Cataloghi – serie

Cartier-Bresson by Cartier-Bresson: the photographer's "master set" survey of his career, presented for the first time alongside selections by Annie Leibovitz, Wim Wenders and othersIn the early 1970s, at the request of his friends and collectors John and Dominique Menil, Henri Cartier-Bresson went through the thousands of prints in his archives with the idea of choosing the most important and significant works of his career. He picked 385 photographs, which were printed in a format of 12 x 16 inches at his most trusted laboratory in Paris between 1972 and 1973, in five copies each. This so-called "Master Set" has never before been published in its entirety. Now, photographer Annie Leibovitz, film director Wim Wenders, writer Javier Cercas, chief curator of the Department of Prints and Photographs at the Bibliotheque Nationale de France Sylvie Aubenas and collector Francois Pinault have been invited to each choose roughly 50 pictures from this Master Set. Through their selection, each of them shares a personal vision of the work of this great artist. Henri Cartier-Bresson: Le Grand Jeu is divided into two parts: the first presents the personal choice of each of the curators, accompanied by a text written for the occasion; the second presents the whole of the Master Set as it was assembled by Cartier-Bresson. This unprecedented volume thus constitutes the most personal, and indeed the most authoritative, panorama of his oeuvre yet published. Henri Cartier-Bresson (1908-2004) was born in Chantelou-en-Brie, France. He initially studied painting and began photographing in the 1930s. Cartier-Bresson cofounded Magnum in 1947. In the late 1960s he returned to his original passion, drawing. In 2003 Cartier-Bresson established the Fondation Henri Cartier-Bresson in Paris, one year before his death.

A charming portrait of early-20th-century European society through the lens of Lartigue, with 55 unpublished photographsDespite becoming interested in photography when he was barely in double digits, French artist Jacques Henri Lartigue (1894-1986) didn’t achieve mainstream recognition until he was nearly 70 years old. A 1963 exhibition of his boyhood photography at the Museum of Modern Art in New York prompted new appreciation for his pictures, which bore a clear affinity with the street photography of the great humanist photographer Henri Cartier-Bresson.Though he mainly supported himself as a painter later on in life, Lartigue was devoted to the art of photography and continued to capture the world around him until he was in his 90s, beginning with domestic candid shots in his childhood and later depicting the upper crust of European society.With their motion-blur and frequently grinning, unposed subjects, Lartigue’s images convey the photographer’s genuine passion for life and a consistent interest in everyday moments. The book presents 120 images from Lartigue’s numerous personal photo albums, including 55 pictures that have never been published before.

A reflection on the tools and creative possibilities of fashion curatingTaking its inspiration from two precedents—Italo Calvino’s famous meditation on aesthetic properties Six Memos for the Next Millennium, and the legendary typewritten notes of Vogue editor Diana Vreeland—Memos offers a reflection on fashion curating and its uses of its various products—not only clothes, but also images (photography, magazines, ephemera) and words.Featured here, alongside supplementary materials, are clothes designed by Giorgio Armani, J.W. Anderson for Loewe, Arthur Arbesser, Demna Gvasalia for Balenciaga, Boboutic, Riccardo Tisci for Burberry, Karl Lagerfeld for Chanel, Gabriele Colangelo, Maria Grazia Chiuri for Dior, Marco de Vincenzo, Fendi, Maria Sole Ferragamo, Paul Andrew for Ferragamo, Alessandro Michele for Gucci, Maison Martin Margiela, Francesco Risso for Marni, Noir for Moncler Genius, Moschino, MSGM, Fausto Puglisi, Prada, Pier Paolo Piccioli for Valentino, Giambattista Valli, Random Identities and Versace.

On a giant of Italian postwar photojournalism and portraitureItalian photographer Mario De Biasi (1923–2013) was celebrated for his photojournalism in Hungary and Siberia, as well as his celebrity portraits of figures including Sophia Loren, Andy Warhol, Sugar Ray Robinson, Marlene Dietrich and Brigitte Bardot. His photographs are presented here by phase and theme.

Two new series from the great champion of European figurative paintingDuring 2020, German artist Georg Baselitz (born 1938) created two bodies of work, documented here: the first series is a tribute to his departed friend and Italian icon of Arte Informale, Emilio Vedova; the other is dedicated to, and named for, his wife, Elke.

From the hyperreal to the fragmentary: the body in contemporary art This thematic catalog contains more than 110 works by 34 international artists exploring new frontiers in depictions of the human body, exploring themes of life and death, youth and old age, work and migration, loss of balance and bodily life in the time and space of the present. From works by well-known hyperrealists such as Duane Hanson, John DeAndrea and Carole Feuerman, it proceeds to other types of narration where the body is evoked rather than represented. In works such as Christian Boltanski’s Prendre la Parole (Speaking Up), Ibrahim Mahama’s John B B, Chiharu Shiota’s Over the Continents, Dayanita Singh’s Suitcase Museum and Charles LeDray’s Mens Suits, the body seems to have vanished, leaving behind only traces. Fragments of the body and its mutation, and even the mutable conditions of society, are present in the works of Oscar Munoz, AES + F Group, Yael Bartana, Alfredo Jaar, Janine Antoni, Robert Gober, Marc Quinn, Andres Serrano, Robert Longo, Michel Rovner and Franko B.

