Casemate Classic War Fiction – serie

‘The million British dead have left no books behind. What they felt as they died hour by hour in the mud, or were choked horribly with gas, or relinquished their reluctant lives on stretchers, no witness tells. But here is a book that almost tells it……Mr Gristwood has had the relentless simplicity to recall things as they were; he was as nearly dead as he could be without dying, and he has smelt the stench of his own corruption. This is the story of millions of men – of millions.’ – H. G. Wells, from the prefaceIn The Somme and its companion The Coward, first published in 1927, the heroics of war and noble self-sacrifice are completely absent; replaced by the gritty realism of life in WWI for the ordinary soldier, and the unflinching portrayal of the horrors of war. Written under the guidance of the master storyteller H. G. Wells, they are classics of the genre.The Somme revolves around a futile attack in 1916 during the Somme campaign. Everitt, the central protagonist is wounded and moved back through a series of dressing stations to the General Hospital at Rouen. Both in and out of the line he behaves selfishly and unheroically, but despite this his circumstances and the conditions around him make his actions easy to understand. Based on A D Gristwood’s own wartime experiences, critics have said that few other accounts of the war give such an accurate picture of trench life.The Coward concerns a man who shoots himself in the hand to escape the war, during the March 1918 retreat – an offence punishable by death. He gets away with it, but is haunted by fear of discovery and self-loathing.

A platoon of inexperienced British soldiers crosses to France, in excited and nervous anticipation of what is to come; they find themselves at Ypres where the battle-weary Allied troops are dug in, and slaughter surrounds them. With their young, upright officer Freddy Mann, they are soon in the thick of it, burying the dead, experiencing the terror of bombardment, being picked off by snipers, with some unable to cope and refusing to go over the top. We see the action through their eyes, from privates to the senior officers of the wider battalion, with a focus on Freddy Mann’s journey from idealistic officer barely out of school, to battle-hardened cynic, barely hanging on as those around him are cut down, maimed or crack. Freddy suffers a crisis of faith and loses his belief in the war and everything he once stood for; as he wrestles with his conscience he finds that for all ‘always at the end, is Ypres’.