Complete Works of Sangharakshita – serie

This illuminating collection of previously unpublished talks traces the development of Sangharakshita's presentation of the Dharma in the West from 1965 to 2011. It includes some of his characteristic teachings in their earliest forms (the levels of Going for Refuge to the Three Jewels, for example), and makes other talks accessible for the first time in published form. We see the unfolding of the Buddhist movement he founded, from Sangharakshita's talks before the movement began, his early teachings that foreshadow aspects of its nature, and then its beginnings in a basement in 1960s London. Other talks cover development of the sangha over the years, and Sangharakshita's reflections on what would help it develop in the years to come. Drawing on a wide range of sources, from the Pali canon and The Tibetan Book of the Dead to Beowulf and William Wordsworth, there are many intriguing perspectives: an exploration of Buddhist psychology, the histories of great teachers like Padmasambhava and Atisa, reflections on going forth, creativity, the demons around and within us, the role of the will in the spiritual life, and much more. The final talks in the volume, given towards the end of Sangharakshita's life, are more personal, and they include reflections on dreams, old age and rebirth.

The story of the spiritual journey of the famous Tibetan yogi Milarepa is often told, but less well known are the stories of his encounters with those he met and taught after his own Enlightenment, eleven of which are the catalyst for volumes 18 and 19 of the Complete Works. The first three were originally published in The Yogi's Joy, and to these have been added an intriguing fourth, `The Shepherd's Search for Mind'. The other seven stories form a sequence tracing the relationship between Milarepa and his disciple Rechungpa, from their first meeting to their final parting, when Rechungpa is exhorted to go and teach the Dharma himself. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.Sangharakshita's commentary is based on seminars he gave to young, enthusiastic but as yet inexperienced Dharma followers, and while much can be gleaned from it about the path of practice of the Kagyu tradition, the main emphasis is simply on how to overcome the difficulties that are sure to befall the would-be spiritual practitioner, how to learn what we need to learn - in short, the art of discipleship.

The story of the spiritual journey of the famous Tibetan yogi Milarepa is often told, but less well known are the stories of his encounters with those he met and taught after his own Enlightenment, eleven of which are the catalyst for volumes 18 and 19 of the Complete Works. The first three were originally published in The Yogi's Joy, and to these have been added an intriguing fourth, `The Shepherd's Search for Mind'. The other seven stories form a sequence tracing the relationship between Milarepa and his disciple Rechungpa, from their first meeting to their final parting, when Rechungpa is exhorted to go and teach the Dharma himself. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.Sangharakshita's commentary is based on seminars he gave to young, enthusiastic but as yet inexperienced Dharma followers, and while much can be gleaned from it about the path of practice of the Kagyu tradition, the main emphasis is simply on how to overcome the difficulties that are sure to befall the would-be spiritual practitioner, how to learn what we need to learn - in short, the art of discipleship.

This is the continuing story of Milarepa and his disciple Rechungpa, first encountered in volume 18 of the Complete Works. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.In the story that begins this volume, matters come to a head when Milarepa burns the books that Rechungpa went all the way to India to acquire, but by the end of the volume, Rechungpa is able to set out on his own mission to teach the Dharma. Much happens in between.Sangharakshita's commentary, based on seminars given in the late 1970s and early 1980s, draws from the stories of Milarepa and his wayward disciple much valuable advice for any would-be spiritual practitioner.

This is the continuing story of Milarepa and his disciple Rechungpa, first encountered in volume 18 of the Complete Works. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.In the story that begins this volume, matters come to a head when Milarepa burns the books that Rechungpa went all the way to India to acquire, but by the end of the volume, Rechungpa is able to set out on his own mission to teach the Dharma. Much happens in between.Sangharakshita's commentary, based on seminars given in the late 1970s and early 1980s, draws from the stories of Milarepa and his wayward disciple much valuable advice for any would-be spiritual practitioner.

