Earth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater’s potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape.As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States.Earth Matters also maps the rise of an ecocritical thought and eco-theater practice – what the author calls ecodramaturgy – showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.

Earth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater’s potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape.As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States.Earth Matters also maps the rise of an ecocritical thought and eco-theater practice – what the author calls ecodramaturgy – showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.

This book is an innovative study that places performance and dance studies in conversation with ecology by exploring the significance of dirt in performance.Focusing on a range of 20th- and 21st-century performances that include modern dance, dance-theatre, Butoh, and everyday life, this book demonstrates how the choreography of dirt makes biological, geographical, and cultural meaning, what the author terms "biogeocultography". Whether it’s the Foundling Father digging into the earth’s strata in Suzan-Lori Park’s The America Play (1994), peat hurling through the air in Pina Bausch’s The Rite of Spring (1975), dancers frantically shovelling out fistfuls of dirt in Eveoke Dance Theatre’s Las Mariposas (2010), or Butoh performers dancing with fungi in Iván-Daniel Espinosa’s Messengers Divinos (2018), each example shows how the incorporation of dirt can reveal micro-level interactions between species – like the interplay between microscopic skin bacteria and soil protozoa – and macro-level interactions – like the transformation of peat to a greenhouse gas. By demonstrating the stakes of moving dirt, this book posits that performance can operate as a space to grapple with the multifaceted ecological dilemmas of the Anthropocene.This book will be of broad interest to both practitioners and researchers in theatre, performance studies, dance, ecocriticism, and the environmental humanities.

This book is an innovative study that places performance and dance studies in conversation with ecology by exploring the significance of dirt in performance.Focusing on a range of 20th- and 21st-century performances that include modern dance, dance-theatre, Butoh, and everyday life, this book demonstrates how the choreography of dirt makes biological, geographical, and cultural meaning, what the author terms "biogeocultography". Whether it’s the Foundling Father digging into the earth’s strata in Suzan-Lori Park’s The America Play (1994), peat hurling through the air in Pina Bausch’s The Rite of Spring (1975), dancers frantically shovelling out fistfuls of dirt in Eveoke Dance Theatre’s Las Mariposas (2010), or Butoh performers dancing with fungi in Iván-Daniel Espinosa’s Messengers Divinos (2018), each example shows how the incorporation of dirt can reveal micro-level interactions between species – like the interplay between microscopic skin bacteria and soil protozoa – and macro-level interactions – like the transformation of peat to a greenhouse gas. By demonstrating the stakes of moving dirt, this book posits that performance can operate as a space to grapple with the multifaceted ecological dilemmas of the Anthropocene.This book will be of broad interest to both practitioners and researchers in theatre, performance studies, dance, ecocriticism, and the environmental humanities.

Geographies of Us: Ecosomatic Essays and Practice Pages is the first edited collection in the field of ecosomatics.With a combination of essays and practice pages that provide a variety of scholarly, creative, and experience-based approaches for readers, the book brings together both established and emergent scholars and artists from many diverse backgrounds and covers work rooted in a dozen countries. The essays engage an array of crucial methodologies and critical/theoretical perspectives, including practice-based research in the arts, especially in performance and dance studies, critical theory, ecocriticism, Indigenous knowledges, material feminist critique, quantum field theory, and new phenomenologies. Practice pages are shorter chapters that provide readers a chance to engage creatively with the ideas presented across the collection. This book offers a multidisciplinary perspective that brings together work in performance as research, phenomenology, and dance/movement; this is one of its significant contributions to the area of ecosomatics.The book will be of interest to anyone curious about matters of embodiment, ecology, and the environment, especially artists and students of dance, performance, and somatic movement education who want to learn about ecosomatics and environmental activists who want to learn more about integrating creativity, the arts, and movement into their work.

