Michael Nylan – författare

Sima Qian (first century BCE), the author of Record of the Historian (Shiji), is China’s earliest and best-known historian, and his “Letter to Ren An” is the most famous letter in Chinese history. In the letter, Sima Qian explains his decision to finish his life’s work, the first comprehensive history of China, instead of honorably committing suicide following his castration for “deceiving the emperor.” In the twentieth and twenty-first centuries, some scholars have queried the authenticity of the letter. Is it a genuine piece of writing by Sima Qian or an early work of literary impersonation? The Letter to Ren An and Sima Qian’s Legacy provides a full translation of the letter and uses different methods to explore issues in textual history. It also shows how ideas about friendship, loyalty, factionalism, and authorship encoded in the letter have far-reaching implications for the study of China.

The definitive translation of a masterpiece in ancient Chinese historiographyIn the early eighth century, frustrated with the authorities but still hoping to gain immortality through his future oeuvre, the Tang court historian Liu Zhiji set out to write Shitong, in which he would rigorously explore the tradition of historical writing in China. Liu scrutinized hundreds of texts from antiquity to the early Tang dynasty (618–907) and evaluated their authors according to what he deemed the three essential qualities for historians: talent, knowledge, and insight. Shitong is now generally considered the greatest work of traditional Chinese historiography. It preserves precious information on a host of lost ancient and medieval titles while advancing a critical view on history writing. This first translation of the work into a Western language provides textual criticism and annotation for the historical figures, events, and allusions that are crucial to appreciating the work, making it a must-read for students of historiography East and West.

An early commentary on one of the Chinese Five ClassicsThe Documents classic (Shangshu) was central to the political life of imperial China. This owed much to the lively commentarial activity surrounding the text in the first two centuries BCE. The Great Commentary serves as a lens on this commentarial work and reveals how the Documents classic was used to provide answers to pressing societal questions of the time. In this first English translation of the Great Commentary, Fan Lin and Griet Vankeerberghen engage with the historical realities that produced the work. They explore the complex relationship between the Documents classic and its commentarial traditions at a time when neither classic nor commentary had acquired fixed form. They view Master Fu (260?–161? BCE), the Han court academician to whom the Great Commentary is traditionally ascribed, not as the text's author but rather as the figure who lent his authority to subsequent generations of Documents scholars. Lin and Vankeerberghen also trace how late imperial scholars reconstructed the text largely from fragments in collectanea. With facing pages of Chinese and English text, this volume provides a comprehensive introduction and detailed annotation that reveal the work's relevance to law, prognostication, and politics, along with its value as an important source for the study of the classical tradition and of early Chinese history.

Sima Qian (first century BCE), the author of Record of the Historian (Shiji), is China’s earliest and best-known historian, and his “Letter to Ren An” is the most famous letter in Chinese history. In the letter, Sima Qian explains his decision to finish his life’s work, the first comprehensive history of China, instead of honorably committing suicide following his castration for “deceiving the emperor.” In the twentieth and twenty-first centuries, some scholars have queried the authenticity of the letter. Is it a genuine piece of writing by Sima Qian or an early work of literary impersonation? The Letter to Ren An and Sima Qian’s Legacy provides a full translation of the letter and uses different methods to explore issues in textual history. It also shows how ideas about friendship, loyalty, factionalism, and authorship encoded in the letter have far-reaching implications for the study of China.

The “Wu Family Shrines,” one of the most important cultural monuments of early China, comprise approximately fifty stone slabs from the so-called Wu cemetery in Shandong province. Depicting emperors and kings, heroic women, filial sons, and mythological subjects, these famous carved and engraved reliefs may have been intended to reflect such basic themes as loyalty to the emperor, filial piety, and wifely devotion; centuries later, they vividly bring to life the art, social conditions, and Confucian ideology of the Eastern Han.This generously illustrated book examines the stone slabs and their rubbings as artifacts with a complex cultural history from the second century to the present, and addresses questions about the traditional identification of the structures as Han dynasty shrines of the Wu family. Written by a team of distinguished scholars in the fields of Chinese art and history, the book includes a novel examination of Han burial items in relation to burial belief, pictorial carvings, and funerary architecture.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum, March 5 – June 26, 2005

