British Archaeological Association Conference Transactions – serie
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65 produkter
2 200 kr
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The British Archaeological Association Conference held at Peterborough in 2015 provided a welcome opportunity for a new analysis of the cathedral’s architecture, sculpture and artistic production, and a reassessment of the relationship between the former abbey, the city and its institutions, and the Soke over which it held sway.This ambitious volume casts new light on the Roman occupation of the Nene valley, and the rich Anglo-Saxon sculptural and manuscript context that preceded the construction of the present cathedral, as well as exploring the vital Romanesque tradition of the Soke and the essential contribution of the Barnack quarries.But inevitably the most exciting new disclosures concern the church: its high-quality building campaigns during the 12th to 16th centuries, its abbots’ tombs and the reconstruction of the lost 14th-century High Altar screen from descriptions and loose fragments. Peterborough has attracted the attention of antiquarian scholars since its sacking by Cromwell’s men during the Civil War, and as its secrets are gradually revealed it continues to stimulate the historical imagination.
601 kr
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The British Archaeological Association Conference held at Peterborough in 2015 provided a welcome opportunity for a new analysis of the cathedral’s architecture, sculpture and artistic production, and a reassessment of the relationship between the former abbey, the city and its institutions, and the Soke over which it held sway.This ambitious volume casts new light on the Roman occupation of the Nene valley, and the rich Anglo-Saxon sculptural and manuscript context that preceded the construction of the present cathedral, as well as exploring the vital Romanesque tradition of the Soke and the essential contribution of the Barnack quarries.But inevitably the most exciting new disclosures concern the church: its high-quality building campaigns during the 12th to 16th centuries, its abbots’ tombs and the reconstruction of the lost 14th-century High Altar screen from descriptions and loose fragments. Peterborough has attracted the attention of antiquarian scholars since its sacking by Cromwell’s men during the Civil War, and as its secrets are gradually revealed it continues to stimulate the historical imagination.
422 kr
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The conference proceedings and transactions of the British Archaeological Association Conference for the year 1983. With focus on the topic of Medieval Art and Architecture in the East Riding of Yorkshire.
2 189 kr
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The conference proceedings and transactions of the British Archaeological Association Conference for the year 1983. With focus on the topic of Medieval Art and Architecture in the East Riding of Yorkshire.
429 kr
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This book contains papers on various topics including the contribution of archaeology for understanding re-Norman London; medieval and Tudor domestic buildings in the city of London; shops and shopping in medieval London; and the Romanesque architecture of Old St Paul's Cathedral.
1 344 kr
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This book contains papers on various topics including the contribution of archaeology for understanding re-Norman London; medieval and Tudor domestic buildings in the city of London; shops and shopping in medieval London; and the Romanesque architecture of Old St Paul's Cathedral.
448 kr
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This book demonstrates success of the academically-concentrated conferences studying important medieval buildings and their associated art and archaeology in a cathedral city or town, which had been initiated by Dr R. D. H. Gem at Worcester in 1975.
Yorkshire Monasticism
Archaeology, Art and Architecture from the 7th to 16th Centuries
Inbunden, Engelska, 1995
1 989 kr
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This book reviews the research that has been generated by the Abbey complex on the eastern cliff-top, and relates it to the 'heritage' context, the subject of a major new initiative by English Heritage and Scarborough Borough Council.
2 200 kr
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This book presents the latest research on the cities monuments from the arrival of Willibrord and Boniface and the establishment of the Bishopric. It focuses on 12th century sculptural iconography, manuscript production, fonts, secular architecture and the Gothic cathedral.
711 kr
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This book presents the latest research on the cities monuments from the arrival of Willibrord and Boniface and the establishment of the Bishopric. It focuses on 12th century sculptural iconography, manuscript production, fonts, secular architecture and the Gothic cathedral.
2 189 kr
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This book explores the international trade of Bristol and its documentary and archaeological evidence, and offers a radical new interpretation for its early development. It is based on the conference held, from 20 to 24 July 1996, at Badcock Hall, University of Bristol.
