McClelland & Stewart Inc. – förlag

October 7th, 2023 was a truly horrific day - a day in which Israeli men, women, and children were slaughtered or kidnapped, in the most barbaric fashion possible by the Iran-backed, Gaza-based terrorist group Hamas. The attack set off a bloody war, with profound consequences for both Israelis and Palestinians. That much is well known. Less known is the propaganda campaign - the narrative war - that also began on that day. Like Hamas' war on Israel, the narrative war had been in the works for a long time. It took, and continues to take, planning, organization, and lots of money. Paid protestors. Professional organizers. Top-notch lobby efforts. NGOs, unions, and associations working together like a well-oiled machine. And, of course, messages designed to capture the support of legislators, voters, and the media. There is little, if anything, organic about this campaign, even if some of its own participants aren't quite aware of it. Interestingly, Canada has become ground zero for this international effort, a result of shifting demographics, porous online and physical borders when it comes to foreign interference, lack of political will, and failure to enforce laws that could help prevent the spread of this type of hate. The numbers themselves are astounding, reflecting a growing tide of antisemitism, anti-Zionism, and general intolerance with a brazenness that has not been witnessed before. A country known for its historic support for the Jewish homeland and for Jews in general has become, since October 7th, a place where Jews live in fear, with skyrocketing incidents of vandalism, violence, threats, and intimidation. A highly successful political strategist, and legal advocate for victims of hate, Warren Kinsella deconstructs the inner workings of this campaign of hate, and pulls no punches as to what is at stake here: the further spread of antisemitism within society - especially amongst the younger generations but certainly not limited to that demographic - and how to offset it.

Raymond Souster Award, WinnerLambda Literary Award in Bisexual Poetry, FinalistJ.M. Abraham Atlantic Poetry Award, FinalistPat Lowther Memorial Award, Shortlist A powerful follow-up to the Governor General’s Literary Award shortlisted sulphurtongue.antibody is a protest, a whisper network, a reclamation of agency, and a ritual for building a survivable world.antibody mobilizes body horror as resistance, refusing to sanitize the atrocities of sexual violence or to silence its survivors. Challenging myths of “perfect” victimhood, this collection honours the messy, rageful, queer, witchy, disabled, and kinky grief work of enduring trauma and learning to want to live.          if we must be unnatural          unliving            monstrous          let us feed.

Winner of the OCM Bocas Prize for Caribbean Literature • Winner of the Raymound Souster Award • Finalist for the Trillium Book Award for Poetry • Named a Best Canadian Poetry Book of 2025 by CBC Books • Longlisted for the Pat Lowther Memorial Award “How incandescent the language is, each line emitting light through the membrane of time and anticipated grief. The work has a rigorousness, the poet pushing through the ache of experience from the first to the last word.”—Dionne Brand In her signature epic vision, Canisia Lubrin distills a radiant elegy for her mother along an interwoven and unresolvable axis of astonishment, belonging as much to history as to today. Grief, tender and searing, is the channel through which the poet refracts the realm of contemporary life to reveal the blistering paradox of its private and public entanglements. This is poetry of haunting gravity and resonance, with meditations on love, time, and loss, at once meticulously far-seeing, interior, and inexpressible.woman from fine-print time, disclose to the world:        the forecast of our noontime births outdoors; how I distrustevery form of authority, chiefly my own astonishment        this poisoned wish is why I love, I bow to deserts,these claychildren of forests everywhere          I love the rain, this is no secret, I love the solar wind;  hold their elliptical life in the wasteland of our third mouths        where flowers are invisible and bones are sanded and amusing,and every heliopause cloud senses our head, how we astonish        our memories vining where no shade is enough,since many who’ll feed me will refuse me their names,        and good, who knows what bargains I would makewith their meanings, more bundles of thyme . . .        tournaments of family recipes with you at my question,

