Aperture Magazine – serie

In collaboration with Inez & Vinoodh, anexploration of visionary fashion photography.The theme for Aperture's Fall 2014 issue is "Fashion," produced in collaboration with the groundbreaking fashion-photography duo Inez & Vinoodh. The issue explores the role of image quotation and reference, and showcases contemporary and historical work from both inside and outside the field of fashion, as well as key touchstones, including breakthrough magazines and advertisements. In the Words section, Donatien Grau considers Inez & Vinoodh's long-standing collaboration; "Vogue Paris" editor-in-chief Emmanuelle Alt in conversation with Penny Martin, editor of The Gentlewoman; curator Charlotte Cotton on the State of Fashion; Alistair O'Neill considers how the documentary tradition has influenced the work of many fashion photographers; and Marketa Uhlirova looks at how contemporary fashion films reference still photography. The Pictures section presents Tamara Berghmans on the influential Dutch photographer Ed van der Elsken; Jason Evans on Shiseido's beguiling vintage ads; Inez & Vinoodh on photographs that have served as references for painting, plus notes on the icons of fashion photography; Phil Bicker on pioneering fashion magazines i-D, The Face and Jill; and emerging fashion photographers Margaret Durow and Daniel Arnold.

Must-read conversations with nine of theworld’s most influential photographers.The Interview Issue features in-depth conversations with a selection of influential photographers of an older generation, who continue to produce and publish, about their lifelong engagement with photography. What compels someone to become a photographer? And what drives someone to continue to be one, for as many as seven decades? How does a veteran photographer describe years of questioning politics, personal experience, social unrest, landscape, and history through the camera?For this issue, Aperture offers nine in-depth interviews, firsthand accounts that underscore the generosity and intelligence of their speakers. Born between 1928 and 1947, the nine photographers featured―Bruce Davidson, Paolo Gasparini, David Goldblatt, Guido Guidi, Ishiuchi Miyako, William Klein, Bertien van Manen, Boris Mikhailov, and Rosalind Fox Solomon―are still active today, adding to their already unparalleled bodies of work. In these pages, the medium is considered from various points of view, offering a range of philosophies, values, and perspectives, yet for all the differences within this group, they share a fundamental curiosity about the human experience.

Voyages, journeys, and the captivating spellof wanderlust.This edition of Aperture magazine, “Odyssey,” features photography about voyages, journeys, and the captivating spell of wanderlust.In the Words section, Tacita Dean discusses her personal quests with writer Travis A. Diehl; Eric Banks traces the midcentury journeys of famed travel writer Wilfred Thesiger; Alexander Stille looks at Italian mountain-photography pioneer Vittorio Sella; writer Sean O’Toole profiles the documentary projects of the Invisible Borders Trans-African Photographers Organisation, a West African photography collective; and multidisciplinary artist Taryn Simon speaks with Kate Fowle, of Moscow’s Garage Museum of Contemporary Art, about an artwork set for completion in the year 3015.

As the United States navigates a political moment defined by the close of the Obama era and the rise of #BlackLivesMatter activism, Aperture magazine releases “Vision & Justice,” a special issue guest edited by Sarah Lewis, the distinguished author and art historian, addressing the role of photography in the African American experience."Vision & Justice” includes a wide span of photographic projects by such luminaries as Lyle Ashton Harris, Annie Leibovitz, Sally Mann, Jamel Shabazz, Lorna Simpson, Carrie Mae Weems and Deborah Willis, as well as the brilliant voices of an emerging generation - Devin Allen, Awol Erizku, LaToya Ruby Frazier, Deana Lawson and Hank Willis Thomas, among many others. These portfolios are complemented by essays from some of the most influential voices in American culture including contributions by celebrated writers, historians, and artists such as Vince Aletti, Teju Cole, Henry Louis Gates, Jr., Margo Jefferson, Wynton Marsalis and Claudia Rankine."Vision & Justice” features two covers. This issue comes with an image by Awol Erizku, Untitled (Forces of Nature #1), 2014.