This companion to volume 9 begins with a celebration of the fiftieth anniversary of Dr Ambedkar's conversion to Buddhism, together with a rejoicing in his merits. Then we follow the dramatic history of the Buddhist revival in India, beginning with a commentary on Dr Ambedkar's article 'Buddha and the Future of His Religion', which prompted Sangharakshita's initial contact with him. Articles on the mass conversion in 1956 and Sangharakshita's crucial visit to Nagpur at the time of Dr Ambedkar's death are followed by the story of Sangharakshita's teachings among the new Buddhists in 1959 to 61, together with notes from some of the hundreds of talks he gave.Sangharakshita did not forget India after returning to England in 1964, giving talks to raise awareness of Dr Ambedkar, and in 1979 returning to perform the first ordinations of the Indian wing of the Order, later the Triratna Buddhist Order. In a sequence of talks (from 1979 to 1992) he tells his Indian audiences about the Buddhist movement he has founded in the West and his western audiences about the Indian sangha, thus weaving together the two communities of new Buddhists. The volume culminates in a commentary on the Pali canon's Udana, edited from two much-loved seminars from the early days of the FWBO and including new translations of the verses (udanas) by Dhivan Thomas Jones. Inspiring us to imagine the time when Buddhism was so new it didn't have a name, the text includes famous teachings - the taste of salt, in the seen only the seen - and declares the first question the Buddha was asked after his Enlightenment: who is the true brahmin? The Buddha's answer, rejecting the caste system and asserting the spiritual values to which he has awakened, takes us to the heart of Dr Ambedkar's revival of Buddhism in India.

This companion to volume 9 begins with a celebration of the fiftieth anniversary of Dr Ambedkar's conversion to Buddhism, together with a rejoicing in his merits. Then we follow the dramatic history of the Buddhist revival in India, beginning with a commentary on Dr Ambedkar's article 'Buddha and the Future of His Religion', which prompted Sangharakshita's initial contact with him. Articles on the mass conversion in 1956 and Sangharakshita's crucial visit to Nagpur at the time of Dr Ambedkar's death are followed by the story of Sangharakshita's teachings among the new Buddhists in 1959 to 61, together with notes from some of the hundreds of talks he gave.Sangharakshita did not forget India after returning to England in 1964, giving talks to raise awareness of Dr Ambedkar, and in 1979 returning to perform the first ordinations of the Indian wing of the Order, later the Triratna Buddhist Order. In a sequence of talks (from 1979 to 1992) he tells his Indian audiences about the Buddhist movement he has founded in the West and his western audiences about the Indian sangha, thus weaving together the two communities of new Buddhists. The volume culminates in a commentary on the Pali canon's Udana, edited from two much-loved seminars from the early days of the FWBO and including new translations of the verses (udanas) by Dhivan Thomas Jones. Inspiring us to imagine the time when Buddhism was so new it didn't have a name, the text includes famous teachings - the taste of salt, in the seen only the seen - and declares the first question the Buddha was asked after his Enlightenment: who is the true brahmin? The Buddha's answer, rejecting the caste system and asserting the spiritual values to which he has awakened, takes us to the heart of Dr Ambedkar's revival of Buddhism in India.

This volume of Sangharakshita's Complete Works includes Facing Mount Kanchenjunga, the second in the series of his memoirs, and, in Dear Dinoo, some very personal letters.Facing Mount Kanchenjunga covers the period 1950-1953, beginning with Sangharakshita's arrival in Kalimpong as a twenty-four-year-old sramanera, and his response to his teacher's injunction to 'stay here and work for the good of Buddhism!' In the pages that follow we are drawn into a deeply committed Dharma life lived in unusual circumstances and among some very colourful characters.As he recalls the significant events of those years - the setting up of the Kalimpong Young Men's Buddhist Association; the creation of a new Buddhist journal, whose contributors included Conze, Guenther, Govinda and other leading Buddhist writers of the time; accompanying the Sacred Relics of the Buddha's chief disciples; advising on the making of a Buddhist film; giving lectures; discovering Dharmapala; meeting Dhardo Rimpoche; in fact, working in every way to spread the Dharma - Sangharakshita also affords the reader glimpses of his inner life, his struggles and disappointments, his aspirations and inspirations, his responses to the beauties of nature, and his feeling for friendship.The twenty-nine letters collected together in Dear Dinoo span the period 1955-1974, giving a sighting of Sangharakshita's life as he experienced it at the time, including what happened on the day of Dr Babasaheb Ambedkar's untimely death in 1956. We are also afforded a glimpse of the unusual friendship that sprung up between the young English monk and the Montessori teacher.Kalyanaprabha's Introduction highlights some of the significances of the correspondence, including reflections on Sangharakshita, Women, and Friendship. A friend who often appears in the letters, Dr Dinshaw Mehta, Servant of God, and one time naturopath to Gandhi, is the subject of the appendix.