NATIONAL BESTSELLERA new book by Hall of Fame goalie and bestselling author Ken Dryden celebrates the 50th anniversary of the 1972 Summit Series SEPTEMBER 2, 1972, MONTREAL FORUM, GAME ONE:   The best against the best for the first time. Canada, the country that had created the game; the Soviet Union, having taken it up only twenty-six years earlier. On the line: more than the players, more than the fans, more than Canadians and Russians knew.    So began an entirely improbable, near-month-long series of games that became more and more riveting, until, for the eighth, and final, and deciding game—on a weekday, during work and school hours all across the country—the nation stopped. Of Canada’s 22 million people, 16 million watched. Three thousand more were there, in Moscow, behind the Iron Curtain, singing—Da da, Ka-na-da, nyet, nyet, So-vi-yet!     It is a story long told, often told. But never like this.    Ken Dryden, a goalie in the series, a lifetime observer, later a writer, tells the story in “you are there” style, as if he is living it for the first time. As if you, the reader, are too.    The series, as it turned out, is the most important moment in hockey history, changing the game, on the ice and off, everywhere in the world. As it turned out, it is one of the most significant events in all of Canada’s history.    Through Ken Dryden’s words, we understand why.

A fiercely intelligent, funny, and much-needed reality check on the state of heterosexual women.The Last Straight Woman is a call to set aside the baggage of what female heterosexuality evokes, in favour of a definition of what it actually entails: women liking men. No more, no less. That a woman is straight implies nothing about how conventional or submissive she is. It does not mean she wants to be accommodating to men generally.Using that simple definition as its launching point, the book moves to the history of women’s desire for men, and how it is ultimately separate from much of the history of marriage. Phoebe then turns to the sexual revolution of the late 1960s, and to second-wave feminist critiques of heterosexuality—a pattern that repeated itself when early-2000s sex positivity gave way to post-#MeToo reticence. One sees men’s desires pitted against women’s need for safety, with women’s own lusts all but forgotten. She examines the ways everyone from queer theorists to evolutionary psychologists has cast doubt on the authenticity of women’s interest in men, as well as the frustratingly widespread notion that female sexuality is fundamentally about wanting others to find you attractive. She makes sense of a society where many young adults are 2SLGBTQI+ but a lot of the women so identifying lead effectively heterosexual lives. Is it men these women have gone off, or just the confining gender roles associated with being a straight lady?The Last Straight Woman offers a way forward for straight women. In lieu of the sexy woman men are gazing at, why not be the woman too busy gazing at sexy men to have bothered with her own looks? Phoebe offers not a self-improvement PowerPoint, but rather an assortment of characters from 1990s British sitcoms, a rare world where the frumpy but horny straight lady had her day. She does not demand that 21st century women model themselves after supporting characters from long-forgotten television shows but rather merely consider the possibility that straight women are all one argyle sweater-vest away from true liberation.

"Astonishing." -Claudia Dey, author of Daughter. A hallucinatory horror novel set deeply in the consciousness of a woman exploring a changed and frightening world.Our protagonist comes to in a basement, tied to a chair, with a man looming over her. But someone has a knife. We follow her as she emerges from captivity into an unnamed, nightmarish city, seeking some meaning to her new reality. As figures emerge from the night, some offering sanctuary, and others judgement,  she keeps moving, making her way through this fever dream of a narrative. SUPPLICATION is a haunting, embodied tale of alienation, fear, and the quest for respite.

Hugh MacLennan's first novel is a compelling romance set against the horrors of wartime and the catastrophic Halifax Explosion of December 6, 1917, now available as a Penguin Modern Classic.In the winter of 1917, Penelope Wain is convinced her love, Neil Macrae, is dead--killed in action while serving overseas. That he apparently died in disgrace does not alter her love for the soldier who, unbeknownst to her, has returned to Halifax to clear his name, only days before a catastrophic explosion in the Harbour will forever change their lives.

