brian Blomerth’s stunningly original comix histories have combined detailed research and riotous visual wit to illuminate the discovery of LSD (in Brian Blomerth’s Bicycle Day) and the popularization of psilocybin mushrooms (in Brian Blomerth’s Mycelium Wassonii). Now, in the third entry in his ongoing series, Blomerth opens a porthole on the life, experiments, and addictions of John C. Lilly—the man whose development of the isolation tank, controversial studies in dolphin cognition, and ketamine-fueled dives into the nature of consciousness made him perhaps the most notorious researcher of the psychedelic era. Featuring alien visitations, interspecies encounters, and no shortage of concerned onlookers, Brian Blomerth’s Lilly Wave sees a beloved artist working from an expanded palette of industrial ink-splatter and oceanic airbrushing to bring readers a story that’s equal parts cosmic and paranoid, transcendent and tragic.

Artist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Through paintings, drawings and mixed-media works, Roberts navigates a world of cosmic imagery, pop cultural detritus, and shifting geometric forms, bringing to life both the creeping unease and the uncanny humor of the psychedelic experience. Collecting over 100 new and recent works along with an introduction by Hamilton Morris (Hamilton’s Pharmacopeia), We Ate the Acid is the latest product of Roberts’ visionary journeys and a testament to his expansive, singular imagination.

The paintings, drawings, and mixed-media works of Joe Roberts are transportive in the cosmic sense. Through their intuitive blend of styles and subjects, they serve as portals into a welcomingly hallucinatory world: a place where gleeful mashups of childhood signifiers (comic book detritus, cartoon mascots) exist cozily alongside countercultural reference points (ouija boards, sci-fi paperbacks, UFOs) and earnest flashes of the personal (diaristic sketches, confessional trip reports). Reissued for the first time since 2015, LSD Worldpeace documents the extraordinary creativity and scrappy methods of Roberts’s early career, replete with collages, action figures, and dioramas, in addition to the paintings for which he’s become so celebrated. With introductory texts by Myla DalBesio and Matthew Ronay, LSD Worldpeace is the product of a wildly imaginative artist moving freely between modes, guided by a boundless vision.

Brian Blomerth first fused his singularly irreverent underground comix style with heavily-researched history in 2019’s Brian Blomerth’s Bicycle Day, a Technicolor retelling of the discovery of LSD. Now, the illustrator and graphic novelist continues his wild and woolly excursions into the history of mind expansion with Mycelium Wassonii, an account of the lives and trips of R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms. A globetrotting vision of hallucinatory science and religious mysticism with appearances by Life Magazine, the CIA, and the Buddha, Mycelium Wassonii is a visual history and a love story as only Blomerth’s Isograph pen can render it.

Other Networks is writer and researcher Lori Emerson’s index of telecommunications networks that existed before and outside of the internet.The internet as we know it is not a foregone conclusion. Indeed, the present corporatized, monolithic, surveilled state of our networked communications is just one possibility out of many, and there is radical promise in uncovering hidden alternatives: from pirate radio to barbed wire telegraph, from synthesizers transmitted over the telephone to encoded messages bounced off the surface of the moon. Other Networks is writer and researcher Lori Emerson’s speculative index of communications networks that existed before or outside of the internet: digital as well as analog, IRL as well as imagined, state-sponsored systems of control as well as homebrew communities in the footnotes of hacker culture. Featuring explanatory descriptions of each network, archival images, and original artwork and design by Robert Beatty, Other Networks documents historically alternative networks with a particular eye towards their experimental usage by artists and writers. The result is a boldly creative taxonomy of our networked world, a liberatory sourcebook for readers eager to escape the hegemony of technological history, and a lovingly designed guide to the freedoms and communal possibilities that have been lost along the way.

