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Jesuit scholastic philosophy of Francisco Suarez (15481617) is known to have exerted significant influence over scholastic theology in the 17th and 18th centuries. However, the historic philosophical and theological context from which his ideas emerged, marked by his Jesuit contemporaries, is not well known. In the field of philosophical cognitive psychology, especially in the commentaries on Aristotle's On the Soul, this book aims to correct this knowledge gap. Each chapter provides evidence of the theological motivation and theological horizon of the Jesuit cognitive psychology of the last decades of the 16th century and the first decades of the 17th century.
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Natural theology is that branch of philosophy that investigates what human reason, unaided by revelation, can tell us concerning God. The end at which it aims is to demonstrate the existence of God, to establish the principal divine attributes, to vindicate God's relation to the world as that of the Creator to the creature, and, finally, to throw what light it can on the action of divine providence in regard to man and on the problem of evil.
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This work attempts to establish a philosophy of art that is both intellectual and objective. At first sight it may appear that these goals are at variance with contemporary ideas. On closer examination, however, the reader will see that the tendency is in the opposite direction, a closer approach to present-day thought rather than a departure from it. To admit that there exists a world other than that of our subjective states is to subscribe to an interpretation more in keeping with the real, and thus also with artistic reality. The intellectual and objective philosophy to which this book appeals in order to interpret the beauty of art will not be an intrusion, if it guards against all exclusiveness and does not itself compromise that which gives it its value.
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