To mark Aperture ’s return to a US-based printer, we present an issue that reflects on the image of American manufacturing, from the automobile as a symbol of the rise and fall of domestic industry, to how the worker, as subject, has fascinated photographers, from Lewis Hine to Lee Friedlander. A series of portfolios by contemporary photographers portray daily life in regional cities and communities, such as Pittsburgh and Buffalo. As debates continue about the country’s economic future and the outsourcing of jobs, this issue offers an urgent reflection on life, work, and pursuit of happiness, in the USA today. Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. With fresh perspectives on the medium by leading writers and thinkers, and beautifully designed and produced, Aperture magazine makes new ideas in photography accessible to the photographer, student, and the culturally- curious alike.

A detailed look at the dynamic spaces that have shaped conversations about photography in Africa for the last twenty-five years—the biennials, experimental art spaces, and educational workshops in which artists and audiences interact with photography. Platform: Africa presents a new generation of powerful artists, and is produced in collaboration with guest editors Bisi Silva, Founder and Artistic Director of the Centre for Contemporary Art in Lagos, Nigeria; John Fleetwood, director of the South Africa-based platform Photo and former head of the Market Photo Workshop in Johannesburg; and Aicha Diallo, Associate Editor of Contemporary And.

Elements of Style investigates the role of style, dress, and beauty in the formation of individual identity. From the stunning studio work of Kwame Brathwaite, the Harlem-based photographer who advanced the potent political slogan “Black Is Beautiful,” to Collier Schorr’s representations of the queer community in fashion contexts, to Pieter Hugo’s portraits of young students at a Beijing art school, this issue reveals, across time and geographies, how fashion and style help us to see who we are and who we might become.Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. With fresh perspectives on the medium by leading writers and thinkers, and beautifully designed and produced, Aperture magazine makes new ideas in photography accessible to the photographer, student, and the culturally curious alike.

As part of Aperture magazine’s ongoing series of issues that profile the photographic culture of a particular city, the “Los Angeles” issue will explore how one of America’s most photogenic cities is also an essential hub for some of today’s most important photography and photo-based art. “Los Angeles” will feature key figures in the city’s photography community and portfolios by figures who continue a conceptual tradition long associated with the city’s art scene.

“Family” delves into the ways photographers have chronicled their relationships with those closest to them, be it immediate family or their community of friends.Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. With fresh perspectives on the medium by leading writers and thinkers, and beautifully designed and produced, Aperture magazine makes new ideas in photography accessible to the photographer, student, and the culturally curious alike.

Virginia Woolf ’s prescient 1928 novel Orlando tells the story of a young nobleman who, during the era of Elizabeth I, mysteriously shifts gender, and lives on for three centuries without aging. Today, Orlando remains startlingly fresh for its playful imagining of gender fluidity. In 1992, filmmaker Sally Potter released an adaptation of the book with Tilda Swinton carrying the film as Orlando. Woolf ’s tale has continued to hold sway over Swinton, who describes the book’s ability “to change like a magic mirror. Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.”This special issue of Aperture magazine, guest edited by Swinton, will draw upon the themes of the novel—gender, indeterminate space, and the passage of time—and offer readers a collection of images and writings that celebrate openness and curiosity, in contrast to a contemporary political moment of insurgent parochialism and divisiveness. “Woolf wrote Orlando,” Swinton notes, “in an attitude of celebration of the oscillating nature of existence. She believed the creative mind to be androgynous. I have come to see Orlando far less as being about gender than about the flexibility of the fully awake and sensate spirit: as Orlando him/herself so memorably remarks at the critical moment of transformation: ‘Same person, different sex: no difference at all.’ The issue of Aperture, then, will be a salute to indetermination. Peopled by voices and visions of artists and writers who are kaleidoscopically wired.”

