Visar resultat för..."Fatima Bhutto"

In September 1996, fourteen-year-old Fatima Bhutto shielded her baby brother while shots rang out outside the family home in Karachi. This was the evening that her father, Murtaza, was assassinated. It was the latest in a long line of tragedies for one of the world's best-known political dynasties. Songs of Blood and Sword tells the story of a family of feudal landlords who became power brokers in the newly created state of Pakistan. It is an epic tale of intrigue and the international political elite, the making of modern Pakistan, and, ultimately, tragedy. It is also a book about a daughter's love for her father and her search to uncover the truth of his life and death.

An important dispatch from a new, multipolar order that is taking form before our eyesA vast cultural movement is emerging from outside the Western world. Truly global in its range and allure, it is the biggest challenge yet to Hollywood, McDonald’s, blue jeans, and other aspects of American mass-produced popular culture. This is a book about the new arbiters of mass culture—India’s Bollywood films, Turkey’s soap operas, or dizi, and South Korea’s pop music. Carefully packaging not always secular modernity, combined with traditional values, in urbanized settings, they have created a new global pop culture that strikes a deeper chord than the American version, especially with the many millions who are only just arriving in the modern world and still negotiating its overwhelming changes.Fatima Bhutto, an indefatigable reporter and vivid writer, profiles Shah Rukh Khan, by many measures the most popular star in the world; goes behind the scenes of Magnificent Century, Turkey’s biggest dizi, watched by more than 200 million people across 43 countries; and travels to South Korea to see how K-Pop started. Bhutto’s book is an important dispatch from a new, multipolar order that is taking form before our eyes.“Bhutto’s razor sharp, intriguing introduction to the various pop phenomena emerging from Asia.” —Tash Aw, Financial Times

Discover this lyrical, sweeping and powerful book on the Bhutto family, an extraordinary, Kennedy-esque dynasty that is central to the story of modern Pakistan.In September 1996, a fourteen-year-old Fatima Bhutto hid in a windowless dressing room, shielding her baby brother while shots rang out in the streets outside the family home in Karachi. This was the evening that her father Murtaza was murdered, along with six of his associates. In December 2007, Benazir Bhutto, Fatima's aunt, and the woman she had publically accused of ordering her father's murder, was assassinated in Rawalpindi. It was the latest in a long line of tragedies for one of the world's best known political dynasties.Songs of Blood and Sword tells the story of a family of rich feudal landlords - the proud descendents of a warrior caste - who became powerbrokers in the newly created state of Pakistan. The history of this extraordinary family mirrors the tumultuous events of Pakistan itself, and the quest to find the truth behind her father's murder has led Fatima to the heart of her country's volatile political establishment. It is the history of a nation from Partition through the struggle with India over Kashmir, the Cold War, the Soviet invasion of Afghanistan up to the post 9/11 'War on Terror'. It is also a book about a daughter's love for her father and her search to uncover, and to understand, the truth of his life and death. It is a book about a family and nation riven by murder, corruption, conspiracy and division, written by one who has lived it, in the heart of the storm.Songs of Blood and Sword is a book of international significance by a young woman who has already established herself as a brave and passionate campaigner.

This compelling, breath-taking read for fans of AMERICAN DIRT will make you question everything you thought you knewOne of the 'most important and prescient' books - Dolly Alderton and Pandora Sykes, The High Low'Bhutto's new novel will move you' - Elif Shafak_________________________ On the cusp of adulthood, three young people are about to make the most momentous decision of their lives. Anita lives in Karachi's slums - fearful that her fate is to serve the rich, until an elderly neighbour offers her an escape into another world . . .Monty belongs to Karachi's elite - his future is mapped out, until he meets a beautiful, rebellious girl . . .Sunny is a Portsmouth teenager - he is suffocated by the love and expectation of his father, until his charismatic cousin shows him a way to be his own man . . .These three paths are about to collide. And when they do, Anita, Monty and Sunny will find themselves at the mercy of powers beyond their control, and faced with a choice that will change them forever. _________________________ 'This is a bold and probing novel from a writer strikingly alert to something small and true' Guardian'Bhutto's new novel will move you its profound wisdom and sharp grasp of our turbulent times' Elif Shafak 'A shocking, moving, and deeply compassionate novel' Vogue'Every page of this is priceless' Gary Shteyngart'Stunning' Sunday Times'Highly topical . . . The Runaways offers an unflinching look at the key subjects of our time' Financial Times'A timely read that does a brilliant job of depicting the human cost when violence shifts from abstraction to reality' Mail on Sunday'An illuminating guide through the great disorder of our times' Pankaj Mishra, author of Age of Anger'Powerful and moving ... A book that anyone rushing to condemn young people for being radicalised should read' Anne Youngson, author of Meet Me at the Museum'Provocative and resolutely compassionate' Traveller