In this broad-scoped, inside-Ottawa memoir, Thomas d'Aquino, described by Peter C. Newman as 'the most powerful influence on public policy formation in Canadian history,' offers personal insights on four decades of bold leadership at the apex of power. A transforming force in redefining the role of business and the shaping of responsible capitalism, Canada's private sector architect of the free trade agreement with the United States, bold defender of national unity, and passionate environmentalist, he has been at the centre of every major policy debate that has influenced contemporary Canada. Referred to by his peers as 'Canada's leading business ambassador', his memoir chronicles exploits on five continents and describes how he has championed Canada's place as an economic player on the world stage. His insights on leadership are timeless, honed from relationships with six Canadian prime ministers (including Pierre Trudeau, for whom he worked as special assistant), over 1500 chief executives, and dozens of global leaders. Beyond business and public policy, Thomas d'Aquino's fascinating adventures in the world of voluntarism and the arts reveal a great deal about the soul of this remarkable Canadian.

A stunning and surprising collection of photographs and stories from Atlantic Canada, from acclaimed documentary and editorial photojournalist, Darren Calabrese. When a family tragedy pulled photojournalist Darren Calabrese back to Atlantic Canada, the region both he and his wife once called home, he was confronted with a sense of profound grief. But, on returning to the rural property where he grew up, as a new father, he rediscovered an appreciation for the geographies, histories, and people of New Brunswick, Nova Scotia, Prince Edward Island, and Newfoundland and Labrador, turning his lens to explore the tension between the perseverance of tradition and the inevitability of change.Darren’s work led him into communities across the eastern provinces, who welcomed him to document the inextricable relationship between people, their stories, and the landscapes—equally beautiful and harsh—where they live and work. The result is an astonishing, evocative collection of curated photographs and archival images, with personal essays on family, coming home, loss, and his experiences exploring the region woven in throughout.Elegant, spare, and revelatory at every turn, Leaving Good Things Behind shines a light on both the challenges and joys of the places we live.

A remarkable collection of exclusive, first-person stories on leadership during the COVID-19 pandemic from 29 chief executives at iconic Canadian companies.      Unprecedented is an extraordinary business book for extraordinary times: a collection of exclusive, first-person stories on leadership during the COVID-19 pandemic from twenty-nine chief executives at Canada’s most iconic and largest companies. These are unforgettable accounts from senior leaders at companies on the front lines during the pandemic—nursing homes, grocery stores, airlines, hotels, pharmacies, shopping malls—along with valuable lessons on crisis management. The insights in Unprecedented are remarkable. Readers get a seat at the table when the CEO of Tim Hortons visits the White House to discuss financial relief initiatives for business. Canada Goose’s CEO tells of retooling the parka maker to turn out surgical gowns. The head of one of Canada’s largest paper producers reveals what happened when the country almost ran out of toilet paper. COVID-19 is a shared challenge, a crisis that touches everyone. Unprecedented captures that shared experience with personal essays that mix struggle and achievement, fear, humour, and compassion. At their heart, these are stories about overcoming adversity, a theme that resonates with managers, professionals, entrepreneurs, and students of business. Unprecedented gives us rare insight into how leaders navigated the pandemic and the social unrest and technological changes that marked this era—what was gained, what was lost, and what was learned that can help serve companies, employees, and customers better in an uncertain future. The authors’ net proceeds from the sales of Unprecedented are being donated to United Way Centraide Canada for COVID recovery across Canada.

INSTANT NATIONAL BESTSELLER • Longlisted for the Leacock Medal of Humour • One of Kobo CA's Top Horror Ebooks and Top Horror Audiobook of 2024 A tragic plane crash that leaves two women stranded and fighting for their lives kicks off this sweeping and hilarious novel from award-winning writer Drew Hayden Taylor that blends thriller, murder mystery, and horror with humour and spectacle.Elmore Trent is a professor of Indigenous studies who finds himself entangled in an affair that's ruining his marriage; Paul North plays in the IHL (Indigenous Hockey League), struggling to keep up with the game that's passing him by; Detective Ruby Birch is chasing a string of gruesome murders, with clues that conspicuously lead her to both Elmore and Paul. And then there's Fabiola Halan, former journalist-turned-author and famed survivor of a plane crash that sparked a nationwide tour promoting her book. What starts off as a series of subtle connections between isolated characters quickly takes a menacing turn, as it becomes increasingly clear that someone—or something—is hunting them all.Taking tropes from the murder mystery, police procedural, thriller, and horror genres, Drew Hayden Taylor weaves a pulse-pounding and propulsive narrative with an intricate cast of characters, while never losing the ability to make you laugh.

