Visar resultat för..."Voodoo"

Faktabilderbok om voodookulturens värld. Voodoo – ordet får de flesta att tänka på zombier och voodoodockor. Men bakom skräckklichéerna finns en mångsidig religion som utövas i både Afrika och Amerika. Denna bok ger barn och vuxna en första inblick i voodookulturens värld, dess gudar och andar, dess ritualer och trosföreställningar, liksom också dess historia från gamla kungariken till moderna danser. "När det gäller det afrikanska ursprunget har författarna hämtat material till såväl text som illustrationer från Chateau Vodou i Strasbourg, ett unikt museum som rymmer viktiga samlingar om Voodookulturens ursprung och historia. Texten är tydlig, saklig och berättar på ett enkelt, pedagogiskt sätt om olika delar av voodookulturen. [...] Illustrationerna av Camille Tisserand är målade i starka, jordnära färgtoner. De är mycket detaljrika och uttrycksfulla och bildar en helhet tillsammans med texten. Voodoo är en mycket intressant och givande bok som ger en ordentlig inblick i och förståelse för voodookulturen." Gunilla Essén, BTJ-häftet nr 19, 2020

Voodoo, D'Angelo's much-anticipated 2000 release, set the standard for the musical cycle ordained as "neo-soul," a label the singer and songwriter would reject more than a decade later. The album is a product of heightened emotions and fused sensibilities; an amalgam of soul, rock, jazz, gospel, hip-hop, and Afrobeats. D'Angelo put to music his own pleasures and insecurities as a man-child in the promised land. It was both a tribute to his musical heroes: Prince, Sly Stone, Marvin Gaye, J Dilla...and a deconstruction of rhythm and blues itself. Despite nearly universal acclaim, the sonic expansiveness of Voodoo proved too nebulous for airplay on many radio stations, seeping outside the accepted lines of commercial R&B music. Voodoo was Black, it was definitely magic, and it was nearly overshadowed by a four-minute music video featuring D'Angelo's sweat-glistened six-pack abs. "The Video" created an accentuated moment when the shaman lost control of the spell he cast.

An approachable and accurate guide to Voodoo. Ready to connect with the unseen world, the angels, and the spirits of those who have passed? Voodoo For Dummies is a fascinating and easy-to-follow guide to Voodoo (also known as Vodou), a celebrated system of beliefs practiced widely around the world. This book explains the history of this tradition, one that has been passed down orally through the generations, as well as the Iwa (spirits), myste (mysteries), anvizib (the invisibles), zanj (angels), and the spirits of those who have passed away and how they’re interconnected. You’ll learn all about the regional varieties of Voodoo and the different ritual practices that restore harmony and balance. You’ll also discover the different Voodoo holidays and celebrations and the different kinds of healing, divination, and protection prayers that adherents use in their lives. Inside: How Voodoo followers understand the difference between the visible and the unseen worldThe different kinds of prayers, songs, dances, and gestures that Voodoo practitioners use in their ritualsHow the history of Voodoo interacts with contemporary society to create a vibrant new way of practicing the religionPerfect for practicing followers of Voodoo and beginner magic users considering Voodoo as their main occult education practice, Voodoo For Dummies is also a great read for everyone interested in learning more about this rich collection of traditions and overall religion.

This complete edition of the Voynich Manuscript includes a fascinating and authoritative foreword and introduction by Dr Stephen Skinner, Dr Rafal Prinke and Dr René Zandbergen, who together detail all that is currently known about this mysterious medieval manuscript, the only book in existence that has been written in this particular language and alphabet - a language that nobody can read. Drawing on their extensive knowledge of the period, of other esoteric and alchemical works and of the curious history of the Voynich, they explore its relation to magic and alchemy, and what may be guessed about the meaning of its beautiful illustrations.This information, together with the images themselves, invites readers to form their own interpretations of this most famous of enduring mysteries.The elegant design of this Watkins edition is a fitting showcase for the manuscript's strangely beautiful cryptographic script and otherworldly illustrations, which include astrological, astronomy, herbal medicine and enigmatic drawings of naked women bathing.