Gaza: The Story of a Genocide is an urgent and powerful collection of personal testimony, poetry, art, and frontline reportage. Together, these works bear witness to the vast and ongoing destruction in­flicted on the Palestinian people-their lives, their land, and their future.Ahmed Alnaouq recounts the devastating loss of twenty-one family members. Noor Alyacoubi offers a searing reflection on starvation. Mariam Barghouti examines the brutality of Israeli settler violence in the West Bank, while Eman Bashir describes the phenomenon of a "wounded child, no surviving family." These voices, among many others, illuminate the endur­ing psychological, physical, and generational toll of state violence.With contributions from recipients of the Palestine Book Award, Arab American Book Award, Pulitzer Prize, Emmy Award, National Book Award, and Gandhi Peace Award, this collection also honors the late poet Hiba Abu Nada-killed in an Israeli airstrike on her home in Khan Younis, Gaza, on October 20, 2023.All royalties will be donated directly to the United Nations Relief and Works Agency (UNRWA) for Palestine Refugees in the Near East.

Benvenuto Cellini was a celebrated Renaissance sculptor and goldsmith - a passionate craftsman who was admired and resented by the most powerful political and artistic personalities in sixteenth-century Florence, Rome and Paris. He was also a murderer and a braggart, a shameless adventurer who at different times experienced both papal persecution and imprisonment, and the adulation of the royal court. Inn-keepers and prostitutes, kings and cardinals, artists and soldiers rub shoulders in the pages of his notorious autobiography: a vivid portrait of the manners and morals of both the rulers of the day and of their subjects. Written with supreme powers of invective and an irrepressible sense of humour, this is an unrivalled glimpse into the palaces and prisons of the Italy of Michelangelo and the Medici.

When a woman with brains and beauty from a wealthy background decides to take her fate into her own hands and challenge the restrictions of a male-oriented, conservative society, the consequences can be devastating.Born into one of Pakistan's most influential families, Tehmina Durrani was raised in the privileged milieu of Lahore high society, and educated at the same school as Benazir Bhutto. Like all women of her rank, she was expected to marry a prosperous Muslim from a respectable family, bear him many children, and lead a sheltered life of air-conditioned leisure. When she married Mustafa Khar, one of Pakistan's most eminent political figures, she continued to move in the best circles, and learned to keep up the public façade as a glamorous, cultivated wife, and mother of four children.In private, however, the story-book romance of the most talked-about couple in Pakistan rapidly turned sour. Mustafa Khar became violently possessive and pathologically jealous, and succeeded in cutting his wife off from the outside world. For the course of the fourteen-year marriage, she suffered alone, in silence.When Tehmina decided to rebel, the price she paid was extremely high: as a Muslim woman seeking a divorce, she signed away all financial support, lost the custody of her four children, and found herself alienated from her friends and disowned by her parents.Following the divorce, she felt she had to tell her story. When Pakistan publishers balked at the controversial nature of her manuscript, she published it herself. The book was a bombshell and shook Pakistani society to its foundations. Her at last was someone who had succeeding in reconciling her faith in Islam with her ardent belief in women's rights. Tehmina's story, adapted now for western readers, provides extraordinary insights into the vulnerable position of women caught in the complex web of Muslim society.