Geographies of Us: Ecosomatic Essays and Practice Pages is the first edited collection in the field of ecosomatics.With a combination of essays and practice pages that provide a variety of scholarly, creative, and experience-based approaches for readers, the book brings together both established and emergent scholars and artists from many diverse backgrounds and covers work rooted in a dozen countries. The essays engage an array of crucial methodologies and critical/theoretical perspectives, including practice-based research in the arts, especially in performance and dance studies, critical theory, ecocriticism, Indigenous knowledges, material feminist critique, quantum field theory, and new phenomenologies. Practice pages are shorter chapters that provide readers a chance to engage creatively with the ideas presented across the collection. This book offers a multidisciplinary perspective that brings together work in performance as research, phenomenology, and dance/movement; this is one of its significant contributions to the area of ecosomatics.The book will be of interest to anyone curious about matters of embodiment, ecology, and the environment, especially artists and students of dance, performance, and somatic movement education who want to learn about ecosomatics and environmental activists who want to learn more about integrating creativity, the arts, and movement into their work.

Theatres of Compost places ecology at the center of performance scholarship and criticism, and it positions performance as a key cultural process for bringing about a more just and sustainable future.Examining a unique archive of agricultural performances—plays, theatre collectives, and activist rituals that engage questions of how humans use the land and produce food—this book lays out a framework for how theatre and performance contribute to a cultural shift toward ecological awareness. Theatre of compost is performance that directly engages ideologies of exploitation, mass production, and accumulation. Instead of discarding the forms, themes, methodologies, and histories that have perpetuated ecological destruction, the case studies in this book show that what has come before can be composted: broken down and reconstituted as the fertile foundation for a more livable life in the Anthropocene. Theatres of Compost will appeal to the new but quickly growing subfield of performance and ecology. As the climate and ecological crises worsen, more scholars and students in theatre and performance will be searching for ways to make their work meaningful and relevant.This book will be a helpful resource for graduate-level courses in performance studies, performance and ecology, and the environmental humanities.

Climate Theatre examines how distressed environments are portrayed through theatrical and performance arts.Despite variations in form and location, this volume unites diverse geographical settings through their shared concern with the effects of rising temperatures on land, sea, sky and beyond. Throughout history theatre and performance have mirrored society's most pressing moral, ethical and sociopolitical challenges. Today, various performance traditions—from ritual practices to cultural activism and historical reenactments—are being reassessed for their environmental resilience and ecological consciousness. The collection also showcases innovative contemporary works that position climate as a dynamic and meaningful presence within drama, performance, activism and art. These contributions reflect the global nature of climate challenges while carefully articulating the nuanced perspectives emerging from different geographical contexts.This volume will particularly appeal to performance scholars, environmental humanities researchers, climate activists, theatre practitioners and students seeking to understand the intersection of artistic expression and ecological crisis in our rapidly changing world.

Climate Theatre examines how distressed environments are portrayed through theatrical and performance arts.Despite variations in form and location, this volume unites diverse geographical settings through their shared concern with the effects of rising temperatures on land, sea, sky and beyond. Throughout history theatre and performance have mirrored society's most pressing moral, ethical and sociopolitical challenges. Today, various performance traditions—from ritual practices to cultural activism and historical reenactments—are being reassessed for their environmental resilience and ecological consciousness. The collection also showcases innovative contemporary works that position climate as a dynamic and meaningful presence within drama, performance, activism and art. These contributions reflect the global nature of climate challenges while carefully articulating the nuanced perspectives emerging from different geographical contexts.This volume will particularly appeal to performance scholars, environmental humanities researchers, climate activists, theatre practitioners and students seeking to understand the intersection of artistic expression and ecological crisis in our rapidly changing world.

The Stage Lives of Animals examines what it might mean to make theatre beyond the human. In this stunning collection of essays, Una Chaudhuri engages with the alternative modes of thinking, feeling, and making art offered by animals and animality, bringing insights from theatre practice and theory to animal studies as well as exploring what animal studies can bring to the study of theatre and performance.As our planet lives through what scientists call "the sixth extinction," and we become ever more aware of our relationships to other species, Chaudhuri takes a highly original look at the "animal imagination" of well-known plays, performances and creative projects, including works by:Caryl Churchill Rachel RosenthalMarina ZurkowEdward AlbeeTennesee WilliamsEugene IonescoCovering over a decade of explorations, a wide range of writers, and many urgent topics, this volume demonstrates that an interspecies imagination deeply structures modern western drama.