In a time of hyperactive communication, unending consumerism, and political confusion, Wolfgang Tillmans guest-edits an issue of Aperture on the subject of spirituality and its connection to solidarity. “People are touched and moved by experiences of genuine solidarity,” Tillmans notes. “Solidarity describes a degree of selflessness, or experiences that remind people of values higher than the pure mate-rialistic culture we’re in.”This issue, featuring contributions by leading artists, scientists, novelists,and philosophers, will look at different ways of considering humanity’s longing for spiritual connection—from the shared sense of purpose behind global mass protests, to the collective spirit of the dance floor, to how image-makers have strived to visualize the intangible and the inexplicable. Key features include: a look at the role of spiritualism in the work of Minor White, Aperture’s founding editor; esteemed physicist Peter Galison on the recent landmark image of a black hole; David Swindells’s chronicle of underground rave culture in London; Siddhartha Mitter on images of protests in Hong Kong, Cairo, and Standing Rock; a collaborative project by Olivia Laing and Mary Manning; Sean O’Toole on Santu Mofokeng and South Africa’s spiritual landscapes; plus portfolios by Susan Hiller, Mare Nero, Harit Srikhao, and more

How do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? The Spring 2020 issue of Aperture considers the meanings and forms of a home, and the relationships between architecture, design, and the domestic realm. From interviews with leading architects—such as David Adjaye, Denise Scott Brown, and Annabelle Selldorf—and a reconsideration of the irreverent interiors magazine Nest, to previously unpublished work by Robert Adams and new portfolios by artists including Alejandro Cartagena, Fumi Ishino, Mauro Restiffe, and the duo Randhir Singh and Seher Shah, House & Home considers the concepts of home across diverse geographies and time periods.

If the year 2020 has resembled a disquieting sci-fi plot or a sinister speculative work, this year has also shown us that other ways of living are possible—if the collective will exists. But is it naive to speak of utopia today? In this issue, artists, photographers, and writers envision a world without prisons, document visionary architecture, honor queer space and creativity, and dream of liberty through spiritual self-expression. They show us that utopia is not a far-fetched scheme, or a “no place” (the literal meaning of the word utopia), but rather a way of reconsidering the everyday.Salamishah Tillet considers Tyler Mitchell’s portraits of Black people resting in open green space, while Sara Knelman shows the liberatory possibilities of feminist collage work of Lorna Simpson, Mickalene Thomas, Sara Cwynar, and Alanna Fields. From Afro-Futurist aesthetics to the eco-idealism of Biosphere 2, “Utopia” issue explores the role of photographs in shaping our future.

With its vibrant street life, vast media industry, and influence on the fashion world, New York has long been considered the capital of photography. Since last March, though, life in the city has been altered in unthinkable ways due to the Covid-19 health crisis and the protests in support of Black lives.Aperture’s New York issue will be released on the one-year anniversary of the city’s shut down due to the Covid-19 crisis. The issue will honor community and public space in the city and highlight the distinct ways in which this city has fostered a vital image culture. Contributions will include Jamel Shabazz’s decades-long chronicle of Black life in the city; Deana Lawson’s distinct vision of Brooklyn; Vince Aletti on the tradition of the “New York issue” in magazine publishing; a conversation between Philip Montgomery and Kathy Ryan, Director of Photography at The New York Times Magazine; as well as highlights from a range of unique photo archives in the city. Additional contributors may include An-My Le?, Farah Al Qasimi, Ari Macropolous, Ryan McGinley, Irina Rozovksy, Olivia Laing, Jim Jarmusch, among others.

This summer, Aperture presents a special issue focused on the relationship between photography, urbanism, and activist trajectories from Delhi. The issue explores multiple incarnations of the city’s photographic culture, from O. P. Sharma's experimental works from the 1960s to Aditi Jain’s intimate tableaux of Delhi’s trans community today. Interviews with revered writer Arundhati Roy and with Bangladesh’s best-known photojournalist, Shahidul Alam, illuminate sites of protest in the city and throughout South Asia. Skye Arundhati Thomas revisits Sheba Chhachhi’s feminist staged portraits from the 1980s and ’90s. Featuring a cross section of dynamic image-makers and thinkers, such as Jyoti Dhar, Sunil Gupta, Ishan Tankha, and Anshika Varma, and emerging voices Uzma Mohsin and Prarthna Singh, the issue is a distinctive meditation on regionalism, politics, and identity, through archival and contemporary photographic viewpoints.

