Mandel Vilar Press – förlag

In late April, Nora, Eva’s sister, was born. Agnes Hecht remained in the camp infirmary until her two little girls were well enough to travel, then brought them back to her home in Trenčín in western Slovakia. Eva grew up with a mother who had to “survive her survival”—the little family lived with the loss in the Holocaust of the husband/father, the mother’s three siblings, and the grandparents and great-grandparents. Having also lost her family’s fortune, Agnes worked hard to create a normal home life for her daughters. Like many survivors in the post-Holocaust era, Eva’s mother never talked about her experiences. 

Eva suffered frequent flare-ups of the illnesses she had suffered in Auschwitz. She did well at school and went on to study medicine in Bratislava. In 1966 she married Jakob Sultanik, a fellow Holocaust survivor who had resettled in Munich, Germany. Eva left the Communist regime in Czechoslovakia in 1967 to join him in West Germany. There she began her practice as a pediatrician and later as a psychotherapist—and for the first time she had the opportunity to live out her Jewish identity. Unfortunately, her husband, Jakob, died unexpectedly in a tragic accident when their son, Erik, was a small boy. Eva later married a fellow physician, Bernd Umlauf, and they had two sons, Oliver and Julian. 

Every so often, the horrors of Eva''s early years would resurface in nightmares involving dead babies and Auschwitz gas chambers. Having achieved prominence as a pediatrician, child therapist, and international speaker, Eva finally decided to tell her story. In 2016, at the age of seventy-four, with the assistance of journalist Stefanie Oswalt, Eva Umlauf published Die Nummer auf deinem Unterarm ist blau wie deine Augen: Erinnerungen (Hoffmann und Campe Verlag). In 2023 the German edition was beautifully translated into English by Shelley Frisch, under the English title, The Number on Your Forearm Is Blue Like Your Eyes.This poignant and riveting memoir sets her family story in historical context and brings psychological insight to bear on accounts of emotional trauma. As someone who has endured the effects of the Holocaust from infancy, she writes, I wish for all that has happened to be understood and processed from diverse perspectives so that personal suffering, societal ruptures, and brutal transgenerational traumas can be prevented from being passed on to future generations.” This book draws on years of interviews, copious correspondence, archival research in Europe and Israel, trips to labor and concentration camps, and the author’s personal recollections.

"Hirshberg''s debut novel packs both emotional punch and a vivid portrait of Jewish American life in post-WWII Boston. . . . Readers will find connections here to Michael Chabon''s The Amazing Adventures of Kavalier & Clay and to Saul Bellow''s classic The Adventures of Augie March." —Booklist (ALA), starred review

"This amazing mosaic of fact and fiction will hold readers in its grip from the first to last page." —Library Journal, starred review

Winner, Independent Press Award 2019 Literary Fiction

Gold Medal Winner, Best Regional Fiction, 2018 Independent Press Awards

Winner, Best Regional Fiction, 2018 National Indie Excellence Awards

Winner, NYC Big Book Award in two categories: 2018 Historical Fiction and Debut Fiction

Winner, Three CIPA EVVY Awards: 2019 Literary Fiction First Place; 2019 Historical Fiction Second Place; 2019 Debut Fiction Second place

My Mother''s Son, the meticulously-crafted debut novel from David Hirshberg, is a story told by a radio raconteur revisiting his past in post-World War II Boston, the playground and battleground for two brothers whose lives are transformed by discoveries they never could have imagined. From the opening line of the book, "When you''re a kid, they don''t always tell you the truth," the stage is set for this riveting coming-of-age story that plays out against the backdrop of the Korean War, the aftermath of the Holocaust, the polio epidemic, the relocation of a baseball team, and the shenanigans of politicians and businessmen. Hirshberg deftly weaves together events, characters, and clues and creates a rich tapestry of betrayal, persecution, death, loyalty, and unconditional love that resonates with today''s America.

In an era of political correctness, race-baiting, terrorist incitement, the ‘Danish’ cartoons, the shouting down of speakers, and, of course, ‘fake news,’ liberals and conservatives are up in arms both about speech and its excesses, and what the First Amendment means.  Speech has been weaponized. Everyone knows it, but no one seems to know how to make sense of the current confusion, and what to do about it. Thane Rosenbaum’s provocative and compelling book is what is needed to understand this important issue at the heart of our society and politics.

Our nation’s founders did not envision speech as a license to trample on the rights of others.  And the Supreme Court has decided cases where certain categories of speech are already prohibited without violating the Constitution.  Laws banning hate speech are prevalent in other democratic, liberal societies, where speech is not valued above human dignity, and yet in Germany, France, the UK and elsewhere, life continues, freedoms have not rolled to the bottom of the bogeyman of a ‘slippery slope,’ and democracies remain vibrant.  There is already a great deal of second guessing about the limits of free speech.  In 1977, courts permitted neo-Nazis to march in a Chicago suburb populated by Holocaust survivors.  Today, many wonder whether the alt-right should have been prevented from marching in Charlottesville in 2017.  Even the ACLU, which represented both groups, is having doubts as to whether the First Amendment should override basic notions of equality and citizenship.