Earth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater’s potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape.As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States.Earth Matters also maps the rise of an ecocritical thought and eco-theater practice – what the author calls ecodramaturgy – showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.

Earth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater’s potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape.As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States.Earth Matters also maps the rise of an ecocritical thought and eco-theater practice – what the author calls ecodramaturgy – showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.

This book is an innovative study that places performance and dance studies in conversation with ecology by exploring the significance of dirt in performance.Focusing on a range of 20th- and 21st-century performances that include modern dance, dance-theatre, Butoh, and everyday life, this book demonstrates how the choreography of dirt makes biological, geographical, and cultural meaning, what the author terms "biogeocultography". Whether it’s the Foundling Father digging into the earth’s strata in Suzan-Lori Park’s The America Play (1994), peat hurling through the air in Pina Bausch’s The Rite of Spring (1975), dancers frantically shovelling out fistfuls of dirt in Eveoke Dance Theatre’s Las Mariposas (2010), or Butoh performers dancing with fungi in Iván-Daniel Espinosa’s Messengers Divinos (2018), each example shows how the incorporation of dirt can reveal micro-level interactions between species – like the interplay between microscopic skin bacteria and soil protozoa – and macro-level interactions – like the transformation of peat to a greenhouse gas. By demonstrating the stakes of moving dirt, this book posits that performance can operate as a space to grapple with the multifaceted ecological dilemmas of the Anthropocene.This book will be of broad interest to both practitioners and researchers in theatre, performance studies, dance, ecocriticism, and the environmental humanities.

This book is an innovative study that places performance and dance studies in conversation with ecology by exploring the significance of dirt in performance.Focusing on a range of 20th- and 21st-century performances that include modern dance, dance-theatre, Butoh, and everyday life, this book demonstrates how the choreography of dirt makes biological, geographical, and cultural meaning, what the author terms "biogeocultography". Whether it’s the Foundling Father digging into the earth’s strata in Suzan-Lori Park’s The America Play (1994), peat hurling through the air in Pina Bausch’s The Rite of Spring (1975), dancers frantically shovelling out fistfuls of dirt in Eveoke Dance Theatre’s Las Mariposas (2010), or Butoh performers dancing with fungi in Iván-Daniel Espinosa’s Messengers Divinos (2018), each example shows how the incorporation of dirt can reveal micro-level interactions between species – like the interplay between microscopic skin bacteria and soil protozoa – and macro-level interactions – like the transformation of peat to a greenhouse gas. By demonstrating the stakes of moving dirt, this book posits that performance can operate as a space to grapple with the multifaceted ecological dilemmas of the Anthropocene.This book will be of broad interest to both practitioners and researchers in theatre, performance studies, dance, ecocriticism, and the environmental humanities.

Geographies of Us: Ecosomatic Essays and Practice Pages is the first edited collection in the field of ecosomatics.With a combination of essays and practice pages that provide a variety of scholarly, creative, and experience-based approaches for readers, the book brings together both established and emergent scholars and artists from many diverse backgrounds and covers work rooted in a dozen countries. The essays engage an array of crucial methodologies and critical/theoretical perspectives, including practice-based research in the arts, especially in performance and dance studies, critical theory, ecocriticism, Indigenous knowledges, material feminist critique, quantum field theory, and new phenomenologies. Practice pages are shorter chapters that provide readers a chance to engage creatively with the ideas presented across the collection. This book offers a multidisciplinary perspective that brings together work in performance as research, phenomenology, and dance/movement; this is one of its significant contributions to the area of ecosomatics.The book will be of interest to anyone curious about matters of embodiment, ecology, and the environment, especially artists and students of dance, performance, and somatic movement education who want to learn about ecosomatics and environmental activists who want to learn more about integrating creativity, the arts, and movement into their work.

