Bibliographies and Indexes in American Literature – serie

This bibliography is a starting point for those interested in researching the American Indian in literature or American Indian literature. Designed to augment other major bibliographies, it classifies all relevant bibliographies and critical works and supplies listings not cited by them. The author's general introduction provides bibliographical background for those beginning research in the field. Cited works are listed alphabetically by the author's or editor's last name in each of three categories: bibliographies; works about the Indian in literature; and Indian literature. Each citation is numbered and the cross-referenced subject and author indexes refer to each work by number, thereby facilitating speedy reference.

The long-awaited companion volume to Gail Coffler's first book, Melville's Classical Allusions, has finally arrived. In this new volume, thousands of references to Judeo-Christian and other religions in Herman Melville's books are references. The index includes references to all of his novels, short stories, poetry, lectures, letters, and journals. With it, one can trace a given allusion through the entire canon, or research any individual work, such as Moby Dick, Billy Budd, or Benito Cereno from beginning to end. Readers interested in Melville's writing and philosophy as well as researchers of 19th century literature, culture, and religion will appreciate this book.This volume begins with a master index that lists all religious allusions and their location throughout Melville's works. Next, there is an alphabetical index and a sequential index of all allusions in each of the individual volumes. The sequential index lists allusions in their chronological page order and identifies many bible passages alluded to or quoted by Melville, citing the bible book, chapter, and verse. A supplementary index alphabetically lists the allusions in Melville's Correspondence and Journals. The book concludes with a glossary briefly explaining all allusions and gives cross references to related entries.

This bibliography extends the work of Stanley's first volume, The Foreign Critical Reputation of F. Scott Fitzgerald: An Analysis and Annotated Bibliography, to the final two decades of the 20th century. It includes literature from the former countries of the USSR, Romania, India, and Canada, as well as countries that were covered in the first volume, such as Britain, France, Italy, Germany, and Japan. One of the major findings that emerges is that Fitzgerald's poetic prose is extremely difficult to translate, but new translations continue to appear.The introduction to this volume provides a synthesis of Fitzgerald scholarship abroad at the turn of the 21st century and points to new directions already suggested that may represent challenges to current scholarship. An extended analysis introduces each chapter. Each chapter also includes a chronological list of translations and editions of Fitzgerald's work from his earliest appearances in print to those appearing in 2000. The most substantial section of each chapter features fairly detailed annotations of monographs, collections, book chapters, essays, conference papers, articles, reviews, and school editions. This compilation will intrigue anyone interested the work of F. Scott Fitzgerald.

This book provides a detailed listing of titles authored by William Taylor Adams under his own name, as well as under his various pseudonyms. It includes books, book-length serializations, and children's magazines edited by Adams. The main section lists the titles chronologically, providing information on the publisher, illustrators and engravers, and reprint publishers, in addition to story descriptions and review excerpts. Separate listings of series titles, series titles by reprint publishers, publisher names, and serial titles appearing in magazines or newspapers provide additional access to this material. The specialized appendixes include a directory of libraries and special collections throughout the United States with substantial holdings of Adams's work, a brief chronology of Adams and Lee & Shepard, and a listing of Adams's books that were not a part of any series. The secondary bibliography includes articles, books, and dissertations that contain biographical information on Adams, as well as commentary and criticism of his works. The illustrators and engravers index lists the titles in which each artist had creative input; the title index lists the titles and title variations of books, series, magazines, and serializations, and provides cross-references to pertinent entry numbers throughout the work.

This bibliography is a starting point for those interested in researching the American Indian in literature or American Indian literature. Designed to augment other major bibliographies, it classifies all relevant bibliographies and critical works and supplies listings not cited by them. The author's general introduction provides bibliographical background for those beginning research in the field. Cited works are listed alphabetically by the author's or editor's last name in each of three categories: bibliographies; works about the Indian in literature; and Indian literature. Each citation is numbered and the cross-referenced subject and author indexes refer to each work by number, thereby facilitating speedy reference.

