Communications and Media Studies – serie

Murrow is the biography of America's foremost broadcast journalist, Edward R. Murrow. At twenty-nine, he was the prototype of a species new to communications—an eyewitness to history with power to reach millions. His wartime radio reports from London rooftops brought the world into American homes for the first time. His legendary television documentary See It Now exposed us to the scandals and injustices within our own country. Friend of Presidents, conscience of the people, Murrow remained an enigma—idealistic, creative, self-destructive. In this portrait, based on twelve years of research, A. M. Sperber reveals the complexity and achievements of a man whose voice, intelligence, and honesty inspired a nation during its most profound and vulnerable times.

Murrow is the biography of America's foremost broadcast journalist, Edward R. Murrow. At twenty-nine, he was the prototype of a species new to communications—an eyewitness to history with power to reach millions. His wartime radio reports from London rooftops brought the world into American homes for the first time. His legendary television documentary See It Now exposed us to the scandals and injustices within our own country. Friend of Presidents, conscience of the people, Murrow remained an enigma—idealistic, creative, self-destructive. In this portrait, based on twelve years of research, A. M. Sperber reveals the complexity and achievements of a man whose voice, intelligence, and honesty inspired a nation during its most profound and vulnerable times.

When Giants Ruled takes the reader behind the scenes of a century of newspaper life. It relates how Benjamin Day, a job printer desperate for more money, started The Sun and inadvertently established the first successful daily for the masses. His main rival was James Gordon Bennett the Elder, whose innovations and success culminated in the most unusual war in journalism: an attempt by rival publishers to halt his efforts to revolutionize the press and to exterminate his Herald.During the Civil War, with only Lincoln excluded, no person had greater sway upon the nation's thinking than Horace Greeley. Venom spewed between Bennett and Greeley reached unprecedented heights until Charles Anderson Dana became overlord of Park Row and tangled with the crusading Joseph Pulitzer. Bennett's eccentric son did not wait for news to happen; he made it. The devastating circulation war between Pulitzer and William Randolph Hearst reached a climax with the Spanish- American War. Hearst's sensationalism remained foremost with the masses until Joseph Patterson produced the most successful tabloid of the twentieth century. An epilogue connects the Park Row era to today's New York press.

When Giants Ruled takes the reader behind the scenes of a century of newspaper life. It relates how Benjamin Day, a job printer desperate for more money, started The Sun and inadvertently established the first successful daily for the masses. His main rival was James Gordon Bennett the Elder, whose innovations and success culminated in the most unusual war in journalism: an attempt by rival publishers to halt his efforts to revolutionize the press and to exterminate his Herald.During the Civil War, with only Lincoln excluded, no person had greater sway upon the nation's thinking than Horace Greeley. Venom spewed between Bennett and Greeley reached unprecedented heights until Charles Anderson Dana became overlord of Park Row and tangled with the crusading Joseph Pulitzer. Bennett's eccentric son did not wait for news to happen; he made it. The devastating circulation war between Pulitzer and William Randolph Hearst reached a climax with the Spanish- American War. Hearst's sensationalism remained foremost with the masses until Joseph Patterson produced the most successful tabloid of the twentieth century. An epilogue connects the Park Row era to today's New York press.

This selection of essays, articles, lectures, and other writings by Erik Barnouw, dean of American media scholars, chronicles "the phenomenon of old media giving way to new, and then being replaced by them, as the ghosts of old media rise in new forms." In Media Lost and Found, the sixteenth century will introduce us to early stirrings of photography, as well as the rise of "black lists," which have a too-familiar ring within our own lifetime. The collection begins with an article on documentary film pioneer Robert Flaherty. Barnouw then moves to a discussion of his Dutch heritage and its role in Western civilization. This is followed by fascinating accounts of ingenious pioneers of camera obscura and magic lantern phantasmagoria, precursors of the magic of motion pictures. There are lively accounts of Barnouw's own experiences, an informative brief history of communications breakthroughs, and an examination of the foibles of media censorship. The final articles discuss the importance of Indian filmmaker Satyajit Ray and cinematographer Boris Kaufman, brother of Soviet filmmakers Djiga Vertov and Mikhail Kaufman. In his writing and in his life, Erik Barnouw has been consistently elegant, self-deprecating, affectionate, and redolent of great depths, encouraging us to look for and foster them in our own lives.