Geographies of Us: Ecosomatic Essays and Practice Pages is the first edited collection in the field of ecosomatics.With a combination of essays and practice pages that provide a variety of scholarly, creative, and experience-based approaches for readers, the book brings together both established and emergent scholars and artists from many diverse backgrounds and covers work rooted in a dozen countries. The essays engage an array of crucial methodologies and critical/theoretical perspectives, including practice-based research in the arts, especially in performance and dance studies, critical theory, ecocriticism, Indigenous knowledges, material feminist critique, quantum field theory, and new phenomenologies. Practice pages are shorter chapters that provide readers a chance to engage creatively with the ideas presented across the collection. This book offers a multidisciplinary perspective that brings together work in performance as research, phenomenology, and dance/movement; this is one of its significant contributions to the area of ecosomatics.The book will be of interest to anyone curious about matters of embodiment, ecology, and the environment, especially artists and students of dance, performance, and somatic movement education who want to learn about ecosomatics and environmental activists who want to learn more about integrating creativity, the arts, and movement into their work.

Theatres of Compost places ecology at the center of performance scholarship and criticism, and it positions performance as a key cultural process for bringing about a more just and sustainable future.Examining a unique archive of agricultural performances—plays, theatre collectives, and activist rituals that engage questions of how humans use the land and produce food—this book lays out a framework for how theatre and performance contribute to a cultural shift toward ecological awareness. Theatre of compost is performance that directly engages ideologies of exploitation, mass production, and accumulation. Instead of discarding the forms, themes, methodologies, and histories that have perpetuated ecological destruction, the case studies in this book show that what has come before can be composted: broken down and reconstituted as the fertile foundation for a more livable life in the Anthropocene. Theatres of Compost will appeal to the new but quickly growing subfield of performance and ecology. As the climate and ecological crises worsen, more scholars and students in theatre and performance will be searching for ways to make their work meaningful and relevant.This book will be a helpful resource for graduate-level courses in performance studies, performance and ecology, and the environmental humanities.

Climate Theatre examines how distressed environments are portrayed through theatrical and performance arts.Despite variations in form and location, this volume unites diverse geographical settings through their shared concern with the effects of rising temperatures on land, sea, sky and beyond. Throughout history theatre and performance have mirrored society's most pressing moral, ethical and sociopolitical challenges. Today, various performance traditions—from ritual practices to cultural activism and historical reenactments—are being reassessed for their environmental resilience and ecological consciousness. The collection also showcases innovative contemporary works that position climate as a dynamic and meaningful presence within drama, performance, activism and art. These contributions reflect the global nature of climate challenges while carefully articulating the nuanced perspectives emerging from different geographical contexts.This volume will particularly appeal to performance scholars, environmental humanities researchers, climate activists, theatre practitioners and students seeking to understand the intersection of artistic expression and ecological crisis in our rapidly changing world.

Climate Theatre examines how distressed environments are portrayed through theatrical and performance arts.Despite variations in form and location, this volume unites diverse geographical settings through their shared concern with the effects of rising temperatures on land, sea, sky and beyond. Throughout history theatre and performance have mirrored society's most pressing moral, ethical and sociopolitical challenges. Today, various performance traditions—from ritual practices to cultural activism and historical reenactments—are being reassessed for their environmental resilience and ecological consciousness. The collection also showcases innovative contemporary works that position climate as a dynamic and meaningful presence within drama, performance, activism and art. These contributions reflect the global nature of climate challenges while carefully articulating the nuanced perspectives emerging from different geographical contexts.This volume will particularly appeal to performance scholars, environmental humanities researchers, climate activists, theatre practitioners and students seeking to understand the intersection of artistic expression and ecological crisis in our rapidly changing world.

The Stage Lives of Animals examines what it might mean to make theatre beyond the human. In this stunning collection of essays, Una Chaudhuri engages with the alternative modes of thinking, feeling, and making art offered by animals and animality, bringing insights from theatre practice and theory to animal studies as well as exploring what animal studies can bring to the study of theatre and performance.As our planet lives through what scientists call "the sixth extinction," and we become ever more aware of our relationships to other species, Chaudhuri takes a highly original look at the "animal imagination" of well-known plays, performances and creative projects, including works by:Caryl Churchill Rachel RosenthalMarina ZurkowEdward AlbeeTennesee WilliamsEugene IonescoCovering over a decade of explorations, a wide range of writers, and many urgent topics, this volume demonstrates that an interspecies imagination deeply structures modern western drama.