Dark Precursor

Paulo de Assis is artist researcher (pianist, composer, music philosopher) and research fellow at the Orpheus Institute. Paulo de Assis is artist researcher (pianist, composer, music philosopher) and research fellow at the Orpheus Institute. Paolo Giudici is an artist-researcher and associated researcher at the Orpheus Institute. Lucia D’Errico is a musician and artistic researcher. She is research fellow at the Orpheus Institute Ghent.

This is an outstanding collection of essays, whose authors find ingenious ways of relating the thought of Deleuze to various disciplines and engaging Deleuzian concepts with current research in their respective fields. (Ronald Bogue, University of Georgia, US)

• Volume I: The Dark Precursor in Sound and Writing Preface Paulo de AssisPart 1 Sound The Obscure Precursor, French Modernism, and the Musics of the World Edward Campbell The Executing Machine: Deleuze, Boulez, and the Politics of Desire Martin Scherzinger Deleuze’s Fold in the Performing Practice of Aaron Cassidy’s The Pleats of Matter Diego Castro-Magas Variables, Diagrams, Process Pascale Criton Performing Music, Performing the Figure: Deleuze and Painting Lois Fitch Machining the Voice through the Continuous Variation Paolo Galli Templates for Technique in Mantel and Lachenmann: Between Transcendence and Immanence Keir GoGwilt Towards a Figural Paradigm in Music: Capture of Forces and Logic of Sensation in Géométries de l’abîme (LeBlanc), In Vivo (Cendo), and The Restoration of Objects (McCormack) Jimmie LeBlanc L ’image-temps: Conceptual Foundations of My Compositional Approach Nicolas Marty Circumstantial Scores, Graphic Scores, Extended Scores: The Work as “Ecopraxic” Rediagrammatisation Frédéric Mathevet Perform Now! The Ethics of Musical Improvisation Vincent Meelberg Thinking Sound through the Notion of the Time-Image: Deleuze’s Cinema Studies as a Model for Problematising Sound in Artistic Practice Gabriel Paiuk Re-Notations: Flattening Hierarchies and Transforming Functions Einar Torfi Einarsson Alone/Together: Simulacral “A-presentation” in and into Practice-as-Research in Jazz Steve Tromans and Mike Fletcher A Journey of Refrains, Vibes, and Ambiences: Félix Guattari in Terms of the Techno Party Scene Toshiya Ueno, aka Toshiya the TribalPart 2 Writing and Staging Corpus Delicti #2 // Untimely Precursors Lecture Performance* Arno Böhler and Susanne Valerie Deleuze’s Expressionism as an Ontology for Theatre Zornitsa Dimitrova Space and Sensation: Zoé Degani’s Art of Pluralising Signs Onstage Lindsay Gianoukas Journey into the Unknown: Romeo Castellucci’s Theatre of Signs Oleg Lebedev From Schizoproduction to Non-standard Artistic Research Tero Nauha Deleuze and Perversion Catarina Pombo Nabais Deleuze, Simondon, and Beckett: From Being to Becoming Audronė ŽukauskaitėVolume II: The Dark Precursor in Image, Space, and PoliticsPart 1 Image On Contemporary Art and Philosophy: Towards a Diagrammatic Critique of Aesthetics Éric Alliez Deleuze and Guattari’s Digital Art Machines Anne Sauvagnargues Heterogeneity of Word and Image: What is the Possible Dark Precursor? Jūratė Baranova Godard and/with Deleuze: “C’est comme ça que le monde naît” Zsuzsa Baross No Voice is Lostor or, The Dead as a Witness Anna Barseghian and Stefan Kristensen )( Z )( Lucia D’Errico Digital Folds, or Cinema’s Automated Brain Elena Del Río Beyond Artist and Artisan: Performing Unformed Sound in the Art Machine Lilija Duoblienė Hollywood Flatlands: Taking a Line for a Walk Verina Gfader Bacon and the Cartoonist: The Emergence of the Figure through Two Opposing Diagrams John Miers al niente—a dissolution: Thinking in Images and Sounds Adreis Echzehn and Elfie Miklautz Drawings from A Thousand Plateaus Marc Ngui The Image as a Process of Invention within Artistic Research Andreia Oliveira and Felix Rebolledo Matter-flow: Studies of Minor Composition Federica Pallaver perpetual doubt, constant becoming Mhairi Vari The Fold: A Physical Model of Abstract Reversibility and Envelopment Elisabet YanagisawaPart 2 Space Urban War Machines Manola Antonioli Transmissibility: A Mode of Artistic Re-search Jae Emerling Architecture and Indifference Ronny Hardliz Zigzagging: Bound by the Absence of a Tie Andrej RadmanPart 3 Politics The Fear of Boredom Ian Buchanan Art, Knowledge, and the In-between Rahma Khazam In the Act: The Shape of Precarity Erin Manning On the Concept of Creal: The Politico-Ethical Horizon of a Creative Absolute Luis de Miranda Affects of Indeterminacy and Silence as Aleatory Intervals between Art and Philosophy: A Deleuzian Reading Janae Sholtz Something Along the Lines of . . . Mick Wilson Notes on Contributors Index of Names Index of Subjects