686 kr
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This book explores the international trade of Bristol and its documentary and archaeological evidence, and offers a radical new interpretation for its early development. It is based on the conference held, from 20 to 24 July 1996, at Badcock Hall, University of Bristol.
2 200 kr
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This book focuses on art, palaeography, bindings and the monastic library. It is based on lectures given at the Association's Annual Conference, the 20th in the present series, which was held at Bury St Edmunds, from 16 to 20 April 1994: three specially commissioned articles are also included.
799 kr
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This book focuses on art, palaeography, bindings and the monastic library. It is based on lectures given at the Association's Annual Conference, the 20th in the present series, which was held at Bury St Edmunds, from 16 to 20 April 1994: three specially commissioned articles are also included.
Southwell and Nottinghamshire
Medieval Art, Architecture, and Industry: The British Archaeological Assocation Conference Transactions Vol. 21
Inbunden, Engelska, 1998
659 kr
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This book contains new research on Southwell Minster and presents new information on other aspects of the county's architecture and archaeology. It is based on a conference held between 15 and 19 July 1995, based at the International Co-operative College, Stanford Hall, Loughborough, Leicestershire.
Southwell and Nottinghamshire
Medieval Art, Architecture, and Industry: The British Archaeological Assocation Conference Transactions Vol. 21
Häftad, Engelska, 1998
714 kr
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This book contains new research on Southwell Minster and presents new information on other aspects of the county's architecture and archaeology. It is based on a conference held between 15 and 19 July 1995, based at the International Co-operative College, Stanford Hall, Loughborough, Leicestershire.
Medieval Art and Architecture at Durham Cathedral
The British Archaeological Association Conference Transactions for the year 1977
Häftad, Engelska, 1980
601 kr
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1 351 kr
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Medieval Art and Architecture at Worcester Cathedral
The British Archaeological Association Conference Transactions for the year 1975
Häftad, Engelska, 1978
319 kr
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587 kr
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York explores the archaeology, art, architecture and cultural heritage of the city in the late Middle Ages.In the years since the resurrection of the British Archaeological Association conference in 1976, the association has met in the city only once (in 1988), for a conference that celebrated Yorkshire Monasticism. As a consequence, the secular and vernacular architecture as well as the architecture, art and imagery of York Minster were excluded from its scope, something redressed in the meeting that took place in 2017. As many recent publications have focused on York in the earlier medieval period, this book shines a much-needed light on the city in the later medieval ages. Starting with a range of essays on York Minster by authors directly involved in major conservation projects undertaken in the last ten years, the book also includes information on the vernacular architecture and transport infrastructure of York, as well as the parochial and material culture of the period. Illuminating the extensive resources for the study of the late Middle Ages in England’s second capital, this book provides new research on this important city and will be suitable for researchers in medieval archaeology, art history, literature and material culture.
2 200 kr
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York explores the archaeology, art, architecture and cultural heritage of the city in the late Middle Ages.In the years since the resurrection of the British Archaeological Association conference in 1976, the association has met in the city only once (in 1988), for a conference that celebrated Yorkshire Monasticism. As a consequence, the secular and vernacular architecture as well as the architecture, art and imagery of York Minster were excluded from its scope, something redressed in the meeting that took place in 2017. As many recent publications have focused on York in the earlier medieval period, this book shines a much-needed light on the city in the later medieval ages. Starting with a range of essays on York Minster by authors directly involved in major conservation projects undertaken in the last ten years, the book also includes information on the vernacular architecture and transport infrastructure of York, as well as the parochial and material culture of the period. Illuminating the extensive resources for the study of the late Middle Ages in England’s second capital, this book provides new research on this important city and will be suitable for researchers in medieval archaeology, art history, literature and material culture.
