Zanne Domoney-Lyttle – författare

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Jewish and early Christian authors discussed Abraham in numerous and diverse ways, adapting his Old Testament narratives and using Abrahamic imagery in their works. However, while some areas of study in Abrahamic texts have received much scholarly attention, other areas remain nearly untouched. Beginning with a perspective on how Abraham was used within Jewish literature, this collection of essays follows the impact of Abraham across biblical texts–including Pseudigraphic and Apocryphal texts – into early Greek, Latin and Gnostic literature.These essays build upon existing Abraham scholarship, by discussing Abraham in less explored areas such as rewritten scripture, Philo of Alexandria, Josephus, the Apostolic Fathers and contemporary Greek and Latin authors. Through the presentation of a more thorough outline of the impact of the figure and stories of Abraham, the contributors to this volume create a concise and complete idea of how his narrative was employed throughout the centuries, and how ancient authors adopted and adapted received traditions.

This interdisciplinary volume seeks to trace the diverse ways in which stories of biblical women have been reimagined in and as comic books. Feminist biblical scholarship has previously addressed the tradition that relegates female biblical characters to secondary roles, merely enabling the male characters to attain their own goals. Using examples from both secular and religious comic Bibles, and comic Bibles aimed at children and older audiences, Zanne Domoney-Lyttle now fully considers contemporary remediations of biblical narratives to the same degree. Remediating ancient, biblical text into modern, graphical comic books affects the reception of the text in several ways. This book aims to investigate how the production, format, and function of comic Bibles encourages the depiction of biblical characters from a contemporary perspective, while also showing some fidelity to the text. By presenting a focused analysis on women in the Bible, wider issues concerning popular-cultural retellings of the Bible in general begin to surface, including matters concerning reception history, the space between art and literature inhabited by biblical comics, and issues of translation and interpretations within contemporary remediations.

This interdisciplinary volume seeks to trace the diverse ways in which stories of biblical women have been reimagined in and as comic books. Feminist biblical scholarship has previously addressed the tradition that relegates female biblical characters to secondary roles, merely enabling the male characters to attain their own goals. Using examples from both secular and religious comic Bibles, and comic Bibles aimed at children and older audiences, Zanne Domoney-Lyttle now fully considers contemporary remediations of biblical narratives to the same degree. Remediating ancient, biblical text into modern, graphical comic books affects the reception of the text in several ways. This book aims to investigate how the production, format, and function of comic Bibles encourages the depiction of biblical characters from a contemporary perspective, while also showing some fidelity to the text. By presenting a focused analysis on women in the Bible, wider issues concerning popular-cultural retellings of the Bible in general begin to surface, including matters concerning reception history, the space between art and literature inhabited by biblical comics, and issues of translation and interpretations within contemporary remediations.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Jewish and early Christian authors discussed Abraham in numerous and diverse ways, adapting his Old Testament narratives and using Abrahamic imagery in their works. However, while some areas of study in Abrahamic texts have received much scholarly attention, other areas remain nearly untouched. Beginning with a perspective on how Abraham was used within Jewish literature, this collection of essays follows the impact of Abraham across biblical texts–including Pseudigraphic and Apocryphal texts – into early Greek, Latin and Gnostic literature.These essays build upon existing Abraham scholarship, by discussing Abraham in less explored areas such as rewritten scripture, Philo of Alexandria, Josephus, the Apostolic Fathers and contemporary Greek and Latin authors. Through the presentation of a more thorough outline of the impact of the figure and stories of Abraham, the contributors to this volume create a concise and complete idea of how his narrative was employed throughout the centuries, and how ancient authors adopted and adapted received traditions.

Supporting the theory that there is no singular ‘Bible’, and the idea that biblical literacy is demonstrated in a multitude of ways beyond confessional interpretations of biblical texts, the contributors of this volume explore how multiple ‘Bibles’ coexist simultaneously in popular cultures. By interrogating popular television, music, and film, biblical retellings are identified whichvariously perpetuate, challenge or subvert biblical narratives and motifs.The topics discussed are gathered around three themes: depictions of sex and gender, troubling representations, and subversions of biblical authority. This volume offers new studies on retellings of biblical texts which seek to interrogate, perpetuate and challenge dominant cultural ideas of who can interpret biblical texts, what forms this might take, and the influence of biblical interpretations in our societies.