From the author of Cold and Motorcycles & Sweetgrass, a razor-sharp and darkly funny tale of ambition, greed, and Indigenous sovereignty—where the biggest gamble isn't at the tables, but in the human heart.Welcome to Sucker Falls—Abandon hope all ye who enter here.Ladybug LaFlesche is a hurricane of a woman—a powerfully persuasive con artist plowing through people, places, and even her two sons, Donnie and Reeper, if necessary. On the run with police hot on their trail, Ladybug and her boys set their sights on Sucker Falls, the reserve where she was born and raised, and where she swore she'd never return. But that was in another life.Now, Sucker Falls represents a place of rebirth and refuge—a reserve she hopes to turn into its own sovereign nation. Ladybug's hopes for grandeur have her constructing the greatest casino in the land, but things quickly get out of hand leaving her family and her home in piles of debt and in search of a miracle. And when the miracle arrives in the form of three strangers with deep pockets, Ladybug and her boys have no choice but to lean in to the storm and manipulate their own moral compasses in order to maintain everything they've worked for.Full of thrills and deception while also showcasing Drew Hayden Taylor's stylish and always-hilarious voice and teeming with a cast of characters that will haunt and infuriate readers, Sucker Falls is a modern take on a classic crime caper, showing us the pitfalls of power and how it can create monsters far scarier than those of legend.

INSTANT NATIONAL BESTSELLEROne of Canada’s foremost authors and journalists, offers a gripping account of the contest between John Diefenbaker and Lester Pearson, two prime ministers who fought each other relentlessly, but who between them created today’s Canada.    John Diefenbaker has been unfairly treated by history. Although he wrestled with personal demons, his governments launched major reforms in public health care, law reform and immigration. On his watch, First Nations on reserve obtained the right to vote and the federal government began to open up the North. He established Canada as a leader in the struggle against apartheid in South Africa, and took the first steps in making Canada a leader in the fight against nuclear proliferation. And Diefenbaker’s Bill of Rights laid the groundwork for the Charter of Rights and Freedoms. He set in motion many of the achievements credited to his successor, Lester B. Pearson.Pearson, in turn, gave coherence to Diefenbaker’s piecemeal reforms. He also pushed Parliament to adopt a new, and now much-loved, Canadian flag against Diefenbaker’s fierce opposition. Pearson understood that if Canada were to be taken seriously as a nation, it must develop a stronger sense of self.    Pearson was superbly prepared for the role of prime minister: decades of experience at External Affairs, respected by leaders from Washington to Delhi to Beijing, the only Canadian to win the Nobel Prize for Peace. Diefenbaker was the better politician, though. If Pearson walked with ease in the halls of power, Diefenbaker connected with the farmers and small-town merchants and others left outside the inner circles. Diefenbaker was one of the great orators of Canadian political life; Pearson spoke with a slight lisp.    Diefenbaker was the first to get his name in the papers, as a crusading attorney: Diefenbaker for the Defence, champion of the little man. But he struggled as a politician, losing five elections before making it into the House of Commons, and becoming as estranged from the party elites as he was from the Liberals, until his ascension to the Progressive Conservative leadership in 1956 through a freakish political accident.    As a young university professor, Pearson caught the attention of the powerful men who were shaping Canada’s first true department of foreign affairs, rising to prominence as the helpful fixer, the man both sides trusted, the embodiment of a new country that had earned its place through war in the counsels of the great powers: ambassador, undersecretary, minister, peacemaker. Everyone knew he was destined to be prime minister. But in 1957, destiny took a detour.Then they faced each other, Diefenbaker v Pearson, across the House of Commons, leaders of their parties, each determined to wrest and hold power, in a decade-long contest that would shake and shape the country.    Here is a tale of two men, children of Victoria, who led Canada into the atomic age: each the product of his past, each more like the other than either would ever admit, fighting each other relentlessly while together forging the Canada we live in today. To understand our times, we must first understand theirs.

