Theresa J. May is the author of Salmon Is Everything: Community-based Theatre in the Klamath Watershed , the co-editor of Readings in Performance and Ecology , the co-author of Greening Up Our Houses , and the co-founder and artistic director of the EMOS Ecodrama Playwrights Festival. She is an associate professor of theater at the University of Oregon.

• AcknowledgementsPreface From Ecotheatre to Ecodramaturgy Introduction Where Has Theater been while the World’s been Falling Apart? Chapter 1 Stories that Kill ~ The Frontier as Ecological Ethos in Augustin Daly’s Horizon and William F.Cody’s Wild West: The Drama of Civilization Chapter 2 Sabine Wilderness ~ David Belasco’s The Girl of the Golden West and William Vaughn Moody’s The Great Divide Chapter 3 Dynamos, Dust and Discontent ~ Eugene O’Neal’s Dynamo, and the Federal Theatre Project’s LivingChapter 4 We Know We Belong to the Land ~ Rogers and Hammerstein’s Oklahoma! and Arthur Miller’s Death of a Salesman Chapter 5 (Re)Claiming Home ~ Lorraine Hansberry’s Raisin in the Sun; Luis Valdez’ Bernabé; Sam Shepard’s Buried ChildChapter 6 Stories in the Land / Legacies in the Body ~ Robert Schenkkan’s The Kentucky Cycle; Cherríe Moraga’s Heroes and Saints; Anne Galjour’s Alligator TalesChapter 7 Kinship, Community and Climate Change ~ Marie Clements’ Burning Vision and Chantal Bilodeau’s Sila Epilogue Theater as a Site of Civic GenerosityIndex

Theresa J. May is the author of Salmon Is Everything: Community-based Theatre in the Klamath Watershed , the co-editor of Readings in Performance and Ecology , the co-author of Greening Up Our Houses , and the co-founder and artistic director of the EMOS Ecodrama Playwrights Festival. She is an associate professor of theater at the University of Oregon.

• AcknowledgementsPreface From Ecotheatre to Ecodramaturgy Introduction Where Has Theater been while the World’s been Falling Apart? Chapter 1 Stories that Kill ~ The Frontier as Ecological Ethos in Augustin Daly’s Horizon and William F.Cody’s Wild West: The Drama of Civilization Chapter 2 Sabine Wilderness ~ David Belasco’s The Girl of the Golden West and William Vaughn Moody’s The Great Divide Chapter 3 Dynamos, Dust and Discontent ~ Eugene O’Neal’s Dynamo, and the Federal Theatre Project’s LivingChapter 4 We Know We Belong to the Land ~ Rogers and Hammerstein’s Oklahoma! and Arthur Miller’s Death of a Salesman Chapter 5 (Re)Claiming Home ~ Lorraine Hansberry’s Raisin in the Sun; Luis Valdez’ Bernabé; Sam Shepard’s Buried ChildChapter 6 Stories in the Land / Legacies in the Body ~ Robert Schenkkan’s The Kentucky Cycle; Cherríe Moraga’s Heroes and Saints; Anne Galjour’s Alligator TalesChapter 7 Kinship, Community and Climate Change ~ Marie Clements’ Burning Vision and Chantal Bilodeau’s Sila Epilogue Theater as a Site of Civic GenerosityIndex

Theresa J. May is the author of Salmon Is Everything: Community-based Theatre in the Klamath Watershed , the co-editor of Readings in Performance and Ecology , the co-author of Greening Up Our Houses , and the co-founder and artistic director of the EMOS Ecodrama Playwrights Festival. She is an associate professor of theater at the University of Oregon.

• AcknowledgementsPreface From Ecotheatre to Ecodramaturgy Introduction Where Has Theater been while the World’s been Falling Apart? Chapter 1 Stories that Kill ~ The Frontier as Ecological Ethos in Augustin Daly’s Horizon and William F.Cody’s Wild West: The Drama of Civilization Chapter 2 Sabine Wilderness ~ David Belasco’s The Girl of the Golden West and William Vaughn Moody’s The Great Divide Chapter 3 Dynamos, Dust and Discontent ~ Eugene O’Neal’s Dynamo, and the Federal Theatre Project’s LivingChapter 4 We Know We Belong to the Land ~ Rogers and Hammerstein’s Oklahoma! and Arthur Miller’s Death of a Salesman Chapter 5 (Re)Claiming Home ~ Lorraine Hansberry’s Raisin in the Sun; Luis Valdez’ Bernabé; Sam Shepard’s Buried ChildChapter 6 Stories in the Land / Legacies in the Body ~ Robert Schenkkan’s The Kentucky Cycle; Cherríe Moraga’s Heroes and Saints; Anne Galjour’s Alligator TalesChapter 7 Kinship, Community and Climate Change ~ Marie Clements’ Burning Vision and Chantal Bilodeau’s Sila Epilogue Theater as a Site of Civic GenerosityIndex