Critical Arab American Studies – serie

In Crafting Marriages: Palestinian American Women Transforming Gender Boundaries, Enaya Othman draws on three decades of ethnographic research to chart how Palestinian women have reimagined and reshaped marriage practices across generations. Through careful analysis of over sixty personal narratives, family documents, and marriage videos, Othman reveals how these women have become key agents of cultural change, negotiating between traditional expectations and contemporary possibilities. Her research demonstrates that rather than following a single pattern, Palestinian American marriages reflect complex interactions between religious identity, cultural heritage, and modern American life. Othman’s groundbreaking study shows how the rise of global Islamic revival movements since the 1970s have created new opportunities for Palestinian women to challenge traditional marriage customs. By emphasizing Islamic values over ethnic ties, younger generations are expanding the boundaries of acceptable marriage partners across racial, cultural, and national lines. This shift has profound implications for how we understand the intersection of gender, religion, and cultural identity in diaspora communities. By illuminating how Palestinian American women navigate between tradition and transformation, Crafting Marriages offers important insights into broader questions about gender, agency, and cultural change in transnational communities.

Muslims in Milwaukee explores the everyday lives, identities, and activism of Muslims in a midsized Midwestern city. Milwaukee is one of America’s most segregated cities, yet within its boundaries, a vibrant Muslim community is reshaping narratives and embodied practices of belonging, civic engagement, and urban placemaking. While considerable scholarship on Muslim Americans has concentrated on larger metropolitan centers like New York, Los Angeles, and Chicago, or on Detroit’s historic Arab neighborhoods, this book turns our attention to an understudied city where Muslim communities are small but rapidly growing, and where their experiences unfold within distinct local landscapes of race, segregation, and opportunity. Drawing on over a decade of ethnographic fieldwork, surveys, and extensive interviews with community members, students, artists, activists, and leaders, the authors examine how local political, economic, and historical structures shape Muslim American experiences and civic participation, situating their analysis within the dual dynamics of belonging on one hand and exclusion and discrimination on the other.

More than a century before contemporary debates about Arab American identity, a Lebanese immigrant woman in New York City was championing intercultural dialogue and women’s solidarity across cultural divides through the radical medium of the Arabic novel. ʿAfifa Karam (1883–1924) not only wrote groundbreaking fiction; she also theorized the novel as a genre that could empower immigrant women readers at a time when the Arabic novel itself had yet to gain acceptance as a legitimate literary form.Elizabeth Saylor offers the first comprehensive study of Karam’s life and work, recovering a pivotal yet overlooked figure in the nahda, the Arabic cultural renaissance. Drawing on Karam’s journalism in the New York-based newspaper al-Huda and her three published novels, Saylor reveals how this writer, journalist, and translator developed a distinctly gendered theory of fiction while addressing the urgent questions facing Syrian immigrants navigating between Arab and American cultures. Karam’s novels—Badiʿa wa-Fuʾad, Fatima al-Badawiyya, and Ghadat ʿAmshit—feature heroines who embody hybrid identities, forge unlikely cross-cultural friendships, and resist patriarchal oppression both in their ancestral homeland and their adopted country. Karam emerges as a bold social critic and literary innovator whose work remains strikingly relevant to contemporary discussions of transnational feminism and cultural hybridity.

Black-Arab political and cultural solidarity has had a long and rich history in the United States. That alliance is once again exerting a powerful influence on American society as Black American and Arab American activists and cultural workers are joining forces in formations like the Movement for Black Lives and Black for Palestine to address social justice issues. In Breaking Broken English, Hartman explores the historical and current manifestations of this relationship through language and literature, with a specific focus on Arab American literary works that use the English language creatively to put into practice many of the theories and ideas advanced by Black American thinkers.Breaking Broken English shows how language is the location where literary and poetic beauty meet the political in creative work. Hartman draws out thematic connections between Arabs/Arab Americans and Black Americans around politics and culture and also highlights the many artistic ways theselinks are built. She shows how political and cultural ideas of solidarity are written in creative texts and emphasizes their potential to mobilize social justice activists in the United States and abroad in the ongoing struggle for the liberation of Palestine.

Interrogating Secularism is a call to rethink binary categories of ""religion"" and ""secularism"" in contemporary Arab American fiction and art. While most studies that explore the traffic between literature and issues of secularism emphasize how canonical texts naturalize and reinforce secular values, Interrogating Secularism approaches this nexus through novels written by and about ethnic and religious minorities. Haque juxtaposes accounts of secular experience in the writing of Arab Anglophone authors such as Mohja Kahf, Rabih Alameddine, Khaled Mattawa, Laila Lalami, and Rawi Hage, with Arab and Muslim artists such as Ninar Esber, Mounir Fatmi, Hasan Elahi, and Emily Jacir. Looking at multiple genres and modes of aesthetic production, including AIDS narratives, visual art, and digital media, Haque explores how their conventions are used to subvert the ideals tied to secularism and the various anxieties and investments that support secularism as a premise. These authors and artists critique Western iterations of secular thought in spaces such as art exhibits, airports, borders, and literary discourses to capture how the secularism thesis reproduces the exclusivity it intends to remedy.