This volume of Sangharakshita's Complete Works includes Facing Mount Kanchenjunga, the second in the series of his memoirs, and, in Dear Dinoo, some very personal letters.Facing Mount Kanchenjunga covers the period 1950-1953, beginning with Sangharakshita's arrival in Kalimpong as a twenty-four-year-old sramanera, and his response to his teacher's injunction to 'stay here and work for the good of Buddhism!' In the pages that follow we are drawn into a deeply committed Dharma life lived in unusual circumstances and among some very colourful characters.As he recalls the significant events of those years - the setting up of the Kalimpong Young Men's Buddhist Association; the creation of a new Buddhist journal, whose contributors included Conze, Guenther, Govinda and other leading Buddhist writers of the time; accompanying the Sacred Relics of the Buddha's chief disciples; advising on the making of a Buddhist film; giving lectures; discovering Dharmapala; meeting Dhardo Rimpoche; in fact, working in every way to spread the Dharma - Sangharakshita also affords the reader glimpses of his inner life, his struggles and disappointments, his aspirations and inspirations, his responses to the beauties of nature, and his feeling for friendship.The twenty-nine letters collected together in Dear Dinoo span the period 1955-1974, giving a sighting of Sangharakshita's life as he experienced it at the time, including what happened on the day of Dr Babasaheb Ambedkar's untimely death in 1956. We are also afforded a glimpse of the unusual friendship that sprung up between the young English monk and the Montessori teacher.Kalyanaprabha's Introduction highlights some of the significances of the correspondence, including reflections on Sangharakshita, Women, and Friendship. A friend who often appears in the letters, Dr Dinshaw Mehta, Servant of God, and one time naturopath to Gandhi, is the subject of the appendix.

'The Bodhisattva ideal is a vast subject. It is the major distinctive emphasis of the phase of the development of Buddhism known as the Mahāyāna, which had its flowering for a period of around 500 years (0–500CE), but is still practised today in many different forms, from Tibetan Buddhism to Zen. To consider this topic is to place one’s hand on the very heart of Buddhism, and feel the beating of that heart.'Thus Sangharakshita introduces his theme. The first part of this volume describes the arising of the bodhicitta and the bodhisattva's path to Enlightenment in a weaving together of the sublime and the inspiringly practical, and the second part is a commentary on Śāntideva's classic 8th-century text, the Bodhicaryāvatara, based on a seminar given in 1973, in the very early days of Triratna, thus shaping the newly emerging Buddhist movement. The seminar was titled The Endlessly Fascinating Cry, echoing Śāntideva's fervent prayer: 'In order to grasp this jewel of the mind, I offer ... the endlessly fascinating cry of wild geese ...' The volume ends with 'The Bodhisattva Principle', a talk given in 1983 to a conference of scientists and mystics in which Sangharakshita presents a vision of the bodhisattva as an embodiment of the key to the evolution of consciousness, individual and collective.The subject of this book may be an ideal, but it offers many ways to take the first real steps on this most significant of all journeys, and much nourishment for the heart and mind of the would-be bodhisattva.

'The Bodhisattva ideal is a vast subject. It is the major distinctive emphasis of the phase of the development of Buddhism known as the Mahāyāna, which had its flowering for a period of around 500 years (0–500CE), but is still practised today in many different forms, from Tibetan Buddhism to Zen. To consider this topic is to place one’s hand on the very heart of Buddhism, and feel the beating of that heart.'Thus Sangharakshita introduces his theme. The first part of this volume describes the arising of the bodhicitta and the bodhisattva's path to Enlightenment in a weaving together of the sublime and the inspiringly practical, and the second part is a commentary on Śāntideva's classic 8th-century text, the Bodhicaryāvatara, based on a seminar given in 1973, in the very early days of Triratna, thus shaping the newly emerging Buddhist movement. The seminar was titled The Endlessly Fascinating Cry, echoing Śāntideva's fervent prayer: 'In order to grasp this jewel of the mind, I offer ... the endlessly fascinating cry of wild geese ...' The volume ends with 'The Bodhisattva Principle', a talk given in 1983 to a conference of scientists and mystics in which Sangharakshita presents a vision of the bodhisattva as an embodiment of the key to the evolution of consciousness, individual and collective.The subject of this book may be an ideal, but it offers many ways to take the first real steps on this most significant of all journeys, and much nourishment for the heart and mind of the would-be bodhisattva.