This bibliographical study records a wealth of significant references connecting Joseph Conrad to American writers (and vice versa) and illuminating his influence on their work. It lists and fully annotates any book or essay that discusses the relationship between Conrad and American writers. Chapters deal with Conrad's relation to writers ranging from James Fenimore Cooper to Ernest Hemingway. The final section examines Conrad's influence on a number of modern American writers, in addition to his works portrayed by American filmmakers and his visit to America. The indexes list the authors in the bibliography, American writers and their works in relation to Conrad, and Conrad's own works. A concise chronology of Conrad's life and an introductory essay surveying the findings of the bibliography and assessing their significance appear at the beginning of the volume.

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This index identifies some 1,000 female characters who appear in novels, short stories, and plays about the American South. All of the major and some of the minor characters created by the most distinguished Southern writers are included. (Authors who wrote about the South but who were not born or raised there are excluded.) All characters are listed alphabetically, followed by a short description of their character traits and/or role. This is followed by the work(s) of literature in which the character appears and the author's name. Sweeney's introduction includes an explanation of the scope, organization, and rationale of the work. Also covered are the depictions of women by Southern writers, including stereotypical patterns, racial differences, regional diversity, and developmental progress or changes in portraiture. Following the index is an appendix listing fifteen categories of Southern female characters. The labels for these categories are drawn from the literature itself. Author and title indexes conclude the work.

This unique reference work offers a comprehensive listing of all Little Golden Book titles issued from the inception of the series in 1942 through 1985. Included are all titles issued in the familiar Little Golden Book format, and various subseries such as Ding Dong School Books, Giant Little Golden Books, Little Golden Activity Books, and Walt Disney Books. Entries are arranged alphabetically by title, and consist of the complete title, author(s), illustrator(s), place of publication, publisher, and date. Additional information may include the Library of Congress card number, copyright registration number and date, copyright renewal registration number and date, and a series statement.

This is the first book to examine the literary history of the United States in terms of the chronological occurrence of significant events and activities. This comprehensive volume lists the dates of birth and death of literary figures, important historical facts, and the authors and titles of works published for each year, from Colonial times to the present. The compiler's introduction offers an interesting and informative discussion of how, from little more than a list of author's titles, and events, we may observe a year in the history of a nation, through the political, scientific, and social developments that fired the imaginations of America's writers, and fed the appetites of a growing reading public.

Through the Pale Door is a bibliographical guide to the primary sources and central texts of American Gothic literature. It surveys and defines the Gothic achievements of approximately 200 American writers who were working in and were influenced by various modes of Gothicism from 1798 to 1982. The book collects, selects, identifies, and classifies all specimens of American Gothic literary activity from its initial expression at the end of the 18th century in the novels of Charles Brockden Brown, to the writings of the modern masters such as H.P. Lovecraft, Shirley Jackson, Joyce Carol Oates, and Stephen King.The historical introduction explains and emphasizes those special characteristics, tendencies, and directions taken by the shapers of an American Gothic tradition which made it different from the British model form. The core bibliography brings together 509 entries selected to suggest the development and variety of American Gothic endeavor in both its popular and more serious manifestations. Each item in the bibliography is analytic and critical as well as synoptic in its substance with each item assigned a single number for instantaneous referencing and cross-referencing. An appendix citing the important secondary studies of American Gothicism and three indexes, an author-and-title index and an index of critics and subjects, are provided to enhance the researcher's task and to give immediate access to all of the materials of Through the Pale Door. This book is suitable for any library and can be read in its entirety by general students as a bibliographical chronicle of the American Gothic movement.