Olivo Barbieri has been working to represent space, especially urban space, since the 1970s. Various series of images document his research in this book. They include Viaggio in Italia, from the 1980s, a project directed by Luigi Ghirri; China (Far East), which looks at the big changes on the Asian conti- nent; and Site Specific, a sequence of shots taken from a helicopter flying above the world's major cities, which made him internationally renowned. The book retraces Barbieri's themes and exploration, underscoring his constant attention to the idea of perception and his ability to envision and inter- pret reality. He casts quite some doubt over the conventional modes of repre- sentation through photography.

The 44 black-and-white photographs presented here have been selected from the many pictures taken by Ferdinando Scianna on a succession of visits made to Venice between May and June in 2016: they take the form of notes, a series of precise annotations on the course of daily life in a neighbourhood of the city. The result of his work is a lucid and vivid photographic reportage on the Venice Ghetto in the late spring of this year filled with initiatives organized to mark the 500th anniversary of the setting up of the first enclave for the segregation of Jews in the world, the one in Venice. On March 29, 1516, the Senate of the Venetian Republic had in fact decided that all the Jews present in the city should be sent to live together in a courtyard of houses at Cannaregio.

An homage to Venice, Muniz s project includes a series of completely new photos inspired by the old masters of the Cini Collection, paintings by the likes of Francesco Guardi, Dosso Dossi, and Canaletto. The artist revisits the theme of the capriccio in a contemporary key, simulating the brushstrokes with cuttings of illustrations from books on the history of art, carefully selected not only for their colors but also for the images they contain. Continuing the tradition of the artists of the 17th and 18th centuries, Muniz has rearranged these elements in a creative way, constructing new images that, through an interplay of allusions and quotations, intrigue and fascinate.

Albert Oehlen has established himself as one of the leading figures in contemporary painting thanks to a continually evolving practice that focuses more on overcoming formal limitations and on experimentation than on the subject of the work. Music has played a central part in the artist s output, serving as a metaphor for his method of working in which fusion and rhythm, improvisation and repetition, and density and harmony of sounds are turned into pictorial gestures. This monograph maps out a route through the whole of Albert Oehlen s production, from his best-known works to less familiar ones and from the 1980s to the present day, with reproductions of paintings in the Pinault Collection and other major private collections and international museums

These 250 photographs capture Sicilian Ferdinando Scianna's (born 1943) work for young Dolce & Gabbana; portraits of luminaries such as Roland Barthes, Saul Bellow, Jorge Luis Borges, Isabelle Huppert, Milan Kundera and John Lennon; plus his anecdotes of photographing them and other career highlights.

This monograph on Italian sculptor Pietro Consagra (1947 2005) focuses on early abstract works from 1947 to his frontal music projects in 1982. A founding member of Forma 1 group, Consagra challenged sculptural conventions by creating slender, almost two-dimensional frontal sculptures in bronze, iron, wood, steel and marble.

From Lina Bo Bardi to Elizabeth Diller: how women have reshaped the disciplineIn the space of a few decades, the perception and culture of what an architect can be has evolved from the stereotype of “one man at the helm” to a far more complex and diversified range of possibilities: couples, collectives and teams of all kinds. But it is the ever-growing and ever-more influential presence of women that characterizes the discipline in our time.In the exemplary cases and stories presented and illustrated in this volume, reflecting not only the quality of the architecture but also the great variety of contexts and professional configurations, we find the most important names of the recent past (Zaha Hadid, Cini Boeri, Lina Bo Bardi) and the present (Elizabeth Diller, Kazuyo Sejima, Grafton Architects): women at the head of large firms, who may work alone or who collaborate with other women or a partner, or who are members of collectives.

Selections from the Pinault Collection that reflect the transcendental power of artistic imageryThis volume accompanies an exhibition composed of works selected from the Pinault Collection that reflect the power of images in an artistic context. Artists include: Josef Albers, Maurizio Cattelan, Arthur Jafa, Donald Judd, Camille Norment, Lygia Pape and Dayanita Singh.

Italian artist Gian Maria Tosatti (born 1980) creates sculptures and site-specific installations centered on collectivity and memory, many of which are conceived for entire buildings or urban areas. His exhibition at Pirelli HangarBicocca, documented here, consists of two new series of paintings.

This is the largest monograph to date for Italian photographer Ugo Mulas (1928–73), known for his street photography capturing the downtown New York art scene in the ’60s, as well as his portraits of iconic artists such as Robert Rauschenberg, Lucio Fontana, Andy Warhol and others.

Scenes of natural disaster and human conflict from Italy’s leading photojournalistInternationally recognized Italian photojournalist Paolo Pellegrin (born 1964) has documented many human and natural disasters. Combining the vision of the reporter with the visual intensity of the artist, Telling the World presents all the main themes covered over the course of his career.

Exploring duplicates with Duchamp through the contents of his “museum box”In all his work, French visionary Marcel Duchamp (1887–1968)—Dadaist, Surrealist and progenitor of conceptual art—challenged the traditional dichotomy between original and copy. By replicating his own creations, with variable dimensions and in limited editions, Duchamp radically redefined what constitutes an artwork and, by extension, the identity of the artist. This volume places at its center the Boite en valise No. 1 in the Peggy Guggenheim Collection. Tellingly signed “From or by Marcel Duchamp or Rrose Selavy,” the portable gallery contains 69 small-scale copies and color reproductions and photographs of the artist’s principal works with additions in pencil, watercolor and ink. The concepts of double, original, copy and replica are discussed and analyzed through numerous works from some of the world’s most important museums and several private collections.