One of Sangharakshita’s outstanding contributions to Buddhism has been to survey the whole range of Buddhist schools, each with its own approach, own language and so on, and to distil out what is most fundamental. You are a Buddhist because – and only because – you Go for Refuge to the Three Jewels. But how did this become clear to him and what in any case does it actually mean practically to go for Refuge to the Buddha, Dharma and Sangha? The nine texts in this volume, composed over a period of more than thirty years, show Sangharakshita's unfolding insight into the meaning, significance and centrality of Going for Refuge. It includes some of his most important communications to the Order he founded: on the ten ethical precepts, his relation to the Order, and the history of his Going for Refuge. And in reflecting on his own bhikkhu ordination there is a challenge to some of the Buddhist world's most deeply rooted assumptions. Sangharakshita writes not just as a student and scholar but with the devotion of one who himself Goes for Refuge and seeks to share the fruits of his journey with others.

One of Sangharakshita’s outstanding contributions to Buddhism has been to survey the whole range of Buddhist schools, each with its own approach, own language and so on, and to distil out what is most fundamental. You are a Buddhist because – and only because – you Go for Refuge to the Three Jewels. But how did this become clear to him and what in any case does it actually mean practically to go for Refuge to the Buddha, Dharma and Sangha? The nine texts in this volume, composed over a period of more than thirty years, show Sangharakshita's unfolding insight into the meaning, significance and centrality of Going for Refuge. It includes some of his most important communications to the Order he founded: on the ten ethical precepts, his relation to the Order, and the history of his Going for Refuge. And in reflecting on his own bhikkhu ordination there is a challenge to some of the Buddhist world's most deeply rooted assumptions. Sangharakshita writes not just as a student and scholar but with the devotion of one who himself Goes for Refuge and seeks to share the fruits of his journey with others.

In this volume Sangharakshita approaches communicating Buddhism in the West from two very different, but equally illuminating, angles. In the first part, in talks given in the early years of his teaching in England, he introduces the apparently exotic worlds of Tibetan Buddhism (1965) and its creative symbols (1972) and Zen Buddhism (1965), clarifying their mysteries while also somehow allowing them to work their magic. In the second part, by contrast, he examines the practice of Buddhism in the context of Western culture. In the polemical paper The FWBO and 'Protestant Buddhism' (first published in 1992) he looks at the characteristics of the Triratna community (the FWBO at the time of writing) as it was 25 years after its founding, in a response to an academic's assessment of the nascent Buddhist movement. And in From Genesis to the Diamond Sutra (first published in 2005) he reveals his own attitude to the literature and doctrines of Christianity, including the Christian view of homosexuality, in a multi-faceted exploration which includes autobiographical material not found anywhere else in his written work.

In this volume Sangharakshita approaches communicating Buddhism in the West from two very different, but equally illuminating, angles. In the first part, in talks given in the early years of his teaching in England, he introduces the apparently exotic worlds of Tibetan Buddhism (1965) and its creative symbols (1972) and Zen Buddhism (1965), clarifying their mysteries while also somehow allowing them to work their magic. In the second part, by contrast, he examines the practice of Buddhism in the context of Western culture. In the polemical paper The FWBO and 'Protestant Buddhism' (first published in 1992) he looks at the characteristics of the Triratna community (the FWBO at the time of writing) as it was 25 years after its founding, in a response to an academic's assessment of the nascent Buddhist movement. And in From Genesis to the Diamond Sutra (first published in 2005) he reveals his own attitude to the literature and doctrines of Christianity, including the Christian view of homosexuality, in a multi-faceted exploration which includes autobiographical material not found anywhere else in his written work.

