Visar resultat för..."furor"
Sökningen "Under furor och cypresser Carl David af Wirsén" gav inga träffar.47 produkter
47 produkter
375 kr
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237 kr
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Nymphomania, Or, a Dissertation Concerning the Furor Uterinus. Clearly and Methodically Explaining the Beginning, Progress, and Different Causes of That Horrible Distemper.
Häftad, Engelska, 2010
251 kr
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Nymphomania, or, a Dissertation Concerning the Furor Uterinus. Clearly and Methodically Explaining the Beginning, Progress, and Different Causes of That Horrible Distemper
Inbunden, Engelska, 2018
375 kr
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265 kr
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424 kr
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304 kr
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200 kr
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- Nyhet
1 703 kr
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This volume provides an analysis of the constitution of the idea of furor poeticus (poetic frenzy), the conception of the poet as an individual inspired and possessed by a kind of divine madness. This idea, deeply rooted in the Platonic tradition, was conceptualized in the Renaissance by Marsilio Ficino and his followers, who spread it throughout Europe in the sixteenth century. The first part of the book offers a comparative approach to the theory of furor poeticus in little-studied Italian humanists such as Francesco Zorzi and Alessandro Farra, who combined Neoplatonism with other popular currents of the time such as Orphism or the Christian Kabbalah. The second part of the volume aims to show that there is no abrupt break between Renaissance and Romantic poetics, as is sometimes claimed, and reveals new connections between different authors of these periods. This collection thus attempts to fill the gaps in the modern Platonic tradition by comparing different cultural spheres during the sixteenth-century Renaissance and then tracing its afterlife in modern literature and poetics through some representative case studies. For these reasons, the volume is aimed primarily at scholars and researchers interested in literary theory and the relationships between religious and poetic concepts in the modern period. The target audience will find in this volume a new approach to the theological and metaphysical foundations of one of the most influential poetological concepts of modern literary culture.
Ioannes Porterius Nivernas, ›Athamantis Furor‹, eine neulateinische Tragödie
Textausgabe, Übersetzung und Interpretation
Inbunden, Tyska, 2021
1 624 kr
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Die in Le Mans veröffentlichten neulateinischen Tragödien des französischen Rhetoriklehrers und katholischen Pfarrers Jean Portier (Ioannes Porterius) fanden bisher in der Forschung zum neulateinischen Drama nahezu keine Beachtung. In dieser Untersuchung wird das 1621 erschienene Stück ʻAthamantis Furorʼ exemplarisch erschlossen. Das Werk führt das tragische Unglück des mythischen Königs Athamas vor, der im Wahn seinen eigenen Sohn Learchus ermordet. Portier orientiert sich in der sprachlichen und dramatischen Gestaltung wesentlich an antiken, vor allem lateinischen Texten und folgt weitestgehend den Gattungskonventionen der antiken Tragödie. Insbesondere Senecas Dramen üben starken Einfluss auf ihn aus. Gleichzeitig gelingt es Portier bisweilen, sich in innovativer Weise von den antiken Vorbildern abzusetzen und der Dramatisierung des Athamas-Mythos eigene Akzente zu verleihen. Den Kern der vorliegenden Studie bilden Textedition, erstmalige Übersetzung sowie Interpretation und Kommentierung der Tragödie mit Fokus auf der klassisch-philologischen Analyse. Die so geleistete grundlegende Erschließung soll daneben auch anderen Disziplinen die Möglichkeit eröffnen, sich mit Portiers Œuvre zu beschäftigen.
108 kr
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95 kr
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Del 15834 - Reclam Literaturunterricht
Lutz Hübner / Sarah Nemitz: Furor (Lehrerband) - Mit Downloadpaket (Unterrichtsmaterialien)
Häftad, Tyska, 2025
269 kr
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Del 166 - Studien Zur Deutschen Literatur
>Furor Satiricus
Verhandlungen Über Literarische Aggression Im 17. Und 18. Jahrhundert
Inbunden, Tyska, 2002
1 660 kr
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467 kr
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Phaedras Ekstase - Interpretation der Tragödie Senecas im Hinblick auf amor-furor, ekstasis
Häftad, Tyska, 2009
312 kr
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151 kr
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271 kr
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1 037 kr
Tillfälligt slut
265 kr
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150 kr
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244 kr
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304 kr
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593 kr
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Using as his starting point the historical notion that poets may be, at least in moments of inspiration, "out of their senses," Frederick Burwick here explores the theoretical implications of inspiration as furor poeticus, particularly as that concept was presented during the latter eighteenth and early nineteenth centuries. Drawing on social and medical attitudes toward madness and the so-called poetic rapture, Burwick addresses the appeal to poetic madness in critical theory, the thematization of the mad poet in literature, and the reception of mad poets. With a mad king on the throne of England, mad prophets in the marketplace, and mad poets in their midst, many writers of this period, not surprisingly, used their fiction to explore the conditions of madness. In discussing the mad poet as a character in Romantic literature, Burwick examines the reception and representation of the Italian poet Torquato Tasso in Goethe's play and in the poetry and criticism of the Schlegels, Byron, Shelley, Peacock, and Hazlitt. In his commentary on narratives of madness, Burwick discusses Nodier's Jean-François les bas-bleus, Hoffmann's Der goldne Topf, Shelley's Julian and Maddalo, and Blake's account of the struggle between Los and Urizen. The final section interprets the visual strategies adopted by Hölderlin, Nerval, and Clare in relating their visionary experiences.