The "Wu Family Shrines" pictorial carvings from Han dynasty China (206 BCE–220 CE) are among the earliest works of Chinese art examined in an international arena. Since the eleventh century, the carvings have been identified by scholars as one of the most valuable and authentic materials for the study of antiquity. This important book presents essays by archaeologists, art and architectural historians, curators, and historians that reexamine the carvings, adding to our understanding of the long cultural history behind them and to our knowledge of Han practices. The authors offer a thorough analysis of surviving physical and visual sources, invoking fresh perspectives from new disciplines.  Essays address the ideals, practices, and problems of the "Wu Family Shrines" and Han China; Han funerary art and architecture in Shandong and other regions; architectural functions and carved meanings; Qing Dynasty Reception of the Wu Family Shrines; and more.Distributed for the Princeton University Art Museum

The Five Classics associated with Confucius formed the core curriculum in the education of Chinese literati throughout most of the imperial period. In this book Michael Nylan offers a sweeping assessment of these ancient texts and shows how their influence spread across East Asia.Nylan begins by tracing the formation of the Five Classics canon in the pre-Han and Han periods, 206 B.C.–A.D. 220, revising standard views on the topic. She assesses the impact on this canon of the invention of a rival corpus, the Four Books, in the twelfth century. She then analyzes each of the Five Classics, discussing when they were written, how they were transmitted and edited in later periods, and what political, historical, and ethical themes were associated with them through the ages. Finally she deliberates on the intertwined fates of Confucius and the Five Classics over the course of the twentieth century and shows how the contents of the Five Classics are relevant to much newer concerns.

This Norton Critical Edition includes:The new and internationally acclaimed translation by Michael Nylan, accompanied by her detailed explanatory footnotes.A richly informative introduction by Michael Nylan.Fourteen illustrations.Seven interpretative essays on The Art of War’s central themes by Michael Nylan and Shoufu Yin, Benjamin Daniels, Trenton Wilson, Joseph Passman, Alfreda Murck, Li Ling, and Richard Curt Kraus.A selected bibliography.About the SeriesRead by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts and criticism—helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Recent archaeological discoveries, including manuscripts, have shed new light on China's history, in particular Qin and Han (221 BCE-220 CE), this volume's main focus. They make possible a deeper account of the growth of cities and of the spread of Chinese influence over distant areas. This book provides the first comprehensive survey of recent developments, evaluating the newly-found evidence in the light of earlier conclusions from China, Japan, Europe and America. Through cross-cultural comparisons and a close study of both the excavated and received literature, new conclusions are presented with respect to relatively understudied topics, such as gender, history of science, and modes of persuasion, while challenging the 'common wisdom' in such fields as Buddhism, Daoism and social history. Thus the volume provides a supplement to Volume 1 of The Cambridge History of China (1986) and shows how subsequent archaeology has enriched our perception of China's history in this period.

Composed in 2 B.C., as "The I Ching revised and enlarged," The Elemental Changes is a divination manual providing a clear method for distinguishing alternative courses of action. Structured in 81 tetragrams ( as opposed to the 64 hexagrams of the I Ching), the book offers much to the modern reader. Today in the West, The Elemental Changes is an essential tool for understanding the Tao as it operates in the Cosmos, in the minds of sages, and in sacred texts. It is also one of the great philosophical poems in world literature, assessing the rival claims on human attention of fame, physical immortality, wealth, and power while it situates human endeavor within the larger framework of cosmic energies.The complete text of The Elemental Changes and its ten autocommentaries are here translated into accessible and, whenever possible, literal English. Following the Chinese tradition, supplementary comments are appended to each tetragram in order to indicate the main lines of interpretation suggested by earlier commentators.

