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Written by the great medieval Jewish philosopher Maimonides, The Guide of the Perplexed attempts to explain the perplexities of biblical language—and apparent inconsistencies in the text—in the light of philosophy and scientific reason. 

Composed as a letter to a student, The Guide aims to harmonize Aristotelian principles with the Hebrew Bible and argues that God must be understood as both unified and incorporeal. Engaging both contemporary and ancient scholars, Maimonides fluidly moves from cosmology to the problem of evil to the end goal of human happiness. His intellectual breadth and openness makes The Guide a lasting model of creative synthesis in biblical studies and philosophical theology.

Written by the great medieval Jewish philosopher Maimonides, The Guide of the Perplexed attempts to explain the perplexities of biblical language—and apparent inconsistencies in the text—in the light of philosophy and scientific reason. 

Composed as a letter to a student, The Guide aims to harmonize Aristotelian principles with the Hebrew Bible and argues that God must be understood as both unified and incorporeal. Engaging both contemporary and ancient scholars, Maimonides fluidly moves from cosmology to the problem of evil to the end goal of human happiness. His intellectual breadth and openness makes The Guide a lasting model of creative synthesis in biblical studies and philosophical theology.

Erwin Panofsky’s Meaning in the Visual Arts is considered a key work in art history. Its ideas have provoked widespread debate, and although it was first published more than sixty years ago, it continues to feature regularly on numerous university reading lists.

Meaning in the Visual Arts comprises nine essays. In these, Panofsky argues for the independence of iconology as a branch of history. He moves on to demonstrate the anatomy of art and its study, as well as the controlling principles of interpretation. He then deals with the theories of human proportions, Gothic architecture, and the Northern Renaissance. Finally, Panofsky discusses his own American experiences.

Erwin Panofsky’s Meaning in the Visual Arts is considered a key work in art history. Its ideas have provoked widespread debate, and although it was first published more than sixty years ago, it continues to feature regularly on numerous university reading lists.

Meaning in the Visual Arts comprises nine essays. In these, Panofsky argues for the independence of iconology as a branch of history. He moves on to demonstrate the anatomy of art and its study, as well as the controlling principles of interpretation. He then deals with the theories of human proportions, Gothic architecture, and the Northern Renaissance. Finally, Panofsky discusses his own American experiences.

Wright’s The New Testament and the People of God is the first volume of his acclaimed series ‘Christian Origins and the Question of God’ comprehensively addressing the historical and theological questions surrounding the origins of Christianity. The text outlines Wright''s hermeneutical theory and discusses the history of the Jews stressing the close connection with Judaism and developing this to examine the treatment of early Christians. Wright’s work has played a significant role in challenging prevailing assumptions relating to the religious thought of first-century Jews. On a more technical level, Wright provides a reappraisal of literary and historical readings of the New Testament.

Wright’s The New Testament and the People of God is the first volume of his acclaimed series ‘Christian Origins and the Question of God’ comprehensively addressing the historical and theological questions surrounding the origins of Christianity. The text outlines Wright''s hermeneutical theory and discusses the history of the Jews stressing the close connection with Judaism and developing this to examine the treatment of early Christians. Wright’s work has played a significant role in challenging prevailing assumptions relating to the religious thought of first-century Jews. On a more technical level, Wright provides a reappraisal of literary and historical readings of the New Testament.

The City of God against the Pagans is a central text in the Western intellectual tradition. Made up of twenty-two lengthy books, Augustine wrote his masterpiece over a thirteen-year period during which the Western Roman Empire began to unravel. The first ten books are a critique of pagan religion and philosophy, while books eleven to twenty-two treat the relationship between the City of God and the Earthly City. Throughout Augustine conveys his mature vision of what it means for a Christian to live in a world with evil. Its arguments and ideas have provoked debate for nearly 1600 years, and remains a central text in the disciplines of theology, historiography, and political theory.

The City of God against the Pagans is a central text in the Western intellectual tradition. Made up of twenty-two lengthy books, Augustine wrote his masterpiece over a thirteen-year period during which the Western Roman Empire began to unravel. The first ten books are a critique of pagan religion and philosophy, while books eleven to twenty-two treat the relationship between the City of God and the Earthly City. Throughout Augustine conveys his mature vision of what it means for a Christian to live in a world with evil. Its arguments and ideas have provoked debate for nearly 1600 years, and remains a central text in the disciplines of theology, historiography, and political theory.

