Bible in the Modern World – serie

Wrestling with Textual Violence

The Jephthah Narrative in Antiquity and Modernity

Incarnate Word, Inscribed Flesh

John's Prologue and the Postmodern

Unsuitable Book

The Bible as Scandalous Text

Painting the Text

The Artist as Biblical Interpreter

Religion, Politics, Media in the Broadband Era

Creation and Creativity

From Genesis to Genetics and Back

Creation and Creativity

From Genesis to Genetics and Back

Eyes of Flesh

The Bible, Gender and Human Rights

Eyes of Flesh

The Bible, Gender and Human Rights

Performed Bible

The Story of Ruth in Opera and Oratorio

Reframing Her

Biblical Women in Postcolonial Focus

Decolonizing Josiah

Toward a Postcolonial Reading of the Deuteronomistic History

Empire and Apocalypse

Postcolonialism and the New Testament

Empire and Apocalypse

Postcolonialism and the New Testament

Between the Text and the Canvas

The Bible and Art in Dialogue

Marxist Feminist Criticism of the Bible

Recent Releases

The Bible in the Contemporary Cinema

Decolonizing God

The Bible in the Tides of Empire

Troublesome Texts

The Bible in Colonial and Contemporary Culture

Way the World Ends?

The Apocalypse of John in Culture and Ideology

From the Margins 1: Women of the Hebrew Bible and Their Afterlives

Jonathan Loved David

Manly Love in the Bible and the Hermeneutics of Sex

Bible, Art, Gallery

Mark, Women, and Empire

Ways of Life Through a Korean and Postcolonial Perspective

Korean Feminists in Conversation with the Bible, Church and Society

Performing Memory in Biblical Narrative and Beyond

From the Margins 2

Women of the New Testament and Their Afterlives

Scottish Fiction as Gospel Exegesis

Four Case Studies

Reworking the Bible

The Literary Reception-History of Fourteen Biblical Stories