Visar resultat för..."Napoleon Prometheus"

Barton Friedman demonstrates the ways in which English men of letters in the nineteenth century attempted to grasp the dynamics of history and to fashion order, however fragile, out of its apparent chaos. The authors he discusses--Blake, Scott, Hazlitt, Carlyle, Dickens, and Hardy--found in the French Revolution an event more compelling as a paradigm of history than their own "Glorious Revolution." To them the French Revolution seemed universally significant--a microcosm, in short. For these writers maintaining the distinction between "history" and "fiction" was less important than making sense of epochal historical events in symbolic terms. Their works on the French Revolution and the Napoleonic Wars occupy the boundary between history and fiction, and Fabricating History advances the current lively discussion of that boundary. At the same time, this work explores questions about narrative strategies, as they are shaped by, or shape, events. Narratives incorporate the ideological and metaphysical preconceptions that the authors bring with them to their writing."This is not to argue," Professor Friedman says, "that historical narratives are only about the mind manufacturing them or, more narrowly yet, about themselves as mere linguistic constructs. They illumine both the time and place they seek to re-create and, if by indirection, the time and place of the mind thinking them into being." Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Barton Friedman demonstrates the ways in which English men of letters in the nineteenth century attempted to grasp the dynamics of history and to fashion order, however fragile, out of its apparent chaos. The authors he discusses--Blake, Scott, Hazlitt, Carlyle, Dickens, and Hardy--found in the French Revolution an event more compelling as a paradigm of history than their own "Glorious Revolution." To them the French Revolution seemed universally significant--a microcosm, in short. For these writers maintaining the distinction between "history" and "fiction" was less important than making sense of epochal historical events in symbolic terms. Their works on the French Revolution and the Napoleonic Wars occupy the boundary between history and fiction, and Fabricating History advances the current lively discussion of that boundary. At the same time, this work explores questions about narrative strategies, as they are shaped by, or shape, events. Narratives incorporate the ideological and metaphysical preconceptions that the authors bring with them to their writing."This is not to argue," Professor Friedman says, "that historical narratives are only about the mind manufacturing them or, more narrowly yet, about themselves as mere linguistic constructs. They illumine both the time and place they seek to re-create and, if by indirection, the time and place of the mind thinking them into being." Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A little-known yet significant role in Chinese history was played by the palace eunuchs--castrated men who developed a concealed subcaste that manipulated monarchs and caused the downfall of immense dynasties. This book vividly chronicles the history of the imperial eunuchs: from the murky origins of the practice to the Ming dynasty when 100,000 eunuchs were employed as agents of the Dragon Throne, to the 1912 uprising that swept away the monarchy and the age-old eunuch system forever.

First published in 1933, this study, which underwent revision in the 1960s, is a comprehensive survey of the verse of English nineteenth-century poets whose work appeared after 1860. A special feature is the full and critical treatment of minor writers. In no other book is their work so carefully evaluated. There is a full account of the minor Pre-Raphaelites, of James Thomson, the poet of The City of Dreadful Night, of Henley, Stevenson and George MacDonald. John Davidson is the subject of a long and revealing study. Evans suggests that poetry from the late nineteenth century is neglected in scholarly study, and that Victorian Romanticism deserves more attention than it has recently received.

First published in 1933, this study, which underwent revision in the 1960s, is a comprehensive survey of the verse of English nineteenth-century poets whose work appeared after 1860. A special feature is the full and critical treatment of minor writers. In no other book is their work so carefully evaluated. There is a full account of the minor Pre-Raphaelites, of James Thomson, the poet of The City of Dreadful Night, of Henley, Stevenson and George MacDonald. John Davidson is the subject of a long and revealing study. Evans suggests that poetry from the late nineteenth century is neglected in scholarly study, and that Victorian Romanticism deserves more attention than it has recently received.

The never-before told story of how Napoleon's top brass escaped to America after Waterloo. Empire's Eagles is colorful, new, and an effectively unknown chapter in American history. In its center is the mystery of whether Napoleon's "Bravest of the brave," Marshal Ney, cheated a firing squad to escape under an alias and reinvent himself in America.At sunset on June 18, 1815 Napoleon Bonaparte was in desperate flight from the battlefield at Waterloo. Racing to reach Paris, he abandoned on the road his armored coach and Imperial necessaire containing a fortune in precious gems and cash. Would he stand and fight again or flee to the United States of America? On the run and with his options dwindling by the day, Napoleon came within one hour of secretly slipping to America on a Baltimore privateer with the active collusion of the United States consul in Bordeaux. Empire's Eagles tells the details of this story for the first time ever.