Medieval Art, Architecture and Archaeology in Cambridge
College, Church and City
Häftad, Engelska, 2022
601 kr
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Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work.The chapters in this volume cover a broad array of medieval, and later, buildings and objects in the city and its immediate surrounds, both from archaeological and thematic approaches. In addition, a number of chapters reflect on the legacy and influence medieval art and architecture had on the later city. Along with medieval colleges, chapels, and churches, buildings in villages outside the city are discussed and analysed. The volume also provides detailed studies of some of the most important master masons, glassmakers, and carpenters in the medieval city, as well as of patrons, building types, and institutional development. Both objects and makers, patrons, and users are represented by its contents. The volume sets the archaeological and art historical analysis in its socio-economic context; medieval Cambridge was a city located on major trade routes and with complex social and institutional differences. In an academic field increasingly shaped by interdisciplinary interest in material culture, Medieval Art, Architecture and Archaeology in Cambridge marks a major new contribution to the field, focussing on the complexity, variety, and specificity of the buildings and objects that define our understanding of Cambridge as a medieval city.
Medieval Art, Architecture and Archaeology in Cambridge
College, Church and City
Inbunden, Engelska, 2022
2 200 kr
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Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work.The chapters in this volume cover a broad array of medieval, and later, buildings and objects in the city and its immediate surrounds, both from archaeological and thematic approaches. In addition, a number of chapters reflect on the legacy and influence medieval art and architecture had on the later city. Along with medieval colleges, chapels, and churches, buildings in villages outside the city are discussed and analysed. The volume also provides detailed studies of some of the most important master masons, glassmakers, and carpenters in the medieval city, as well as of patrons, building types, and institutional development. Both objects and makers, patrons, and users are represented by its contents. The volume sets the archaeological and art historical analysis in its socio-economic context; medieval Cambridge was a city located on major trade routes and with complex social and institutional differences. In an academic field increasingly shaped by interdisciplinary interest in material culture, Medieval Art, Architecture and Archaeology in Cambridge marks a major new contribution to the field, focussing on the complexity, variety, and specificity of the buildings and objects that define our understanding of Cambridge as a medieval city.
601 kr
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Paris: The Powers that Shaped the Medieval City considers the various forces – royal, monastic and secular – that shaped the art, architecture and topography of Paris between c. 1100 and c. 1500, a period in which Paris became one of the foremost metropolises in the West.The individual contributions, written by an international group of scholars, cover the subject from many different angles. They encompass wide-ranging case studies that address architecture, manuscript illumination and stained glass, as well as questions of liturgy, religion and social life. Topics include the early medieval churches that preceded the current cathedral church of Notre-Dame and cultural production in the Paris area in the late 12th and early 13th centuries, as well as Paris’s chapels and bridges. There is new evidence for the source of the c. 1240 design for a celebrated window in the Sainte-Chapelle, an evaluation of the liturgical arrangements in the new shrine-choir of Saint-Denis, built 1140–44, and a valuable assessment of the properties held by the Cistercian Order in Paris in the Middle Ages. Also, the book investigates the relationships between manuscript illuminators in the 14th century and representations of Paris in manuscripts and other media up to the late 15th century.Paris: The Powers that Shaped the Medieval City updates and enlarges our knowledge of this key city in the Middle Ages.
2 200 kr
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Paris: The Powers that Shaped the Medieval City considers the various forces – royal, monastic and secular – that shaped the art, architecture and topography of Paris between c. 1100 and c. 1500, a period in which Paris became one of the foremost metropolises in the West.The individual contributions, written by an international group of scholars, cover the subject from many different angles. They encompass wide-ranging case studies that address architecture, manuscript illumination and stained glass, as well as questions of liturgy, religion and social life. Topics include the early medieval churches that preceded the current cathedral church of Notre-Dame and cultural production in the Paris area in the late 12th and early 13th centuries, as well as Paris’s chapels and bridges. There is new evidence for the source of the c. 1240 design for a celebrated window in the Sainte-Chapelle, an evaluation of the liturgical arrangements in the new shrine-choir of Saint-Denis, built 1140–44, and a valuable assessment of the properties held by the Cistercian Order in Paris in the Middle Ages. Also, the book investigates the relationships between manuscript illuminators in the 14th century and representations of Paris in manuscripts and other media up to the late 15th century.Paris: The Powers that Shaped the Medieval City updates and enlarges our knowledge of this key city in the Middle Ages.