Black-Arab political and cultural solidarity has had a long and rich history in the United States. That alliance is once again exerting a powerful influence on American society as Black American and Arab American activists and cultural workers are joining forces in formations like the Movement for Black Lives and Black for Palestine to address social justice issues. In Breaking Broken English, Hartman explores the historical and current manifestations of this relationship through language and literature, with a specific focus on Arab American literary works that use the English language creatively to put into practice many of the theories and ideas advanced by Black American thinkers.Breaking Broken English shows how language is the location where literary and poetic beauty meet the political in creative work. Hartman draws out thematic connections between Arabs/Arab Americans and Black Americans around politics and culture and also highlights the many artistic ways theselinks are built. She shows how political and cultural ideas of solidarity are written in creative texts and emphasizes their potential to mobilize social justice activists in the United States and abroad in the ongoing struggle for the liberation of Palestine.

Interrogating Secularism is a call to rethink binary categories of ""religion"" and ""secularism"" in contemporary Arab American fiction and art. While most studies that explore the traffic between literature and issues of secularism emphasize how canonical texts naturalize and reinforce secular values, Interrogating Secularism approaches this nexus through novels written by and about ethnic and religious minorities. Haque juxtaposes accounts of secular experience in the writing of Arab Anglophone authors such as Mohja Kahf, Rabih Alameddine, Khaled Mattawa, Laila Lalami, and Rawi Hage, with Arab and Muslim artists such as Ninar Esber, Mounir Fatmi, Hasan Elahi, and Emily Jacir. Looking at multiple genres and modes of aesthetic production, including AIDS narratives, visual art, and digital media, Haque explores how their conventions are used to subvert the ideals tied to secularism and the various anxieties and investments that support secularism as a premise. These authors and artists critique Western iterations of secular thought in spaces such as art exhibits, airports, borders, and literary discourses to capture how the secularism thesis reproduces the exclusivity it intends to remedy.

It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity.Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging - how and why they vary, and what's at stake in their circulation.

It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity.Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging - how and why they vary, and what's at stake in their circulation.

Arab American women have played an essential role in shaping their homes, their communities, and their country for centuries. Their contributions, often marginalized academically and culturally, are receiving long- overdue attention with the emerging interdisciplinary field of Arab American women's studies. The collected essays in this volume capture the history and significance of Arab American women, addressing issues of migration, transformation, and reformation as these women invented occupations, politics, philosophies, scholarship, literature, arts, and, ultimately, themselves. Arab American women brought culture and absorbed culture; they brought relationships and created relationships; they brought skills and talents and developed skills and talents. They resisted inequities, refused compliance, and challenged representation. They engaged in politics, civil society, the arts, education, the market, and business. And they told their own stories. These histories, these genealogies, these narrations that are so much a part of the American experiment are chronicled in this volume, providing an indispensable resource for scholars and activists.

Arab American women have played an essential role in shaping their homes, their communities, and their country for centuries. Their contributions, often marginalized academically and culturally, are receiving long- overdue attention with the emerging interdisciplinary field of Arab American women's studies. The collected essays in this volume capture the history and significance of Arab American women, addressing issues of migration, transformation, and reformation as these women invented occupations, politics, philosophies, scholarship, literature, arts, and, ultimately, themselves. Arab American women brought culture and absorbed culture; they brought relationships and created relationships; they brought skills and talents and developed skills and talents. They resisted inequities, refused compliance, and challenged representation. They engaged in politics, civil society, the arts, education, the market, and business. And they told their own stories. These histories, these genealogies, these narrations that are so much a part of the American experiment are chronicled in this volume, providing an indispensable resource for scholars and activists.

Both a summative description of the field and an exploration of new directions, this multidisciplinary reader addresses issues central to the fields of Arab American, US Muslim, and Southwest Asian and North African (SWANA)-American studies. Taking a broad conception of the Americas, this collection simultaneously registers and critically reflects upon major themes in the field, including diaspora, migration, empire, race and racialization, securitization, and global South solidarity. The collection will be essential reading for scholars in Arab/SWANA American studies, Asian American studies, and race, ethnicity, and indigenous studies, now and well into the future.Contributors include:Evelyn Alsultany, Carol W. N. Fadda, Akram Khater, Nadine Naber, Therí Pickens, Steven Salaita, Ella Shohat and Sarah Gualtieri.