Arden Shakespeare Fourth Series – serie

The bloodiest and brashest of Shakespeare’s plays, this revenge tragedy begins with war and ends in mutilation and cannibalism. Acts of war and sexual violence across borders and within families highlight the importance of empire, Blackness and gender, alongside the familial and literal blood which characterise early modern and contemporary performance.The Arden Shakespeare Fourth Series Titus Andronicus provides:- A critical introduction to the textual, cultural and performance history- An edition that is rooted in a Jacobean revival performance of the play- Detailed on-the-page notes explaining language, character and performance- A clear page layout with an easy-to-read font and single-column notes - Images of relevant productions, paintings and textsThe Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker or performer of Shakespeare’s works today.

Tyranny, imperialism and political authority define Shakespeare’s enduring dramatic depiction of ruling power and regime change in ancient Rome. A touchpoint for characterising tyrannical leaders throughout the world, Julius Caesar has told a cautionary tale of the uneasy relationship between political leaders and citizens from the time it was first performed up to the 21st century.The Arden Shakespeare Fourth Series Julius Caesar provides:- A critical introduction to the play's textual, cultural and performance history - An edition that is rooted in the first known performance of the play in London, 1599- Detailed on-the-page notes explaining language, character and performance - A clear page layout with an easy-to-read font and single-column notes - Images of relevant productions, paintings and textsThe Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker and performer of Shakespeare’s works today.

King Richard III provides a portrait of Shakespeare’s most enduring arch-villain, a man who plots against his brothers, nephews, friends and the powerful women in his life, including Lady Anne, Queen Margaret and Queen Elizabeth. This influential history play almost displaces the original historical figure it represents as it traces Richard’s rise to the throne in 15th century England. Disability and masculine villainy characterise nearly all performances of Richard III, spotlighting early modern and contemporary prejudice about their equivalence. This edition challenges the centrality of Richard as absolute villain who casts all others in his shadow, making space for the formidable women who oppose him.Exploring overlooked sources of influence, from Tacitus to St Paul, witchcraft to racialisation, and the possibility of Queen Elizabeth I watching a courtly performance of Richard III, this edition highlights what endures and what transforms in a play about the ruthlessness of narcissistic despotism.The Arden Shakespeare Fourth Series King Richard III provides:- A critical introduction to the play's textual, cultural and performance history- An edition that reassesses the complex textual history of the Quarto and Folio texts- Detailed on-the-page notes explaining language, character and performance- A clear page layout with an easy-to-read font and single-column notes- Images of relevant productions, paintings and textsThe Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker and performer of Shakespeare’s works today.

King Richard III provides a portrait of Shakespeare’s most enduring arch-villain, a man who plots against his brothers, nephews, friends and the powerful women in his life, including Lady Anne, Queen Margaret and Queen Elizabeth. This influential history play almost displaces the original historical figure it represents as it traces Richard’s rise to the throne in 15th century England. Disability and masculine villainy characterise nearly all performances of Richard III, spotlighting early modern and contemporary prejudice about their equivalence. This edition challenges the centrality of Richard as absolute villain who casts all others in his shadow, making space for the formidable women who oppose him.Exploring overlooked sources of influence, from Tacitus to St Paul, witchcraft to racialisation, and the possibility of Queen Elizabeth I watching a courtly performance of Richard III, this edition highlights what endures and what transforms in a play about the ruthlessness of narcissistic despotism.The Arden Shakespeare Fourth Series King Richard III provides:- A critical introduction to the play's textual, cultural and performance history- An edition that reassesses the complex textual history of the Quarto and Folio texts- Detailed on-the-page notes explaining language, character and performance- A clear page layout with an easy-to-read font and single-column notes- Images of relevant productions, paintings and textsThe Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker and performer of Shakespeare’s works today.