331 kr
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"Written in 1965 about a same-sex sexual scandal that occurred in 1955 in Boise, Idaho, John Gerassi’s classic study depicts both middle America’s traditional response to homosexuality and an era in the country’s history before the modern gay rights movement really got underway. Because much of what Gerassi wrote about persists in today’s struggles over gay and lesbian issues, his book still has much to tell us about how contemporary society reacts to, and misunderstands, homosexuality."—Peter BoagOn the morning of November 2, 1955, the people of Boise, Idaho, were stunned by a screaming headline in the Idaho Daily Statesman, THREE BOISE MEN ADMIT SEX CHARGES. Time magazine picked up the story, reporting that a "homosexual underworld" had long operated in Idaho’s staid capital city. The Statesman led the hysteria that resulted in dozens of arrests—including some highly placed members of the community—and sentences ranging from probation to life imprisonment.Peter Boag’s Foreword places the book in historical perspective, summarizing the popular psychological theories and legal conceptions that helped to shape Gerassi’s research. He discusses advances in Idaho’s public approach to homosexuality and ways in which the provincialism chronicled by Gerassi persists to this day.
640 kr
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Modern Myths and Medical Consumerism is concerned with the loss of a sense of limit in technological medicine today, and the way in which the denial of death leads to an uncontrollable, consumeristic multiplication of needs. Taking its starting point from C. G. Jung’s analytical psychology, the book gives a symbolic interpretation based on archetypal, philosophical and socio-psychoanalytic ideas developed through the author’s personal experience, moving from the medical to the psychoanalytical paradigm.Lanfranchi depicts ideal sources of medicine, based on archetypal material drawn from Greek myth, and discusses the progressive steps of the doctor’s consciousness’ evolution up to contemporary times. Critiquing current medicine and its ‘modern myths’, the book suggests the prevailing model of economic development is unsustainable, and provides prospects of a more contained ecological medicine and an ethical approach that will allow readers to reflect and move towards a more qualified attitude to mortality.The book meets the need to transform medicine into a critical domain of human experience, capable of providing essential services consistent with the naturalness of death and environmental sustainability. As such, it will be vital reading to academics in the fields of psychotherapy, analytical psychology, psychiatry and medicine, and those with a philosophical or sociological background.
Orpheus in the Academy
Monteverdi's First Opera and the Accademia degli Invaghiti
Inbunden, Engelska, 2021
2 187 kr
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This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera’s performance, and to which the libretto author, Alessandro Striggio the Younger, belonged. Arguing that the Invaghiti played a key role in shaping the development of Orfeo, the author explores the philosophical underpinnings of the Invaghiti and Italian academies of the era. Drawing on new primary sources, he shows how the Invaghiti’s ideas about literature, dramaturgy, music, gender, and aesthetics were engaged and contested in the creation and staging of Orfeo. Relevant to researchers of music history, performance, and Renaissance and Baroque Italy, this study sheds new light on Monteverdi’s opera as an intellectual and philosophical work.
730 kr
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Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte
443 kr
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There was racism in the ancient world, after all. This groundbreaking book refutes the common belief that the ancient Greeks and Romans harbored "ethnic and cultural," but not racial, prejudice. It does so by comprehensively tracing the intellectual origins of racism back to classical antiquity. Benjamin Isaac's systematic analysis of ancient social prejudices and stereotypes reveals that some of those represent prototypes of racism--or proto-racism--which in turn inspired the early modern authors who developed the more familiar racist ideas. He considers the literature from classical Greece to late antiquity in a quest for the various forms of the discriminatory stereotypes and social hatred that have played such an important role in recent history and continue to do so in modern society.Magisterial in scope and scholarship, and engagingly written, The Invention of Racism in Classical Antiquity further suggests that an understanding of ancient attitudes toward other peoples sheds light not only on Greco-Roman imperialism and the ideology of enslavement (and the concomitant integration or non-integration) of foreigners in those societies, but also on the disintegration of the Roman Empire and on more recent imperialism as well. The first part considers general themes in the history of discrimination; the second provides a detailed analysis of proto-racism and prejudices toward particular groups of foreigners in the Greco-Roman world. The last chapter concerns Jews in the ancient world, thus placing anti-Semitism in a broader context.
Giordano Bruno's the Heroic Frenzies
A Translation with Introduction and Notes
Häftad, Engelska, 1964
369 kr
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Giordano Bruno (1548-1600) was an Italian philosopher, poet, mathematician, and astrologer. This is the first English translation published in the twentieth century of his De gli eroici furori, or The Heroic Frenzies.
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