Winner, National Indie Excellence Award 2021 Best Regional Fiction – Southwest

Finalist, National Indie Excellence Award 2021 Literary Fiction

Finalist, National Indie Excellence Award 2021 Best Fiction Cover Design

Winner, Independent Press Award 2021 Literary Fiction

Jacobo''s Rainbow is an historical literary novel set primarily in the nineteen sixties during the convulsive period of the student protest movements and the Vietnam War. It focuses on the issue of being an outsider the ‘other’ an altogether common circumstance that resonates with readers in today’s America. Written from a Jewish perspective, it speaks to universal truths that affect us all.

On the occasion of the 15th anniversary of a transformative event in Jacobo’s life the day he is sent to jail he writes about what happened behind the scenes of the Free Speech Movement which provides the backdrop for a riveting story centered on his emergence into a world he never could have imagined. His recording of those earlier events is the proximate cause of his being arrested. Jacobo is allowed to leave jail under the condition of being drafted, engages in gruesome fighting in Vietnam, and returns to continue his work of chronicling America in the throes of significant societal changes.

Jacobo’s Rainbow is a story of triumph over adversity (hypocrisy, loss, lies, murder, concealment, prejudice) that is told with vivid descriptions, perceptive insights, humor and sensitivity, which enables the reader to identify with the characters who come to life in a realistic fashion to illustrate who we are, how we behave, and what causes us to change.

It can be read on three levels: (1) The story of what it was like to have lived through and been a participant in the Free Speech Movement and the Vietnam War (‘The Sixties’); (2) A metaphor for what is going on college campuses today, in terms of the shutting down of speech and the rise of anti-Semitism; and (3) What life is like for the ‘outsider.’

It Takes Two to Torah is not just an education, it’s an invitation – to join the oldest Book Club in the world.

This book is a Torah conversation-starter for families on Shabbat, for religious school instructors with students of all ages, for individuals who have never found a way to read the entire Torah in bite-size, relatable nuggets, and for young clergy looking for some sermon ideas if they’re stuck! Most of all, it is a snapshot of what Torah study is meant to be: a real-time, candid, instructive, challenging exchange of responses to ancient text.For the first time, in a single volume, readers can take a tour of the entire Torah through the medium of one challenging, instructive, irreverent, animated conversation. Rabbi Dov Linzer, an Orthodox rabbi, and Abigail Pogrebin, a Reform journalist talk their way through the Five Books of Moses with candor, humor, emotion, personal revelation, and scholarship.

This book is the product of two people literally meeting in the middle to bring us their most honest intellectual and relevant understanding of the Torah. Pogrebin and Linzer engaged in short dialogues on a podcast forTablet Magazine, and they have now been collected and edited so that the full, fascinating exploration can be found in one place. 

Rabbi Linzer is President and Rabbinic Head of YCT Rabbinical School (a Modern Orthodox seminary,) and Abigail Pogrebin is a veteran journalist, author of My Jewish Year: 18 Holidays, One Wondering Jew and former producer for 60 Minutes.

Dov is a renowned expert in Torah and Talmud, whose personal values run liberal and egalitarian, but who also has clear parameters about what is halachically correct and comfortable when it comes to Jewish law and tradition. Abby is our relatable every-Jew in America, deeply engaged in Jewish life, but less through strict observance and prayer as through study, reporting, synagogue, and community.

PASS THE TRAUMA, PLEASE is a comedy-drama memoir that presents the most brutal moment of Jewish history in an unorthodox manner. It honors the life lessons of a Holocaust survivor who reveals long-buried truths about surviving as an orphan and soldier who fought for Israeli independence. His scandalous secrets are disclosed to his son during an unforgettable Sunday night dinner in a Chinese restaurant.



But it’s not just stories that were passed down from a survivor to his children. Genetically Inherited Holocaust Trauma hitches a ride, resulting in his son’s dysfunctional relationships and dubious behaviors.



Like many books about the Holocaust, PASS THE TRAUMA, PLEASE addresses loss. But there’s also drug smuggling, attempts to reverse a circumcision, brothels, kibbutz ambushes, divorce, death camp visits, decadent nights at Studio 54, and tales of lost virginity.



Despite his own insecurities as a writer, plus deep concerns that other genocides might soon eclipse the Holocaust, a catalyst that drives the author is... will he finish the book while his father, one of the last Holocaust survivors, is still alive?



Another motivation for the book’s unique structure and irreverent tone is the challenge thrown down by Todd Diamond’s father who said, “Do me a favor, son. No long-winded descriptions of the smells in the Ghetto, the corpses. Everyone knows this already. Elie Wiesel, Primo Levy, Anne Frank, that guy who wrote the comic book about the mouse, they all covered it. Don’t be afraid to slip in a few jokes. What do you call it again… that bullshit you always say… oh yeah, write something poster-punk.”

He meant to say, post-punk. Todd’s father concluded his appeal by saying, “And besides, you’re no Elie Wiesel.”



