5 Continents Editions - Böcker

This lavishly illustrated catalogue accompanied a major monographic exhibition in Italy, dedicated to the works of Lawrence Carroll (b. 1954). It offers the first ever overall assessment of the artist's work and includes a full biography and comprehensive bibliography, as well as an engaging interview with the artist. Text in English and Italian.

Around 1900, a small group of influential patrons, critics, writers, and artists turned Weimar into a utopian centre of modern art and thought. Several artists and writers sought to create a 'New Weimar' and position Friedrich Nietzsche at its head, as the radical prophet of modernity. In 1902, two years after the philosopher's death, Max Klinger was commissioned to carve Nietzsche's portrait where his cult was organised. Starting from a heavily reworked death mask, Klinger executed the famous marble herm that still today adorns the reception room of the Nietzsche Archive. Only three monumental bronze versions were cast, one of which is now in the collection of the National Gallery of Canada. With this sculpture in focus, accompanied by a series of paintings, drawings, plaster casts, and small bronzes, Radical Modernism will show how Klinger and his patrons invented the 'official' Nietzsche, transforming a highly expressionist portrait into an idealised classical cult image. The exhibition and this catalogue will also include a comprehensive series of early editions of Nietzsche's most influential books and will bring together work by the other protagonists of the 'New Weimar', in order to shed light on this extraordinary artistic and cultural constellation of modernism for the first time in North America.Published to accompany an exhibition at the National Gallery of Canada, Ottawa - 18 April - 25 August 2019.

Many of Gauguin’s portraits of Breton and Polynesian sitters, as well as his self-portraits, include inanimate objects. Intriguing as these are, the works in Paul Gauguin’s portrait gallery have never really been the subject of a thorough study. This book, first published in English in 2005, fills a gap in the scholarly literature on Gauguin, one of the leading figures in post-Impressionist art, with an in-depth, well-illustrated examination of his portraits. An array of experts on Gauguin’s art reflect on the symbolic attributes his models were endowed with, and the meaning behind the evocative settings he chose for them. The authors explore the many aspects of the artist’s portraits, often in light of the remarks he made about his models, and focus on their importance in relation to his larger oeuvre. This book, which is intended as a standard text in this field, includes essays written by experts in Gauguin’s work, all established scholars and researchers.Text in French.

This monograph on Susanna Bauer presents the artist's work to an international audience for the first time in book form. The essential ingredients of Bauer's artistic production are the ephemeral natural elements that she encounters during walks and hikes in the South-West of the UK where she lives and works. They are leaves, stones, twigs... elements that become the heart of more elaborate creations rendered with crochet - sometimes used conventionally as a decoration, other times as a sculptural means of communication. Bauer's leaves are airy sculptures in which the artist pursues a balance between strength and fragility. Nature becomes a metaphor for humanity: the artfully interwoven threads remind us that we are all part of a vaster network and therefore generators of connections. But it also stands for life: viewing these works it is impossible not to reflect on the confluences of beauty and vulnerability, resistance and transformation. The theme of the relationship between art and nature, and the ensuing interconnections, are investigated both through Bauer's original work and in an introductory essay that analyses her œuvre within the broader context of the history of art.

This publication sets out to acquaint a European public with the Yidaki, commonly known as the didgeridoo, a captivating music instrument, and with the unique culture who produced it and with the land where it originated.

Frédéric Bruly Bouabré (Ivory Coast, 1923-2014) was a self-taught artist and one of the most relevant international voices of the second half of the 20th century, not only for his visual creation, but also thanks to his contributions to other cultural fields, such as poetry, philosophy, and essay writing. In 1948 he experienced a “revelation”: from that moment on, he called himself “Cheik Nadro” (he who does not forget) and he not only undertook a philosophical research into African reality and the meaning of life, but he also began creating a monumental work of art entitled Connaissance du monde. With pen and coloured pencils on 10x15 cm (3.9x5.9 in) sheets of construction paper, he gave life to a sort of visual encyclopaedia that grew richer by the day.Another especially interesting work by this artist is Alphabet Bété, an alphabet made up of 448 monosyllabic pictograms intended to establish a connection between the European and African cultures and to inspire a sense of brotherhood.These two extremely relevant works, as well as other series of drawings by the artist, are the central nucleus of this volume, which complements the exhibition at the MoMA in New York, Frédéric Bruly Bouabré: World Unbound. Bouabré has been featured in all the most prestigious international venues, from the Centre George Pompidou in Paris, to the Guggenheim Museum in Bilbao, from the Tate Modern in London to the Portikus in Frankfurt. He was also present at the 55th Biennale in Venice, at Documenta in Kassel, and at the Bienal in São Paulo.Text in French.