On Religion is a major text for the development of modern religious thought in the West and its author, German theologian Friedrich Schleiermacher, is remembered as the Father of Modern Protestant Theology, as well as for his contributions to philosophy, ethics and hermeneutics. Comprising five lively speeches, which defend religion as a universal element of human life, the text was addressed to the young intellectual elite of early nineteenth-century Berlin. It demonstrates Schleiermacher’s critique of Kant’s religious and moral thought, while also showing his indebtedness to the divergent movements of Enlightenment rationalism and Romanticism.

On Religion is a major text for the development of modern religious thought in the West and its author, German theologian Friedrich Schleiermacher, is remembered as the Father of Modern Protestant Theology, as well as for his contributions to philosophy, ethics and hermeneutics. Comprising five lively speeches, which defend religion as a universal element of human life, the text was addressed to the young intellectual elite of early nineteenth-century Berlin. It demonstrates Schleiermacher’s critique of Kant’s religious and moral thought, while also showing his indebtedness to the divergent movements of Enlightenment rationalism and Romanticism.

Central to the creative process of the Romantic poets that followed him, Wordsworth’s Preface to the Lyrical Ballads has been both a gift and a thorn in the side of critics for over a century. Readers find themselves drawn back to the essay repeatedly as they seek to untangle the ideas and contradictions within it. The Preface is a statement of Wordsworth’s poetic vision and offers an explanation of the poetic process behind the poems, which fused the rusticity of the ballad form with the psychological introspection of modernity.

But to the generation of Romantic writers that emerged in its wake, the Preface announced a new understanding of the creative process and of the high purposes of poetry: to reveal the human condition, and to awaken in its readers the profoundest emotions and the most enduring truths of existence.

Central to the creative process of the Romantic poets that followed him, Wordsworth’s Preface to the Lyrical Ballads has been both a gift and a thorn in the side of critics for over a century. Readers find themselves drawn back to the essay repeatedly as they seek to untangle the ideas and contradictions within it. The Preface is a statement of Wordsworth’s poetic vision and offers an explanation of the poetic process behind the poems, which fused the rusticity of the ballad form with the psychological introspection of modernity.

But to the generation of Romantic writers that emerged in its wake, the Preface announced a new understanding of the creative process and of the high purposes of poetry: to reveal the human condition, and to awaken in its readers the profoundest emotions and the most enduring truths of existence.

The Defence of Poesy is the first major piece of literary criticism in English. Taking aim at classical authors who disparaged poetry, and contemporary critics who saw literature as a corrupting influence, Sidney foregrounds the moral force of poetry. Sidney considers the real life affects of poetry upon the reader arguing that the stories instill virtues like courage in the reader. He combines this moral argument with a discussion of the technical features like genre, metre and rhyme. The Defence of Poesy thus began a long tradition of poets writing about poetry and is a touchstone for modern poetic criticism.

The Defence of Poesy is the first major piece of literary criticism in English. Taking aim at classical authors who disparaged poetry, and contemporary critics who saw literature as a corrupting influence, Sidney foregrounds the moral force of poetry. Sidney considers the real life affects of poetry upon the reader arguing that the stories instill virtues like courage in the reader. He combines this moral argument with a discussion of the technical features like genre, metre and rhyme. The Defence of Poesy thus began a long tradition of poets writing about poetry and is a touchstone for modern poetic criticism.

In this book, Sedgwick examines texts from Europe and America such as Wilde, Nietzsche and Proust and considers the historical moment when sexual orientation came to be as important a signifier of personhood as gender had been for centuries. In doing this, Sedgwick provides a history of sexuality that contends that the dualistic homo/heterosexual model is as much a basis for modern culture as it is an outcome of it. Thus, Sedgwick laid the foundations of Queer Theory, contributing to the contemporary debates regarding the relationship between desire and normative structures of power, the question of empirical sexuality, and the intricacies of the relationship between sexuality and gender.

In this book, Sedgwick examines texts from Europe and America such as Wilde, Nietzsche and Proust and considers the historical moment when sexual orientation came to be as important a signifier of personhood as gender had been for centuries. In doing this, Sedgwick provides a history of sexuality that contends that the dualistic homo/heterosexual model is as much a basis for modern culture as it is an outcome of it. Thus, Sedgwick laid the foundations of Queer Theory, contributing to the contemporary debates regarding the relationship between desire and normative structures of power, the question of empirical sexuality, and the intricacies of the relationship between sexuality and gender.

Haraway’s ‘A Cyborg Manifesto’ is a key postmodern text and is widely taught in many disciplines as one of the first texts to embrace technology from a leftist and feminist perspective using the metaphor of the cyborg to champion socialist, postmodern, and anti-identitarian politics. Until Haraway’s work, few feminists had turned to theorizing science and technology and thus her work quite literally changed the terms of the debate. This article continues to be seen as hugely influential in the field of feminism, particularly postmodern, materialist, and scientific strands. It is also a precursor to cyberfeminism and posthumanism and perhaps anticipates the development of digital humanities.