"A must-read for anyone interested in the intrigue of politics in the most dangerous country on earth" (The Sunday Times)Read the unique insider's view of a country unfamiliar to a Western audience, seen through the eyes of the man set to become Pakistan's new Prime Minister.Born only five years after Pakistan was created in 1947, Imran Khan has lived his country's history. Undermined by a ruling elite, and unable to protect its people from the carnage of regular bombings from terrorists and its own ally, America, Pakistan has for years suffered from instability. Now Imran Khan and his own political party, the Tehreek-e-Insaf, offer a real political alternative for the people of Pakistan at a time when tension between Pakistan's government and the powerful military has reached dangerous new levels. How did this flashpoint of volatility and injustice come about?Pakistan: A Personal History provides a unique insider's view of a country unfamiliar to a western audience. Woven into this history we see how Imran Khan's personal life - his happy childhood in Lahore, his Oxford education, his extraordinary cricketing career, his marriage to Jemima Goldsmith, his mother's influence and that of his Islamic faith - inform both the historical narrativeandhis current philanthropic and political activities. It is at once absorbing and insightful, casting fresh light upon a country whose culture he believes is largely misunderstood by the West.

This Woman's Work: Essays on Music is edited by Kim Gordon and Sinéad Gleeson and features contributors Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li and Zakia Sewell.Published to challenge the historic narrative of music and music writing being written by men, for men, This Woman's Work seeks to confront the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space. Women have to speak up, to shout louder to tell their story - like the auteurs and ground-breakers featured in this collection, including: Anne Enright on Laurie Anderson; Megan Jasper on her ground-breaking work with Sub Pop; Margo Jefferson on Bud Powell and Ella Fitzgerald; and Fatima Bhutto on music and dictatorship.This Woman's Work also features writing on the experimentalists, women who blended music and activism, the genre-breakers, the vocal auteurs; stories of lost homelands and friends; of propaganda and dictatorships, the women of folk and country, the racialised tropes of jazz, the music of Trap and Carriacou; of mixtapes and violin lessons.

The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel.IN THIS VOLUME, Elif Batuman, Burhan Sönmez, Elif Shafak among other Turkish writers, many of them in self-imposed exile, explore a fascinating yet maddening country. The birth of the “New Turkey,” as the country’s President Recep Tayyip Erdogan has called his own creation, is an exemplary story of the rise of “illiberal democracies” through the erosion of civil liberties, press freedom, and the independence of the judicial system. Turkey was a complex country long before the rise of its new sultan: born out of the ashes of a vast multi-ethnic and multi-religious empire, Turkey has grappled through its relatively short history with the definition of its own identity. Poised between competing ideologies, secularism and piousness, a militaristic nationalism and exceptional openness to foreigners, Turkey defies easy labels and categories. Through the voices of some of its best writers and journalists, The Passenger analyses how it got to where it is today and finds the bright spots of hope that allow its always resourceful, often frustrated population to continue living, and thriving.

Feminist writers come together to respond to the crisis of 2020 in this unique collection of essays, interviews, and fiction.Edited by Feminist Book Society**20% of the price of EVERY BOOK SOLD goes direct to Women’s Aid and Imkaan**Spring 2020. When everything changed. As life around the world retreated behind closed doors, gender inequalities and systemic racism were brought to new and shocking prominence. Womxn of all backgrounds and experiences were disproportionately affected by the crisis. Essential debate and action was, for a time, silenced. Then we re-emerged in protest and started to rethink our fight for equality.So, what happens now?Challenging, inspiring and fiercely optimistic, This Is How We Come Back Stronger is an intersectional feminist collection for our times. Published on the one-year anniversary of lockdown, writers from both sides of the Atlantic reflect on what matters most in these difficult days, and what the future can hold for us all.Featuring contributions from Akasha Hull, Amelia Abraham, Catherine Cho, Dorothy Koomson, Fatima Bhutto, Fox Fisher, Francesca Martinez, Gina Miller, Helen Lederer, Jenny Sealey, Jess Phillips, Jessica Moor, Jude Kelly, Juli Delgado Lopera, Juliet Jacques, Kate Mosse, Kerry Hudson, Kuchenga, Laura Bates, Lauren Bravo, Layla F. Saad, Lindsey Dryden, Lisa Taddeo, Melissa Cummings-Quarry and Natalie A. Carter, Michelle Tea, Mireille Cassandra Harper, Molly Case, Radhika Sanghani, Rosanna Amaka, Sara Collins, Sarah Eagle Heart, Shaz, Shirley Geok-lin Lim, Sophie Williams, Stella Duffy, Virgie Tovar, Yomi Adegoke