This volume includes two memoirs.In the Sign of the Golden Wheel tells the story of the `middle period’ of the fourteen years Sangharakshita was based in the Indian hill station, Kalimpong. It is a crucial time for Buddhism as the whole Asian world is preparing to celebrate 2,500 years of Buddhism, and Sangharakshita’s abundant energies are brought into play in diverse ways. His commitment to spreading the Dharma as widely as he can and to serving the (few) existing Buddhists in India takes him far afield: from tea estates in Assam to a film studio in Bombay, from the Maha Bodhi Society in Calcutta – he becomes the inspired editor of the internationally read Maha Bodhi Journal – to Kasturchand Park in Nagpur where he speaks to hundreds of thousands of bereaved followers of the great Dr Ambedkar. Whether describing great events of international import or those of more local significance, such as the funeral of Miss Barclay’s cat, the flowing prose descriptions of people, places and events bring it all vividly to life. And through it all the enlightening, inspiring and moving reflections on life, the Dharma, poetry, friendship – and himself. Precious Teachers covers the last period of Sangharakshita’s time in Kalimpong. Here too are vivid encounters with people – a damsel in distress, a dakini, a transsexual and many others. At the forefront, though, are Sangharakshita’s Buddhist teachers: the Tibetans Jamyang Khyentse Rimpoche, Dilgo Khyentse Rimpoche, Dudjom Rimpoche, Kachu Rimpoche, Chattrul Sangye Dorje and Dhardo Rimpoche, and Chinese Yogi Chen. He recalls their meetings, his abhiṣekas or initiations, and the friendship that developed with Dhardo Rimpoche. In the background are events of international significance: the Chinese in Tibet, and the oppression of Buddhists in Vietnam. The memoir concludes with a letter from the English Sangha Trust inviting Sangharakshita back to the West....

This volume includes two memoirs.In the Sign of the Golden Wheel tells the story of the `middle period’ of the fourteen years Sangharakshita was based in the Indian hill station, Kalimpong. It is a crucial time for Buddhism as the whole Asian world is preparing to celebrate 2,500 years of Buddhism, and Sangharakshita’s abundant energies are brought into play in diverse ways. His commitment to spreading the Dharma as widely as he can and to serving the (few) existing Buddhists in India takes him far afield: from tea estates in Assam to a film studio in Bombay, from the Maha Bodhi Society in Calcutta – he becomes the inspired editor of the internationally read Maha Bodhi Journal – to Kasturchand Park in Nagpur where he speaks to hundreds of thousands of bereaved followers of the great Dr Ambedkar. Whether describing great events of international import or those of more local significance, such as the funeral of Miss Barclay’s cat, the flowing prose descriptions of people, places and events bring it all vividly to life. And through it all the enlightening, inspiring and moving reflections on life, the Dharma, poetry, friendship – and himself. Precious Teachers covers the last period of Sangharakshita’s time in Kalimpong. Here too are vivid encounters with people – a damsel in distress, a dakini, a transsexual and many others. At the forefront, though, are Sangharakshita’s Buddhist teachers: the Tibetans Jamyang Khyentse Rimpoche, Dilgo Khyentse Rimpoche, Dudjom Rimpoche, Kachu Rimpoche, Chattrul Sangye Dorje and Dhardo Rimpoche, and Chinese Yogi Chen. He recalls their meetings, his abhiṣekas or initiations, and the friendship that developed with Dhardo Rimpoche. In the background are events of international significance: the Chinese in Tibet, and the oppression of Buddhists in Vietnam. The memoir concludes with a letter from the English Sangha Trust inviting Sangharakshita back to the West....

`It is its spiritual background which gives to Sangharakshita's poetry its depth and emotional appeal. It rests on the inner parallelism between the most fundamental human emotions and the highest experiences on the path of liberation and enlightenment, the relationship between love and wisdom, the individual and the universal, the moods of Nature and the moods of the human heart.' - Lama Anagarika GovindaIn his preface to the Complete Poems published in 1994 Sangharakshita wrote that his poems 'constitute a sort of spiritual autobiography, sketchy indeed, but perhaps revealing, or at least suggesting, aspects of my life that would not otherwise be known'. He wrote many more poems after that, and more from his early years have come to light. This volume contains all of them, offering a truly complete collection, and also includes six short stories, written over many years and some of them previously unpublished, also shedding new light on the imagination and perceptions of their author. The volume is prefaced by a foreword and two essays introducing the poems in different ways, and also contains edited versions of two talks Sangharakshita gave about specific poems, and a sequence of conversations about his poetry that were recorded towards the end of his life.

