Da Capo – serie

A no-holds-barred narrative history of the iconic label that brought the world Black Flag, Hüsker Dü, Sonic Youth, Soundgarden, and more, by the co-author of Do What You Want and My Damage.Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag's relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground.In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü, Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST's tumultuous history and epic catalog.Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the '80s punk and alternative rock scenes, and shows how the music industry was changed forever.

In these fifty-two interviews, the greatest songwriters of our time go straight to the source of the magic of songwriting by offering their thoughts, feelings, and opinions on their art. Representing almost every genre of popular music, from folk to Tin Pan Alley to jazz, from blues to pop rock, these are the figures who have shaped American music as we know it. Here they share their secrets and personal methods for converting inspiration into song: Robbie Robertson of the Band an Tom Petty talk about working with Bob Dylan; Dylan himself, in his only in-depth interview in more than ten years, says that the world doesn't need any new songs; R.E.M. name their favorite R.E.M. songs; Madonna describes collaborating with Prince; Sammy Cahn talks about writing standards for Sinatra; Pete Seeger recounts hitting the road with Woody Guthrie; Frank Zappa admits to loving "Louie Louie"; Todd Rundgren explains how he dreams his songs; and, in the book's most extensive interview, Paul Simon delves into his opus from "The Sound of Silence" to "Graceland." And almost all of them express delight at being able to talk about the mechanics of music itself, something that they have rarely been asked to discuss. Here expanded with new interviews with Burt Bacharach, Laura Nyro, Yoko Ono, Leonard Cohen, Graham Nash, Jackson Browne, Richard Thompson, and many others, Songwriters on Songwriting is a rare volume: one of the best books on the craft of musicmaking, an informative source for musicians and songwriters, and an invaluable historical record of the popular music of this century.

Scott Ian, rhythm guitarist and cofounder of Anthrax and author of I'm the Man, collects all of his craziest hard rock stories into one balls-to-the-wall volume. Access All Areas has tales of humor, excess, fun, debauchery, food, booze, and mayhem from Scott's many years on the road as well as his encounters with celebrities like Dimebag Darrell, Trent Reznor/NIN, Madonna, Lemmy Kilmister, John Carpenter, Robert Trujillo (Metallica), Slayer, David Lee Roth, and many more.In recent years, Scott Ian's "Speaking Words" club tours have drawn a devoted crowd of metal fans who love a good rock story. Ian has perfected his delivery, comic timing, and ability to highlight where the ridiculous meets the sublime. Best of all, Ian seems to lack the ability to be embarrassed, rendering Access All Areas howlingly funny, self-deprecating, and every bit as brash and brazen as one would expect from one of the original architects of speed metal.

**Winner of the American Book Award (2023)**?**Longlisted for the PEN/Jacqueline Bograd Weld Award (2023)**The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins Sonny Rollins has long been considered an enigma. Known as the "Saxophone Colossus," he is widely acknowledged as one of the greatest jazz improvisers of all time, winning Grammys, the Austrian Cross of Honor, Sweden's Polar Music Prize and a National Medal of Arts. A bridge from bebop to the avant-garde, he is a lasting link to the golden age of jazz, pictured in the iconic "Great Day in Harlem" portrait. His seven-decade career has been well documented, but the backstage life of the man once called "the only jazz recluse" has gone largely untold-until now. Based on more than 200 interviews with Rollins himself, family members, friends, and collaborators, as well as Rollins' extensive personal archive, Saxophone Colossus is the comprehensive portrait of this legendary saxophonist and composer, civil rights activist and environmentalist. A child of the Harlem Renaissance, Rollins' precocious talent landed him on the bandstand and in the recording studio with Bud Powell, Thelonious Monk, Charlie Parker, Miles Davis and Dizzy Gillespie, or playing opposite Billie Holiday. An icon in his own right, he recorded Tenor Madness, featuring John Coltrane; Way Out West; Freedom Suite, the first civil rights-themed album of the hard bop era; A Night at the Village Vanguard; and the 1956 classic Saxophone Colossus. Yet his meteoric rise to fame was not without its challenges. He served two sentences on Rikers Island and won his battle with heroin addiction. In 1959, Rollins took a two-year sabbatical from recording and performing, practicing up to 16 hours a day on the Williamsburg Bridge. In 1968, he left again to study at an ashram in India. He returned to performing from 1971 until his retirement in 2012.? The story of Sonny Rollins-innovative, unpredictable, larger than life-is the story of jazz itself, and Sonny's own narrative is as timeless and timely as the art form he represents. Part jazz oral history told in the musicians' own words, part chronicle of one man's quest for social justice and spiritual enlightenment, this is the definitive biography of one of the most enduring and influential artists in jazz and American history.