This selection of essays, articles, lectures, and other writings by Erik Barnouw, dean of American media scholars, chronicles "the phenomenon of old media giving way to new, and then being replaced by them, as the ghosts of old media rise in new forms." In Media Lost and Found, the sixteenth century will introduce us to early stirrings of photography, as well as the rise of "black lists," which have a too-familiar ring within our own lifetime. The collection begins with an article on documentary film pioneer Robert Flaherty. Barnouw then moves to a discussion of his Dutch heritage and its role in Western civilization. This is followed by fascinating accounts of ingenious pioneers of camera obscura and magic lantern phantasmagoria, precursors of the magic of motion pictures. There are lively accounts of Barnouw's own experiences, an informative brief history of communications breakthroughs, and an examination of the foibles of media censorship. The final articles discuss the importance of Indian filmmaker Satyajit Ray and cinematographer Boris Kaufman, brother of Soviet filmmakers Djiga Vertov and Mikhail Kaufman. In his writing and in his life, Erik Barnouw has been consistently elegant, self-deprecating, affectionate, and redolent of great depths, encouraging us to look for and foster them in our own lives.

For almost forty years, DeeDee Halleck has been involved in a variety of projects that involve media making by "non-professionals." Her goal has been to develop a critical sense of the potential and limitations of mediated communication through practical exercises that generate a sense of both individual and non-hierarchical group power over the various apparati of media and electronic technology. Hand-Held Visions is a collection of essays, presentations, and lectures that she has written throughout this process. Halleck starts with a discussion of her own development as a teacher, producer, and an active participant in the struggle for media democracy. She gives the reader a historical first-person perspective on the community-based media movement and a sense of the determination and resolve that have enabled often fragile and much embattled organizations and individuals to survive in a climate dominated by global media corporations that are in direct opposition to their work.

For almost forty years, DeeDee Halleck has been involved in a variety of projects that involve media making by "non-professionals." Her goal has been to develop a critical sense of the potential and limitations of mediated communication through practical exercises that generate a sense of both individual and non-hierarchical group power over the various apparati of media and electronic technology. Hand-Held Visions is a collection of essays, presentations, and lectures that she has written throughout this process. Halleck starts with a discussion of her own development as a teacher, producer, and an active participant in the struggle for media democracy. She gives the reader a historical first-person perspective on the community-based media movement and a sense of the determination and resolve that have enabled often fragile and much embattled organizations and individuals to survive in a climate dominated by global media corporations that are in direct opposition to their work.

For the Record focuses on the experiences of journalists, primarily in their own words, who worked in Rochester, New York, on the Gannett owned Democrat & Chronicle and the Times Union.While there are occasional glimpses back to the beginning of the twentieth century and conversations regarding current newsroom policies by those who are still involved in the business, most of the material in this study centers on Gannett during the 1940s, 1950s, and 1960s-a period that may be seen as pivotal to the development of the Gannett Company.Although there is an enormous wealth of material available on the lives of editors, publishers, and owners of newspapers, the history of newsworkers remains quite limited. Brennen's primary intention for this project is to give voice to these newsworkers, investigating their work environment, routines, and expectations. Journalists shared their favorite stories, best interviews, greatest challenges, and most frustrating experiences with Brennen.In giving voice to those previously marginalized, this oral history project may help us to reach a deeper understanding of the challenges and realities newsworkers face in the United States.

For the Record focuses on the experiences of journalists, primarily in their own words, who worked in Rochester, New York, on the Gannett owned Democrat & Chronicle and the Times Union.While there are occasional glimpses back to the beginning of the twentieth century and conversations regarding current newsroom policies by those who are still involved in the business, most of the material in this study centers on Gannett during the 1940s, 1950s, and 1960s-a period that may be seen as pivotal to the development of the Gannett Company.Although there is an enormous wealth of material available on the lives of editors, publishers, and owners of newspapers, the history of newsworkers remains quite limited. Brennen's primary intention for this project is to give voice to these newsworkers, investigating their work environment, routines, and expectations. Journalists shared their favorite stories, best interviews, greatest challenges, and most frustrating experiences with Brennen.In giving voice to those previously marginalized, this oral history project may help us to reach a deeper understanding of the challenges and realities newsworkers face in the United States.