`It is its spiritual background which gives to Sangharakshita's poetry its depth and emotional appeal. It rests on the inner parallelism between the most fundamental human emotions and the highest experiences on the path of liberation and enlightenment, the relationship between love and wisdom, the individual and the universal, the moods of Nature and the moods of the human heart.' - Lama Anagarika GovindaIn his preface to the Complete Poems published in 1994 Sangharakshita wrote that his poems 'constitute a sort of spiritual autobiography, sketchy indeed, but perhaps revealing, or at least suggesting, aspects of my life that would not otherwise be known'. He wrote many more poems after that, and more from his early years have come to light. This volume contains all of them, offering a truly complete collection, and also includes six short stories, written over many years and some of them previously unpublished, also shedding new light on the imagination and perceptions of their author. The volume is prefaced by a foreword and two essays introducing the poems in different ways, and also contains edited versions of two talks Sangharakshita gave about specific poems, and a sequence of conversations about his poetry that were recorded towards the end of his life.

In this volume of memoirs we find Sangharakshita after twenty years in the East arriving back in England at the invitation of the English Sangha Trust. He expects to stay no more than a few months, but the months become years and, as he comes to know the then small world of British Buddhism, he realizes that after all it is here that he may best be able to work for the good of Buddhism , as one of his teachers had once exhorted him. After a farewell tour of his friends and teachers in India, he goes on to found a new Buddhist movement and to ordain twelve men and women into a new Buddhist Order. The answer to the question Why did Sangharakshita found a new Buddhist movement and Order? is in these pages. 'Moving Against the Stream' has for its backdrop 1960s Britain, with figures as diverse as Prime Minister Harold Wilson, and David Cooper, the anti-psychiatry psychiatrist. In the world of British Buddhism there is Christmas Humphreys, founder of the London Buddhist Society, and Maurice Walshe, translator of the Digha Nikaya, and many others. Here also is the story of a friendship that was to be deeply significant for Sangharakshita. As he and Terry Delamare drive across Europe visiting the sites of ancient Greece and the churches, museums and great works of art of Renaissance Italy, Sangharakshita makes vivid the role that higher culture can play in spiritual life. This volume includes '1970 - A Retrospect' in which Sangharakshita tells of a year that begins with lectures in Paris, continues with three months at Yale University as a visiting lecturer, and concludes back in Britain as he resumes his work for the Buddhist movement. A new phase is beginning.

In this volume of memoirs we find Sangharakshita after twenty years in the East arriving back in England at the invitation of the English Sangha Trust. He expects to stay no more than a few months, but the months become years and, as he comes to know the then small world of British Buddhism, he realizes that after all it is here that he may best be able to work for the good of Buddhism , as one of his teachers had once exhorted him. After a farewell tour of his friends and teachers in India, he goes on to found a new Buddhist movement and to ordain twelve men and women into a new Buddhist Order. The answer to the question Why did Sangharakshita found a new Buddhist movement and Order? is in these pages. 'Moving Against the Stream' has for its backdrop 1960s Britain, with figures as diverse as Prime Minister Harold Wilson, and David Cooper, the anti-psychiatry psychiatrist. In the world of British Buddhism there is Christmas Humphreys, founder of the London Buddhist Society, and Maurice Walshe, translator of the Digha Nikaya, and many others. Here also is the story of a friendship that was to be deeply significant for Sangharakshita. As he and Terry Delamare drive across Europe visiting the sites of ancient Greece and the churches, museums and great works of art of Renaissance Italy, Sangharakshita makes vivid the role that higher culture can play in spiritual life. This volume includes '1970 - A Retrospect' in which Sangharakshita tells of a year that begins with lectures in Paris, continues with three months at Yale University as a visiting lecturer, and concludes back in Britain as he resumes his work for the Buddhist movement. A new phase is beginning.