Born out of a union of club bands on the burgeoning Austin bohemian scene and a pronounced taste for hallucinogens, the 13th Floor Elevators were formed in late 1965 when lyricist Tommy Hall asked a local singer named Roky Erickson to join up with his new rock outfit. Four years, three official albums and countless acid trips later, it was over: the Elevators’ pioneering first run ended in a dizzying jumble of professional mismanagement, internal arguments, drug busts and forced psychiatric imprisonments. In their short existence, however, the group succeeded in blowing the lid off the budding musical underground, logging early salvos in the counter-cultural struggle against state authorities, and turning their deeply hallucinogenic take on jug-band garage rock into a new American institution called psychedelic music. Before the hippies, before the punks, there were the 13th Floor Elevators: an unlikely crew of outcast weirdo geniuses who changed culture

The story of the legendary Swedish psych rock band Träd, Gräs och Stenar. The story of the legendary Swedish psych rock band Träd, Gräs och Stenar is also a defining story of alternative culture. Across multiple incarnations, the musicians of this iconic group (whose name translates to “Trees, Grass and Stones”) have drawn on their roots in jazz and the avant-garde, the iconoclastic art and theater of the 1960s, and the back-to-the-land “green wave” movement to blaze a pioneering trail across fifty years of endlessly improvisational, resolutely DIY rock and roll jams. In this book, the collective’s members tell their story for the first time, accompanied by a vast archive of photographs, newspaper clippings, posters, flyers, album covers, and paintings. With its in-depth oral history and astonishingly rich visuals, this book provides an insight into over five decades of internationally-renowned music innovation and countercultural history.

"Jerry makes it look so easy. Every time I open this book, my camera gets heavier." — Daniel Arnold Legendary skateboarder and artist Jerry Hsu started his blog NAZI GOLD in 2009 as a repository for the cell phone photos he’d been collecting alongside his more traditional photography and film practices: shots of friends and strangers, roadside curiosities, and anything else that seemed to merit instant sharing with both peers and the public. In the ensuing years, the site grew from an exercise in visual note-taking into a uniquely hysterical embodiment of both Hsu’s keen artistic sense and his razor-sharp wit. Documenting his journeys through the high and low trappings of our culture, Hsu’s work captures everything from bootleg t-shirts and bathroom stall graffiti to unexpected truths and the occasional startling moment of humanity. An unerringly creative and endlessly clever chronicle of the deep ironies of our modern world, The Beautiful Flower Is the World, now in a lush hardcover second edition, collects the best of Hsu’s blog photography into a compelling and immersive whole.

JEB is a portal maker—one of those loving souls who made sure we would have a way back to witness the world-changing bravery of our communities. —Alexis Pauline GumbsJEB (Joan E. Biren) first introduced viewers to her photographs in 1979 when she published Eye to Eye: Portraits of Lesbians, a groundbreaking celebration of women loving women. In the years that followed, JEB collaborated with poets, musicians, filmmakers, elected officials, healthcare providers, factory workers, spiritual leaders, and others who built communities and worked for political change. Her second book Making a Way: Lesbians Out Front, published in 1987, depicts the spirit and energy of this movement in more than a hundred emotionally resonant photographs that take us from passionate activism to thoughtful solitude, while remarks and remembrances from each woman photographed deepen the historic record. This reissue of Making a Way adds insightful new essays by Cheryl Clarke and JD Samson, resulting in an essential document of an era whose impact continues to be felt across our society today.

Reissue of a 1973 classic Would you like to meet a witch? What would happen if she popped you into a sack and stole you away? In illustrating Ian Serraillier’s striking poem, Ed Emberley shows us what took place when such a thing happened to two clever and resourceful children. Anthology is thrilled to present 1973’s Suppose You Met a Witch, a beautiful and wondrous book that lets us all experience what it must be like to be under a witch’s spell.