Shifting ideas of gender, sexuality and class status are explored in this romantic comedy which de-centres the heteronormative couple from its central dramatic plot as it pursues the solution of multiple marriages.In Illyria daughters grieve for their fathers and siblings, whilst Viola and Sebastian fear the worst in a shipwreck that tears them apart. Duke Orsino sends his new servant, Cesario, to woo the unwilling Olivia on his behalf, setting off a chain of mistaken identities and confused desires. This edition foregrounds the queer potentialities of Twelfth Night whilst exploring male friendship, madness, mourning and migration across the play’s different plots and afterlives.The Arden Shakespeare Fourth Series Twelfth Night provides:- A critical introduction to the play's textual, cultural and performance history- An edition rooted in the Folio text and the earliest known Middle Temple performance of Twelfth Night- Detailed on-the-page notes explaining language, character and performance- A clear page layout with an easy-to-read font and single-column notes- Images of relevant productions, paintings and texts

Shifting ideas of gender, sexuality and class status are explored in this romantic comedy which de-centres the heteronormative couple from its central dramatic plot as it pursues the solution of multiple marriages.In Illyria daughters grieve for their fathers and siblings, whilst Viola and Sebastian fear the worst in a shipwreck that tears them apart. Duke Orsino sends his new servant, Cesario, to woo the unwilling Olivia on his behalf, setting off a chain of mistaken identities and confused desires. This edition foregrounds the queer potentialities of Twelfth Night whilst exploring male friendship, madness, mourning and migration across the play’s different plots and afterlives.The Arden Shakespeare Fourth Series Twelfth Night provides:- A critical introduction to the play's textual, cultural and performance history- An edition rooted in the Folio text and the earliest known Middle Temple performance of Twelfth Night- Detailed on-the-page notes explaining language, character and performance- A clear page layout with an easy-to-read font and single-column notes- Images of relevant productions, paintings and texts

The bloodiest and brashest of Shakespeare’s plays, this revenge tragedy begins with war and ends in mutilation and cannibalism. Acts of war and sexual violence across borders and within families highlight the importance of empire, Blackness and gender, alongside the familial and literal blood which characterise early modern and contemporary performance.The Arden Shakespeare Fourth Series Titus Andronicus provides:- A critical introduction to the textual, cultural and performance history- An edition that is rooted in a Jacobean revival performance of the play- Detailed on-the-page notes explaining language, character and performance- A clear page layout with an easy-to-read font and single-column notes - Images of relevant productions, paintings and textsThe Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker or performer of Shakespeare’s works today.

Tyranny, imperialism and political authority define Shakespeare’s enduring dramatic depiction of ruling power and regime change in ancient Rome. A touchpoint for characterising tyrannical leaders throughout the world, Julius Caesar has told a cautionary tale of the uneasy relationship between political leaders and citizens from the time it was first performed up to the 21st century.The Arden Shakespeare Fourth Series Julius Caesar provides:- A critical introduction to the play's textual, cultural and performance history - An edition that is rooted in the first known performance of the play in London, 1599- Detailed on-the-page notes explaining language, character and performance - A clear page layout with an easy-to-read font and single-column notes - Images of relevant productions, paintings and textsThe Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker and performer of Shakespeare’s works today.

Shakespeare’s popular pastoral romance, As You Like It, features disguised lovers, exiled brothers, multiple marriage plots, a wrestling bout and the famous Forest of Arden. Friendships are formed and lovers are reunited in a play that explores the intersection of love, ‘play’ and deception. Rosalind’s unique performance of gender, both as herself and in disguise as Ganymede, provides the pivot on which the play turns, leading us into the magic of the forest where music, dancing and masques showcase the talents of the King’s Men company who performed As You Like It in the late Elizabethan period. From the lovers, Rosalind and Orlando, to Jaques, the melancholy cynic, and Touchstone, the sly jester, this joyous comedy contains well-loved characters who take on new resonances in a contemporary edition which explores the play’s rich global afterlives. The Arden Shakespeare Fourth Series As You Like It provides:- A critical introduction to the play's textual, cultural and performance history- An edition attuned to the late Elizabethan culture which produced the play- Detailed on-the-page notes explaining language, character and performance- A clear page layout with an easy-to-read font and single-column notes- Images of relevant productions, paintings and textsThe Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker and performer of Shakespeare’s works today.