Cambridge Themes in American Literature and Culture – serie

Few topics are as central to the American literary imagination as money. American writers' preoccupations with money predate the foundation of the United States and persist to the present day. Writers have been among the sharpest critics and most enchanted observers of an American social world dominated by the 'cash nexus'; and they have reckoned with imaginative writing's own deep and ambivalent entanglements with the logics of inscription, circulation, and valuation that define the money economy itself. As a dominant measure of value, money has also profoundly shaped representations of race, ethnicity, gender, and sexuality. American literature's engagements with money - and with directly related topics including debt, credit, finance, and the capitalist market - are among Americanists' most prominent concerns. This landmark volume synthesizes and builds upon the abundance of research in the field to provide the first comprehensive mapping of money's crucial role over five centuries of American literary history.

Almost immediately after jazz became popular nationally in the United States in the early 20th century, American writers responded to what this exciting art form signified for listeners. This book takes an expansive view of the relationship between this uniquely American music and other aspects of American life, including books, films, language, and politics. Observing how jazz has become a cultural institution, widely celebrated as 'America's classical music,' the book also never loses sight of its beginnings in Black expressive culture and its enduring ability to critique problems of democracy or speak back to violence and inequality, from Jim Crow to George Floyd. Taking the reader through time and across expressive forms, this volume traces jazz as an aesthetic influence, a political force, and a representational focus in American literature and culture. It shows how Jazz has long been a rich source of aesthetic stimulation, influencing writers as stylistically wide-ranging as Langston Hughes, Eudora Welty, and James Baldwin, or artists as diverse as Aaron Douglas, Jackson Pollock, and Gordon Parks.

This volume provides an illuminating exploration of how ideas about whiteness have shaped the literature and culture of the United States. Covering nearly 250 years - from the 1790 Naturalization Act, which limited access to citizenship to immigrants who were 'free white person[s],' to the present - Whiteness and American Literature considers how a broad spectrum of novels, movies, short stories, television shows, poems, songs, and other works depict whiteness. The collection's twenty accessible and engaging chapters by renowned scholars analyze representations of whiteness in a variety of historical periods, literary genres, and aesthetic forms. Chapters also survey scholarly work at the crossroads of whiteness studies and disability studies, food studies, and other academic disciplines. Designed for scholars, students, and general readers, this book is essential reading for anyone interested in gaining a deeper understanding of the role whiteness plays in the US imagination.

Rewinding through five decades, this book listens closely to the bars, samples, and stories that have made hip-hop the true sound of America. Bringing together nineteen essays from leading figures in hip-hop studies, it traces lines of influence from Atlanta and Detroit all the way back to the Bronx and the Caribbean. The book's first half digs into the instrumental layers that continue to underpin hip-hop, while taking a close look at the poetic effects that lurk within key verses. For its second half, the focus turns to the larger culture, assessing the cluster of social tensions that are coming to define the US - and which can be heard in the nation's most powerful and controversial music. Accompanying the book is a 42-song playlist, including both iconic tracks and underground tapes, making it easy to follow the relevant beats and rhymes while reading each chapter.

Gender in American Literature and Culture introduces readers to key developments in gender studies and American literary criticism. It offers nuanced readings of literary conventions and genres from early American writings to the present and moves beyond inflexible categories of masculinity and femininity that have reinforced misleading assumptions about public and private spaces, domesticity, individualism, and community. The book also demonstrates how rigid inscriptions of gender have perpetuated a legacy of violence and exclusion in the United States. Responding to a sense of 21st century cultural and political crisis, it illuminates the literary histories and cultural imaginaries that have set the stage for urgent contemporary debates.

Climate has infused the literary history of the United States, from the writings of explorers and conquerors, over early national celebrations of the American climate, to the flowering of romantic nature writing. This volume traces this complex semantic history in American thought and literature to examine rhetorical and philosophical discourses that continue to propel and constrain American climate perceptions today. It explores how American literature from its inception up until the present engages with the climate, both real and perceived. Climate and American Literature attends to the central place that the climate has historically occupied in virtually all aspects of American life, from public health and medicine, over the organization of the political system and the public sphere, to the culture of sensibility, aesthetics and literary culture. It details American inflections of climate perceptions over time to offer revealing new perspectives on one of the most pressing issues of our time.

Exploring the unsteady foundations of American literary history, Race in American Literature and Culture examines the hardening of racial fault lines throughout the nineteenth century and into the twentieth while considering aspects of the literary and interrelated traditions that emerged from this fractured cultural landscape. A multicultural study of the influential and complex presence of race in the American imagination, the book pushes debate in exciting new directions. Offering expert explorations of how the history of race has been represented and written about, it shows in what ways those representations and writings have influenced wider American culture. Distinguished scholars from African American, Latinx, Asian American, Native American, and white American studies foreground the conflicts in question across different traditions and different modes of interpretation, and are thus able comprehensively and creatively to address in the volume how and why race has been so central to American literature as a whole.

The idea of America has always encouraged apocalyptic visions. The 'American Dream' has not only imagined the prospect of material prosperity; it has also imagined the end of the world. 'Final forecasts' constitute one of America's oldest literary genres, extending from the eschatological theology of the New England Puritans to the revolutionary discourse of the early republic, the emancipatory rhetoric of the Civil War, the anxious fantasies of the atomic age, and the doomsday digital media of today. For those studying the history of America, renditions of the apocalypse are simply unavoidable. This book brings together two dozen essays by prominent scholars that explore the meanings of apocalypse across different periods, regions, genres, registers, modes, and traditions of American literature and culture. It locates the logic and rhetoric of apocalypse at the very core of American literary history.

This book examines representations of war throughout American literary history, providing a firm grounding in established criticism and opening up new lines of inquiry. Readers will find accessible yet sophisticated essays that lay out key questions and scholarship in the field. War and American Literature provides a comprehensive synthesis of the literature and scholarship of US war writing, illuminates how themes, texts, and authors resonate across time and wars, and provides multiple contexts in which texts and a war's literature can be framed. By focusing on American war writing, from the wars with the Native Americans and the Revolutionary War to the recent wars in Iraq and Afghanistan, this volume illuminates the unique role representations of war have in the US imagination.