A dreamlike exploration of intimacies and memory rendered in powerful photographs and lyrical texts, featuring an interview by Arooj Aftab and an afterword by Tessa Thompson.“A sublime, aching collection of images.” — Chan Marshall (Cat Power)For decades, photographer Kate Sterlin has made an artistic practice of examining the boundaries between individual, family, and community. In her first book, Still Life: Photographs & Love Stories, she delivers a meditation on love and its ability to weather the brutal specificities of life, death, family and race in America. Pairing intimate photographs with poetic, lyrical writings, Still Life is a hypnagogic narrative that unfolds in a series of overlapping episodes and identities, a testament to one artist's commitment to creation and a dreamlike blend of the personal and the universal.

More than any party, parade, team, or disaster, New Orleans is the people. The ones who persevere, survive, strengthen, and transform the city in all its unceasing vibrancy. For nearly a decade, photographer Akasha Rabut has documented this thriving culture. In Death Magick Abundance, her first book, she reveals the city’s spirit through the pink smoke of the Caramel Curves, the first all-female black motorcycle club; alongside the Southern Riderz, urban cowboys on horseback in the streets; and many others who represent the next generation of New Orleans. Seeking to interpret and preserve a sacred cultural heritage while redefining itself against a constantly shifting landscape, Death Magick Abundance is a conduit for the love and unending beauty of New Orleans and its people to flow to the rest of the world.

The vast and surreal musical catalog of Ariel Pink’s Haunted Graffiti, once unknown to all but a small circle of friends and peers on the early-2000s LA freak scene, has grown tremendously in listenership and notoriety, becoming both a touchstone for the era and an acknowledged influence on our weirdo pop present. But while the tunes have been canonized, criticized, and endlessly dissected, the unique circumstances leading to their creation remain mysterious. Now, on the heels of the Ariel Archives set of comprehensive reissues undertaken by Mexican Summer, Untitled APHG Book sets out to tell the unvarnished story of the Haunted Graffiti era in scrapbook form. Drawing from a massive trove of documentation and ephemera as well as archival interviews and reflections from friends, witnesses, and collaborators, the book is a document of relentless creative pursuit—and a celebration of the fertile and undersung artistic community that fed one of the most singular musical projects of the new century.

Under a Banner of Concern is a compilation of drawings and poetry from acclaimed artist and musician, Tim Presley. Featuring art from Presley’s 2019 exhibition in Chicago and Los Angeles—Under the Banner of Concern—the black ink drawings merge abstracted and expressionistic brush and line work, the latter of which breaks down figures into simple forms. Characterized by Presley’s “every figure” symbology in their emptied out flat bodies and hollowed eye sockets, these figures are both represented as sexualized and mask-like. In addition to his exhibited drawings, the book will also feature previously unreleased artwork, as well as new poetry from Presley. Under a Banner of Concern is a psychedelic visual experience that is a place for introspection rather than pure image-making.

How can thoughtfully and intentionally listening to our world expand and inform our creative practices? What insights can we gain when we delve into the immersive world of sound, which permeates our every moment? In Transcendent Waves, sound healing practitioner, meditation teacher, and artist Lavender Suarez outlines how listening can unlock moments of creative spark, self awareness, and calm in a work that is equal parts how-to guide and contemplative artist’s workbook. Suarez's illustrated meditations follow in the artistic tradition of Yoko Ono’s Grapefruit and the creations of the Fluxus group, but also offer a modern take on listening in a world that gets louder every day. Covering everything from the noise of everyday life to musical compositions, Transcendent Waves compiles scientific evidence, anecdotes, and thoughtful prompts to spark a sense of wonderment and appreciation for the intricacies of sound and the new perspectives it can bring to our daily creative worlds.

Although Jim Jarmusch is best known for his storied career in independent cinema, over the years he has produced hundreds of pieces of collage art, the majority of which has been rarely seen by the public. Drawing inspiration from the largest medium of cultural documentation—newspapers—Jarmusch delicately crafts each work by layering newsprints on cardstock. These small-scale (notecard-size) pieces are often characterized by their tongue-in-cheek nature: Hillary Clinton and Donald Trump’s faces are affixed to nameless suits, two Andy Warhols are posed in a X-Files-esque tunnel, various musicians perform with ever-so-timely surgical masks. Collected here for the first time, [Untitled] showcases Jarmusch’s profanely assembled vision.