Today, seventy-three years after his death, journalists still tell tales of Charles E. Chapin. As city editor of Pulitzer's New York Evening World , Chapin was the model of the take-no-prisoners newsroom tyrant: he drove reporters relentlessly—and kept his paper in the center ring of the circus of big-city journalism. From the Harry K. Thaw trial to the sinking of the Titanic , Chapin set the pace for the evening press, the CNN of the pre-electronic world of journalism. In 1918, at the pinnacle of fame, Chapin's world collapsed. Facing financial ruin, sunk in depression, he decided to kill himself and his beloved wife Nellie. On a quiet September morning, he took not his own life, but Nellie's, shooting her as she slept. After his trial—and one hell of a story for the World's competitors—he was sentenced to life in the infamous Sing Sing Prison in Ossining, New York. In this story of an extraordinary life set in the most thrilling epoch of American journalism, James McGrath Morris tracks Chapin's rise from legendary Chicago street reporter to celebrity powerbroker in media-mad New York. His was a human tragedy played out in the sensational stories of tabloids and broadsheets. But it's also an epic of redemption: in prison, Chapin started a newspaper to fight for prisoner rights, wrote a best-selling autobiography, had two long-distance love affairs, and tapped his prodigious talents to transform barren prison plots into world-famous rose gardens before dying peacefully in his cell in 1930. The first portrait of one of the founding figures of modern American journalism, and a vibrant chronicle of the cutthroat culture of scoops and scandals, The Rose Man of Sing Sing is also a hidden history of New York at its most colorful and passionate.James McGrath Morris is a former journalist, author of Jailhouse Journalism: The Fourth Estate Behind Bars , and a historian. He lives in Falls Church, Virginia, and teaches at West Springfield High School.

Today, seventy-three years after his death, journalists still tell tales of Charles E. Chapin. As city editor of Pulitzer's New York Evening World , Chapin was the model of the take-no-prisoners newsroom tyrant: he drove reporters relentlessly—and kept his paper in the center ring of the circus of big-city journalism. From the Harry K. Thaw trial to the sinking of the Titanic , Chapin set the pace for the evening press, the CNN of the pre-electronic world of journalism. In 1918, at the pinnacle of fame, Chapin's world collapsed. Facing financial ruin, sunk in depression, he decided to kill himself and his beloved wife Nellie. On a quiet September morning, he took not his own life, but Nellie's, shooting her as she slept. After his trial—and one hell of a story for the World's competitors—he was sentenced to life in the infamous Sing Sing Prison in Ossining, New York. In this story of an extraordinary life set in the most thrilling epoch of American journalism, James McGrath Morris tracks Chapin's rise from legendary Chicago street reporter to celebrity powerbroker in media-mad New York. His was a human tragedy played out in the sensational stories of tabloids and broadsheets. But it's also an epic of redemption: in prison, Chapin started a newspaper to fight for prisoner rights, wrote a best-selling autobiography, had two long-distance love affairs, and tapped his prodigious talents to transform barren prison plots into world-famous rose gardens before dying peacefully in his cell in 1930. The first portrait of one of the founding figures of modern American journalism, and a vibrant chronicle of the cutthroat culture of scoops and scandals, The Rose Man of Sing Sing is also a hidden history of New York at its most colorful and passionate.James McGrath Morris is a former journalist, author of Jailhouse Journalism: The Fourth Estate Behind Bars , and a historian. He lives in Falls Church, Virginia, and teaches at West Springfield High School.

From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies. Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, Duncan examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology, and cultural criticism, he clarifies the connections between two very different art forms.

From Chaplin's brilliant use of Wagner in The Gold Rush to the Bach chorale closing Scorsese's Casino, classical music has played a fascinating role in movies. Dean Duncan provides a fresh critical survey of the aesthetics of classical music in film. Exploring tensions between high art and commercial culture, Duncan examines how directors quote themes and classical passages in genres ranging from the Soviet avant garde to Hollywood romances. Drawing on film theory, musicology, and cultural criticism, he clarifies the connections between two very different art forms.

Stories with no substance. Talking heads without a clue. "Team" coverage that still misses the big picture. Overheated hype. Cute chatter. Film at eleven. Is it any wonder more and more of us count less and less on the news?"It used to be that a news story told you who, what, where, when, how, and why," Art Athens writes. "Now the story might tell you who, or it might tell you when, but there's a good chance that when it's over (which won't take long), you'll be the one saying What?"Here's a legendary journalist's back to the basics guide to the craft of broadcast news. Combining insights from his own award-winning career with in-depth conversations with leading newspeople, Art Athens offers a primer on the best practices in reporting, writing, and delivering the news.And he lets some of the best in the business talk frankly and passionately about what it takes to do the job right: Dan Rather, Charles Osgood, Mike Wallace, Brian Williams, Andy Rooney, Charles Kuralt, Linda Ellerbee, and Don Hewitt.What kind of skills—and spirit—does it take to be a successful, serious broadcast journalist? How are the good stories conceived and written? And in today's cynical age of news as entertainment, what should reporters and editors do to restore confidence in the media? In this funny, sharp, honest book, anyone who cares about the news will find answers on every page.