Yang Xiong (53 BC-AD 18), the Han philosophical master remarks at one point in his Exemplary Figures, “Books are as sexy as women.” Modern readers may frown at a comparison they regard as less than apt. Yang was supremely aware, however, of longstanding traditions, ascribed both to the sages and to the Classics, contrasting the unusual strength of the basic drives for food and sex with the general weakness of the acquired inclinations toward moral behaviour. To say that “books are as sexy as women” was to make bold to add to those traditions, adopting the manner of a sage; also to elevate the value of certain texts, at least, to the level morality itself, insofar as they represented acquired tastes leading to the most desirable aspects of civilized life.

Written by the eminent sinologist Michael Loewe, and edited for publication by T. Corey Brennan and Michael Nylan, this book gives an overview of the considerations and practices of two major world empires that together ruled half of the earth's population in the first centuries BCE: ancient Rome and Han China. Approaching the historical material with a comparative perspective, Loewe examines the strengths and weaknesses, and the successes and failures, which can be seen in the organisation and government of these two political systems. Though each empire was largely ignorant of the other, the problems they faced were similar, given the rudimentary transportation and communication facilities of the time, the high mortality rates and the low levels of literacy. Yet each empire ruled its people in distinctly different ways, with the Roman empire governed largely by military officials, in contrast to the Chinese empire, whose administration was well stocked with roughly 130,000 highly trained professionals.The ten chapters of this book set out to compare the ways that these two contemporary regimes, similar in size and population, sought to control human activities and impose a set of regulated discipline over those who were ruled. Each chapter concerns the degrees and methods of forming a united people; the assumptions that lay behind such attempts; the reliance that imperial authority placed on religious practices; legal impositions and the structure of institutions; and the bases of social cohesion and economic co-operation. The result is an engaging study of two remarkable empires, whose rise and fall are contrasted in a way that deepens our understanding of empire and civilisation.

Written by the eminent sinologist Michael Loewe, and edited for publication by T. Corey Brennan and Michael Nylan, this book gives an overview of the considerations and practices of two major world empires that together ruled half of the earth's population in the first centuries BCE: ancient Rome and Han China. Approaching the historical material with a comparative perspective, Loewe examines the strengths and weaknesses, and the successes and failures, which can be seen in the organisation and government of these two political systems. Though each empire was largely ignorant of the other, the problems they faced were similar, given the rudimentary transportation and communication facilities of the time, the high mortality rates and the low levels of literacy. Yet each empire ruled its people in distinctly different ways, with the Roman empire governed largely by military officials, in contrast to the Chinese empire, whose administration was well stocked with roughly 130,000 highly trained professionals.The ten chapters of this book set out to compare the ways that these two contemporary regimes, similar in size and population, sought to control human activities and impose a set of regulated discipline over those who were ruled. Each chapter concerns the degrees and methods of forming a united people; the assumptions that lay behind such attempts; the reliance that imperial authority placed on religious practices; legal impositions and the structure of institutions; and the bases of social cohesion and economic co-operation. The result is an engaging study of two remarkable empires, whose rise and fall are contrasted in a way that deepens our understanding of empire and civilisation.

Michael Nylan and Thomas Hahn open up new vistas for thinking ecologically in this introduction to ancient and modern thought in China. Together they explore the environment in the Chinese philosophical tradition and contemporary China through the lens of intergenerational justice. Nylan’s analysis of lesser known texts from ancient China changes our thinking of Chinese political philosophy and legal antiquity codes. Hahn’s comprehensive overview of recent data from China offers a response to the present crisis. Their original approach underscores why environmentalism is always more than a Western issue. By applying ancient ideas to an urgent topic with a unique emphasis on East Asia, this one-of-a-kind guide to environmental thought challenges standard narratives. It is essential reading for anyone looking to understand how classical Chinese concepts can provide the necessary tools to improve how we think about the world we live in.

