An often unsung titan of the industry, Carlos Ezquerra's influence has been as broad as his artwork was inimitable. His co-creation of Judge Dredd and powerful work on Strontium Dog alone helped establish 2000 AD as a powerhouse and him as a comics master. When he passed away unexpectedly in 2018, comics was robbed of one of its most vibrant, dynamic and powerful talents, yet his legacy is almost unparalleled in the industry. Publishing as part of 2000 AD's 45th anniversary celebrations, this 240-page hardcover collection spans half a century of his comic work and is ideal for both long-time fans and those looking to discover his work for themselves. Beginning with samples from his early art on romance titles as Valentine and Mirabelle, this book also collects never-before-reprinted short war comics from the groundbreaking 1970s war comic, Battle. It also showcases his sumptuous colour work on Strontium Dog, and culminates with selection of his 2000 AD work and his greatest creation, Judge Dredd.

COVERS UNCOVERED The early 80s saw 2000 AD hit its golden era. With Judge Dredd, Strontium Dog, Rogue Trooper, Sláine and more firing on all cylinders it became the UK’s most exciting and innovative comic. Its covers played no small part in its appeal, and those covers were the brainchild of Robin Smith whose job was to lay out a cover design to pass to an artist who would transform it into the finished product. This collection of some of Smith's cover layouts shows just how integral his ideas were to some of 2000 AD’s most famous and revered covers, and it’s a fascinating glimpse into the creative process. Featuring covers by some of the galaxy’s greatest artists, including Brian Bolland (The Killing Joke), Dave Gibbons (Watchmen), Carlos Ezquerra (Judge Dredd), Kevin O’Neill (The League of Extraordinary Gentlemen), Mick McMahon (Judge Dredd), Ian Gibson (The Ballad of Halo Jones), Alan Davis (Captain Britain), Steve Dillon (Preacher), Cam Kennedy (Rogue Trooper), Massimo Belardinelli (Ace Trucking Co.), Eric Bradbury (Mytek The Mighty), Brett Ewins (Johnny Nemo), Glenn Fabry (Sláine), Ian Kennedy (Dan Dare), José Ortiz (The Thirteenth Floor), Cliff Robinson (Judge Dredd), Kim Raymond (Roy of the Rovers), Ron Smith (Judge Dredd), Brendan McCarthy (Rogan Gosh) and Bryan Talbot (Nemesis the Warlock).

Sean Phillips is the multi Eisner Award-winning artist of Criminal, Kill Or Be Killed, Reckless, Fatale, Night Fever, Pulp, Where The Body Was, The Fade Out, Velvet, Sleeper, Incognito, Marvel Zombies, Kid Eternity and Hellblazer. In a career that has so far spanned more than 30 years, he has recieved awards and acclaim at every turn. But before his stand-out career in the US, Sean did some of his earliest work for 2000 AD - The Galaxy's Greatest Comic and its sister publication the Judge Dredd Megazine. He co-created fan-favourite characters Devlin Waugh and Armitage as well as drawing for classic strips Judge Dredd and Sinister/Dexter. This collection forms a retrospective of Phillips' work for 2000 AD and shows how his art evolved from the fully painted work and collage of the early 1990s, to the familiar style he employs on hit books today.

An often unsung titan of the industry, Carlos Ezquerra's influence has been as broad as his artwork was inimitable. His co-creation of Judge Dredd and powerful work on Strontium Dog alone helped establish 2000 AD as a powerhouse and him as a comics master. When he passed away unexpectedly in 2018, comics was robbed of one of its most vibrant, dynamic and powerful talents, yet his legacy is almost unparalleled in the industry. Publishing as part of 2000 AD's 45th anniversary celebrations, this 240-page hardcover collection spans half a century of his comic work and is ideal for both long-time fans and those looking to discover his work for themselves. Beginning with samples from his early art on romance titles as Valentine and Mirabelle, this book also collects never-before-reprinted short war comics from the groundbreaking 1970s war comic, Battle. It also showcases his sumptuous colour work on Strontium Dog, and culminates with selection of his 2000 AD work and his greatest creation, Judge Dredd.

COVERS UNCOVERED The early 80s saw 2000 AD hit its golden era. With Judge Dredd, Strontium Dog, Rogue Trooper, Sláine and more firing on all cylinders it became the UK’s most exciting and innovative comic. Its covers played no small part in its appeal, and those covers were the brainchild of Robin Smith whose job was to lay out a cover design to pass to an artist who would transform it into the finished product. This collection of some of Smith's cover layouts shows just how integral his ideas were to some of 2000 AD’s most famous and revered covers, and it’s a fascinating glimpse into the creative process. Featuring covers by some of the galaxy’s greatest artists, including Brian Bolland (The Killing Joke), Dave Gibbons (Watchmen), Carlos Ezquerra (Judge Dredd), Kevin O’Neill (The League of Extraordinary Gentlemen), Mick McMahon (Judge Dredd), Ian Gibson (The Ballad of Halo Jones), Alan Davis (Captain Britain), Steve Dillon (Preacher), Cam Kennedy (Rogue Trooper), Massimo Belardinelli (Ace Trucking Co.), Eric Bradbury (Mytek The Mighty), Brett Ewins (Johnny Nemo), Glenn Fabry (Sláine), Ian Kennedy (Dan Dare), José Ortiz (The Thirteenth Floor), Cliff Robinson (Judge Dredd), Kim Raymond (Roy of the Rovers), Ron Smith (Judge Dredd), Brendan McCarthy (Rogan Gosh) and Bryan Talbot (Nemesis the Warlock).

Sean Phillips is the multi Eisner Award-winning artist of Criminal, Kill Or Be Killed, Reckless, Fatale, Night Fever, Pulp, Where The Body Was, The Fade Out, Velvet, Sleeper, Incognito, Marvel Zombies, Kid Eternity and Hellblazer. In a career that has so far spanned more than 30 years, he has recieved awards and acclaim at every turn. But before his stand-out career in the US, Sean did some of his earliest work for 2000 AD - The Galaxy's Greatest Comic and its sister publication the Judge Dredd Megazine. He co-created fan-favourite characters Devlin Waugh and Armitage as well as drawing for classic strips Judge Dredd and Sinister/Dexter. This collection forms a retrospective of Phillips' work for 2000 AD and shows how his art evolved from the fully painted work and collage of the early 1990s, to the familiar style he employs on hit books today.