This fall, Aperture magazine presents an issue exploring the idea of cosmologies—the origins, histories, and local universes that artists create for themselves.In an exclusive interview, Greg Tate speaks to Deana Lawson about how her monumental staged portraits trace cosmologies of the African diaspora. “What I’m doing integrates mythology, religion, empirical data, dreams,” says Lawson, whose work is the subject of major solo exhibitions this year at the Solomon R. Guggenheim Museum, New York, and Institute of Contemporary Art, Boston.In an in-depth profile of Judith Joy Ross and her iconic portraiture, Rebecca Bengal shows how a constellation of strangers is brought together through Ross’s precise, empathic gaze. “Ross is guided by a rapt, intense, wholehearted belief in the individual,” Bengal writes.A portfolio of Michael Schmidt’s acutely observed work from the 1970s and ’80s reveals the realms within realms of a once divided Berlin, while Feng Li’s surprising black-and-white snapshots zigzag between absurdist dramas in various Chinese cities. Ashley James distills the surreal visions of Awol Erizku’s still lifes and tableaux; Casey Gerald contributes a sweeping ode to Baldwin Lee’s stirring 1980s portraits of Black Southern subjects; and Pico Iyer meditates on Tom Sandberg’s grayscales marked by both absence and reverence.Throughout “Cosmologies,” artists cast their attention on the great mysteries of both personal and shared lineages, tracking their locations in space, time, and history, and reminding us of the elegant enigmas that can be unraveled close to home.

Aperture magazine presents “Celebrations,” an issue that considers how photographs envision ceremonies, festivities‚ and allow us to discover euphoria in the everyday.Throughout the issue, photographers portray exuberance against a backdrop of political strife in Beirut, pursue the thrill of wanderlust, excavate family histories, and respond to the powerful, constant urge to gather. Whether in Kinshasa’s vibrant nightlife of the 1950s and ’60s or London’s sweaty dance floors of our era, jubilation carries on, despite an ongoing, and unpredictable, pandemic.In “Celebrations,” Lynne Tillman contributes a survey of landmark images of celebration through the years, by artists from Malick Sidibé and Peter Hujar to LaToya Ruby Frazier. Several profiles and essays—including Alistair O’Neill on Jamie Hawkesworth, Moeko Fuiji on Rinko Kawauchi, Tiana Reid on Shikeith, Mona El Tahawy on Miriam Boulos, and Anakwa Dwamena on Marilyn Nance’s views of Lagos, Nigeria during FESTAC '77—reveal the celebratory gestures embedded in vibrant portraiture, serene slants of light, unbound queer desire, and joyous cross-cultural exchange.

Guest edited by the acclaimed photographer Alec Soth, Aperture’s summer issue explores the dimensions and possibilities of dreams, journeys, and chance in photography.“Sleepwalking” covers a surprising array of images and stories from the Soviet-era Czech artist Emila Medová to Sophie Calle’s discovery of an abandoned Parisian hotel to Soth’s own photographs from his travels in the United States. In this issue, Jesse Dorris interviews Duane Michals about luck and fate, Marina Warner explores the enduring resonance of the figure of the sleepwalker, and artists including Etienne Courtois, Maja Daniels, and Elliott Jerome Brown Jr. present surreal and imaginative new series. The Summer 2022 issue also introduces The PhotoBook Review, a new section for lively engagement with photobooks, featuring reviews of recent titles by Nona Faustine, Samuel Fosso, Óscar Monzón, and others.

