Contemporary Film Directors in America – serie
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2 produkter
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BLAKE EDWARDS Blake Edwards: Film Director as Multitalented Auteur is the first critical analysis to focus on the dramatic works of Blake Edwards. Best known for successful comedies such as The Pink Panther series with Peter Sellers, Blake Edwards wrote, produced, and directed serious works in radio, television, film, and theater for seven decades. Although hit films such as Breakfast at Tiffany’s and ‘10’ remain popular, many of Edwards’s dramas have been forgotten or marginalized. In this unique book, William Luhr and Peter Lehman draw on original research from numerous set visits and personal interviews with Edwards and many of his creative and business collaborators to explore his dramas, radio and television work, theatrical productions, one-man art shows, and unproduced screenplays. In-depth chapters analyze non-comedic films including Experiment in Terror, Days of Wine and Roses, and The Tamarind Seed, the theatrical feature film Gunn and the made-for-television film Peter Gunn, the musical adaptation of Victor/Victoria, and lesser-known films written but not directed by Edwards, such as Drive a Crooked Road. Throughout the book, the authors apply contemporary film theory to auteur criticism of different works while sharing original insights into how Edwards worked creatively in disparate genres and media using composition, editing, sound, and visual motifs to shape his films and radio and television series. A one-of-a-kind examination of one of the most influential film directors of his generation, Blake Edwards: Film Director as Multitalented Auteur is an excellent supplementary text for university courses in American cinema, genres, auteurs, and film criticism, and a must-read for critics, scholars, and general readers interested in the works of Blake Edwards.
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The definitive analysis of one of cinema's most successful filmmakers.No filmmaker has achieved Peter Jackson's particular combination of cult horror origins, art cinema acclaim, and blockbuster dominance. This book provides the first comprehensive examination of his entire career, from early splatter films, to the art cinema breakthrough Heavenly Creatures, to The Lord of the Rings trilogy, The Hobbit, and beyond. Written by Barry Keith Grant, an internationally known film critic and a Fellow of the Royal Society of Canada, this book delivers thoughtful close readings of every Jackson film.Tracing Jackson's trajectory through detailed textual analysis, Grant examines how he mobilizes the conventions of Hollywood film genres to speak to audiences in his home country of New Zealand, as well as engage audiences around the world.This volume examines the nature of Jackon’s film authorship in the context of contemporary blockbuster filmmaking and the age of the internet. Coverage extends from his fiction films to his documentary work, including They Shall Not Grow Old, The Beatles: Get Back, and Now and Then.Readers will also discover: Close readings of all fiction films from Bad Taste through The Hobbit trilogy, analyzing Jackson's distinctive approach to genre and spectacleAnalysis of documentary restoration work that previous studies have overlooked, including acclaimed projects for the Imperial War Museum and Apple CorpsExamination of Jackson's films within the broader context of New Zealand cinema history and the country's emergence as a filmmaking hubDiscussion of film authorship theory applied to contemporary blockbuster production, franchise filmmaking, and digital-age audience engagementContextual analysis situating Jackson's work within Hollywood conventions while identifying his distinctly New Zealand cinematic voice and perspectiveFilm scholars, graduate students, cinephiles and fans of American cinema, Hollywood, New Zealand film, horror, fantasy, and film authorship will find this volume indispensable. Peter Jackson: Film Authorship in Global Hollywood offers the comprehensive critical treatment that one of cinema's most commercially successful directors has long deserved.'Comprehensive in its coverage with nuanced close readings, Barry Keith Grant's meticulously researched book masterfully demonstrates how Jackson's films have negotiated between Hollywood in its global context and New Zealand's national culture without loss of authenticity, ensuring that it will remain the standard work on Jackson for the foreseeable future.'–Dr Alistair Fox, University of Otago