Haraway’s ‘A Cyborg Manifesto’ is a key postmodern text and is widely taught in many disciplines as one of the first texts to embrace technology from a leftist and feminist perspective using the metaphor of the cyborg to champion socialist, postmodern, and anti-identitarian politics. Until Haraway’s work, few feminists had turned to theorizing science and technology and thus her work quite literally changed the terms of the debate. This article continues to be seen as hugely influential in the field of feminism, particularly postmodern, materialist, and scientific strands. It is also a precursor to cyberfeminism and posthumanism and perhaps anticipates the development of digital humanities.

What is a self? Greenblatt argues that the 16th century saw the awakening of modern self-consciousness, the ability to fashion an identity out of the culture and politics of one’s society. In a series of brilliant readings, Greenblatt shows how identity is constructed in the work of Shakespeare, Marlowe, Spenser and other Renaissance writers. A classic piece of literary criticism, and the origins of the New Historicist school of thought, Renaissance Self-Fashioning remains a critical and challenging text for readers of Renaissance literature.

What is a self? Greenblatt argues that the 16th century saw the awakening of modern self-consciousness, the ability to fashion an identity out of the culture and politics of one’s society. In a series of brilliant readings, Greenblatt shows how identity is constructed in the work of Shakespeare, Marlowe, Spenser and other Renaissance writers. A classic piece of literary criticism, and the origins of the New Historicist school of thought, Renaissance Self-Fashioning remains a critical and challenging text for readers of Renaissance literature.

The 1979 publication of Susan Gubar and Sandra M. Gilbert’s ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women’s writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontës, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiar

The 1979 publication of Susan Gubar and Sandra M. Gilbert’s ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women’s writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontës, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiar

Michel Foucault’s 1969 essay “What is an Author?” sidesteps the stormy arguments surrounding “intentional fallacy” and the “death of the author,” offering an entirely different way of looking at texts. Foucault points out that all texts are written but not all are discussed as having “authors”. So what is special about “authored” texts? And what makes an “author” different to other kinds of text-producers? From its deceptively simple titular question, Foucault’s essay offers a complex argument for viewing authors and their texts as objects. A challenging, thought-provoking piece, it is one of the most influential literary essays of the twentieth century.

Michel Foucault’s 1969 essay “What is an Author?” sidesteps the stormy arguments surrounding “intentional fallacy” and the “death of the author,” offering an entirely different way of looking at texts. Foucault points out that all texts are written but not all are discussed as having “authors”. So what is special about “authored” texts? And what makes an “author” different to other kinds of text-producers? From its deceptively simple titular question, Foucault’s essay offers a complex argument for viewing authors and their texts as objects. A challenging, thought-provoking piece, it is one of the most influential literary essays of the twentieth century.

Jacques Derrida’s Structure, Sign, and Play is one of the most controversial and influential philosophical texts of the 20th century. Delivered at a conference on structuralism at Johns Hopkins, the lecture took aim at the critical and philosophical fashions of the time and radically proposing a world in which meaning cannot be pinned down or traced to an origin, but instead is continuously shifting, fleeting, and open to play. Hailed by many as a watershed in philosophy and literary theory, Derrida’s lecture has shaped both disciplines. At once dense, brilliant, and humorous, it is a crucial read for anyone interested in questioning our natural assumptions about meaning in the world.

Jacques Derrida’s Structure, Sign, and Play is one of the most controversial and influential philosophical texts of the 20th century. Delivered at a conference on structuralism at Johns Hopkins, the lecture took aim at the critical and philosophical fashions of the time and radically proposing a world in which meaning cannot be pinned down or traced to an origin, but instead is continuously shifting, fleeting, and open to play. Hailed by many as a watershed in philosophy and literary theory, Derrida’s lecture has shaped both disciplines. At once dense, brilliant, and humorous, it is a crucial read for anyone interested in questioning our natural assumptions about meaning in the world.

Roland Barthes’s 1967 essay, "The Death of the Author," argues against the traditional practice of incorporating the intentions and biographical context of an author into textual interpretation because of the resultant limitations imposed on a text. Hailing "the birth of the reader," Barthes posits a new abstract notion of the reader as the conceptual space containing all the text’s possible meanings. The essay has become one of the most cited works in literary criticism and is a key text for any reader approaching reader response theory.