NATIONAL BESTSELLERA GLOBE AND MAIL BEST BOOK OF THE YEARThe brilliant, critically-acclaimed story of two legendary leaders who fought each other relentlessly, but between them created today’s Canada.John Diefenbaker has been unfairly treated by history. Although he wrestled with personal demons, his governments launched major reforms in public health care, law reform and immigration. On his watch, First Nations on reserve obtained the right to vote and the federal government began to open up the North. He established Canada as a leader in the struggle against apartheid in South Africa, and took the first steps in making Canada a leader in the fight against nuclear proliferation. And Diefenbaker’s Bill of Rights laid the groundwork for the Charter of Rights and Freedoms. He set in motion many of the achievements credited to his successor, Lester B. Pearson. Pearson, in turn, gave coherence to Diefenbaker’s piecemeal reforms. He also pushed Parliament to adopt a new, and now much-loved, Canadian flag against Diefenbaker’s fierce opposition. Pearson understood that if Canada were to be taken seriously as a nation, it must develop a stronger sense of self.    Pearson was superbly prepared for the role of prime minister: decades of experience at External Affairs, respected by leaders from Washington to Delhi to Beijing, the only Canadian to win the Nobel Prize for Peace. Diefenbaker was the better politician, though. If Pearson walked with ease in the halls of power, Diefenbaker connected with the farmers and small-town merchants and others left outside the inner circles. Diefenbaker was one of the great orators of Canadian political life; Pearson spoke with a slight lisp.    Diefenbaker was the first to get his name in the papers, as a crusading attorney: Diefenbaker for the Defence, champion of the little man. But he struggled as a politician, losing five elections before making it into the House of Commons, until his ascension to the Progressive Conservative leadership in 1956 through a freakish political accident.    As a young university professor, Pearson caught the attention of the powerful men who were shaping Canada’s first true department of foreign affairs, rising to prominence as the helpful fixer, the man both sides trusted, the embodiment of a new country that had earned its place through war in the counsels of the great powers: ambassador, undersecretary, minister, peacemaker. Everyone knew he was destined to be prime minister. But in 1957, destiny took a detour.     Then they faced each other, Diefenbaker v Pearson, across the House of Commons, leaders of their parties, each determined to wrest and hold power, in a decade-long contest that would shake and shape the country.

A unique first-hand account of the major events, decisions, triumphs and tragedies that defined Stephen Harper’s time in power, as well as the story of his path to prime minister, Here for Canada is a must have for any reader interested in leadership, Canadian history, and politics.Spanning a near ten-year journey in government, Mr. Harper’s account takes us behind the scenes of Canada's deft handling of the 2008 global financial collapse, his oversight of the country’s military engagement in Afghanistan, his passionate defence of Canada’s Northern sovereignty, and his historic accomplishments in growing Canada’s trading relationships. Perhaps the most striking element of these captivating memoirs is how relevant Mr. Harper’s foreign policies are to today’s geopolitical landscape, and how prescient his government was on China, Russia, Ukraine, India, the Middle East, global energy markets, foreign trade and, of course, Canada's relationship with the United States.Here for Canada also recounts the Harper government’s relentless work to toughen criminal justice laws to protect communities, rebuild the country’s military, speak with an influential voice abroad, while celebrating Canada’s proud identity and history at home.  A trained economist determined to put Canada on the path to long-term prosperity, Mr. Harper’s account of restoring a balanced budget in 2015, cutting taxes to boost competitiveness, and enabling development of natural resources is particularly relevant today.These memoirs are an insider account of what it is like to be prime minister; how and why decisions are made and at what cost. But they also examine our national identity and what is necessary to sustain it. Here for Canada stands as a testament to both Stephen Harper’s significant legacy as Prime Minister, and Canada’s forward potential.