This volume, which introduces the sequence of Complete Works volumes that include Sangharakshita's commentaries on a range of traditional Buddhist texts, begins with The Eternal Legacy, an introduction to the canonical literature of Buddhism, which succinctly and with great feeling gives the context for the commentaries to follow. Next comes Sangharakshita's talk 'The Glory of the Literary World', which considers how the Buddhist canon is to be approached, in a broad consideration of the literary traditions of both East and West. This is followed by an introduction to one of the earliest works of the Pali canon, the Udana, newly edited from a 1975 seminar for this Complete Works volume under the title Buddhism before Buddhism. Here we trace the Buddha's life from the period just after his Enlightenment to the time of his approaching death, and Sangharakshita (studying the text with members of what was in 1975 a very young Buddhist movement) draws out the newness and freshness of the Buddha's vision - so new, indeed, that words could scarcely be found to express it. And this volume concludes fittingly with Wisdom Beyond Words, Sangharakshita's much-loved commentary on several Perfection of Wisdom texts, another way of seeing how, in Asvaghosa's words, 'We use words to get free of words until we reach the pure wordless essence.'

This volume, which introduces the sequence of Complete Works volumes that include Sangharakshita's commentaries on a range of traditional Buddhist texts, begins with The Eternal Legacy, an introduction to the canonical literature of Buddhism, which succinctly and with great feeling gives the context for the commentaries to follow. Next comes Sangharakshita's talk 'The Glory of the Literary World', which considers how the Buddhist canon is to be approached, in a broad consideration of the literary traditions of both East and West. This is followed by an introduction to one of the earliest works of the Pali canon, the Udana, newly edited from a 1975 seminar for this Complete Works volume under the title Buddhism before Buddhism. Here we trace the Buddha's life from the period just after his Enlightenment to the time of his approaching death, and Sangharakshita (studying the text with members of what was in 1975 a very young Buddhist movement) draws out the newness and freshness of the Buddha's vision - so new, indeed, that words could scarcely be found to express it. And this volume concludes fittingly with Wisdom Beyond Words, Sangharakshita's much-loved commentary on several Perfection of Wisdom texts, another way of seeing how, in Asvaghosa's words, 'We use words to get free of words until we reach the pure wordless essence.'

Can metta take me all the way to Enlightenment?How much meditation is good for you?Why visualize an Enlightened being?Can you tell if meditation is changing you?All of these questions and very many more are tackled in this substantial compilation of Sangharakshita's teachings on meditation. First published in 2012, this volume draws from previously published works and from the unpublished transcripts of seminars on a wide range of Buddhist texts, from the Pali canon to the songs of Milarepa. The dialogue form is a reminder that teaching is a communication, a creative meeting between the depth and breadth of Sangharakshita's knowledge and experience and the willingness of students to ask the kinds of questions any meditator would like to ask if they had the chance (or the nerve).Discussions reveal how Sangharakshita learned the practices on which his system of meditation - 'an organic, living system' - is based and how that system has evolved over the years. Amid much curiosity about dhyana and Insight, and explorations of how to deal with fear or distraction, doubt, drowsiness or desire, topics also include such matters as whether it's good to meditate in the open air and whether to include your least favourite politician in your metta bhavana. To this edition some extra material on 'just sitting' and the guru yoga has been added.Whether dipped into, consulted on a specific subject or read from cover to cover, the collection offers practical, inspiring and encouraging advice for new and experienced meditators alike. It is deeply imbued with the Buddhist vision of the role of meditation in the quest for Enlightenment.

Can metta take me all the way to Enlightenment?How much meditation is good for you?Why visualize an Enlightened being?Can you tell if meditation is changing you?All of these questions and very many more are tackled in this substantial compilation of Sangharakshita's teachings on meditation. First published in 2012, this volume draws from previously published works and from the unpublished transcripts of seminars on a wide range of Buddhist texts, from the Pali canon to the songs of Milarepa. The dialogue form is a reminder that teaching is a communication, a creative meeting between the depth and breadth of Sangharakshita's knowledge and experience and the willingness of students to ask the kinds of questions any meditator would like to ask if they had the chance (or the nerve).Discussions reveal how Sangharakshita learned the practices on which his system of meditation - 'an organic, living system' - is based and how that system has evolved over the years. Amid much curiosity about dhyana and Insight, and explorations of how to deal with fear or distraction, doubt, drowsiness or desire, topics also include such matters as whether it's good to meditate in the open air and whether to include your least favourite politician in your metta bhavana. To this edition some extra material on 'just sitting' and the guru yoga has been added.Whether dipped into, consulted on a specific subject or read from cover to cover, the collection offers practical, inspiring and encouraging advice for new and experienced meditators alike. It is deeply imbued with the Buddhist vision of the role of meditation in the quest for Enlightenment.

