Georgie Hyde Lees, who married W. B. Yeats in the autumn of 1917, has for many years occupied a secondary or even marginal position in most studies of her famous husband. She has been depicted as a poor choice for romantic partner, political comrade, or literary collaborator. While often thanked in acknowledgments pages and regarded as a minor editor or secretary, she usually receives only footnote status in literary analyses. Most often, she has been cast as an amateur spirit medium or, less generously, as a manipulative perpetrator of an elaborate mystical and sexual hoax out of which arose Yeats''s philosophical treatise A Vision and a raft of poetry, plays, and other literary works. Yet George Yeats co-wrote the automatic script and co-created the ''system'' of cosmic geometry, based on a dialectics of desire. Coming to terms with the ''system'' is vital to understanding the late work of the poet, yet a thorough critical study of the Yeatses'' ''incredible experience'' has never been written. Harper, one of few scholars who is intimately familiar with the large mass of documents, provides the first such study. She analyses the thousands of pages of published and unpublished papers, the particularities of their unusual composition, the finished literary works that depend upon them, and historical contexts such as the spiritualist movement, automatism (including its relation to communications technology), sexual politics, and war. Wisdom of Two airs critical and theoretical issues that are vital to understanding the Yeatses'' spiritual, literary, and dramatic collaboration.

Georgie Hyde Lees, who married W. B. Yeats in the autumn of 1917, has for many years occupied a secondary or even marginal position in most studies of her famous husband. She has been depicted as a poor choice for romantic partner, political comrade, or literary collaborator. While often thanked in acknowledgments pages and regarded as a minor editor or secretary, she usually receives only footnote status in literary analyses. Most often, she has been cast as an amateur spirit medium or, less generously, as a manipulative perpetrator of an elaborate mystical and sexual hoax out of which arose Yeats's philosophical treatise A Vision and a raft of poetry, plays, and other literary works. Yet George Yeats co-wrote the automatic script and co-created the 'system' of cosmic geometry, based on a dialectics of desire. Coming to terms with the 'system' is vital to understanding the late work of the poet, yet a thorough critical study of the Yeatses' 'incredible experience' has never been written. Harper, one of few scholars who is intimately familiar with the large mass of documents, provides the first such study. She analyses the thousands of pages of published and unpublished papers, the particularities of their unusual composition, the finished literary works that depend upon them, and historical contexts such as the spiritualist movement, automatism (including its relation to communications technology), sexual politics, and war. Wisdom of Two airs critical and theoretical issues that are vital to understanding the Yeatses' spiritual, literary, and dramatic collaboration.

A new annotated edition of Yeatss indispensable, lifelong work of philosophya meditation on the connections between the imagination, history, and the metaphysicalthis volume reveals the poets greatest thoughts on the occult.First published in 1925, and then substantially revised by the author in 1937, A Vision is a unique work of literary modernism, and revelatory guide to Yeatss own poetry and thinking. Indispensable to an understanding of the poets late work, and entrancing on its own merit, the book presents the system of philosophy, psychology, history, and the life of the soul that Yeats and his wife, George, received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the original book that he wrote in 1925, and the 1937 version is the definitive version of what Yeats wanted to say. Now, presented in a scholarly edition for the first time by Yeats scholars Margaret Mills Harper and Catherine E. Paul, the 1937 version of A Vision is an important, essential literary resource and a must-have for all serious readers of Yeats.

The third volume of a three volume edition of the collected papers and notebooks which comprise the "automatic writing" of W.B.Yeats. The material presented here is taken from the writings known as "the sleep and dreams" notebooks, the "vision" notebooks one and two and from Yeats'' card files.

The third volume of a three volume edition of the collected papers and notebooks which comprise the "automatic writing" of W.B.Yeats. The material presented here is taken from the writings known as "the sleep and dreams" notebooks, the "vision" notebooks one and two and from Yeats' card files.

A collection of scholarly articles and essays by dancers and scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture, Dance and Modernism in Irish and German Literature and Culture: Connections in Motion explores Irish-German connections through dance in choreographic processes and on stage, in literary texts, dance documentation, film, and architecture from the 1920s to today. The contributors discuss modernism, with a specific focus on modern dance, and its impact on different art forms and discourses in Irish and German culture. Within this framework, dance is regarded both as a motif and a specific form of spatial movement, which allows for the transgression of medial and disciplinary boundaries as well as gender, social, or cultural differences. Part 1 of the collection focuses on Irish-German cultural connections made through dance, while part 2 studies the role of dance in Irish and German literature, visual art, and architecture.

