Arabic Thought and Culture – serie

the philosophers in the West, none, perhaps, is better known by name and less familiar in actual content of his ideas than the medieval Muslim philosopher, physician, minister and naturalist Abu Ali Ibn Sina, known since the days of the scholastics as Avicenna. In this book the author, himself a philosopher, and long known for his studies of Arabic thought, presents a factual account of Avicenna's philosophy. Setting the thinker in the context of his often turbulent times and tracing the roots and influences of Avicenna's ideas, this book offers a factual philosophical portrait. It details Avicenna's account of being as a synthesis between the seemingly irreconcilable extremes of Aristotelian eternalism and the creationism of monotheistic scripture. It examines Avicenna's distinctive theory of knowledge, his ideas about immortality and individuality, including the famous "floating man argument", his contributions to logic, and his probing thoughts on rhetoric and poetics.

First Published in 2004. Naguib Mahfouz is one of the most important Arabic fiction writers of this century. Born in 1911, his long and prolific writing career represents the evolution of a novel genre in Arabic literature. His books are a record of the tragic tensions attendant on a nations's quest for freedom and modernity. In 1988 he won the Nobel Prize for Literature. This book provides a comprehensive study of Mahfouz's achievement. Rasheed El-Enany presents a systemic evaluation of the author's life and environment; local and foreign influences on him; elements of his thought and technique and the evolution of his craft. While each work is discussed individually, emphasis is laid throughout on elements of continuity in his work, whether thematic or aesthetic. In particular, Dr El-Enany challenges the traditional classification of Mahfouz's work into four chronological phases - historical, realist, modernist and indigenous or traditional. It is demonstrated that elements of these forms recur throughout Mahfouz's varied and experimental writings. This book is the story of Mahfouz's struggle to free his novels from the prevalent, predominantly Western moulds and to express his own socio-political thought.

The influence of classical antiquity on the religious disciplines, theology, mysticism and law of Islam cannot be overestimated. This work demonstrates the significance of the classical heritage by drawing together a great range of literary renderings, paraphrases, commentaries and imitations, as well as independent Islamic elaborations. Professor Rosenthal's collection includes the work of early authors, authors of the Golden Age and later writers who imitated their works. The Classical Heritage in Islam reveals that the Muslim adoption of and dependence on classical texts was not blind imitation or a casual compounding of traditions, but rather an original synthesis and therefore a unique achievement.

A reinterpretation of Ibn Khaldun, 14th-century Arabic philosopher, historian and politician.

First Published in 2004. Naguib Mahfouz is one of the most important Arabic fiction writers of this century. Born in 1911, his long and prolific writing career represents the evolution of a novel genre in Arabic literature. His books are a record of the tragic tensions attendant on a nations's quest for freedom and modernity. In 1988 he won the Nobel Prize for Literature. This book provides a comprehensive study of Mahfouz's achievement. Rasheed El-Enany presents a systemic evaluation of the author's life and environment; local and foreign influences on him; elements of his thought and technique and the evolution of his craft. While each work is discussed individually, emphasis is laid throughout on elements of continuity in his work, whether thematic or aesthetic. In particular, Dr El-Enany challenges the traditional classification of Mahfouz's work into four chronological phases - historical, realist, modernist and indigenous or traditional. It is demonstrated that elements of these forms recur throughout Mahfouz's varied and experimental writings. This book is the story of Mahfouz's struggle to free his novels from the prevalent, predominantly Western moulds and to express his own socio-political thought.

The influence of classical antiquity on the religious disciplines, theology, mysticism and law of Islam cannot be overestimated. This work demonstrates the significance of the classical heritage by drawing together a great range of literary renderings, paraphrases, commentaries and imitations, as well as independent Islamic elaborations. Professor Rosenthal's collection includes the work of early authors, authors of the Golden Age and later writers who imitated their works. The Classical Heritage in Islam reveals that the Muslim adoption of and dependence on classical texts was not blind imitation or a casual compounding of traditions, but rather an original synthesis and therefore a unique achievement.