“Erica Violet Lee makes her own traditions, weaving hope and promise throughout her poetry. You will be changed because you read her work." —Tracey Lindberg, author of Birdie and The Cree Word for LoveErica Violet Lee’s stunning debut poetry collection, On the Prairies We Will Live Forever, envisions a world where the inner-city is and has always been home on Native Land, and where good food, clean air, and a call for joy are the taste, smell, and sound of revolution.Intertwining the political and the intimate in exquisitely crafted poems and prose, Lee explores love as a community care practice toward freedom. Her writing imagines that everyday thriving for Native girls from the hood to the rez is the sweetest resistance to a cruel colonial empire—one that is much more fragile than we are taught to believe.

An astonishing, inventive new collection of poems from the author of Rotten Perfect Mouth.Includes the poem “Bonedog” featured in the film I’m Thinking of Ending ThingsPat Lowther Memorial Award, ShortlistDeeply attuned to the cadence of life, the poems in The Natural Hustle offer provocative, intimate snapshots. They explore the bewildering experience of living—precisely locating unexpected truths. Ingenious, original, surprising, here is a one-of-a-kind poetic voice.

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon.Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada.Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcourt and Tanya Tagaq. The IVAs also promote the works of unpublished writers, helping to launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. This anthology gathers together a selection of the finalists over the past five years, highlighting some of the most pathbreaking Indigenous writing across poetry, prose, and theatre in English, French, and Indigenous languages. Curated by award-winning and critically acclaimed writers Jordan Abel (Nisga’a) and Carleigh Baker (Métis), and scholar Madeleine Reddon (Métis), this anthology is a celebration of Indigenous storytelling that both introduces readers to emerging luminaries and returns them to treasured favourites.

A career-spanning volume that brings together new and selected works by an iconic voice in Canadian literature.From the Lost and Found Department, by the trailblazing Joy Kogawa, is a profound work of spare, trenchant, and haunting poems that lets us stay with the quietest qualities of beauty and the sublime.This essential volume brings together thrilling new work with selected poems from The Splintered Moon (1967), A Choice of Dreams (1974), Jericho Road (1977), Woman In the Woods (1985), and A Garden of Anchors: Selected Poems (2003).Kogawa’s poems here are evidence that our every vulnerability can open into vast channels of grace.

From award-winning Toronto-based poet Doyali Islam comes a second collection of poems that investigates rupture and resilience.GRIFFIN POETRY PRIZE FINALISTPAT LOWTHER MEMORIAL AWARD FINALISTTRILLIUM BOOK AWARD FOR POETRY FINALISTHow does one inhabit a world in which "the moon / & the drone hang in the same sky"? How can one be at home in one's own body in the presence of suspected autoimmune illness, chronic/recurrent pain, and a society that bears down with a particular construct of normal female sexual experience? What might a daughter salvage within a fraught relationship with a cancer-stricken father? Uncannily at ease with both high lyricism and formal innovation and invention, these poems are unafraid to lift up and investigate burdens and ruptures of all kinds--psychic, social, cultural, physical, and political.Providing continuity over the poet's visually-arresting forms--including Islam's self-termed split sonnets, double sonnets, and parallel poems--is allied remembrance of the resilience of the Palestinian people. Yet, the work doesn't always stray far from home, with a quintet of astro-poems that weave together myth and memory.Here is a poet small in stature, unwilling to abandon to silence small histories, small life forms, and the small courages and beauties of the ordinary hour. In these rigorous, intimate, and luminous poems, the spirit of the everyday and the spirit of witness bind fiercely to one another. heft is a ledger of tenderness, survival, and risk.