Georgie Hyde Lees, who married W. B. Yeats in the autumn of 1917, has for many years occupied a secondary or even marginal position in most studies of her famous husband. She has been depicted as a poor choice for romantic partner, political comrade, or literary collaborator. While often thanked in acknowledgments pages and regarded as a minor editor or secretary, she usually receives only footnote status in literary analyses. Most often, she has been cast as an amateur spirit medium or, less generously, as a manipulative perpetrator of an elaborate mystical and sexual hoax out of which arose Yeats''s philosophical treatise A Vision and a raft of poetry, plays, and other literary works. Yet George Yeats co-wrote the automatic script and co-created the ''system'' of cosmic geometry, based on a dialectics of desire. Coming to terms with the ''system'' is vital to understanding the late work of the poet, yet a thorough critical study of the Yeatses'' ''incredible experience'' has never been written. Harper, one of few scholars who is intimately familiar with the large mass of documents, provides the first such study. She analyses the thousands of pages of published and unpublished papers, the particularities of their unusual composition, the finished literary works that depend upon them, and historical contexts such as the spiritualist movement, automatism (including its relation to communications technology), sexual politics, and war. Wisdom of Two airs critical and theoretical issues that are vital to understanding the Yeatses'' spiritual, literary, and dramatic collaboration.

Georgie Hyde Lees, who married W. B. Yeats in the autumn of 1917, has for many years occupied a secondary or even marginal position in most studies of her famous husband. She has been depicted as a poor choice for romantic partner, political comrade, or literary collaborator. While often thanked in acknowledgments pages and regarded as a minor editor or secretary, she usually receives only footnote status in literary analyses. Most often, she has been cast as an amateur spirit medium or, less generously, as a manipulative perpetrator of an elaborate mystical and sexual hoax out of which arose Yeats's philosophical treatise A Vision and a raft of poetry, plays, and other literary works. Yet George Yeats co-wrote the automatic script and co-created the 'system' of cosmic geometry, based on a dialectics of desire. Coming to terms with the 'system' is vital to understanding the late work of the poet, yet a thorough critical study of the Yeatses' 'incredible experience' has never been written. Harper, one of few scholars who is intimately familiar with the large mass of documents, provides the first such study. She analyses the thousands of pages of published and unpublished papers, the particularities of their unusual composition, the finished literary works that depend upon them, and historical contexts such as the spiritualist movement, automatism (including its relation to communications technology), sexual politics, and war. Wisdom of Two airs critical and theoretical issues that are vital to understanding the Yeatses' spiritual, literary, and dramatic collaboration.

A new annotated edition of Yeatss indispensable, lifelong work of philosophya meditation on the connections between the imagination, history, and the metaphysicalthis volume reveals the poets greatest thoughts on the occult.First published in 1925, and then substantially revised by the author in 1937, A Vision is a unique work of literary modernism, and revelatory guide to Yeatss own poetry and thinking. Indispensable to an understanding of the poets late work, and entrancing on its own merit, the book presents the system of philosophy, psychology, history, and the life of the soul that Yeats and his wife, George, received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the original book that he wrote in 1925, and the 1937 version is the definitive version of what Yeats wanted to say. Now, presented in a scholarly edition for the first time by Yeats scholars Margaret Mills Harper and Catherine E. Paul, the 1937 version of A Vision is an important, essential literary resource and a must-have for all serious readers of Yeats.

The third volume of a three volume edition of the collected papers and notebooks which comprise the "automatic writing" of W.B.Yeats. The material presented here is taken from the writings known as "the sleep and dreams" notebooks, the "vision" notebooks one and two and from Yeats'' card files.

The third volume of a three volume edition of the collected papers and notebooks which comprise the "automatic writing" of W.B.Yeats. The material presented here is taken from the writings known as "the sleep and dreams" notebooks, the "vision" notebooks one and two and from Yeats' card files.

A collection of scholarly articles and essays by dancers and scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture, Dance and Modernism in Irish and German Literature and Culture: Connections in Motion explores Irish-German connections through dance in choreographic processes and on stage, in literary texts, dance documentation, film, and architecture from the 1920s to today. The contributors discuss modernism, with a specific focus on modern dance, and its impact on different art forms and discourses in Irish and German culture. Within this framework, dance is regarded both as a motif and a specific form of spatial movement, which allows for the transgression of medial and disciplinary boundaries as well as gender, social, or cultural differences. Part 1 of the collection focuses on Irish-German cultural connections made through dance, while part 2 studies the role of dance in Irish and German literature, visual art, and architecture.