Oberlin College Press – förlag

This vivid presentation of Campana demonstrates why Italian readers have cherished his poems since the first appearance of Canti Orfici in 1914. Charles Wright's translation, Jonathan Galassi's introduction, and, as afterword, Montale's thoughtful essay on Campana, identify the heart of this poet's achievement.

Winner of the 2004 FIELD Poetry Prize, this most recent collection of poet Beckian Fritz Goldberg is a wry, elegant series of meditations on mortality and the body. Her poems are "breathtakingly beautiful and resolute in their conviction that words matter, especially in the fact of randomness and moral collapse." (Bruce Weigl)

Gallagher's second book of poems, Stubborn, follows quickly after publication of her first book, This Minute (Fordham), which received the Poets Out Loud Prize. Stubborn won the ninth annual FIELD Poetry Prize. "Readers will not want to put down this book once they have started to encounter it. It shines with power and crackles with excitement." (David Young)

Winner of the 2006 FIELD Poetry Prize, Red Studio is a collection of startling lyricism, vivid sensuality, and keen precision. Cornish's poems tell about life and art and their interdependence. They are fierce, funny, and filled with a love of the world that acknowledges candidly how precarious it is--or rather, how brief our time in it must be.

Winner of the 2007 FIELD Poetry prize, poems on recovery from injury, materialism, aging, love, and death

A physical therapist, Kelly writes poems that are a truly original examination of what it means to occupy the body and inhabit the world.

This collection, Hinrichsen's fifth and most accomplished, will intrigue readers with poems that take, again and again, journeys of risk and insight, rising into vision and rueful delight. Winner of the 2008 FIELD Poetry Prize, Kurosawa's Dog displays an astonishing range of feeling, form, and human compassion. Its landscapes are both Midwestern and global.

Angie Estes' Tryst was named one of two finalists for the 2010 Pulitzer Prize in Poetry. The citation called it "a collection of poems remarkable for its variety of subjects, array of genres and nimble use of language."

"Marilyn Hacker is truly one of this country's greatest translators; her work is distinguished by technical subtlety, deep knowledge of the French language, and the sensibility of a first-class poet. Her translation of Emmanuel Moses' He and I introduces a vital, ambitious new poet to American readers. By turns violent and witty, melancholy and thoughtful, He and I deserves a wide readership and high praise."--Kevin Prufer

These endlessly inventive contemporary American prose poems work forward from the tradition represented by Russell Edson and Charles Simic with energy and delight.

Winner of the 2009 FIELD Poetry Prize, The Sleep Hotel is Amy Newlove Schroeder's first collection. This book is packed with surprising and courageous poems that are, by turns, dreamlike, sinister, visionary, and erotically charged. Her work maps the psychic life of contemporary America with unerring precision.

Timothy O'Keefe was awarded the 2010 FIELD Poetry Prize for THE GOODBYE TOWN, described by Editor David Walker as "a complex and multilayered collection, deeply intelligent and humane, beautifully balanced in its sly wit and elegant lyricism.... He has a fresh and distinctive voice." This is O'Keefe's first book.

"Angie Estes has recently created some of the most beautiful verbal objects on the planet." (Stephen Burt, Boston Review)"James Merrill, Amy Clampitt and Gjertrud Schnackenberg all won praise, and sparked controversy, for their elaboration; Estes shares some of their challenges, should please their readers, and belongs in their stellar company."- Publishers WeeklyAngie Estes' previous book, Tryst (also from Oberlin College Press), was named one of two finalists for the 2010 Pulitzer Prize in Poetry, as"a collection of poems remarkable for its variety of subjects, array of genres and nimble use of language." Her much-anticipated new book is another glittering demonstration of her gifts.

Start, Jean Gallagher's third full-length collection, turns to the world of Greek mythology, using the figures of Demeter and Persephone to explore the mysteries of motherhood, loss, grief, and renewal. Her brilliant concision and riveting music bring the ancient narrative sharply into the present, transforming it to a vision that feels thrillingly contemporary and personal.

Pierre Peuchmaurd (1948-2009) was born in Paris, and became fascinated with surrealism in his teenage years. Though his poetry came to transcend the boundaries of surrealist work--by being both more lyrical and inhabited by more substantial narratives--he never forgot the movement and the artists that first inspired him. This is the first collection of his work in English."The Nothing Bird is an exemplar of the art of translation at its best. E. C. Belli has translated the exquisitely lyric, surrealist poems of the late Pierre Peuchmaurd into equally exquisite poems in English. These translations sing. From first page to last, I savored reading this volume, which includes a selection of poems written over three decades of Peuchmaurd's career. With generosity of mind and fine erudition, E. C. Belli has placed her impressive gifts as a linguist and poet in the service of translating a poet whose work feels necessary for our souls."- Cynthia Hogue"E. C. Belli's transfixing translations of Pierre Peuchmaurd make it possible not just to read of the night's elbows 'on the table of the day' but to be at that table, to experience the Peuchmaurdian madness of night's bald child hatching a bald chicken. These are gorgeous, glorious translations of a poet who knows how 'everything roars, and everything falls silent.'"- Idra Novey