Anniversary issue features seven original commissions by leading photographers and artists, and seven essays about Aperture’s legacy by award-winning writers and criticsThis fall, Aperture celebrates seventy years in print with an issue that explores the magazine’s past while charting its future. Reflecting on the founding editors’ original mission and drawing on Aperture’s global community of photographers, writers, and thinkers, this issue features seven original artist commissions as well as seven essays by some of the most incisive writers working today––each engaging with the magazine’s archive in distinct ways.Among the original artist commissions, Iñaki Bonillas selects iconic images and texts from the Aperture’s archive from the 1950s to produce open-ended narrative collages. Dayanita Singh reflects on the 1960s and the family album as a serious photographic form. Yto Barrada enacts sculptural interventions to issues and spreads from the 1970s, using remnants of the late artist Bettina Grossman’s color paper cutouts. Mark Steinmetz draws inspiration from the magazine’s Summer 1987 issue, “Mothers & Daughters,” to compose a photo essay of his wife, the photographer Irina Rozovsky, and their daughter Amelia. Considering the matrix of censorship, art, and religion in the 1990s, John Edmonds creates a tableau about family, faith, and grief. Hannah Whitaker explores the turn of the century, and the ways in which our anxieties about technology create speculative worlds. And Hank Willis Thomas draws on Aperture’s issues from the 2010s to create a series of collages that reference traditional quilt patterning, revivifying history and remixing the present.Looking back upon Aperture’s legacy, Darryl Pinckney reconsiders the photographer and editor Minor White, whose vision shaped the magazine for nearly two decades, beginning in the 1950s. Olivia Laing writes about the 1960s and the tensions between reportage and artistry in the work of Dorothea Lange, W. Eugene Smith, and others. Geoff Dyer revisits to the 1970s, which he considers a decade of new ideas and deeper reflection on the medium, looking into the works of William Eggleston and Ralph Eugene Meatyard. Brian Wallis looks back at the politics, art, identity, and the “culture wars” of the 1980s, while Susan Stryker reflects on Aperture’s archive from the 1990s and its foregrounding of identity beyond the gender binary, evoking Catherine Opie, Elaine Reichek, and Aperture’s pathbreaking “Male/Female” issue. Lynne Tillman illustrates how photographers searched for the tangible in an increasingly digital world in the 2000s, and the Pulitzer Prize-winning critic Salamishah Tillet shows how the photo album became a source of connection and narrative amid the information overabundance of the 2010s.

This winter, Aperture magazine presents “Reference,” an issue that considers the role images play in the creation of something else.­ Spanning fashion design, architecture, film, and print, “Reference” includes a conversation between renowned British author and curator Ekow Eshun and rising fashion designer Grace Wales Bonner; an interview with South African artist William Kentridge on the images that undergird his sprawling output; critic Mimi Zeiger on the work of Los Angeles–based architectural studio Johnston Marklee; an essay by Jesse Dorris on the potential of handmade zines; and David Campany on the function and purpose of photographs today. Further, works by James Welling, Jojo Gronostay, Deborah Turbeville, Sheida Soleimani, Katrien de Blauwer, and Stephanie Syjuco highlight each artist’s unique use of source material. The Photobook Review for this issue opens with a sweeping interview with Ramón Reverté—the editor in chief and creative director at Editorial RM—and includes reviews of recent photobooks by Vince Aletti, Phyllis Christopher, Moe Suzuki, Nancy Holt, Richard Misrach, and N.V. Parekh.

This spring Aperture magazine presents “We Make Pictures in Order to Live” an issue that nods to the late, celebrated writer Joan Didion and looks at photography’s relationship to storytelling. “We live entirely, especially if we are writers,” Didion writes in her iconic essay “The White Album,” “by the imposition of a narrative line upon disparate images, by the ‘ideas’ with which we have learned to freeze the shifting phantasmagoria which is our actual experience.” Brimming with visual stories that excite, surprise, and illuminate daily life, this issue asks how photographers create and question narratives, and features new work by Bieke Depoorter, a profile of Nick Waplington by Alistair O’Neill, as well as features on Adraint Bereal and Charles “Teenie” Harris.

