L-13 – förlag

176 pages in full colour of spectacular New-Nothingist nonsense detailing the rise of Banksy's nemesis NOT BANKSY from 2007-2021, including (nearly) 10 years of doing nothing. A facsimile of Banksy's Book except not quite so long and boring, and on better paper with lots of colour and funny things in it.

Billy Childish left school in 1976 at the age of 16, an undiagnosed dyslexic with no qualifications. Because of his lack of education he was refused entry to art school without them even looking at his portfolio. With no alternatives on offer, he entered Her Majesty's Dockyard, Chatham, as an apprentice stonemason. This, his fifth novel, takes more raw material from the author's own life and allows it to develop and twist into its own fictional truths as seen through the eyes of Childish's dysfunctional anti-hero, Gus Claudius.

James Cauty's roguish and voluble approach has earned him a cult following for art that remains radical, responsive and darkly comical. Best known as one of the men who burned a million pounds, he has always produced work that responds to popular culture. The works here were all made for an exhibition at the L-13 Light Industrial Workshop as part of the Small World Re-Enactments project, which shows re-enactments of contemporary events in minature reconfigurations of the real world, made using traditional model making components.

A collection of poetry published on the occasion of the exhibition Billy Childish: Darkness Was Here Yesterday, Carl Freedman Gallery, London, 18 Sept - 26 October 2013. Hardbound in plain grey book board with steifbroschur cloth spine and debossed titles.

A collection of poetry published on the occasion of the exhibition Billy Childish: Darkness Was Here Yesterday, Carl Freedman Gallery, London, 18 Sept - 26 October 2013. Softbound in plain brown card with debossed titles.

A survey of paintings made by the artist Billy Childish between August 2013 and August 2014. Though neither complete nor strictly chronological, this visual diary provides a useful isnight into the ebb and flow of Childish's oeuvre.

A dive into the weird and wonderful Xerox and other photocopied detritus from the archive of the famous Jamie Reid - artist, iconoclast, anarchist, punk, hippym shit-stirring rebel and romantic. Reid is know for his iconic cover art for the Sex Pistols, Never Mind The Bollocks, Anarchy in the UK & God Save the Queen.