Cataloghi – serie

Two new series from the great champion of European figurative paintingDuring 2020, German artist Georg Baselitz (born 1938) created two bodies of work, documented here: the first series is a tribute to his departed friend and Italian icon of Arte Informale, Emilio Vedova; the other is dedicated to, and named for, his wife, Elke.

From the hyperreal to the fragmentary: the body in contemporary art This thematic catalog contains more than 110 works by 34 international artists exploring new frontiers in depictions of the human body, exploring themes of life and death, youth and old age, work and migration, loss of balance and bodily life in the time and space of the present. From works by well-known hyperrealists such as Duane Hanson, John DeAndrea and Carole Feuerman, it proceeds to other types of narration where the body is evoked rather than represented. In works such as Christian Boltanski’s Prendre la Parole (Speaking Up), Ibrahim Mahama’s John B B, Chiharu Shiota’s Over the Continents, Dayanita Singh’s Suitcase Museum and Charles LeDray’s Mens Suits, the body seems to have vanished, leaving behind only traces. Fragments of the body and its mutation, and even the mutable conditions of society, are present in the works of Oscar Munoz, AES + F Group, Yael Bartana, Alfredo Jaar, Janine Antoni, Robert Gober, Marc Quinn, Andres Serrano, Robert Longo, Michel Rovner and Franko B.

The 44 black-and-white photographs presented here have been selected from the many pictures taken by Ferdinando Scianna on a succession of visits made to Venice between May and June in 2016: they take the form of notes, a series of precise annotations on the course of daily life in a neighbourhood of the city. The result of his work is a lucid and vivid photographic reportage on the Venice Ghetto in the late spring of this year filled with initiatives organized to mark the 500th anniversary of the setting up of the first enclave for the segregation of Jews in the world, the one in Venice. On March 29, 1516, the Senate of the Venetian Republic had in fact decided that all the Jews present in the city should be sent to live together in a courtyard of houses at Cannaregio.

From Lina Bo Bardi to Elizabeth Diller: how women have reshaped the disciplineIn the space of a few decades, the perception and culture of what an architect can be has evolved from the stereotype of “one man at the helm” to a far more complex and diversified range of possibilities: couples, collectives and teams of all kinds. But it is the ever-growing and ever-more influential presence of women that characterizes the discipline in our time.In the exemplary cases and stories presented and illustrated in this volume, reflecting not only the quality of the architecture but also the great variety of contexts and professional configurations, we find the most important names of the recent past (Zaha Hadid, Cini Boeri, Lina Bo Bardi) and the present (Elizabeth Diller, Kazuyo Sejima, Grafton Architects): women at the head of large firms, who may work alone or who collaborate with other women or a partner, or who are members of collectives.

Selections from the Pinault Collection that reflect the transcendental power of artistic imageryThis volume accompanies an exhibition composed of works selected from the Pinault Collection that reflect the power of images in an artistic context. Artists include: Josef Albers, Maurizio Cattelan, Arthur Jafa, Donald Judd, Camille Norment, Lygia Pape and Dayanita Singh.

Italian artist Gian Maria Tosatti (born 1980) creates sculptures and site-specific installations centered on collectivity and memory, many of which are conceived for entire buildings or urban areas. His exhibition at Pirelli HangarBicocca, documented here, consists of two new series of paintings.

A reflection on the tools and creative possibilities of fashion curatingTaking its inspiration from two precedents—Italo Calvino’s famous meditation on aesthetic properties Six Memos for the Next Millennium, and the legendary typewritten notes of Vogue editor Diana Vreeland—Memos offers a reflection on fashion curating and its uses of its various products—not only clothes, but also images (photography, magazines, ephemera) and words.Featured here, alongside supplementary materials, are clothes designed by Giorgio Armani, J.W. Anderson for Loewe, Arthur Arbesser, Demna Gvasalia for Balenciaga, Boboutic, Riccardo Tisci for Burberry, Karl Lagerfeld for Chanel, Gabriele Colangelo, Maria Grazia Chiuri for Dior, Marco de Vincenzo, Fendi, Maria Sole Ferragamo, Paul Andrew for Ferragamo, Alessandro Michele for Gucci, Maison Martin Margiela, Francesco Risso for Marni, Noir for Moncler Genius, Moschino, MSGM, Fausto Puglisi, Prada, Pier Paolo Piccioli for Valentino, Giambattista Valli, Random Identities and Versace.

Olivo Barbieri has been working to represent space, especially urban space, since the 1970s. Various series of images document his research in this book. They include Viaggio in Italia, from the 1980s, a project directed by Luigi Ghirri; China (Far East), which looks at the big changes on the Asian conti- nent; and Site Specific, a sequence of shots taken from a helicopter flying above the world's major cities, which made him internationally renowned. The book retraces Barbieri's themes and exploration, underscoring his constant attention to the idea of perception and his ability to envision and inter- pret reality. He casts quite some doubt over the conventional modes of repre- sentation through photography.

An homage to Venice, Muniz s project includes a series of completely new photos inspired by the old masters of the Cini Collection, paintings by the likes of Francesco Guardi, Dosso Dossi, and Canaletto. The artist revisits the theme of the capriccio in a contemporary key, simulating the brushstrokes with cuttings of illustrations from books on the history of art, carefully selected not only for their colors but also for the images they contain. Continuing the tradition of the artists of the 17th and 18th centuries, Muniz has rearranged these elements in a creative way, constructing new images that, through an interplay of allusions and quotations, intrigue and fascinate.

Albert Oehlen has established himself as one of the leading figures in contemporary painting thanks to a continually evolving practice that focuses more on overcoming formal limitations and on experimentation than on the subject of the work. Music has played a central part in the artist s output, serving as a metaphor for his method of working in which fusion and rhythm, improvisation and repetition, and density and harmony of sounds are turned into pictorial gestures. This monograph maps out a route through the whole of Albert Oehlen s production, from his best-known works to less familiar ones and from the 1980s to the present day, with reproductions of paintings in the Pinault Collection and other major private collections and international museums

These 250 photographs capture Sicilian Ferdinando Scianna's (born 1943) work for young Dolce & Gabbana; portraits of luminaries such as Roland Barthes, Saul Bellow, Jorge Luis Borges, Isabelle Huppert, Milan Kundera and John Lennon; plus his anecdotes of photographing them and other career highlights.

This monograph on Italian sculptor Pietro Consagra (1947 2005) focuses on early abstract works from 1947 to his frontal music projects in 1982. A founding member of Forma 1 group, Consagra challenged sculptural conventions by creating slender, almost two-dimensional frontal sculptures in bronze, iron, wood, steel and marble.