Visar resultat för..."Oldboy"

This book investigates the transcultural consumption of hybrid South Korean masculinities in contemporary South Korean popular culture. It focuses on the Japanese middle-aged female fandom of an actor-Bae Yong-Joon (a.k.a. Yonsama)-the middle class Singaporean female fandom of a pop-star Rain, and the Western online cult fandom of a film, Oldboy.

This book investigates the transcultural consumption of hybrid South Korean masculinities in contemporary South Korean popular culture. It focuses on the Japanese middle-aged female fandom of an actor-Bae Yong-Joon (a.k.a. Yonsama)-the middle class Singaporean female fandom of a pop-star Rain, and the Western online cult fandom of a film, Oldboy.

A darkly wild novel from the multi-million-copy bestselling author of Convenience Store WomanHow far would you go just to be yourself? As a child, Natsuki believed she was an alien, a different species to her earthling family and classmates. She hoped a spaceship would come down and take her home. Now, she lives quietly in an asexual marriage, pretending to be normal. But the buried horrors of Natsuki's past are pursuing her. As she flees the suburbs for the Nagano mountains and a reunion with her beloved cousin Yuu, she wonders, what will it take to escape the earthlings? 'Intimate, deadpan, and unflinchingly unhinged' Wired

'Kanae Minato is a brilliant storyteller' Emily St John Mandel, author of Station ElevenWhen a group of young girls are approached by a stranger, they cannot know that the encounter will haunt them for the rest of their lives.Hours later, Emily is dead. The surviving girls alone can identify the killer. But not one of them remembers his face...Driven mad by grief, the victim's mother demands the girls find the murderer or else atone for their crimes. If they do neither, she will have her revenge. She will make them pay...From the critically acclaimed author of Confessions, Penance is a dark and disturbing tale of revenge that will leave you reeling.

As the two billion YouTube views for “Gangnam Style” would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nation’s film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood.  Movie Migrations is not only an introduction to one of the world’s most vibrant national cinemas, but also a provocative call to reimagine the very concepts of “national cinemas” and “film genre.” Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western to The Host’s reinvention of the Godzilla mythos.  Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites like Oldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization, Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.

Honorable mention, 2017 Best Monograph Award from the British Association of Film, Television and Screen Studies (BAFTSS)​From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace.  Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product.  Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the “taboo-breakers” of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation.

First heard on BBC Radio 4.Water is commodified. The Water Train that serves the city increasingly at risk of sabotage. As news breaks that construction of a gigantic Ice Dock will displace more people than first thought, protestors take to the streets and the lives of several individuals begin to interlock. A nurse on the brink of an affair. A boy who follows a stray dog out of the city. A woman who lies dying. And her husband, a marksman: a man forged by his past and fearful of the future, who weighs in his hands the possibility of death against the possibility of life. From one of the most celebrated writers of his generation, Stillicide is a moving story of love and loss and the will to survive, and a powerful glimpse of the tangible future.

Explore the magical, mysterious world of Korean cinema, in this new book from the authors of Ghibliotheque.'A book for both the well-versed and the newcomer.'-EMPIREFrom smash hits such as Parasite to cult favourites Oldboy, The Handmaiden and Train to Busan, Korean cinema is a hotbed of creative talent and the force behind the most exciting, captivating filmmaking in the world right now.In this essential guide to the country's cinematic story, Michael Leader and Jake Cunningham - authors and hosts of the hit podcast Ghibliotheque - guide you through the must-see films from a century of Korean movies.Exploring 30 movies, from the breakout hits to deeper cuts, hidden gems and future classics, Film Korea is a gateway to everything you need to know about the white-hot world of Korean cinema. Combining reviews and director biographies with recommended further viewing and a catalogue of beautiful film stills and movie posters, this is your one-stop guide to an incredible, captivating artform.

In Transnational Korean Cinema author Dal Yong Jin explores the interactions of local and global politics, economics, and culture to contextualize the development of Korean cinema and its current place in an era of neoliberal globalization and convergent digital technologies.The book emphasizes the economic and industrial aspects of the story, looking at questions on the interaction of politics and economics, including censorship and public funding, and provides a better view of the big picture by laying bare the relationship between film industries, the global market, and government. Jin also sheds light on the operations and globalization strategies of Korean film industries alongside changing cultural policies in tandem with Hollywood’s continuing influences in order to comprehend the power relations within cultural politics, nationally and globally. This is the first book to offer a full overview of the nascent development of Korean cinema.

In Transnational Korean Cinema author Dal Yong Jin explores the interactions of local and global politics, economics, and culture to contextualize the development of Korean cinema and its current place in an era of neoliberal globalization and convergent digital technologies.The book emphasizes the economic and industrial aspects of the story, looking at questions on the interaction of politics and economics, including censorship and public funding, and provides a better view of the big picture by laying bare the relationship between film industries, the global market, and government. Jin also sheds light on the operations and globalization strategies of Korean film industries alongside changing cultural policies in tandem with Hollywood’s continuing influences in order to comprehend the power relations within cultural politics, nationally and globally. This is the first book to offer a full overview of the nascent development of Korean cinema.