Bibliographies and Indexes in the Performing Arts - Böcker

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This comprehensive volume lists and describes all known eighteen century British and Irish promptbooks. Each entry includes the location of the copy, shelf mark, production for which the prompt-book was prepared (theatre, date, prompter's name, if known), the types of notes the copy contains (description of setting, entrance notes, costume notes, ground plans, warnings, cues, stage movement, line interpretation), and citations of any books or articles that have dealt with the copy. The illustrations of sample pages from some of the promptbooks listed will provide the reader with a fuller and more accurate understanding of eighteenth century theatre architecture and staging practices.

This work provides a ready reference to significant productions of plays on the London stage during the period 1837 through 1901 and includes extensive information concerning both plays and players. The compiler's introduction offers a fascinating overview of the cultural and social attitudes toward theatre in the Victorian Era, and the ways in which theatre reflected societal changes, class differences, and the tastes and interests of the theatre-going public. This single-volume reference offers a wealth of previously unobtainable factual information and an opportunity for broader study of a large array of theatrical personalities.

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This compendium of data on German playwrights and plays emphasizes the working repertory of German theatres during the period from 1767 to 1890. Presented in a clear and concise format, the information has been extracted from a variety of sources, many of which are difficult to obtain and inconveniently arranged. By including the works of both dilettantes and literary giants, the book provides insight into the theatre of the period under study and will prove useful for research on German Trivialliteraturof the eighteenth and nineteenth centuries.

Shakespearean productions continue to flourish today, with considerable activity at Stratford-upon-Avon in England. This book supplies basic information on Shakespearean and non-Shakespearean plays produced at Stratford-upon-Avon from 1979 to 1993, and makes accessible information on all productions during these years by the Royal Shakespeare Company. The volume is based on the archives of the Shakespeare Memorial/Royal Shakespeare Theatre, the preeminent theatre for Shakespeare in the world.The volume lists each production by play title. Each entry provides detailed cast and production information, along with a list of reviews. Indexes at the end of the volume allow the user to locate entries for all plays by a particular playwright, director, actor, or reviewer. Thus, it is easy to compare the different plays of a director, or to trace the work of an actor, or to note the plays commented on by a particular reviewer. Introductory material overviews the history of theatre at Stratford-upon-Avon, and a calendar of productions lists the various plays chronologically.

Very little has been published about the profession of theatrical lighting design, and less has been written about the individuals who practice this art. Until recently, the field was not recognized as a craft separate from stage design, and lighting designers were not credited in playbills or programs. Over four hundred individuals who designed lighting are profiled here in biographical sketches, each accompanied by a chronological listing of Broadway credits for lighting, and for scenic and costume design when relevant.An introduction briefly surveys the lighting design profession and its development on Broadway. Appendixes list winners of the three major awards in the field, and a selective bibliography on lighting design is included. The index provides access from the play title to the designer's name, and, in doing so, indicates every play for which a lighting designer was credited. The frontispiece reproduces a light plot by Jean Rosenthal for Night of the Iguana (1962). This comprehensive volume will be valuable to researchers and professionals in lighting design, stage design, and theatre history generally.

This book profiles scenic designers who worked on Broadway between the 1915-16 and 1989-90 theatre seasons. The more than 900 biographies provide information about the designer's backgrounds and professional credits. The profiles (approximately 200 words each) are followed by a chronological list of Broadway credits--in scenic design, followed by lighting design and costume design credits.The introduction outlines the profession in the twentieth century on Broadway and the development of American design from the New Stagecraft. The appendixes cover four major awards that have acknowledged the contributions of scenic designers, among others, to the Broadway stage--The Tony, Maharam, Donaldson, and American Theatre Wing Awards. The index alphabetically lists each play followed by the designer's name when that information is available. A selected bibliography is included, as are 12 renderings, the designers' original work, as illustrations. These illustrations span the history of the American theatre in the twentieth century, beginning with The Man Who Married A Dumb Wife, designed by Robert Edmond Jones in 1915, and generally regarded as the beginning of the modern era on Broadway. The most recent design included is Grand Hotel, the musical, designed by Tony Walton in 1989 which was nominated for a Tony Award for outstanding scenic design.

This reference book records the activities of the Stratford, Ontario (Shakespeare) Festival, which is considered the premiere professional festival in North America. Alan Somerset documents not only the Stratford theater activities, but also the Festival's many tours, television productions, and out-of-season and workshop performances. Somerset has used the latest database-management techniques to create the most complete reference book on the Festival to date. He has organized his work into three parts: a catalogue index, title index and name index. Somerset also offers a summary of the Festival's history and guides readers to the range of material preserved in the Festival Archives.Somerset introduces the indexes by sketching the Festival's history and guiding readers to the Festival Archives and to his own database, which can be used by the public. The Catalogue Index documents all the recoverable details (including important review information) about each production, workshop, tour, television broadcast, and other type of performance mounted by Stratford. The Title Index provides complete reference to particular plays, and the Name Index allows readers to trace the careers of all performers and production staff members in the Festival's history. This book, which also contains several photographs, is valuable to theater critics, Festival patrons, and students of performance criticism, Shakespeare, and modern theater history.