Michael Nylan and Thomas Hahn open up new vistas for thinking ecologically in this introduction to ancient and modern thought in China. Together they explore the environment in the Chinese philosophical tradition and contemporary China through the lens of intergenerational justice. Nylan’s analysis of lesser known texts from ancient China changes our thinking of Chinese political philosophy and legal antiquity codes. Hahn’s comprehensive overview of recent data from China offers a response to the present crisis. Their original approach underscores why environmentalism is always more than a Western issue. By applying ancient ideas to an urgent topic with a unique emphasis on East Asia, this one-of-a-kind guide to environmental thought challenges standard narratives. It is essential reading for anyone looking to understand how classical Chinese concepts can provide the necessary tools to improve how we think about the world we live in.

The first concerted attempt to analyze how the histories Shiji and Hanshu described the technical arts as they were applied in vital areas of the administration of pre-Han and Han China.While cultural literacy in early China was grounded in learning the Classics, basic competence in official life was generally predicated on acquiring several forms of technical knowledge. Recent archaeological finds have brought renewed attention to the use of technical manuals and mantic techniques within a huge range of discrete contexts, pushing historians to move beyond the generalities offered by past scholarship. To explore these uses, Technical Arts in the Han Histories delves deeply into the rarely studied "Treatises" and "Tables" compiled for the first two standard histories, the Shiji (Historical Records) and Hanshu (History of Han), important supplements to the better-known biographical chapters, and models for the inclusion of technical subjects in the twenty-three later "Standard Histories" of imperial China. Indeed, for a great many aspects of life in early imperial society, they constitute our best primary sources for understanding complex realities and perceptions. The essays in this volume seek to explain how different social groups thought of, disseminated, and withheld technical knowledge relating to the body, body politic, and cosmos, in the process of detailing the preoccupations of successive courts from Qin through Eastern Han in administering the localities, the frontier zones, and their numerous subjects (at the time, roughly one-quarter of the world's population).

The first concerted attempt to analyze how the histories Shiji and Hanshu described the technical arts as they were applied in vital areas of the administration of pre-Han and Han China.While cultural literacy in early China was grounded in learning the Classics, basic competence in official life was generally predicated on acquiring several forms of technical knowledge. Recent archaeological finds have brought renewed attention to the use of technical manuals and mantic techniques within a huge range of discrete contexts, pushing historians to move beyond the generalities offered by past scholarship. To explore these uses, Technical Arts in the Han Histories delves deeply into the rarely studied "Treatises" and "Tables" compiled for the first two standard histories, the Shiji (Historical Records) and Hanshu (History of Han), important supplements to the better-known biographical chapters, and models for the inclusion of technical subjects in the twenty-three later "Standard Histories" of imperial China. Indeed, for a great many aspects of life in early imperial society, they constitute our best primary sources for understanding complex realities and perceptions. The essays in this volume seek to explain how different social groups thought of, disseminated, and withheld technical knowledge relating to the body, body politic, and cosmos, in the process of detailing the preoccupations of successive courts from Qin through Eastern Han in administering the localities, the frontier zones, and their numerous subjects (at the time, roughly one-quarter of the world's population).

The Norton Critical Edition aims to situate the historical figure of Kongzi, the legendary figure of Confucius, and the Analects (or Lunyu), the single most influential book ascribed to the Master's circle of disciples, within their evolving ethical, cultural, and political contexts. Simon Leys’s acclaimed translation and notes are accompanied by Michael Nylan’s insightful introduction.Eleven essays by leading experts in the field of Chinese studies discuss a broad range of issues relating to the Analects, from the origins of the classicists (Ru) and the formation of the Analects text to the use (and abuse) of the Master’s iconic image in twentieth- and twenty-first-century Asian, diasporic, and Western settings. Collectively, these readings suggest that the Confucius we thought we knew is not the Kongzi of record and that this Kongzi is a protean figure given to rapid change and continual reevaluation. Contributors include Henry Rosemont Jr., Nicolas Zufferey, Robert Eno, Thomas Wilson, Sébastien Billioud and Vincent Goossaert, Julia K. Murray, Mark Csikszentmihalyi and Tae Hyun Kim, Eric L. Hutton, Luke Habberstad, He Yuming, and Sam Ho.