During the early part of the nineteenth century, the Southwestern frontier moved from North Carolina, South Carolina, and Georgia, through Alabama, Tennessee, and Mississippi, to Missouri, Arkansas and Louisiana. Using a variety of styles and subjects, humorists in the frontier states of the Southwest wrote tall tales and humorous stories that made use of dialect and emphasized cruelty, violence, and depravity, in rebellion against the sentimental morality of conventional literature. Such tales flourished from 1835 through 1861 and helped buffer the pioneers during their everyday hardships. The humorists' stories, though exaggerated, were often rooted in the real characters and incidents of the frontier and as such serve as a social history of the period. Many of these stories were originally published in local newspapers and reprinted in William T. Porter's Spirit of the Times. Although the popularity of this type of humor died out with the beginning of the Civil War, its influences can be seen in the works of Mark Twain, William Faulkner, Flannery O'Connor, and Thomas Wolfe.The bibliography lists works about Southwest humor in general and by and about nine major humorists including David Crockett, Joseph Glover Baldwin, George Washington Harris, Johnson Jones Hooper, Henry Clay Lewis, Augustus Baldwin Longstreeet, Charles Fenton Mercer Noland, William Tappan Thompson, and Thomas Bangs Thorpe. These two main sections are supplemented by author and general subject indices. As the first book-length bibliography in this field, Humor of the Old Southwest will make a useful tool in academic libraries and will find a place in collections of folklore, American literature, and humor.

Early American almanacs are fascinating resources for insight into the life, attitudes, and culture of the new nation. Along with calendars and maps, political events, agricultural advice, medicinal cures, and other information, many almanacs printed tales, stories, and jokes designed to entertain. Never before systematically organized, most of this narrative material has remained obscure for two hundred years. Here a literary scholar and a folklorist combine skills to catalog and index this material from over a thousand almanacs according to the standard methodology established by the Aarne-Thompson Type and Motif Indexes.The volume illuminates much of the richness in content and form of this materials. In content, there are stories dealing with ethnic and racial groups; with animals; with members of professions and trades; servants, bumpkins, and tricksters--often stereotypical and antifeminist. In form, there are puns; humorous anecdotes; and comic, tragic, and fabulous tales, including tales with literary counterparts and tales with folk counterparts, notably the classic American tall tales. The Motif Index and a shorter Tale Type Index comprise the heart of the volume. Also included are a bibliography of the almanacs indexed and an index of subjects. The work begins with detailed information on how the index was constructed and how to use it. Of value to folklorists and students of American humor and popular culture, the volume should also expose an interesting body of material for further study and enjoyment.

For the American living 200 years ago, life was very different from today. One of the best ways to learn what life was like in early America is to examine the many almanacs published during that time. These books include a broad range of information that was of central importance to daily life in late 18th-century America, such as cures for common diseases, recipes for food, instructions for preparing many of the items that modern Americans would expect to buy at a store, agricultural advice, tables for computing interest and currency depreciation, church and court schedules, and lists of all kinds. In addition to such practical information, these almanacs often published poetry, essays, maxims, illustrations, and advertisements. This reference book indexes hundreds of almanacs published between 1776 and 1800 and thus makes it easy for researchers to learn about daily life in early America.The volume begins with a short introduction that discusses some of the fascinating information contained in American almanacs of the late 18th century. It then presents a bibliography of almanacs published between 1776 and 1800, and each citation includes a corresponding number. The sections that follow are each devoted to a particular year. Within each section are headings for various topics, such as receipts, information, lists and registers, poems, essays, maxims, and miscellaneous material. Each heading then lists various topics, with each topic followed by the entry numbers of the almanacs cited in the bibliography. By browsing through the volume, the reader can get a general sense of the topics of importance to Americans of the late 18th century. For more detailed information, the reader may then consult one or more of the bibliographies published during that period.

The subject of divided critical opinion because of the experimental nature of his writings and his use of radical subject matter, Jerzy Kosinski, author of such novels as The Painted Bird and Being There, nevertheless ranks among the most celebrated of contemporary American authors. By the time of his death in May 1991, 70 million copies of his novels were in circulation. He received various academic posts, awards, and fellowships during his lifetime--these and the immense popularity of his writings confirm Kosinski as a major figure in modern American literature.The range of critical response is in evidence in this carefully annotated bibliography. It comprises listings of both primary and secondary sources on Kosinski through 1990. The primary sources provide editions of his novels, recordings, nonfiction books, miscellaneous writings, and interviews. Secondary sources include reference materials, books and monographs, biographical sources, dissertations, and criticism and reviews specific to particular works. Access is facilitated by author and subject indexes. The work will be of special value to those interested in Holocaust and expatriate fiction as well as to students of twentieth-century American and American-Jewish literature in general.