INSTANT NATIONAL BESTSELLERA marvelous and compulsively readable collection of stories from the life of Salah Bachir — philanthropist, art collector, movie industry insider — who, through his sheer joy of life, art, giving back, and human interaction, has endeared him to some of the most famous and creative people in recent times.Salah Bachir’s encounters with stars who have passed through his beloved Toronto over the years opens on a backyard garden barbecue with Marlon Brando, and bread continues to be broken with icons as fascinating and seemingly disparate as Muhammad Ali and Liberace, Margaret Atwood and Cesar Chavez, Andy Warhol and Princess Margaret, to name just a few. But the true literary coup is that the biggest, brightest star we encounter is the author himself.                                                                        Alan CummingSalah is the patron saint for all of us who are full of curiosity, hungry for celebration, horny for fun, and who won’t stop until every need is fulfilled. His appetite and passion for life is voracious. His ability to transform those passions into making life better for others is even more impressive.                                                      Atom EgoyanSalah Bachir, who immigrated to Canada from Lebanon in the 1960s, has been a gay activist who has worked in the film world for over four decades. While this has given him undeniable front-row access to Hollywood’s biggest stars, it is Salah’s personal charm and kindness, his philanthropy, his overall style (think hats, scarves, brooches, pearls, diamonds) and deep involvement in the art world that has made him a friend, companion, confidante, and/or lover to so many — including Paul Newman and Joanne Woodward, Joan Rivers, Mary Tyler Moore, Douglas Fairbanks Jr., Andy Warhol, Keith Haring, Edward Albee, Orson Welles, Aretha Franklin, Norman Jewison, and Elizabeth Taylor — although it’s true that Katharine Hepburn once turned him down, very nicely.Collected here in this wonderful book are personal stories of them all — some short, some long, some surprising, others juicy, and all fascinating. Through them we get to know Salah, a larger-than-life character that embodies the many worlds he shapes — the kind of person it would be hard to make up if he didn’t already exist.

From Canada's newspaper of record for 180 years, here are thirty-one brilliant and provocative essays by a diverse selection of their writers on how The Globe and Mail covered and influenced major events and issues from the paper’s founding to the latest file. Since 1844, the Globe and Mail and its predecessor, George Brown’s Globe, have chronicled Canada: as a colony, a dominion, and a nation. To mark the paper’s 180th anniversary, Globe writers explored thirty issues and events in which the national newspaper has influenced the course of the country: Confederation, settler migrations, regional tensions, tussles over language, religion, and race. The essays reveal a tapestry of progress, conflict, and still-incomplete reconciliation: Catholic-Protestant hostilities that are now mostly the stuff of memory; the betrayal of Indigenous peoples with which we still grapple; the frustrations and triumphs of women journalists; pandemics old and new; environmental challenges; the joys of covering sports and the arts; chronicling the nation’s business, international coverage, the impossibility of Canada and of this newspaper, which both somehow flourish nonetheless. Riveting, insightful, disturbing, witty, and always a joy to read, A Nation’s Paper chronicles a country and a newspaper that have grown and struggled together – essential reading for anyone who wants to understand where we came from and where we are going. The Globe and Mail will donate all its proceeds from the book to Journalists for Human Rights.

A page-turning examination of how a multi-billion dollar industry creates enormous wealth and endless heartache, at a time when climate change, swings in the market, and greed are impacting fishermen’s livelihoods in new and dramatic ways.Lobster has been a phenomenal success story, with a commercial fishery that has generated enormous wealth and fuelled appetites for one of the world’s most recognizable luxury foods. The great lobster boom that began in the 1990s has also led to violent fights over who has the right to catch this valuable seafood, including many Indigenous people in Canada, who until recently have been excluded from this industry. Now overfishing, trade wars, and climate change are threatening the future of this fishery in deeply troubling ways.By 2050, scientists expect that warming ocean waters in the heart of North America’s lobster fishing region will cut catches by two thirds. In some parts of America, there’s hardly any lobster left to catch. Unlike previous collapses, there are few other large-scale wild seafood species left that fishing crews can switch to. The economic upheaval for fishermen and seafood companies alike could devastate coastal communities in both Canada and the United States.In this deeply reported, resonant, timely book, Greg Mercer takes readers on a fascinating global journey and inside this precarious moment for the lobster industry, to show the money and heartache, and the danger and violence, tied up in it. Along the way, he explores lobster’s remarkable history, the gold-rush mentality that surrounds it, and examines the looming crisis for this most precious shellfish.