The Irish Dramatic Movement gathers together for the first time all of W.B. Yeats's major dramatic criticism for the years 1899-1919, including previously uncollected material. The essays in this collection address many topics, including the turbulent early years of the Abbey Theatre, the controversies over the plays of John Millington Synge, and the relationship between drama and nationalism. Also evident are Yeats's criticisms on numerous plays, playwrights and productions, both Irish and English.

This volume in The Collected Edition of the Works of W.B.Yeats brings together for the first time thirty-two introductions written for anthologies that he edited or for books by other writers. The introductions span the full length of his career. Their topics range from Irish legends and folklore to the design of graceful new Irish coins. The authors he discusses include William Blake, J.M.Synge, Lady Gregory, Oscar Wilde, Oliver St John Gogarty, Lionel Johnson and Rabindranath Tagore. Full explanatory notes and an index give the reader easy access to the volume's diverse array of topics. The text is reliable and accurate.

From 1888 to 1892 W.B.Yeats contributed a series of essays on literature and Irish folklore to two American newspapers, the Boston Pilot and Providence Sunday Journal. These important but little-known pieces show his intense engagement with current books, plays, personalities and controversies. They also make major statements about the issues of cultural nationalism and theatrical reform that preoccupied the poet. Newly edited, annotated, and introduced by George Bornstein and Hugh Witemeyer, Letters to the New Island offers a fresh glimpse of Yeats as an active polemicist, critic and all-round man of letters.

This new edition of The Collected Poems of W.B.Yeats includes all of the poems authorised for publication by Yeats in his lifetime. From skilful retellings of ancient Irish myths and legends to passionate meditations on the demands and rewards of youth and old age, these exquisite, occasionally whimsical songs of love, nature and art stand in dramatic contrast to the sombre and angry poems of life in a nation torn by war and uprising. In the rich and recurrent imagery of the rose, the gyre and the tower the reader can trace Yeats's quest to unite intellect and artistry in a single compelling vision. Included in this edition are Yeats's notes complemented by explanatory notes from the esteemed Yeats scholar Richard J.Finneran.

John Sherman is the only work of realistic fiction Yeats ever completed. The novelette contains many biographical elements and is of interest for its treatment of Yeats's recurring themes. It examines the debate between nationality and cosmopolitan and looks at the conflict between the self and the Anti-self. Dhoya depicts a liaison between a mortal and a fairy, a motif that recurs in Yeats's poetry and other works. The texts are supplemented by an introduction and detailed explanatory notes by the editor, Richard Finneran.

This title contains six autobiographical works that Yeats published in the mid 1930s. Together, they provide a fascinating insight into the first 58 years of his life. The work provides memories of his early childhood, through to his experience of winning the Nobel Prize for Literature.

A new annotated edition of Yeatss indispensable, lifelong work of philosophya meditation on the connections between the imagination, history, and the metaphysicalthis volume reveals the poets greatest thoughts on the occult.First published in 1925, and then substantially revised by the author in 1937, A Vision is a unique work of literary modernism, and revelatory guide to Yeatss own poetry and thinking. Indispensable to an understanding of the poets late work, and entrancing on its own merit, the book presents the system of philosophy, psychology, history, and the life of the soul that Yeats and his wife, George, received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the original book that he wrote in 1925, and the 1937 version is the definitive version of what Yeats wanted to say. Now, presented in a scholarly edition for the first time by Yeats scholars Margaret Mills Harper and Catherine E. Paul, the 1937 version of A Vision is an important, essential literary resource and a must-have for all serious readers of Yeats.

The Irish Dramatic Movement gathers together for the first time all of W.B. Yeats's major dramatic criticism for the years 1899-1919, including previously uncollected material. The essays in this collection address many topics, including the turbulent early years of the Abbey Theatre, the controversies over the plays of John Millington Synge, and the relationship between drama and nationalism. Also evident are Yeats's criticisms on numerous plays, playwrights and productions, both Irish and English.

This volume in The Collected Edition of the Works of W.B.Yeats brings together for the first time thirty-two introductions written for anthologies that he edited or for books by other writers. The introductions span the full length of his career. Their topics range from Irish legends and folklore to the design of graceful new Irish coins. The authors he discusses include William Blake, J.M.Synge, Lady Gregory, Oscar Wilde, Oliver St John Gogarty, Lionel Johnson and Rabindranath Tagore. Full explanatory notes and an index give the reader easy access to the volume's diverse array of topics. The text is reliable and accurate.

From 1888 to 1892 W.B.Yeats contributed a series of essays on literature and Irish folklore to two American newspapers, the Boston Pilot and Providence Sunday Journal. These important but little-known pieces show his intense engagement with current books, plays, personalities and controversies. They also make major statements about the issues of cultural nationalism and theatrical reform that preoccupied the poet. Newly edited, annotated, and introduced by George Bornstein and Hugh Witemeyer, Letters to the New Island offers a fresh glimpse of Yeats as an active polemicist, critic and all-round man of letters.

This new edition of The Collected Poems of W.B.Yeats includes all of the poems authorised for publication by Yeats in his lifetime. From skilful retellings of ancient Irish myths and legends to passionate meditations on the demands and rewards of youth and old age, these exquisite, occasionally whimsical songs of love, nature and art stand in dramatic contrast to the sombre and angry poems of life in a nation torn by war and uprising. In the rich and recurrent imagery of the rose, the gyre and the tower the reader can trace Yeats's quest to unite intellect and artistry in a single compelling vision. Included in this edition are Yeats's notes complemented by explanatory notes from the esteemed Yeats scholar Richard J.Finneran.

John Sherman is the only work of realistic fiction Yeats ever completed. The novelette contains many biographical elements and is of interest for its treatment of Yeats's recurring themes. It examines the debate between nationality and cosmopolitan and looks at the conflict between the self and the Anti-self. Dhoya depicts a liaison between a mortal and a fairy, a motif that recurs in Yeats's poetry and other works. The texts are supplemented by an introduction and detailed explanatory notes by the editor, Richard Finneran.

This title contains six autobiographical works that Yeats published in the mid 1930s. Together, they provide a fascinating insight into the first 58 years of his life. The work provides memories of his early childhood, through to his experience of winning the Nobel Prize for Literature.

A new annotated edition of Yeatss indispensable, lifelong work of philosophya meditation on the connections between the imagination, history, and the metaphysicalthis volume reveals the poets greatest thoughts on the occult.First published in 1925, and then substantially revised by the author in 1937, A Vision is a unique work of literary modernism, and revelatory guide to Yeatss own poetry and thinking. Indispensable to an understanding of the poets late work, and entrancing on its own merit, the book presents the system of philosophy, psychology, history, and the life of the soul that Yeats and his wife, George, received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the original book that he wrote in 1925, and the 1937 version is the definitive version of what Yeats wanted to say. Now, presented in a scholarly edition for the first time by Yeats scholars Margaret Mills Harper and Catherine E. Paul, the 1937 version of A Vision is an important, essential literary resource and a must-have for all serious readers of Yeats.