BIBLIOTHECA PAEDIATRICA REF KARGER - Böcker

American painters and graphic artists of the eighteenth and nineteenth centuries sought inspiration for their work in the uniquely American experience of history and nature. The result was a transformation of the conventional Old World visual language into an indigenous and populist New World syntax. The twelve essays in this volume explore the development of a frontier mythology, a democratic style depicting common people and objects, and an American artistic consciousness and identity. Conceived and written from the perspectives of both cultural and art historians, American Icons initiates an interdisciplinary discussion on the complex relationships between American and European art.Contributors are Herbert Beck, Werner Busch, Martin Christadler, Nicolai Cikovsky, Jr., Françoise Forster-Hahn, Ursula Frohne, Barbara Gaehtgens, Thomas W. Gaehtgens, Barbara Groseclose, Olaf Hansen, William Hauptman, Heinz Ickstadt, Barbara Novak, and Kathleen Pyne.

During the Renaissance, a book of hours was intended for private devotional use by the laity as an expression of the desire to imitate the prayer life of nuns and monks. This manuscript was created in 1469 by Taddeo Crevelli, one of the major illuminators of manuscripts in Italy. Kurt Barstow discusses each of Crevelli's paintings and relates its iconography to other devotional images of the time. All 24 of Crevelli's images are reproduced along with sample leaves and comparative illustrations from other sources.

A challenge for professionals involved in the cultural heritage sites in tropical environments, is the biodeterioration of stone. This volume discusses the types and causes of stone biodeterioration in hot and humid climates, and preventive and remedial treatments.

This is a companion volume to "Seismic Stabilization of Historic Adode Structures: Final Report of the Getty Seismic Adode Project", and it offers guidance for planners, architects and engineers in the retrofitting of historic and culturally significant adode structures. The text consists of two parts: a "planning guide", which outlines the fundamental conservation principles and preparatory steps in the design of a plan, and an "engineering guide", which describes the types of earthquake damage typically encountered in historic adode buildings and presents detailed technical procedures for applying the appropriate retrofit measures. The book also includes a directory of pertinent government agencies, possible funding sources, an abstract of the California seismic safety code, an article describing historic adobe and excerpts from the Secretary of the Interiors Standards for the Treatment of Historic Properties.

Herakles was one of the greatest of all Greek heroes, and his exploits have been celebrated in paintings, songs, poetry, and sculpture for thousands of years. Now it's time for him to have his own children's book, one devoted exclusively to his labours and adventures. Written by John Harris and illustrated by artist Gary Baseman, "Strong Stuff" tells the amazing stories of the Stymphalian Birds (defeated by crashing cymbals), creepy King Geryon (with three heads and three bodies), the Augean Stables (don't ask), and nine other labours that Herakles performed. This is a one-of-a-kind account of the great mythological hero in action. Strong stuff! With a super-helpful map and a pronunciation guide for those sometimes-hard-to-pronounce classical names.

Born in New York in 1909, Milton Rogovin has been photographing coal miners since 1962, working first in Appalachia and later, in the 1980s, in Europe, Asia, South Africa, China, Mexico, and Cuba. Particularly in these later portraits he concentrated on the lives of miners as revealed at work and at home. Men and women portrayed at a mine entrance or in a changing room, covered in coal dust, are barely recognizable in the accompanying photographs, where they proudly stand in their living rooms or backyards, holding a pet or posing with their families, surrounded by their cherished belongings. "Milton Rogovin: The Mining Photographs" presents more than one hundred of these direct and powerful images, usually in pairings that reveal Rogovin's unsentimental regard for men and women whose dangerous work is shown to be only one part of their complex lives.

It is often assumed that reading about the lives of artists enhances our understanding of their work - and that their work will reveal to us something about them - but the relationship between biography and art is rarely that simple. "The Life and the Work" brings together a collection of provocative essays, by a number of respected art historians that attempt to address this fundamental relationship by looking at the life and works of such artists as Andy Warhol, Bob Dylan, Van Gogh, Cezanne, and Leonardo da Vinci.

This is the first English translation of Filippo Bonanni's acclaimed eighteenth-century treatise on Chinese lacquer. Published to coincide with an exhibition at the J. Paul Getty Museum (March-May 2009) focusing on the conservation of the Victoria and Albert Museum's Mazarin Chest, this is the first English translation of Filippo Bonanni's (1658-1723) eighteenth-century treatise - considered to be the most important and comprehensive early study of Chinese lacquer in Europe. In "Techniques of Chinese Lacquer", Bonanni not only relates various authors' attempts to understand and analyse the composition of the newly imported Chinese lacquer, but also lists a variety of recipes and their effectiveness - including various European recipes developed as an affordable alternative to the Chinese import - and offers what he considers the most reliable recipe, as well as his own appraisal of the best uses and applications of the lacquer.