Winner of both the Pulitzer Prize and the National Book Award, Robert Lowell has left a prodigious literary legacy that includes several verse plays as well as numerous volumes of poetry. His private papers and other unpublished materials provide an illuminating record of a distinguished career and cast light on personal and creative issues of interest to both readers and scholars.The Robert Lowell collection at the Houghton Library at Harvard University comprises some 2,916 items. These include family and literary correspondence, poetic notebooks, and manuscripts covering a period of more than thirty-five years. This annotated guide to the collection is the product of detailed study of Lowell's work, both published and unpublished, and benefits from the poet's own review of some of the papers. Researchers will appreciate the index to the poems, which offers a key to the various drafts of each work. This book will be of interest to all Lowell scholars and to students of twentieth-century American poetry.

Famed for his novels of the American frontier (notably the Leatherstocking Tales) and of the sea, and also the author of a large body of social and political writings, James Fenimore Cooper (1789-1851) received mixed reviews from his contemporaries, who generally enjoyed the adventure tales but abhored his social preachings. His posthumous reputation has fluctuated widely. Savagely trashed by, among others, Mark Twain in 1895 for his literary offenses, Cooper was resurrected in 1931 by critic Robert E. Spiller, who viewed him as a profound social critic. By the mid-twentieth century, Cooper was widely praised as a pioneer in the development of the American social and political novel, though his literary qualities remained subject to attack in some quarters. Cooper has continued to be studied from myriad points of views and critical stances both as a writer and as a critic.The immense body of criticism has been carefully channeled in this annotated bibliography of 1,943 reviews, journal articles, newspaper articles and editorials, dissertations, and books. The material is organized in chapters by broad subject category--Bibliography, Biography, General Studies, Frontier and Indian Novels, Literature of the Sea, Social and Political Writings, and Miscellaneous Publications; where appropriate the chapters are subdivided according to individual Cooper publications, with further divisions relatings to materials written before and after Cooper's death. This arrangement, together with a fascinating introductory survey of his critical reception and full author, and editor, and subject indexes, allows the researcher to trace the various topics and themes that have occupied a who's who of literary, intellectual, and social critics from 1820 to the present.

Scholarship on Ralph Waldo Emerson has expanded considerably during the past decade. Since Emerson is the subject of historians, philosophers, and literary scholars, there is a need for an efficient and effective means to access information within an extraordinary range of critical approaches and perspectives. This bibliography lists and annotates writings about Emerson published in English between 1980 and 1991, and complements earlier Emerson bibliographies.Because the response to Emerson has evolved greatly over the years, the contents of this bibliography are arranged in chronological order. This arrangement allows the user to trace the progression of certain critical approaches to Emerson and to follow the development of critics who have made numerous contributions to Emerson scholarship. Each chapter is devoted to a particular year. Within each chapter, entries begin with book publications arranged alphabetically by author, followed by annual journals alphabetized by journal title and journal articles arranged by date of publication. A detailed index locates works by subject, author, and title.

Joel Chandler Harris was internationally famous in his own time and has a surprisingly broad scholarly and popular following in ours. His portraits of slaves and former slaves, particularly Uncle Remus and Free Joe, poor whites, and Brer Rabbit, the archetypal trickster hero, have influenced many other writers, including Mark Twain, Charles Chesnutt, William Faulkner, Ralph Ellison, Toni Morrison, and a wide array of children's authors from Beatrix Potter to A. A. Milne. Harris also left a lasting mark on popular culture, most clearly manifested through Disney's ^ISong of the South^R and at Disney World attractions featuring versions of Harris's characters. He singlehandedly preserved and made internationally famous the Brer Rabbit folktales, the largest body of African American oral folklore that the world has ever known. Additionally, Harris was a major New South journalist who accelerated the process of reconciliation between North and South and promoted racial tolerance after the Civil War.This reference book is a complete bibliographic guide to the scholarly response to Harris during the last two decades. The introduction explores such issues as Harris's renderings of black dialect, Southern character, and folklore, and his influence on popular culture. The first part is a supplement to Bickley's earlier bibliography of Harris, which covered the period 1862-1976. The second part provides more than 300 entries for books, articles, and dissertations about Harris published after 1976. Entries are grouped in sections according to year of publication, and then alphabetically within each section. Each entry is fully annotated, and a detailed index concludes the volume.