This is the first collection of more than 1,800 films dealing with Hispanic topics, themes, and characters arranged chronologically from 1898 to 1935, with indepth annotations, cross-references and four separate indexes. This is a study of Hollywood's treatment of Hispanics worldwide, those living in South, Central and North America, the Philippines and Spain. Employing a historical framework, the author has organized the work for those interested in assessing the effects that motion pictures have had on the viewing public in establishing and perpetuating accepted stereotypes. The role of censorship, the Production Code Administration, the Motion Picture Society of the Americas, the Latin American market, and Hollywood's version of Hispanic history are fully covered.The Black Legend of Hispanic barbarity has existed in literature since the sixteenth century. The early film makers, and later Hollywood, merely transferred the Black Legend to the silver screen and continued the accepted point of view created since the first conflict between England and Spain for supremacy in the Caribbean. This work also shows the relationship between film and foreign policy, how films have frequently justified and glorified North American intervention in the affairs of the Latin nations throughout the Americas. Each entry includes a brief scenario which details the film's Hispanic connection: a stereotype, a historic interpretation, a specific nation, associated behavior or attitudes, a list of the Hispanic actors and actresses. Reviews, bibliographic citations and archival locations are provided.

This comprehensive film guide lists the screen credits and provides synopses of more than 5,400 silent western features, documentaries, shorts and serials released from the 1890s through 1930. Numerous one-, two- and three-reelers are included in this guide. These westerns came from both the major and lesser known American film studios, many long defunct.The term western is hard to define; someone once commented that a western had to have a horse in it. The genre generally applies to that post-Civil War period beginning with the great cattle drives and ending around 1890. But the author has included tales about early California, Mexico, various Indian tribes along the Eastern seaboard, the building of the railroad, the gold rush of 1849 and the search for gold in the Yukon. Other films which seem to have less in common with the genre, such as northern westerns, are listed in a separate appendix.

An annotated filmography of more than 3,000 entries each focusing on the film's Hispanic content, connection, or characters. Four separate indexes, more than 6,000 cross references, and as many film reviews make this work an invaluable reference tool for students, scholars, and individuals interested in studying silver screen stereotyping. This work completes Richard's three-volume documentation of how the domestic and international film industry contributed to stereotyping America's Hispanic community by detailing the contemporary return of the despicable Hispanic character.Employing the broadest conceptual framework to include any individual of Spanish ancestry, this volume outlines how the film industry has homogenized the Latin, the Chicano, Puerto Rican, Cuban, and anyone from Mexico, Central/South America or the Caribbean nations into a despicable Spic (an ethnic enemy) whose negative traits/character have been conditioned by his national origins. The return of the negative image is due to a variety of reasons, and one thing is for certain--it has been profitable for filmmakers. There is no other such reference work presently in print that represents the definitive collection of films with Hispanic themes and connections in any language.

Between 1936 and 1955, Hollywood significantly changed its portrayal of Hispanics in motion pictures. This change resulted from the demands of the Production Code Administration, which required film makers to eliminate the more offensive stereotypical Hispanic images. This filmography chronicles all of the Hispanic-related films released during this period. The volume includes entries for nearly four thousand films. The entries are arranged in chapters, with each chapter devoted to a single year. Within the chapters, the entries are listed alphabetically by film title. Each entry includes production information, an annotation detailing the film's Hispanic significance, and references to additional materials. The volume concludes with an alphabetical index of film titles, an index of actors and actresses, an index of place names, a general subject index, and an index of songs. Film historians and scholars of Hispanic culture will find this work to be an indispensable reference tool.

The immense popularity of movies has its roots in the silent films of the early 1900s, this being especially true of the crime genre. The authors of this Guide have compiled for the first time in one volume an entire history of the crime genre during the silent era, preserving the memories of these films for their own generation and introducing these works to a new generation thirsty for entertainment and knowledge. This Guide includes more than 2,000 film entries, complete with names of directors, screenwriters, and major players and offers a wealth of data supported by plot evaluations and occasional thematic commentaries. This is the only work that includes one- and two-reelers and serials along with full-length crime features.Each entry covers title, date of release, distributor or studio, director, screenwriter, major cast members, plot description, and thematic commentary, reviving this almost forgotten genre for generations of students and movie fans both old and new. The Guide pays tribute to the glory of cinema pioneers as diverse as D. W. Griffith and Lon Chaney who have given the world a wide variety of stories and experiences both thought-provoking and startling. Although men tended to dominate the silent years in Hollywood, women managed to contribute dramatically. Among them were director Lois Weber and film personalities Mabel Normand, Pearl White, Mary Pickford, and Ruth Roland. These creative men and women and their often neglected works deserve a second look. The likes of Pacino, Eastwood, and Brando can look to the past where the ground for their work was carefully prepared in such earlier silent films as Griffith's The Musketeers of Pig Alley (1912) and von Sternberg's Underworld (1927).