A terrifying novel of love and slaughter set in London and New Orleans. To serial killer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from a life sentence in prison, he makes his way to America with the intention of bringing his art to new heights. Tortured by his own perverse desires, he inadvertently joins forces with Jay, a dissolute playboy. They set their sights on a young Vietnamese-American runaway, who they deem to be the perfect victim.Moving from the grimy streets of London's Piccadilly Circus to the decadences of New Orleans' French Quarter, Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a serial killer in this riveting, unforgettable masterpiece of horror.

The first guide and spell book for modern witches on how to bring the renowned Marie Laveau's spiritual heritage to life.The Marie Laveau Voodoo Grimoireis a practical guide to New Orleans-style magic inspired by the life and traditions of Marie Laveau—the eternal and enduring Queen of New Orleans Voodoo. This is a working grimoire, or spell book, created for the modern witch and Conjure worker that provides formulas and recipes for solving the problems of daily living and enhancing quality of life using the Laveau Voodoo tradition.More than just a collection of spells, The Marie Laveau Voodoo Grimoire contains tips and recommendations for improving one’s spell-crafting skills and living a magical, spiritual life. The author draws upon her own Creole heritage to bring this unique and regional style of magic to the greater public in a clear and accessible way. Formulas include:Controlling Powder: A simple recipe that can be made at a moment’s notice to influence someone to act in your favor.  Follow Me Boy Conjure Oil: According to oral tradition, this recipe was created by Marie Laveau. Originally designed for prostitutes, this recipe has money, love, and protection herbs incorporated in it. This blend is favored for its power to attract, seduce, and enthrall. Alvarado teaches readers everything from stone, root, and bone magick to ritual oils and spells for healing, protection, love, beauty, banishing, and much more.

This book fills a long-standing need in literature: Voodoo, Santeria, and Macumba as practised today in cities throughout the Western world. It is not another history or sociological study, but a candid personal account by two who came to "the religion" from the outside. It includes descriptions of the phenomena triggered by Voodoo practice, divination techniques, spells and a method of self-initiation.

From the author of RACING THE LIGHT and HOSTAGEIn a search for a young woman's past PI Elvis Cole discovers far more than he expected . . .Hired to uncover the past of Jodi Taylor, an actress in a hit TV show, Elvis leaves his native Los Angeles to head for Louisiana in search of Jodi's biological parents.But before he can tackle the mystery of the actress's background, he is up against a whole host of eccentrics, including a crazed Raid-spraying housewife, a Cajun thug who looks like he's been made out of spare parts, and a menacing hundred-year-old river turtle named Luther. As Elvis learns about the enigmatic actress's origins, he also discovers the real reason he's been sent to Louisiana . . .

**AS FEATURED ON HOAXED PODCAST**This definitive book delves into why so many people are ready to believe in conspiracy theories, and the damage it can cause.Voodoo Histories entertainingly demolishes the absurd and sinister conspiracy theories of the last 100 years, such as:Did Neil Armstrong really set foot on the moon?Was the United States government responsible for the 11 September attacks?Should we doubt the accidental nature of Princess Diana's death?David Aaronovitch reveals not only why people are so ready to believe in these stories but also the dangers of this credulity.'This book leaves us in no doubt that arriving at the truth is a vital matter - at times a matter of life and death' Financial Times.

Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR. Listen along with downloadable MP3 audio.Mr James Conway wants to make money. He wants to build new houses and shops - and he wants to build them on an old graveyard, on the island of Haiti. There is only one old man who still visits the graveyard; and Mr Conway is not afraid of one old man. But the old man has friends - friends in the graveyard, friends who lie dead, under the ground. And when Mr Conway starts to build his houses, he makes the terrible mistake of disturbing the sleep of the dead...

Classics, modern fiction, non-fiction and more. Written for secondary and adult students the Oxford Bookworms Library has seven reading levels from A1-C1 of the CEFR.Mr James Conway wants to make money. He wants to build new houses and shops - and he wants to build them on an old graveyard, on the island of Haiti. There is only one old man who still visits the graveyard; and Mr Conway is not afraid of one old man. But the old man has friends - friends in the graveyard, friends who lie dead, under the ground. And when Mr Conway starts to build his houses, he makes the terrible mistake of disturbing the sleep of the dead...

Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilized, superstitious, hypersexual, violent, and cannibalistic. In this book, Danielle Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression.

Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilized, superstitious, hypersexual, violent, and cannibalistic. In this book, Danielle Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression.

Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilized, superstitious, hypersexual, violent, and cannibalistic. In this book, Danielle Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression.

Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilized, superstitious, hypersexual, violent, and cannibalistic. In this book, Danielle Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later extended to Cuba and Haiti in the late nineteenth and early twentieth centuries. In the 1930s, Black religious movements like the Moorish Science Temple and the Nation of Islam were derided as "voodoo cults." More recently, ideas about "voodoo" have shaped U.S. policies toward Haitian immigrants in the 1980s, and international responses to rituals to bind Nigerian women to human traffickers in the twenty-first century. Drawing on newspapers, travelogues, magazines, legal documents, and books, Boaz shows that the term "voodoo" has often been a tool of racism, colonialism, and oppression.

This book examines the social, economic and political forces that elicit or support flawed or fake science and sustain it in the face of often overwhelming contrary evidence. "Voodoo Science" is intended to include pseudoscience, or irrational beliefs dressed up in scientific garb, the misuse of science to deliberately mislead or confuse, and pathological science, in which scientists persist with their interpretations long after the evidence has decisively ruled against them in the perspectives of an objective observer. The book attempts to delineate the contexts in which fraud can arise in science, and also to assess the trends in the Public's ability to assess scientific issues and integrate scientific understanding in their judgements and world view. The story is told through examples ranging from impossible perpetual motion machines to magnet therapy. Drawing on his eighteen years of exposing bad science, Park does not hesitate to name names and point fingers. Park lays the ultimate blame for "voodoo science" not on the media, the government, or the scientific illiteracy of the public, but on the scientific community itself, and the failure of scientists to communicate to the public.

Hoodoo, voodoo, and conjure are part of a mysterious world of African American spirituality that has long captured the popular imagination. These magical beliefs and practices have figured in literary works by such authors as Toni Morrison, Alice Walker, and Ishmael Reed, and they have been central to numerous films, such as The Skeleton Key. Written for students and general readers, this book is a convenient introduction to hoodoo, voodoo, and conjure.The volume begins by defining and classifying elements of these spiritual traditions. It then provides a wide range of examples and texts, which illustrate the richness of these beliefs and practices. It also examines the scholarly response to hoodoo, voodoo, and conjure, and it explores the presence of hoodoo, voodoo, and conjure in popular culture. The volume closes with a glossary and bibliography. Students in social studies classes will use this book to learn more about African American magical beliefs, while literature students will enjoy its exploration of primary sources and literary works.

Hoodoo, voodoo, and conjure are part of a mysterious world of African American spirituality that has long captured the popular imagination. These magical beliefs and practices have figured in literary works by such authors as Toni Morrison, Alice Walker, and Ishmael Reed, and they have been central to numerous films, such as The Skeleton Key. Written for students and general readers, this book is a convenient introduction to hoodoo, voodoo, and conjure.The volume begins by defining and classifying elements of these spiritual traditions. It then provides a wide range of examples and texts, which illustrate the richness of these beliefs and practices. It also examines the scholarly response to hoodoo, voodoo, and conjure, and it explores the presence of hoodoo, voodoo, and conjure in popular culture. The volume closes with a glossary and bibliography. Students in social studies classes will use this book to learn more about African American magical beliefs, while literature students will enjoy its exploration of primary sources and literary works.

Not only does this book give a well-researched account of the politicization of Haitian Voodoo and the Voodooization of Haitian politics, it also lays the ground for the development of creative policies by the state vis-a-vis the cult. It is an indispensable research tool for the students of Afro-American, Caribbean and African societies in particular, and for religionists and political scientists in general.

The Holy Book of David is a collection of sacred texts and oral histories belonging to the faith of the Children of the Tribe of Judah. The story of David is believed by guardians of the faith to be divinely inspired and an accurate record of the living relationship that exists between God and Creation. The Book of David is the cardinal work in the wisdom texts of instruction and spiritual thought discovered in ancient Ittyopia, remembered by the Children of the Kingdom of Judah of Kush as Ma''at.

This study investigates the emergence of powerful female leadership in New Orleans' Voodoo tradition. It provides a careful examination of the cultural, historical, economic, demographic and socio-political factors that contributed both to the feminization of this religious culture and its strong female leaders.

This study investigates the emergence of powerful female leadership in New Orleans' Voodoo tradition. It provides a careful examination of the cultural, historical, economic, demographic and socio-political factors that contributed both to the feminization of this religious culture and its strong female leaders.