Divine Comedy – serie

In Purgatorio Dante, having described his journey into Hell, narrates his ascent of Mount Purgatory with Virgil, as he encounters penitents who toil through physical agonies, starvation and flames to assuage their earthly vices. Only by learning from them can he achieve his final enlightened transition to the lost Earthly Paradise at the mountain’s summit, where he meets his dead love, Beatrice, and prepares to ascend to Heaven. Depicting a realm of intense sensation and physical experience, Dante’s poem transformed the traditional Christian idea of Purgatory by showing how the free will of the aspiring soul could change wordly perversions into perfection. It is a brilliantly nuanced and moving allegory of human possibility, hope and redemption.

An extraordinary new verse translation of Dante’s masterpiece, by poet, scholar, and lauded translator Anthony EsolenOf the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem’s line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—that deftly illuminate the religious universe the poet inhabited.

Continuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Paradiso. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.