The only comprehensive guide to the crime films of the forties and fifties, this volume focuses on the major events that shaped and molded the genre: war, alienation, drugs, and organized crime. The body of the work offers over 1,200 entries that feature concise summaries, analyses, and credits. The volume is a continuation of the author's earlier work, A Guide to American Crime Films of the Thirties (Greenwood, 1995). The book includes those stars that the public had already embraced as gangsters in the thirties such as James Cagney, Humphrey Bogart, and Edward G. Robinson and brings them into a new era in which they are transformed into enforcers of the law. This work will be of interest to scholars, students, and film buffs alike.The work demonstrates the shift from the simpler gangster modes of the 1930s as it takes the reader forward to the more sophisticated films of the late fifties. Although the book is organized alphabetically, the introduction alerts the reader to the major social phenomena that influenced the genre of these decades. Also offered are credits that cover titles, release dates, distributors, directors, screenwriters, and major players. The 1,200 entries include detailed plot summaries and thematic analyses as well as relevant information on sources, remakes, and sequels.

The Moving Picture World magazine was the industry standard during the silent cinema era. This is the first index compiled for all the films reviewed in the early volumes of this journal. In 1916, the magazine itself began providing an index to film reviews. Until now, researchers and scholars had to scour page-by-page through each weekly issue from 1907-1915 to find a desired review. This new index, focusing on this period, lists films alphabetically by title, identifies manufacturers/distributors with their films, and provides full dates and page locations for reviews. The index provides easy access to reviews of theatrical films, news pictorials, series and serials, and early travelogues.Many of the films included in this index are no longer extant; thus, contemporary reviews may be the only means for analysis of these pioneering cinematic efforts. The reviews contain valuable information about the standards and tastes of film in its infancy, and shed light on story content in those early days. Some of the titles in this index will shock the user; many will cause laughter; all are worthy of remembrance for their historical value. Over 27,000 films are listed; the preface chronicles the history of the journal and explains clearly how to use the book. No reviews are included—the index is designed to encourage and guide the user towards an increased familiarity with the Moving Picture World, which is currently available on microfilm through the Library of Congress

Recent crime films such as Scarface, the Dirty Harry series, and The Godfather have captured the American imagination, but they owe a large debt to the early crime talkies such as The Public Enemy, Paul Muni's Scarface, and Little Caesar. More than 1,000 entries are featured in this volume, complete with the names of directors, screen writers, and major players offering a wealth of data supported by plot evaluations. For the serious student of crime films, this work provides a comprehensive treatment of the genre. It is the only one-volume work that includes all crime sub-genres (detective, mystery, cops and robbers, and courtroom dramas) in addition to gangster films.The period between the end of the silent film (1927) and the general acceptance of the sound film (1929) is often referred to as a transition period. The majority of theaters were not wired for sound, so many films were released in both silent and sound versions. Some added only sound effects or music to the sound track, while others offered only brief segments of sound. The early 1930s marked the end of this transition period and firmly established the sound era. This volume pays homage to these early, often crude melodramas. The authors aim to preserve the memories of these films for their own generation and to introduce these works to a new generation thirsty for entertainment and knowledge.

Pictorial references are essential to illustrate any discussion of theatrical design. There are resources that locate original scenic designs, but access to original work is often restricted. The easiest way for most people to research stage designs is to consult photographic reproductions, but finding photographs from hundreds—if not thousands—of sources requires much time and effort. This index of 7000 productions by more than 2000 scenic designers focuses on photographs of 20th-century sets, renderings, and models of theatre and opera productions appearing in 114 selected books and journals likely to be held by most research libraries.The selected works include books about theatre history, scenic design and stagecraft, as well as design exhibition catalogs and works on specific designers or types of productions. The listing of these sources provides publication information with each work assigned a bibliographic code. The bulk of the volume is an index of productions with entries arranged alphabetically by play title. Each entry provides subentries for productions with which individual designers were involved, along with citations for the works in which photographs of the production appear. A separate index lists the designers and their productions.