This issue explores the myriad ways in which Asian American image makers have negotiated the tension between being seen and unseen as strategies of survival, play, and reclamation, from the pursuit of anonymity or effacement during times of exclusion to practices of self-fashioning and commemoration within communities.Just as the term “Asian American” covers an incredible diversity of people from different geographic origins, classes, cultures, and historical experiences, there is no one approach to Asian American photography. This summer edition of Aperture highlights the photographers and writers who are telling new stories about what it means to be Asian in America. They explore areas of hope and connection alongside doubt, uncertainty, and trauma across generations. Through text and image, they take part in a project of reclaiming agency and humanity while charting an evolution of Asian American identities.

Following Aperture’s acclaimed city issues centered around photography in Delhi, Mexico City, Los Angeles, New York, Tokyo, and São Paulo, the magazine’s Fall edition considers Accra as a site of vivid photographic styles connected to visual culture in Ghana and West Africa. From the pioneering midcentury studio photography and photojournalism of James Barnor to the sensitive and experimental work of Eric Gyamfi, Accra is at the center of dialogues around Pan-Africanism and is a point of return for the African Diaspora. The Accra issue, edited in collaboration with Lyle Ashton Harris and Nii Obodai, may include contributions from Ekow Eshun, John Akomfrah, David Adjaye, Taiye Selasi, Lloyd Foster, Anakwa Dwamena, and Rénee Mussai.

Aperture Magazine Releases Winter Issue, “Desire,” Featuring an Expansive Interview with Renowned Fashion Photographer Juergen Teller(New York—December 12, 2023) This winter, Aperture magazine presents “Desire,” an edition that considers desire as both an impulse and a state of mind. The issue features an expansive interview with Juergen Teller, whose photographs upend fashion’s vocabulary of glamour and aspiration, on the occasion of his major exhibition Juergen Teller: i need to live, opening at the Grand Palais Éphémère in Paris on December 16, 2023.Photographers are natural voyeurs. The compulsion to want—or, in today’s parlance, to manifest—emerges throughout the work in this issue. Artists such as Nakeya Brown, Nabil Harb, Oto Gillen, Marcelo Gomes, and Jonathas de Andrade consider the body, the natural world, beguiling objects, and direct physical expressions of desire as the material for indelible images.Andrew Maerkle profiles the celebrated Japanese photographer Ishiuchi Miyako, who for decades has conjured history through evocative personal objects, creating magnetic images that are at once surreal and surprisingly physical. Amanda Maddox considers a generation of women photographers whose work probes the feminist dynamics of seeing—and being seen. Moeko Fujii revisits Hisae Imai, an ascendent figure in Tokyo’s art and fashion scenes of the 1960s, and Lucy McKeon finds new resonance in the sensual self-portraits Melissa Shook made as a young woman and mother. In “Desire,” photographers render reality as unearthly—and take the viewer somewhere else altogether.For more information and to preview select content from the issue, visit aperture.org/magazine.

