Over a period of many years, the celebrated English novelist Tim Parks and the Italian philosopher Riccardo Manzotti have been discussing the nature of consciousness. Not long ago, Parks suggested to his friend that they condense their exchanges “into a series of focused dialogues to set out the standard positions on consciousness, and suggest some alternatives.” Fifteen of the resultant conversations were edited by Parks and published in The New York Review of Books online—one of its most popular features ever.Now collected into one slim but thought-provoking volume, the dialogues reveal the profound scholarship of the two men. Their talks touch upon Aristotle and William James, the Higgs boson and Descartes, and include topics such as “Where Are Words?”, “The Body and Us”, “The Reality of Dreams”, “The Object of Consciousness”, and finally “Consciousness: What Is It?”. For those of us searching for insight into some of life’s most basic puzzles—how do we think? how do we perceive one another, and ourselves?—Dialogues on Consciousness will take its place alongside other classics of philosophy.

Rameau’s Nephew is a fictional conversation written by Denis Diderot, one of the key figures of the French Enlightenment. Composed over many years and exploding onto the French literary scene when it was first released, in form and content it is unique in French literature. In a famous Parisian chess café, a down-and-out (“HIM”) accosts a former acquaintance (“ME”) who has more or less made good. They trade stories and satirise the society in which they move, one of extreme inequality, corruption, and envy, where mediocrity is allowed to flourish. They gossip about the circle of hangers-on in which the down-and-out abides and discuss the nature of genius, good and evil, chess, music, and art. And towards half past five, when the warning bell of the Opera sounds, they part, going their separate ways.The book fascinated Goethe, Hegel, Engels, and Freud in turn, achieving a literary-philosophical status that no other work by Diderot shares. This edition offers a brand new translation of Diderot’s famous dialogue.

While working on ‘Bacon–Giacometti’, a major exhibition at the Fondation Beyeler in Basel in 2018, the curator, writer, and art historian Michael Peppiatt carried out extensive research on the relationship between the two artists. “At one point I felt I could almost hear the two of them talking”, he revealed.For Peppiatt, the dialogue between Francis Bacon and Alberto Giacometti has been ‘turning slowly’ in his mind ever since Bacon told him in detail about his encounters with the Swiss artist, while the latter was in London in 1965 to supervise the preparations for his major exhibition at the Tate. This book, written in the form of a play, is about an imagined encounter between the two men.On the evening imagined by Peppiatt, Bacon and Giacometti enjoy a lavish dinner at Wheeler’s fish restaurant, then go on to the Colony Room—Bacon’s favourite club in Soho—to pursue their freely flowing conversation about life, art, and their mutual friends. After a while, the club begins to empty out, but the two artists, sensing that they may never have another occasion to talk, order more champagne...

Over a period of many years, the celebrated English novelist Tim Parks and the Italian philosopher Riccardo Manzotti have been discussing the nature of consciousness. Not long ago, Parks suggested to his friend that they condense their exchanges “into a series of focused dialogues to set out the standard positions on consciousness, and suggest some alternatives.” Fifteen of the resultant conversations were edited by Parks and published in The New York Review of Books online—one of its most popular features ever.Now collected into one slim but thought-provoking volume, the dialogues reveal the profound scholarship of the two men. Their talks touch upon Aristotle and William James, the Higgs boson and Descartes, and include topics such as “Where Are Words?”, “The Body and Us”, “The Reality of Dreams”, “The Object of Consciousness”, and finally “Consciousness: What Is It?”. For those of us searching for insight into some of life’s most basic puzzles—how do we think? how do we perceive one another, and ourselves?—Dialogues on Consciousness will take its place alongside other classics of philosophy.

Rameau’s Nephew is a fictional conversation written by Denis Diderot, one of the key figures of the French Enlightenment. Composed over many years and exploding onto the French literary scene when it was first released, in form and content it is unique in French literature. In a famous Parisian chess café, a down-and-out (“HIM”) accosts a former acquaintance (“ME”) who has more or less made good. They trade stories and satirise the society in which they move, one of extreme inequality, corruption, and envy, where mediocrity is allowed to flourish. They gossip about the circle of hangers-on in which the down-and-out abides and discuss the nature of genius, good and evil, chess, music, and art. And towards half past five, when the warning bell of the Opera sounds, they part, going their separate ways.The book fascinated Goethe, Hegel, Engels, and Freud in turn, achieving a literary-philosophical status that no other work by Diderot shares. This edition offers a brand new translation of Diderot’s famous dialogue.

While working on ‘Bacon–Giacometti’, a major exhibition at the Fondation Beyeler in Basel in 2018, the curator, writer, and art historian Michael Peppiatt carried out extensive research on the relationship between the two artists. “At one point I felt I could almost hear the two of them talking”, he revealed.For Peppiatt, the dialogue between Francis Bacon and Alberto Giacometti has been ‘turning slowly’ in his mind ever since Bacon told him in detail about his encounters with the Swiss artist, while the latter was in London in 1965 to supervise the preparations for his major exhibition at the Tate. This book, written in the form of a play, is about an imagined encounter between the two men.On the evening imagined by Peppiatt, Bacon and Giacometti enjoy a lavish dinner at Wheeler’s fish restaurant, then go on to the Colony Room—Bacon’s favourite club in Soho—to pursue their freely flowing conversation about life, art, and their mutual friends. After a while, the club begins to empty out, but the two artists, sensing that they may never have another occasion to talk, order more champagne...