Archetype Publications – serie

Natural Dyes

Sources, Tradition, Technology and Science

Arab Paper

Lining Paintings

Papers from the Greenwich Conference on Comparative Lining Techniques

Dyes in History and Archaeology 19

Papers Presented at the 19th Meeting

Textiles in Trust

The Fabric of Images

European Paintings on Textile Supports in the Fourteenth and Fifteenth Centuries

Dyes in History and Archaeology 20

Papers Presented at the 20th Meeting

Dyes in History and Archaeology 18

Protein Facts

Fibrous Proteins in Cultural and Natural History Artifacts

Cleaning Painted Surfaces

Aqueous Methods

Conservation of Paintings

Research and Innovations

Scientific Research in the Field of Asian Art

Fiftieth-Anniversary Proceedings

Changing Pictures

Discoloration in 15th-17th-Century Oil Paintings

The Transfer of Wall Paintings

Based on Danish Experience

The Broad Spectrum

Studies in the Materials, Techniques, and Conservation of Color on Paper

State Beds and Throne Canopies

Care and Conservation

Microanalysis of Parchment

The Art of All Colours

Mediaeval Recipe Books for Painters and Illuminators

Scientific Research on the Pictorial Arts of Asia

Proceedings of the second Forbes Symposium at the Freer Gallery of Art

Gilded Metals

History, Technology and Conservation

Look After the Pennies

Numismatics and Conservation in the 1990s

Barkcloth

Aspects of Preparation, Use, Deterioration, Conservation and Display

Conservation Science 2002

In the Saddle

An Exploration of the Saddle through History

Painted Altar Frontals of Norway, 1250 - 1350, Volumes 1-3

Dyes in History and Archaeology 16/17

Papers Presented at the 16th Meeting, Lyons, 1997, and the 17th Meeting, Greenwich, 1998

Art of the Past

Sources and Reconstructions

Modern Art

Who Cares?

Big Pictures

Problems and Solutions for Treating Outsize Paintings