587 kr
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Chantries were religious institutions endowed with land, goods and money. At their heart was the performance of a daily mass for the spiritual benefit of their founders, and the souls of all faithful dead. To Church reformers, they exemplified some of medieval Catholicism’s most egregious errors; but to the orthodox they offered opportunities to influence what occurred in an unknowable afterlife. The eleven essays presented here lead the reader through the earliest manifestations of the chantry, the origins and development of ‘stone-cage’ chapels, royal patronage of commemorative art and architecture, the chantry in the late medieval parish, the provision of music and textiles, and a series of specific chantries created for William of Wykeham, Edmund Audley, Thomas Spring and Abbot Islip, to the eventual history and the cultural consequences of their suppression in the mid-16th century.
Shropshire
Art, Architecture and Archaeology from Roman Wroxeter to the Sixteenth Century
Häftad, Engelska, 2026
598 kr
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Shropshire: Art, Architecture and Archaeology from Roman Wroxeter to the Sixteenth Century considers the shift in the regional administrative centre from Wroxeter to Shrewsbury, the powerful evidence for investment in the material fabric of the middle Welsh March, particularly between the late 11th and 13th centuries, and Shropshire’s great monastic hinterland.Chapters cover Shropshire from many different angles, encompassing wide-ranging case studies that address architecture, figure-sculpture, and stained glass, as well as questions of liturgy, religion, and castle life. Topics include reappraisals of the 19th- and 20th-century excavations of Wroxeter, Laurence of Ludlow’s involvement in the building of Stokesay Castle, and Shrewsbury Castle, as well as a study of anchorite cells attached to Shropshire parish churches. There is new evidence for the deployment of water features and gardens around late medieval castles; evaluations of Haughmond Abbey, Wenlock Priory, and the abbot’s lodging at Buildwas; and a reconstruction of the late medieval glazing scheme at St Bartholomew’s, Tong. Also investigated are the recently recovered 15th-century seal matrix of Shrewsbury, Romanesque sculptural workshop practice, and the enigmatic alabaster panels at St Mary’s, Shrewsbury.Shropshire: Art, Architecture and Archaeology from Roman Wroxeter to the Sixteenth Century updates and enlarges our knowledge of the middle Welsh March and will be of interest to all medieval archaeologists and historians.
Shropshire
Art, Architecture and Archaeology from Roman Wroxeter to the Sixteenth Century
Inbunden, Engelska, 2026
2 200 kr
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Shropshire: Art, Architecture and Archaeology from Roman Wroxeter to the Sixteenth Century considers the shift in the regional administrative centre from Wroxeter to Shrewsbury, the powerful evidence for investment in the material fabric of the middle Welsh March, particularly between the late 11th and 13th centuries, and Shropshire’s great monastic hinterland.Chapters cover Shropshire from many different angles, encompassing wide-ranging case studies that address architecture, figure-sculpture, and stained glass, as well as questions of liturgy, religion, and castle life. Topics include reappraisals of the 19th- and 20th-century excavations of Wroxeter, Laurence of Ludlow’s involvement in the building of Stokesay Castle, and Shrewsbury Castle, as well as a study of anchorite cells attached to Shropshire parish churches. There is new evidence for the deployment of water features and gardens around late medieval castles; evaluations of Haughmond Abbey, Wenlock Priory, and the abbot’s lodging at Buildwas; and a reconstruction of the late medieval glazing scheme at St Bartholomew’s, Tong. Also investigated are the recently recovered 15th-century seal matrix of Shrewsbury, Romanesque sculptural workshop practice, and the enigmatic alabaster panels at St Mary’s, Shrewsbury.Shropshire: Art, Architecture and Archaeology from Roman Wroxeter to the Sixteenth Century updates and enlarges our knowledge of the middle Welsh March and will be of interest to all medieval archaeologists and historians.
Medieval Art, Architecture and Archaeology in the Dioceses of Aberdeen and Moray
Inbunden, Engelska, 2016
2 189 kr
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Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum.The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.
Medieval Art, Architecture and Archaeology in the Dioceses of Aberdeen and Moray
Häftad, Engelska, 2016
856 kr
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Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum.The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.