One of the great women of American music, equally at home singing blues and jazz, Etta regales us with tales of her chaotic childhood, the stars she has known, and her troubled trip to stardom in this mesmerizing autobiography.

A guide to the collective wisdom gained from fatherhood, business school, and some of the greatest rock bands of all time

A thought-provoking exploration of Bruce Springsteen's iconic album, Born in the U.S.A.-a record that both chronicled and foreshadowed the changing tides of modern AmericaOn June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. An instant classic, Bruce Springsteen's Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general and even the larger American culture over the next 40 years. In There Was Nothing You Could Do, veteran rock critic Steven Hyden shows exactly how this record became such a pivotal part of the American tapestry. Alternating between insightful criticism, meticulous journalism, and personal anecdotes, Hyden delves into the songs that made-and didn't make-the final cut, including the tracks that wound up on its sister album, 1982's Nebraska. He also investigates the myriad reasons why Springsteen ran from and then embraced the success of his most popular (and most misunderstood) LP, as he carefully toed the line between balancing his commercial ambitions and being co-opted by the machine.But the book doesn't stop there. Beyond Springsteen's own career, Hyden explores the role the album played in a greater historical context, documenting not just where the country was in the tumultuous aftermath of Vietnam and Watergate, but offering a dream of what it might become-and a perceptive forecast of what it turned into decades later. As Springsteen himself reluctantly conceded, many of the working-class middle American progressives Springsteen wrote about in 1984 had turned into resentful and scorned Trump voters by the 2010s. And though it wasn't the future he dreamed of, the cautionary warnings tucked within Springsteen's heartfelt lyrics prove that the chaotic turmoil of our current moment has been a long time coming.How did we lose Springsteen's heartland? And what can listening to this prescient album teach us about the decline of our country? In There Was Nothing You Could Do, Hyden takes readers on a journey to find out.

Shortly before his second birthday, Allison Moorer's son, John Henry, stopped using the twenty-seven words he had learned. John Henry's diagnosis of nonverbal autism was devastating, even though Allison knew in her bones that something was shifting. In the years since then, Allison and John Henry have embarked on a powerful journey-filled with the heartbreak, adventure, confusion, and unending love that are the hallmarks of a quest for understanding.In I Dream He Talks to Me, Allison details the temper tantrums, the toilet accidents, the moments of unexpected grace, and the pain of never truly knowing her son's hopes, fears, or what he loves with the same gorgeous prose that is a hallmark of her first memoir, Blood. I Dream He Talks to Me is an exploration of resilience, compassion, and how to find things to celebrate every day. A moving meditation on communication-what words mean, what they don't, and how we strive to do the best for those care for-it is also a surprising look at what unconditional love truly means. The saying goes, "If you know one person with autism, you know one person with autism." No two stories are alike, and yet there are universal truths. As with Blood, Allison shares her unique story while also creating a riveting narrative that will appeal to anyone who has struggled to parent.

Mark Blake draws on his own interviews with band members as well as the group's friends, road crew, musical contemporaries, former housemates, and university colleagues to produce a riveting history of one of the biggest rock bands of all time. We follow Pink Floyd from the early psychedelic nights at UFO, to the stadium-rock and concept-album zenith of the seventies, to the acrimonious schisms of the late '80s and '90s. Along the way there are fascinating new revelations about Syd Barrett's chaotic life at the time of Piper at the Gates of Dawn, the band's painstaking and Byzantine recording sessions at Abbey Road, and the fractious negotiations to bring about their fragile, tantalizing reunion in Hyde Park. Meticulous, exacting, and ambitious as any Pink Floyd album, Comfortably Numb is the definitive account of this most adventurous--and most English--rock band.