Avant-garde poet and popular culture icon, Allen Ginsberg has been one of the world's most important writers for over 40 years. This comprehensive bibliography, covering the years 1941 to 1994, was prepared with the cooperation of the poet himself. All books, periodicals, photographs, recordings, films, and miscellaneous appearances are listed here. Entries are grouped in chapters according to type of work, and each entry provides full descriptive bibliographic information.Allen Ginsberg is perhaps the most famous poet of our time, as well as one of our most prolific writers. His subjects range from Buddhist studies to drug research to gay rights to political issues of every description from Vietnam to censorship. Ginsberg gave the author access to personal files and, as a result, every appearance of Ginsberg's writings in the English language is noted. This bibliography is a comprehensive, descriptive record of all of Ginsberg's works.The volume contains descriptive annotations of every book, pamphlet, and broadside by Ginsberg. It also contains complete descriptions of every contribution by Ginsberg to the works of others. In addition, all periodical contributions, recordings, films, and miscellaneous publications are listed. Due to Ginsberg's recent acceptance as a photographer of note, a special section identifies all of his published photographs. Entries are arranged in chapters according to the type of work, to facilitate ease of use. As a result, this book presents a history of Ginsberg's works and traces the evolution of his writings over a period of publications and revisions.

James A. Michener is one of the most widely read American authors of the 20th century. He worked as a social studies teacher and as an editor, and went on to write such memorable works as Tales of the South Pacific and Centennial. He also wrote numerous scattered short pieces. Though a popular writer, Michener's importance to the American literary, educational, social, and political scene is now slowly being recognized, and his writings are being used as guides and touchstones for study in American schools.This volume contains a checklist of Michener's major novels and his scattered minor writings, along with an extensive annotated bibliography of works about him. The first part is a checklist of his works, while the second is an annotated listing of books and articles published on Michener from the 1920s to the 1990s. The volume also contains a selected list of reviews of Michener's major works. Two reviews for each work have been selected at random, and they provide an overview of the critical response to Michener's writings over the years.

A member of the Beat Generation, Allen Ginsberg was central to many of the social controversies of the 1960s. As that decade has become a part of history, Ginsberg has continued to write and has become the topic of a growing amount of scholarly literature. He has been the subject of numerous interviews, and articles have been written about him in newspapers and popular magazines. His archives were recently purchased by Stanford University. He has secured recognition as a cultural icon and folk hero, and he may well be remembered as the most important poet of the 20th century. This bibliography identifies and chronicles the tremendous response to his work.The author of this book had unlimited access to Ginsberg's archival material, including the press clippings that Ginsberg had collected comprehensively over the past half century. Included in this volume are citations for some 6,500 biographical and critical works and translations of Ginsberg's writings. The initial section of translations is a complete record of Ginsberg's poems as they have appeared in 32 languages. Entries are grouped in subsections for particular languages. These subsections are further broken down according to types of publication, such as books, anthologies, periodicals, and miscellaneous works. Entries then are listed chronologically. The second section provides entries for biographies, reviews, interviews, and critical works about Ginsberg. Entries are arranged chronologically, so that the reader may see how the response to Ginsberg's writings has grown. Extensive indexes allow the reader to locate individual entries by author and title.