Examining 40 cycles or themes and more than 1,000 silent films, the author attempts to discern how the screen reflected contemporary social, political, and national trends during the silent years. The period has been divided into the early silent years (1900-1919), with films of one or two reels dominating for the first 15 years, and the later silent period (1920-1929), known as the Golden Age of the Silents, in which feature-length films dominated. One of the author's goals is to establish the success, and sometimes the failure, of these films to capture the social and political times of their release. Other film books approach the dramas and comedies by genre, not by specific cycles, which makes this work unique.The book focuses on both short works and feature-length films that are generally arranged chronologically under specific chapters. Each entry lists the title, year of release, director, and original source, if provided by the film. The major players are often included within the plot summary and analysis. Remakes and films with alternate titles are noted.

This book is designed to educate the reader about the evolution and development of arms, armor, and personal combat for the stage. It is the perfect guide for locating books, articles, and videos for those involved in the historical reenactment of duels and battles. It simultaneously offers historical context and points the reader toward useful and easily obtainable resources to inform their fights, costumes, and stage weaponry. This resource text is a must have for fight directors, teachers of stage combat, historical re-enactors, costumers, and weapons makers.The body of the work is divided up into five chapters and a series of appendices containing a compendium of useful information for fight directors and weapons makers. Chapter one surveys the evolution and development of arms, armor, and personal combat. Chapters two, three, and four consist of annotations of books, articles, and videos respectively. Chapter five offers concluding remarks on the project.

There are over fifty Chan films and an additional three Spanish language Chan films. This guide reviews the forty-four extant Chan films. Entries, alphabetically arranged, include a unique annotated cast list, a comparative rating system, production information, analysis and plot synopsis, a performance critique, and a collection of Chan sayings, which vary from film to film. An introduction discusses the history and literary origins of the Chan films and the formulaic devices common to the films.Film scholars and fans of the Charlie Chan films will appreciate the extensive information each review provides. Each film is given a star rating, and several appendices provide additional information such as the lost films of Charlie Chan, actors who played Chan, and Chan on television.

The influence of science fiction writer H. P. Lovecraft is widely felt in modern literature; authors from Robert E. Howard to Stephen King can claim him as their ancestor. But cinema too has seen Lovecraft's impact, and author Charles Mitchell offers here a comprehensive guide to the dozens of films that are representative of this influence. Mitchell studies the films in detail, analyzing the major Lovecraft elements and examining the fidelity of the films to the original works. Amateur films as well as television productions and foreign cinema, are included in Mitchell's scrutiny, revealing the challenge of transcribing Lovecraft to the screen, while at the same time suggesting the potential of Lovecraft's work for future, quality screen adaptations.In addition to plot summaries, entries for each film include annotated cast lists, critiques of actors' performances, the degree of fidelity to Lovecraft, and representative quotes from each film. This thorough work will be of interest to students of cinema as well as modern literature.

The Irish Renaissance encompassed one of the western world's most powerful dramatic movements. But most lists of productions have only included certain premieres, while ignoring all revivals and the productions of lesser-known theatres. This reference is a comprehensive list of all theatrical productions of the early modern Irish dramatic movement, including all premieres and revivals. The volume includes productions from the 1899 founding of the Irish Literary Theatre through the April 1916 Easter Rising, when British martial law significantly altered the course of Irish drama.Entries are provided for more than 1,000 productions, with each entry offering the play's title, author, producing organization, building, city, and dates of performance. The entries are grouped in chapters devoted to particular years and are arranged chronologically within each chapter. The chronological arrangement of the entries reveals the development of Irish theatre, while an extensive index allows alphabetical access to the contents. By including entries for all productions, the volume indicates that many plays that are now neglected were produced numerous times and were central to the drama of the period. This work will force scholars to reconsider the major plays of the period, due to the record of their revivals, and the importance of many neglected plays will now have to be reassessed.

From the 1920s and 1930s, when American cinema depicted the South as a demi-paradise populated by wealthy landowners, glamorous belles, and happy slaves, through later, more realistic depictions of the region in films based on works by Erskine Caldwell, Tennessee Williams, William Faulkner, and Robert Penn Warren, Hollywood's view of the South has been as ever-changing as the place itself. This comprehensive reference guide to Southern films offers credits, plot descriptions, and analyses of how the stereotypes and characterizations in each film contribute to our understanding of a most contentious American time and place.Organized by subjects including Economic Conditions, Plantation Life, The Ku Klux Klan, and The New Politics, Hollywood's Image of the South seeks to coin a new genre by describing its conventions and attitudes. Even so, the Southern film crosses all known generic boundaries, including the comedy, the women's film, the noir, and many others. This invaluable guide to an under-recognized category of American cinema illustrates how much there is to learn about a time and place from watching the movies that aim to capture it.