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Roy Grundmann - Companion to Michael Haneke, Övrigt

Övrigt, Engelska, 2010

Companion to Michael Haneke

Av Roy Grundmann

1980 kr

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Beskrivning
A Companion to Michael Haneke is a definitive collection of newly-commissioned work that covers Haneke's body of work in its entirety, catering to students and scholars of Haneke at a time when interest in the director and his work is soaring. Introduces one of the most important directors to have emerged on the global cinema scene in the past fifteen years Includes exclusive interviews with Michael Haneke, including an interview discussion of The White Ribbon Considers themes, topics, and subjects that have formed the nucleus of the director's life's work: the fate of European cinema, Haneke in Hollywood, pornography, alienation, citizenship, colonialism, and the gaze of surveillance Features critical examinations of La Pianiste, Time of the Wolf, Three Paths to the Lake and Cache, amongst others
Produktinformation
  • Märke: John Wiley and Sons Ltd
  • Utgivningsdatum: 2010-03-04
  • Höjd: 180 x 254 x 40 mm
  • Vikt: 1 298 g
  • Språk: Engelska
  • Förlag: John Wiley and Sons Ltd
  • EAN: 9781444320602
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Mer om författaren

Roy Grundmann is Associate Professor of Film Studies, and Film Studies Program Director in the Department of Film and Television, Boston University. He is co-editor of the multi-volume Blackwell History of American Film .

Recensioner i media

"This makes the arrival of A Companion to Michael Haneke all the more welcome--for supporters like me, who will find ample evidence of Haneke's intelligence and enterprise, and for open-minded skeptics willing to risk a change of heart by perusing the largest body of critical, theoretical, and historical work on Haneke so far assembled in one volume. The book's thirty-two essays have been judiciously chosen and edited by Roy Grundmann, a firstrate scholar of against-the-grain cinema...This gives some idea of the breadth, creativity, and intelligence that distinguish this fine collection of essays on a filmmaker I still stand by as one of the most artfully audacious of our day." ( Film Quarterly , 1 April 2012)

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