Proverbial language figures prominently in the works of Eugene O'Neill (1883-1953), the recipient of four Pulitzer prizes and a Nobel laureateship for literature. This book is a directory to the proverbs, proverbial expressions, and proverbial comparisons in O'Neill's 50 dramas and numerous letters, articles, diaries, and notebooks. Very little attention has been given to any aspect of O'Neill's language, to say nothing of the virtual disregard of him as a wielder of proverbial diction. This collection of 2,059 examples of O'Neill's proverbial usage is a first step towards remedying that situation and provides a foundation for future scholarship.The introduction shows how O'Neill used proverbs as a structural element of his dramas and places his proverbial usage in the context of international proverb scholarship, offers examples and generalizations about his manipulation of proverbs, and suggests fruitful areas of further investigation. The heart of the book is a key-word index to the proverbial texts that identifies the locations of the proverbial examples in the canon of O'Neill's works and facilitates comparisons of similar locutions. Each proverbial construction is dated so that the reader can immediately see the chronological range of the texts. For those interested in the history of particular proverbs, citations of standard proverb dictionaries are appended to most of the texts. Two appendices show the frequency with which proverbs appear and their distribution among the various dramas.

American literary magazines published between 1850 and 1900 were an outlet for numerous creative works, book reviews, and other material. Like Herman Melville, Mark Twain, and Henry James, many of the authors who wrote for these magazines are among the most famous American authors. This index makes readily available for the first time thousands of references to major and minor literary figures and their works. It is also a guide to the many thousands of facts, opinions, and comments on 19th-century American culture that are contained in literary magazines of the period. Alphabetically arranged entries cover roughly a thousand authors, along with topics such as the novel, poetry, drama and theater, Darwinism, women, American literature, and copyright law.During the latter half of the 19th-century, literary magazines flourished in America. Young writers enjoying their first important publication stand shoulder to shoulder with established writers in magazine issues that are so rich with original material that they often resemble anthologies. Perhaps even more significantly, editors and reviewers doggedly plied their trade of evaluating and criticizing promising new volumes, analyzing trends and movements, and recording the rise and fall of reputations.The Literary Index is the result of combing 11 prominent American literary magazines for every reference to all major and hundreds of minor writers and their works that appeared on the American literary scene in the second half of the 19th century. Brought to light are tens of thousands of references to writers, works, and issues that have never been studied before. This rich source of material drawn from all sections of the magazines—original works, articles, reviews, gossip columns, and correspondence, provides unprecedented access to information on the receptions of major works, the comings and goings of writers and obscure works. The 700 author entries are arranged alphabetically and include citations for some 7000 titles. In addition, there are exhaustive and comprehensive lists of citations for general subjects such as the novel, poetry, drama and theater, American literature, Darwinism, and women, as well as a section on the century-long battle over the passage of an international copyright law. Every aspect of the literary world of late 19th-century America is represented, making this volume an indispensable reference work for scholars.

With the publication of her first book, The Little House in the Big Woods (1932), Laura Ingalls Wilder became an almost overnight success as a writer of children's literature. This reference is a comprehensive compilation of works and research done on her from the first appearance of commentary to mid-1995. Citations are included for books, booklets, articles, theses, dissertations, and book reviews, and the annotations discuss the contents of these works. Entries are grouped in chapters devoted to critical works, biographical works, teaching studies and materials, teaching kits, serial publications, and book reviews. A brief introduction overviews the present state of Wilder studies, and detailed indexes conclude the volume.With the publication of her first book, The Little House in the Big Woods (1932), Laura Ingalls Wilder became an almost overnight success as a writer of children's literature. Her series of books consisting of autobiographical fiction have long been considered classics in the United States and have been translated into a large number of languages for their gradual migration into other countries as well. Early book reviews and articles began to comment on the importance and quality of her writings. The amount of criticism has escalated tremendously, and recent research and study have focused on the value of her works for all age groups. Because of Wilder's popularity as a children's author, her works are taught in schools and curriculum units have been designed to incorporate her writings.This reference book provides a comprehensive compilation of works and research done on Wilder from the first appearance of commentary to mid-1995. Included are citations for books, booklets, theses, dissertations, articles, and book reviews, and the annotations discuss the contents of the works. Entries are arranged in several sections to promote useful access to the materials. A brief introduction provides an overview of Wilder studies and indicates some areas where more research is needed, and several indexes enhance the accessibility of the information.

