Classics of Chinese Thought – serie

The definitive translation of a masterpiece in ancient Chinese historiographyIn the early eighth century, frustrated with the authorities but still hoping to gain immortality through his future oeuvre, the Tang court historian Liu Zhiji set out to write Shitong, in which he would rigorously explore the tradition of historical writing in China. Liu scrutinized hundreds of texts from antiquity to the early Tang dynasty (618–907) and evaluated their authors according to what he deemed the three essential qualities for historians: talent, knowledge, and insight. Shitong is now generally considered the greatest work of traditional Chinese historiography. It preserves precious information on a host of lost ancient and medieval titles while advancing a critical view on history writing. This first translation of the work into a Western language provides textual criticism and annotation for the historical figures, events, and allusions that are crucial to appreciating the work, making it a must-read for students of historiography East and West.

An early commentary on one of the Chinese Five ClassicsThe Documents classic (Shangshu) was central to the political life of imperial China. This owed much to the lively commentarial activity surrounding the text in the first two centuries BCE. The Great Commentary serves as a lens on this commentarial work and reveals how the Documents classic was used to provide answers to pressing societal questions of the time. In this first English translation of the Great Commentary, Fan Lin and Griet Vankeerberghen engage with the historical realities that produced the work. They explore the complex relationship between the Documents classic and its commentarial traditions at a time when neither classic nor commentary had acquired fixed form. They view Master Fu (260?–161? BCE), the Han court academician to whom the Great Commentary is traditionally ascribed, not as the text's author but rather as the figure who lent his authority to subsequent generations of Documents scholars. Lin and Vankeerberghen also trace how late imperial scholars reconstructed the text largely from fragments in collectanea. With facing pages of Chinese and English text, this volume provides a comprehensive introduction and detailed annotation that reveal the work's relevance to law, prognostication, and politics, along with its value as an important source for the study of the classical tradition and of early Chinese history.

Winner of the Aldo and Jeanne Scaglione Prize for a Translation of a Scholarly Study of Literature, sponsored by the Modern Language AssociationExemplary Figures (sometimes translated as Model Sayings) is an unabridged, annotated translation of Fayan, one of three major works by the Chinese court poet-philosopher Yang Xiong (53 BCE-18 CE). Yang sought to "renew the old" by patterning these works on earlier classics, drawing inspiration from the Confucian Analects for Exemplary Figures. In this philosophical masterwork, constructed as a dialogue, Yang poses and then answers questions on philosophical, political, ethical, and literary matters. Michael Nylan's rendering of this text, which is laden with word play and is extraordinarily difficult to translate, is a joy to read-at turns wise, cautionary, and playful.Exemplary Figures is a core text that will be relied upon by scholars of Chinese history and philosophy and will be of interest to comparativists as well.

Zuo Tradition (Zuozhuan; sometimes called The Zuo Commentary) is China’s first great work of history. It consists of two interwoven texts - the Spring and Autumn Annals (Chunqiu, a terse annalistic record) and a vast web of narratives and speeches that add context and interpretation to the Annals. Completed by about 300 BCE, it is the longest and one of the most difficult texts surviving from pre-imperial times. It has been as important to the foundation and preservation of Chinese culture as the historical books of the Hebrew Bible have been to the Jewish and Christian traditions. It has shaped notions of history, justice, and the significance of human action in the Chinese tradition perhaps more so than any comparable work of Latin or Greek historiography has done to Western civilization. This translation of Volume One, accompanied by the original text, an introduction, and annotations, will finally make Zuozhuan accessible to all.