So, while PASS THE TRAUMA, PLEASE probes the darkness of humanity, you’ll also find an equal amount of irreverence and humor that distinguishes it from most holocaust memoirs.



Put another way, if Mel Brooks and Amy Schumer adopted a second-generation Holocaust survivor, raised him, then sent him off to a writer’s retreat for anxious Jews, you’d get PASS THE TRAUMA, PLEASE.



To reach an ever-growing uninformed audience about the Holocaust, Todd Diamond has written this new resonant memoir, PASS THE TRAUMA, PLEASE with the intent to try and engage a wider, more diverse audience with different per­spective that illuminates the past in a way that will help new generations of readers to understand the ongoing impact of these tragedies on succeeding generations. 



Second-Generation Holocaust memoirs are bridges between the past and the future and useful reminders of the complex ways trauma manifests and is transmitted across generations. Pass the Trauma, Please isn’t just about the death camps, the gas cham­bers, the incomprehensible evil. It’s about the Holocaust and its after­shocks. The unrelenting ripple effect of a unique trauma that echoes through children raised in the long shadow of tragedy. He writes his story and the story of his parents and his extended family who perished in the Holocaust in a provocative and irreverent style to hopeful appeal and educate a broader readership. To that end, Todd finds light and humor amidst the wreckage, a real testament to the power of memory.

Winner of the Modern Language Association’s Fania & Yaakov Leviant Memorial Prize in Yiddish Studies (2018)

This anthology showcases the best Israeli science fiction and fantasy literature published since the 1980s. The stories included come from Hebrew, Russian, and English-language sources, and include well-known authors such as Shimon Adaf, Pesach (Pavel) Amnuel, Gail Hareven, Savyon Liebrecht, Nava Semel and Lavie Tidhar, as well as a hot-list of newly translated Israeli writers. The book features: an historical and contemporary survey of Israeli science fiction and fantasy literature by the editors; a foreword by revered SF/F writer Robert Silverberg,; an afterword by Dr. Aharon Hauptman, the founding editor of Fantasia 2000, Israel’s seminal SF/F magazine; an author biography for each story included in the volume; and illustrations for each story by award winning American-born Israeli srtist, Avi Katz.

PRAISE FOR ZION’S FICTION

“Zion’s Fiction will supply a distinctive bright line to the spectrum of futuristic fiction, which stands in sore need of broadening, in the cause of promoting cross-cultural understanding as well as showcasing exciting new talent.”– Brian Stableford, author of over 70 novels and renowned SF historian

“Zion’s Fiction explores the unlimited dreams of a people who have learned to stand on shifting ground. To face a future filled with danger and hope, forging into territory that can only be surveyed with the lamp of imagination on our brows.”– David Brin, multiple Hugo and Nebula award-author of EARTH and Existence

“When my collection Wandering Stars: An Anthology of Jewish Fantasy and Science Fiction was published in 1974,[It] became a classic. And now…we have the first ever anthology in the entire universe of Israeli fantasy and science fiction: Zion’s Fiction…Go forth and read…and may you find Zion’s Fiction unexpected, delightful, and delirious!” –Jack Dann, award winning author and editor of over 75 books including The Memory Cathedral and The Silent

“The basic joy in science fiction and fantasy is the chance to look inside minds different from your own. Here’s your chance. Some bright minds in the nation of Israel have been exercising their imaginations, sharing their different dreams and nightmares, and the results are ours to enjoy.” – Larry Niven, a multiple Hugo and Nebula Award-winning author of the Ringworld Series

Sheldon Teitelbaum, an award-winning Los Angeles-based Canadian/American/Israeli writer, and former member of the Editorial Board of Fantasia 2000, is a longtime commentator on Jewish and Israeli science fiction and fantasy literature who has published widely in the Los Angeles Times, Cinefantastique, The Jerusalem Report, Foundation: The Review of Science Fiction, and The Encyclopedia of Science Fiction

Emanuel Lottem, a central figure in Israeli science fiction and fantasy scene and former member of the Editorial Board of Fantasia 2000, is the translator and editor of some of the best SF/F books published in Hebrew, and a moving force in the creation of the Israeli Society for Science Fiction and Fantasy.

Avi Katz, an award-winning American-born Israeli illustrator, cartoonist, and painter, is the staff illustrator of Jerusalem Report magazine. He has illustrated over 170 books in Israel and the United States.

For most of her adult life, Dara Kurtz kept a Ziploc bag of letters written by her mother who passed away from cancer when she was twenty-eight years old. The bag also included other letters written by her long-departed grandmothers. These letters gave Dara a glimpse into their lives and personalities at the time the letters were written. They offered her so much wisdom and relevance and taught her so many beautiful, life lessons that Dara decided to share their story, the incredible love between Jewish mothers and daughters, and the wisdom passed on from one generation to the next. As a mother, Dara has passed down these family traditions and wisdom to her two daughters, who now carry on the legacy contained in the Ziploc bag bridging the generations of women in their family. She unexpected discovered that this is best done through the lens of love and through the hand-written word.