Sangharakshita's arrival in India in 1944 marked the beginning of a period of prodigious literary and intellectual output. This was the base from which he would begin his life's work for the future of Buddhism. The essays gathered here, first published in journals such as Stepping Stones, The Maha Bodhi and The Middle Way, were written between 1944 and 1964. Ranging from The Unity of Buddhism, written in London at the age of only 18, to the panoramic A Bird's Eye View of Indian Buddhism, published on his return from India, all that distinguishes Sangharakshita's thought as teacher, synthesizer and translator is already evident here. We see the unity underlying all Buddhist schools, the inspiring ideal of the Bodhisattva, and the certainty that the Dharma is urgently needed in the modern world. This volume contains the previously published collections Crossing the Stream and Early Writings, plus other articles long since out of print. In the groundbreaking Ordination and Initiation in the Three Yanas (1959), Sangharakshita first comes close to recognizing Going for Refuge as the unifying factor in all of Buddhism. In Krishna's Flute (1944), the mind of the philosopher combines with the poet, and in A Visit to a Tibetan Monastery (1946), Sangharakshita the insightful traveller appears, seen later in his memoirs and travel letters.All the essays are fully annotated, and those previously published in Early Writings come with a detailed commentary and extensive introduction by Kalyanaprabha. A foreword by Nagabodhi introduces the collection. The insights and ideas expressed in these brief passages are as illuminating, as stimulating and as indispensable as anything Sangharakshita was ever to produce.

Sangharakshita's arrival in India in 1944 marked the beginning of a period of prodigious literary and intellectual output. This was the base from which he would begin his life's work for the future of Buddhism. The essays gathered here, first published in journals such as Stepping Stones, The Maha Bodhi and The Middle Way, were written between 1944 and 1964. Ranging from The Unity of Buddhism, written in London at the age of only 18, to the panoramic A Bird's Eye View of Indian Buddhism, published on his return from India, all that distinguishes Sangharakshita's thought as teacher, synthesizer and translator is already evident here. We see the unity underlying all Buddhist schools, the inspiring ideal of the Bodhisattva, and the certainty that the Dharma is urgently needed in the modern world. This volume contains the previously published collections Crossing the Stream and Early Writings, plus other articles long since out of print. In the groundbreaking Ordination and Initiation in the Three Yanas (1959), Sangharakshita first comes close to recognizing Going for Refuge as the unifying factor in all of Buddhism. In Krishna's Flute (1944), the mind of the philosopher combines with the poet, and in A Visit to a Tibetan Monastery (1946), Sangharakshita the insightful traveller appears, seen later in his memoirs and travel letters.All the essays are fully annotated, and those previously published in Early Writings come with a detailed commentary and extensive introduction by Kalyanaprabha. A foreword by Nagabodhi introduces the collection. The insights and ideas expressed in these brief passages are as illuminating, as stimulating and as indispensable as anything Sangharakshita was ever to produce.

This illuminating collection of previously unpublished talks traces the development of Sangharakshita's presentation of the Dharma in the West from 1965 to 2011. It includes some of his characteristic teachings in their earliest forms (the levels of Going for Refuge to the Three Jewels, for example), and makes other talks accessible for the first time in published form. We see the unfolding of the Buddhist movement he founded, from Sangharakshita's talks before the movement began, his early teachings that foreshadow aspects of its nature, and then its beginnings in a basement in 1960s London. Other talks cover development of the sangha over the years, and Sangharakshita's reflections on what would help it develop in the years to come. Drawing on a wide range of sources, from the Pali canon and The Tibetan Book of the Dead to Beowulf and William Wordsworth, there are many intriguing perspectives: an exploration of Buddhist psychology, the histories of great teachers like Padmasambhava and Atisa, reflections on going forth, creativity, the demons around and within us, the role of the will in the spiritual life, and much more. The final talks in the volume, given towards the end of Sangharakshita's life, are more personal, and they include reflections on dreams, old age and rebirth.