Marge Piercy is widely acknowledged as a gifted and significant poet, novelist, and essayist. Her poetry has received extensive critical praise, and her feminist novels, particularly Woman on the Edge of Time, have been embraced as research topics by scholars in a broad range of disciplines. She has also acquired a loyal following among the feminist reading public who appreciate her woman-centered themes. Her work has been represented in more than 200 anthologies, periodicals, and scholarly journals, and she has enjoyed global popularity through works that have been translated into a number of foreign languages.This bibliography aims to include annotated entries for all published English-language materials written by or about Marge Piercy, beginning with her first poem published in 1956, through her latest novel, City of Darkness, City of Light, published in 1996, and a new collection of poetry, What are Big Girls Made of?, to be published in 1997. The range of entries includes print as well as electronic sources for works of fiction and poetry, poetry readings, essays, interviews, criticism, theses and dissertations, and reviews. The entries are organized in sections on Works by Piercy, Works about Piercy, and Other Sources, which includes interviews, multimedia, and a manuscript collection. Works by Piercy are arranged chronologically, and annotations for her novels and poetry collections include publication history. Entries for poetry collections list the contents of each volume. Works about Piercy are arranged alphabetically by author. The volume includes an appendix listing all of Piercy's published poems with citations for sources in which they appear. A comprehensive index lists subjects, authors, and titles.

Ambrose Bierce is well known to readers as the author of The Devil's Dictionary (1906) and numerous short stories, such as the Civil War tales gathered in Tales of Soldiers and Civilians (1891) and the horror stories collected in Can Such Things Be? (1893). But, in his own day, he was best known as a prolific and fearless jounalist, and in the 40 years of his literary career he wrote thousands of articles for newspapers and magazines in San Francisco, London, and elsewhere. Most of the articles and poems that Bierce published in his own 12-volume Collected Works (1909-12) first appeared in his newspaper columns, as did his celebrated tales. With the growing scholarly interest in Bierce, these contributions are eliciting more attention.This bibliography is the first to attempt an exhaustive catalog of Bierce's entire body of published work. While the volume includes a chapter of separate publications by Bierce, such as individual books, its most important feature is a chapter listing entries for his contributions to books and periodicals. These entries identify the first appearances of his stories, articles, and poems. An additional chapter lists reprints of his works, and the volume also provides information about manuscript holdings. Joshi and Schultz demonstrate that in addition to being a master short story writer, fabulist, and epigrammatist, Bierce may also have been the leading American journalist of the 19th century.

This annotated bibliography of 19th-century literature by and about American textile factory workers examines 457 texts, including novels, short fiction, poetry, drama, narratives, and children's literature, and offers new insights into 19th-century working-class culture. The textile industry was the premier and largest 19th-century industry in the United States. The texts, drawn from a variety of publications, such as workers' periodicals, mainstream publishers' monographs, newspapers, magazines, story papers, dime novels, pulp publications, and Sunday-school tracts, reveal the variety and complexity of the factory literature and represent the largest body of American working-class women's literature. The literature explores a number of women's concerns, such as their roles as workers, sexual harassment, marriage, motherhood, and homosexual and heterosexual relationships, and treats the factory work experience of hundreds of thousands of 19th-century children. Annotations are divided among 14 topical chapters that highlight such key issues as women's independence, class bias, child labor, technology, and protest. Most entries include information on text availability, including microform reprints and U.S. library holdings for rare titles.Scholars of 19th-century women's literature and history will value the full picture of 19th-century factory women's lives that emerges through the synopses of the literature. This work includes the first literary depictions of and protest against child labor, the first anti-factory poem, and the first fictional depiction of a strike. The more than 50 annotated texts that treat child labor offer new source material for the study of child labor in 19th-century America. Appendices furnish a chronological listing of titles, a selection of nonfiction texts, and a listing of unavailable texts.