In recent years more cultural institutions in hot and humid climates have been installing air-conditioning systems to protect their collections and provide comfort for both employees and visitors. This practice, however, can pose complications, including problems of installation and maintenance as well as structural damage to buildings, while failing to provide collections with a viable conservation environment.This volume offers hands-on guidance to the specific challenges involved in conserving cultural heritage in hot and humid climates. Initial chapters present scientific and geographic overviews of these climates, outline risk-based classifications for environmental control, and discuss related issues of human health and comfort. The authors then describe climate management strategies that offer effective and reliable alternatives to conventional air-conditioning systems and that require minimal intervention to the historic fabric of buildings that house collections. The book concludes with seven case studies of successful climate improvement projects undertaken by the Getty Conservation Institute in collaboration with cultural institutions around the world. Appendixes include a unit conversion table, a glossary, and a full bibliography.This book is an essential tool for cultural heritage conservators and museum curators, as well as other professionals involved in the design, construction, and maintenance of museums and other buildings housing cultural heritage collections in hot and humid climates.

An exploration of the radical artists who transformed the ways art is conceived, exhibited, and collected, through the Dada, Surrealist, and Fluxus collections of Jean and Leonard Brown. Throughout the 1960s, Jean and Leonard Brown used their radical tastes, prescient instincts, and friendships with artists to assemble an extensive archive of Dada and Surrealist publications and prints--including works by Marcel Duchamp, Man Ray, and Tristan Tzara. After Leonard's death in 1970, Jean's attention turned to Fluxus and other contemporary genres. Jean also established a site of alternative art production at her Shaker Seed House in Tyringham, Massachusetts, where she invited artists to engage with her collections. Fluxus works embraced the social and political critiques of earlier avant-garde artists and questioned the authority of the increasingly powerful contemporary art world of critics, collectors, curators, and gallerists. This examination of artists and their antiestablishment demands for change shows how their art was created, performed, exhibited, and collected in new ways that intentionally challenged traditional modes. By providing an expanded understanding of avant-garde and Fluxus artists through the lens of the Jean Brown Archive at the Getty Research Institute, this volume demonstrates the profound influence these artists had on contemporary art. This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center November 17, 2020, to April 4, 2021.

This comprehensive reconstruction and interpretation of Louise and Walter Arensberg's groundbreaking collection of modern and pre-Columbian art takes readers room by room, wall by wall, object by object through the couple's Los Angeles home in which their collection was displayed. Following the Armory Show of 1913, Louise and Walter Arensberg began assembling one of the most important private collections of art in the United States, as well as the world's largest private library of works by and about the philosopher Sir Francis Bacon. By the time Louise and Walter died--in 1953 and 1954, respectively--they had acquired some four thousand rare books and manuscripts and nearly one thousand works of art, including world-class specimens of Cubism, Surrealism, and Primitivism, the bulk of Marcel Duchamp's oeuvre, and hundreds of pre-Columbian objects. These exceptional works filled nearly all available space in every room of their house--including the bathrooms. The Arensbergs have long had a central role in the histories of Modernism and collecting, but images of their collection in situ have never been assembled or examined comprehensively until now. Presenting new research on how the Arensbergs acquired pre-Columbian art and featuring never-before-seen images, Hollywood Arensberg demonstrates the value of seeing the Arensbergs' collection as part of a single vision, framed by a unique domestic space at the heart of Hollywood's burgeoning artistic scene.

An exploration of how an official French visual culture normalized France's colonial project and exposed citizens and subjects to racialized ideas of life in the empire. By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country's colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France's colonies across the seas. These studies draw from the rich documents and media--photographs, albums, postcards, maps, posters, advertisements, and children's games--related to the nineteenth- and twentieth-century French empire that are held in the Getty Research Institute's Association Connaissance de l'histoire de l'Afrique contemporaine (ACHAC) collections. ACHAC is a consortium of scholars and researchers devoted to exploring and promoting discussions of race, iconography, and the colonial and postcolonial periods of Africa and Europe.

Thoroughly researched and beautifully produced, this catalogue complements the first comprehensive retrospective in the United States of Imogen Cunningham's work in over thirty-five years. Celebrated American artist Imogen Cunningham (1883-1976) enjoyed a long career as a photographer, creating a large and diverse body of work that underscored her unique vision, versatility, and commitment to the medium. An early feminist and inspiration to future generations, Cunningham intensely engaged with Pictorialism and Modernism; genres of portraiture, landscape, the nude, still life, and street photography; and themes such as flora, dancers and music, hands, and the elderly. Organized chronologically, this volume explores the full range of the artist's life and career. It contains nearly two hundred color images of Cunningham's elegant, poignant, and groundbreaking photographs, both renowned and lesser known, including several that have not been published previously. Essays draw on primary sources at the Imogen Cunningham Trust, the Cunningham papers at the Archives of American Art, and contributing author Susan Ehrens's personal interviews with the artist's associates, incorporating a selection of letters, family albums, and other intimate materials to enrich readers' understanding of Cunningham's motivations and work. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center September 15, 2020, to January 10, 2021 and at the Seattle Art Museum, February 11 to May 23, 2021.