Aperture introduces a new look for the magazine with The Design Issue, featuring previously unpublished images by Luigi Ghirri, a profile of the artist and jewelry designer Coreen Simpson, interviews with the celebrated fashion designer Duro Olowu and the design writer Alice Rawsthorn, and dynamic portfolios that speak to the myriad ways in which the fields of photography and design are intertwined. The Design Issue also features three unique covers with images by David Hartt, Luigi Ghirri, and Dayanita Singh.Aperture continues to be designed by the award-winning, London-based studio A2/SW/HK. Updated elements include a refreshed cover and changes to typefaces, layout, and scale. 'This new, inviting format is inspired by the early issues of the magazine. We hope to honor the editorial spirit that has driven this publication since 1952: a commitment to presenting a spectrum of ideas and photography, from past and present, thoughtfully considered through engaging, approachable writing and a thoughtful design', said Michael Famighetti, editor in chief of Aperture.In The Design Issue Olowu speaks with the editor Dan Thawley about how his deep knowledge of photography has informed his fashion line. Thessaly La Force visits Coreen Simpson, who made portraits of New York City's artistic and nightlife scenes and later found success as a jewelry designer. Alice Rawsthorn speaks with Billie Muraben about how designers respond to evolving technology and politics. And Mimi Zeiger considers David Hartt's interventions with the built environment and iconic buildings, including Philip Johnson's Glass House.In elegant, spare images, Dayanita Singh presents her long-term engagement with the architects Geoffrey Bawa and Bijoy Jain. Luigi Ghirri's 1980s images from the Ferrari factory, in Italy, demonstrate the photographer's fascination with industrial design. New work by Daniel Shea, Paul Kooiker, and Nhu Xuan Hua show photography's boundless potential to tell stories about urban change, identity, and sartorial politics.This issue also features Avion Pearce, the winner of the 2024 Aperture Portfolio Prize, whose work will be presented in June at Baxter St at the Camera Club of New York; columns feature Stefan Ruiz, Akihiko Okamura, and Olivia Laing; and features in The PhotoBook Review highlight Alexey Brodovitch's iconic art direction and Polymode, a bicoastal, queer, and minority-owned studio who are rethinking design histories.

Aperture regularly invites guest editors to collaborate on issues where their unique perspectives and exciting networks of artists and writers expand and enhance specific themes. This issue will be guest edited by the leading artist and educator Deana Lawson, touching upon themes of the familial, astrophysical, and social, and their relationships to photography.

Exploring fashion and style as a political language and tool of resistance in the African diaspora. Aperture’s Summer issue highlights image makers around the world who are exploring style and fashion as a language of Black resistance, refusal, and joy. Guest edited by the writer and researcher Tanisha C. Ford and titled after her 2015 book, Liberated Threads, this edition features photographers, stylists, and filmmakers who remix, reimagine, and in some cases, reject the aesthetic and politics of what she calls the “soul style” of the twentieth century—sparking a bold conversation about style’s ability to create possibilities for solidarity and selfhood today.

This issue, the latest in Aperture's series focusing on photography scenes in different international cities, looks at the dynamic South Korean capital, now at the centre of contemporary art and culture. Aperture No. 260 explores how photographers have chronicled and participated in the countless transformations of Seoul, a megacity defined by millennia of tradition and a future still being written.

This edition of Aperture relaunches the magazine under the title “Hello, Photography,” a playful nod to Daido Moriyama’s seminal project Bye, Bye Photography. Now divided into two distinct sections, “Words” and “Pictures,” the issue offers a broad sweep of key issues for photography today.The new “Words” section brings readers the sharpest ideas on photography: Charlotte Cotton asks if institutions are stifling innovation; Geoffrey Batchen teases out what social media means for photography; Arthur Ou confronts the challenges of photographic education; and Robin Kesley investigates the key questions driving new scholarship today. Conversations round out this issue’s “Words” with Jeff Wall and Lucas Blalock, Mark Westmoreland and Akram Zaatari, and Virginia Rutledge and Penelope Umbrico.“Pictures” is the magazine’s superbly printed new visual showcase. Featured for Spring are portfolios from the Gary Winogrand Archive, with curator Leo Rubinfien explaining his new edit to photographer Philip-Lorca diCorcia; Jason Evans' street photography; Eva Respini introducing Michele Abeles; new work by Adam Broomberg and Oliver Chanarin; a dispatch from Magnum’s latest road trip with Alec Soth, Zoe Strauss, Jim Goldberg and Mikhael Subotzky; an introduction to Christopher Williams by Matthew Witkovsky; Andrew Norman Wilson’s project on Google Books; James Welling speaks with Phil Chang; and more. Accessible new columns include The Collectors (with writing by novelists Sam Lipsyte, Teju Cole, Sheila Heti and Heidi Julavtis); Dispatches (Jason Fulford walks readers through San Francisco’s photo scene); and Redux (David Campany on a lost book by Victor Burgin).