Winner of the 2013 FIELD Poetry Prize, Bern Mulvey's Deep Snow Country is centered in the subject of Japan and the earthquake, tsunami, and reactor meltdown of 2011, but its voice is never that of the tourist or the travel guide. As an American poet who lives and works in Japan, Mulvey is positioned to respond not only to current events, but to all the rich history of interactions and meanings involving two very different cultures and languages. Such exploration requires unusual expertise and tact. In poems that draw on a sensibility and imagination of great scope, in language as intimate as it is precise, Mulvey guides us repeatedly to discoveries that are dazzling and unforgettable.

Carol Potter's four previous books have earned many admirers and multiple awards. But the scope and depth of Some Slow Bees, winner of the 2014 FIELD Poetry Prize, will be a revelation even to her most devoted fans.Potter's new collection is a book about trouble, about loss: relationships, farms, parents, places. But there's also humor, a wry look at the way we invite or stumble into trouble and how we embrace the adventure. From children at their desks watching the flood leak into the schoolroom, to the narrator and her lover paddling down a river in the dark, the book charts a journey from loss to repair. It ends with a sonnet sequence,"The Miss Nancy Papers," that leads us from the psychological terrain of the 1950s into the present, where "if anyone knew what war we were coming home from / we would come home from it." This is a book about how to get lost, and how to get home.

Robin Behn called Mark Neely's first collection "nothing less than a mandala of the human spirit." Now, in Dirty Bomb, his formidable talents take on a wider and more public dimension. This book of poems explores life in 21st-century America, particularly the juxtaposition of intimate human relationships with the politics and violence of U.S. militarism, terrorism, and the threat of environmental apocalypse. Oil tankers leak, atrocities play out across the internet,"the present / always drags the past into the future." Yet Neely's piercing intelligence and dry wit keep the poems light on their feet and unexpected in their perceptions. Angry, baffled, moon-drunk, and visionary, these poems chart the promise and the danger of America in fresh and memorable ways.

It’s rare for a first book to demonstrate the confidence and distinctive voice of Blood Hyphen. Through the publication of individual poems in journals over several years, readers have become aware of Kenny Williams as a strikingly original writer, but the range and depth of his achievement in this collection are remarkable. Williams handles big concerns—faith, hurricanes, history, the conundrum of the body—with sly humor, assurance, and poise, instantly establishing himself as a mature and memorable presence.

One of the hallmarks of FIELD magazine has always been its attention to what poets have to say about poetry. Many of these essays--by William Stafford, Denise Levertov, Gary Snyder, Adrienne Rich, Donald Hall, Robert Bly, and Sandra McPherson, among others--have become classics. This revised and expanded collection of essays from the magazine provides a rich and stimulating perspective on the state of contemporary poetry, as seen through the eyes of the poets themselves.

High-spirited and unpredictable, Marcia Southwick's third collection is, among other things, a remarkable mirror of our place and time. With unrelenting curiosity and brio, she reflects our materialistic culture right back at us, showing us the world we live in with unflinching honesty and compassionate affection.

Lebanese writer Vénus Khoury-Ghata, who lives in France and has won many of France's major literary prizes, blends French surrealism with Arabic poetry's communal narrative mode in three stunning poetic sequences. Here brilliantly translated from the French by poet Marilyn Hacker, the English-speaking reader has rare insight into another world, another dimension.

Jon Loomis's new collection of poems visits big subjects by way of the commonplace. While The Pleasure Principle is full of surprises, both narrative and metaphoric, it is more than anything a humane and thoughtful exploration of the human condition: passion, mortality, cross-dressing, time, tourism, art, the shifty nature of reality, and, always considered in Loomis's work, the unknowable absolute.

Angie Estes' Voice-Over explores the erotics of language and its meanings in poems both experimental and lyric. This stunning collection of poems was the winner of the 2001 FIELD Poetry Prize.

This posthumous volume brings together the poems of Tom Andrews, whose untimely death in 2001 cut off a career marked by early achievement and remarkable innovation. It comprises two previously published books, The Brother's Country and The Hemophiliac's Motorcycle, and two unpublished manuscript, closing with two late uncollected poems.

Stunning new work by this inimitable French master

In her third collection, Carol Moldaw explores new territory in poems that are thematically far-reaching and technically superb. The book includes three long sequences based on art and artifact in various stages of completeness: preliminary pen-and-ink studies, Turkish ruins, and, at the center, the site-specific art installation that gives the book its title and impetus. Attracting charged material as a lightning field attracts lightning, the poems reference narrative but move beneath and beyond it through a restless and rewarding insistence on making and remaking, on seeing by degrees and seeing whole.