Supporting the theory that there is no singular ''Bible'', and the idea that biblical literacy is demonstrated in a multitude of ways beyond confessional interpretations of biblical texts, the contributors of this volume explore how multiple ''Bibles'' coexist simultaneously in popular cultures. By interrogating popular television, music, and film, biblical retellings are identified whichvariously perpetuate, challenge or subvert biblical narratives and motifs.The topics discussed are gathered around three themes: depictions of sex and gender, troubling representations, and subversions of biblical authority. This volume offers new studies on retellings of biblical texts which seek to interrogate, perpetuate and challenge dominant cultural ideas of who can interpret biblical texts, what forms this might take, and the influence of biblical interpretations in our societies.

Supporting the theory that there is no singular ‘Bible’, and the idea that biblical literacy is demonstrated in a multitude of ways beyond confessional interpretations of biblical texts, the contributors of this volume explore how multiple ‘Bibles’ coexist simultaneously in popular cultures. By interrogating popular television, music, and film, biblical retellings are identified whichvariously perpetuate, challenge or subvert biblical narratives and motifs.The topics discussed are gathered around three themes: depictions of sex and gender, troubling representations, and subversions of biblical authority. This volume offers new studies on retellings of biblical texts which seek to interrogate, perpetuate and challenge dominant cultural ideas of who can interpret biblical texts, what forms this might take, and the influence of biblical interpretations in our societies.

This interdisciplinary volume seeks to trace the diverse ways in which stories of biblical women have been reimagined in and as comic books. Feminist biblical scholarship has previously addressed the tradition that relegates female biblical characters to secondary roles, merely enabling the male characters to attain their own goals. Using examples from both secular and religious comic Bibles, and comic Bibles aimed at children and older audiences, Zanne Domoney-Lyttle now fully considers contemporary remediations of biblical narratives to the same degree. Remediating ancient, biblical text into modern, graphical comic books affects the reception of the text in several ways. This book aims to investigate how the production, format, and function of comic Bibles encourages the depiction of biblical characters from a contemporary perspective, while also showing some fidelity to the text. By presenting a focused analysis on women in the Bible, wider issues concerning popular-cultural retellings of the Bible in general begin to surface, including matters concerning reception history, the space between art and literature inhabited by biblical comics, and issues of translation and interpretations within contemporary remediations.

This interdisciplinary volume seeks to trace the diverse ways in which stories of biblical women have been reimagined in and as comic books. Feminist biblical scholarship has previously addressed the tradition that relegates female biblical characters to secondary roles, merely enabling the male characters to attain their own goals. Using examples from both secular and religious comic Bibles, and comic Bibles aimed at children and older audiences, Zanne Domoney-Lyttle now fully considers contemporary remediations of biblical narratives to the same degree. Remediating ancient, biblical text into modern, graphical comic books affects the reception of the text in several ways. This book aims to investigate how the production, format, and function of comic Bibles encourages the depiction of biblical characters from a contemporary perspective, while also showing some fidelity to the text. By presenting a focused analysis on women in the Bible, wider issues concerning popular-cultural retellings of the Bible in general begin to surface, including matters concerning reception history, the space between art and literature inhabited by biblical comics, and issues of translation and interpretations within contemporary remediations.

Supporting the theory that there is no singular ''Bible'', and the idea that biblical literacy is demonstrated in a multitude of ways beyond confessional interpretations of biblical texts, the contributors of this volume explore how multiple ''Bibles'' coexist simultaneously in popular cultures. By interrogating popular television, music, and film, biblical retellings are identified whichvariously perpetuate, challenge or subvert biblical narratives and motifs.The topics discussed are gathered around three themes: depictions of sex and gender, troubling representations, and subversions of biblical authority. This volume offers new studies on retellings of biblical texts which seek to interrogate, perpetuate and challenge dominant cultural ideas of who can interpret biblical texts, what forms this might take, and the influence of biblical interpretations in our societies.