Almost every boy has at some time made a kite. But few boys have ever made a kite with so much a mind of its own as Obstreperous. Though it was made in the normal way, with sticks and string and paper and rags, it did not fly in anything like a normal way. At first it didn’t fly at all because there was no wind. And then when the winds came, it dipped and bounced and created all sorts of problems for its maker. In the end, too, it had its way and left some people happy and some a little sad.An international treasure from the Australian countryside, 1969’s Obstreperous is one of author Ted Greenwood’s best-loved children’s books. Anthology is pleased to bring it back into print for the first time in generations.

The first comprehensive book from the acclaimed artist, featuring a decade's worth of astonishing and intimate watercolors as well as essays by Audrey Wollen, L.D. Deutsch, and Mark Iosifescu.Over the past decade, artist Emma Kohlmann has harnessed the expressive possibilities of watercolor to develop an astonishing and intimate practice. In the resounding fluidity of her paintings, Kohlmann maps the lineaments and concavities of embodied moments with exquisite sensitivity, celebrating a sensuality freed from analysis and disabusing gender and the human body of their exhausted mythologies. Containing hundreds of selections from 2011 to 2021, during which Kohlmann crafted countless works on paper using sumi-e ink washes and other techniques, Emma Kohlmann: Watercolors is a survey of an artist working intuitively to generate representative possibilities that are playfully otherworldly and resolutely, thrillingly free.

If any one musical act of the rock and roll era can be said to have transcended the simple categorization of “band,” the Grateful Dead is it: by the time they stopped performing in 1995, the Dead had become an international institution with a vast backing organization, a massive and devoted fanbase, and archival recordings both official and bootlegged. The cultural significance of these bootlegs - live concert cassettes which solidified the Dead’s legendary status even as they occupied a legal gray area for decades - is utterly unique in the annals of music, and the story of their creation, trading, and endless proliferation is a people’s history unto itself. Featuring dozens of interviews with tape enthusiasts and members of the Grateful Dead organization as well as the show stopping visuals from hundreds of archival cassette covers, After All Is Said and Done is artist Mark A. Rodriguez’s exploration of that history, a saga of homegrown psychedelia, anarchic graphic styles, and black market fandom as written in magnetic tape.

From June 1992 to March 1995, in the midst of the AIDS crisis in NYC, an extraordinary theatrical collective emerged from the queer underground. Blacklips Performance Cult, initiated by ANOHNI and joined by a cabal of fellow artists, drag queens, punks, nightlife veterans and students, performed a new play every Monday night at 1:00 a.m. at the Pyramid Club on 101 Avenue A. Blacklips never courted mainstream attention. However, the group left a sustaining impression within New York’s late night subculture by melding hysterical drag, surreal horror, and disconcerting tenderness.In Blacklips: Her Life and Her Many, Many Deaths, ANOHNI and coeditor Marti Wilkerson lay bare the collective’s archives in photographs, scripts, and the assembled ephemera from more than one hundred and twenty original “plays.” Featuring images from newly digitized film and video recordings, texts from participants and audience members, and an introduction by Lia Gangitano, this expansive collection introduces to the twenty-first century the short-lived and ruthlessly creative phenomenon that was Blacklips.

The definitive book on artist Ken GrimesThe paintings of Ken Grimes are strikingly honest, deceptively simple, and decidedly interstellar. Over several decades, Grimes has developed his singular style—using text, numbers, outer space iconography, and geometric shapes painted primarily in stark black and white—to prompt his audience to consider the possibilities and implications of alien contact with earth. Influenced by the proliferation of sci-fi media in his youth, Grimes has also continued to be moved by popular culture, a motif which intermingles with his interest in outer space in ways both earnest and irreverent. Showcasing art from Grimes’s long career, this book catalogs the endless variations on a theme produced by an absolutely unique painter during a lifetime devoted to the mysteries of extraterrestrial life.

Debut book of poetry from musician Elias B. RønnenfeltPresented in both the original Danish text and Rønnenfelt’s own English translation, Sunken Heights balances the poet’s reflections on the aggressive and primal present with strikingly romantic and surprisingly vulnerable musings on variations of love, delusion, and maturation in a smoldering world.

The best of the celebrated blog Epicly Later’d, Patrick O’Dell’s intimate photo-diary dedicated to documenting the adventure and mayhem of the 2000s NYC skate/music/downtown scene.In 2004, well before the advent of social media as a global phenomenon, photographer Patrick O’Dell launched the celebrated blog Epicly Later’d. Dedicated to documenting the adventure and mayhem of the NYC skate/music/downtown scene, the site distinguished itself with its offhand wit, its irreverent cast of characters, and an intimate photo-diary format years ahead of its time. Nearly two decades later, the impact of O’Dell’s work can be appreciated in full: its influence is now apparent across photo, art, and skate culture, and the original photographs still astonish. Compiled by O’Dell and editor Jesse Pearson, Epicly Later’d collects the best of the blog into a body of work that’s evocative, funny, and wildly compelling."Wayward youth and joy and oblivion—here are all the moments I remember and many that I don’t! Patrick’s exacting eye for the fractured beauty in our shared chaos captured it all." - Chloë Sevigny

Reissued for the first time in decades, an underground classic of street photography documenting San Francisco’s late 1970s Halloween celebrations: the macabre and irreverent “Mardi Gras of the West”Originally published in limited quantities in 1981, Halloween: A Fantasy in Three Acts collects photographs taken by Ken Werner at San Francisco’s adult Halloween celebrations from 1976 to 1980, assembling a visual narrative of American consciousness and popular culture as seen through lenses of queerness, black humor, and the macabre. Once touted as the “Mardi Gras of the West,” the raunchy, mostly open-air nighttime costume parties documented by Werner were hugely popular events organized primarily by LGBT and sex worker advocates, attracting tens of thousands of curious attendees as well as conservative ire from around the nation. Reissued for the first time in decades, this underground classic explores a bacchanalia worthy of the pagan and occult roots of the Halloween ritual—a magical dream/nightmare-land of terror and joy, with uninhibited celebrants reveling in stunning self-made guises that combine cartoon logic, sexual extravagance, and a highly irreverent take on American mythologies.

In 1975, more than a decade into a career that would establish him as one of the most innovative children’s book authors of his time, artist and illustrator Ed Emberley followed the gothic woodcuts of his previous book, Suppose You Met a Witch, with a complete left turn: the story of a prince turned into a frog, and the bumbling wizard whose spells take the form of dizzying optical illusions. Combining the bold graphic experimentation of the 1970s Op-Art movement with the charmingly irreverent storytelling for which Emberley is renowned, The Wizard of Op is a visual odyssey like no other. On the occasion of its fiftieth anniversary, Anthology is proud to reintroduce this little-known masterpiece from a wizard of children’s literature.

Nicolas Devil and Jean Rollin's 1967 graphic novel opus, a cult classic of high psychedelia available in English for the first time.In the annals of alternative comics, few works are as venerated, or as underseen, as Saga de Xam, the legendary French graphic novel by Nicholas Devil and Jean Rollin. Originally published in 1967 in limited quantities, the book earned a devoted cult following for its innovative psychedelic visuals and avant-garde sensibilities, even as it spent decades out of print. Saga de Xam chronicles the adventures of Saga—a blue-skinned female alien on a mission to Earth—as she encounters both the cruelties and the possibilities of human civilization, from prehistory to the Middle Ages to the radical 1960s, but no synopsis could do justice to the book’s explosive graphic style, its narrative and linguistic complexity, and its countercultural fervor. Anthology Editions is honored to reintroduce Saga de Xam, a visionary landmark of comics storytelling, in its first-ever English translation.