Ethnicity and Identity – serie

Following recent events in Eastern Europe, questions surrounding European identity seem more pressing than ever. This volume explores, through a series of ethnographic case studies, the construction and experience of identities in Western Europe. All of the case studies are based on fieldwork, and in geographical scope range from Wales to the Basque country; from Corsica to the Lake District. The peoples they look at are similarly diverse: nationalists and members of the Communist party; rural and urban populations. The essays illustrate the ways in which detailed ethnographic case studies can illuminate how identities are lived by ordinary people.

Following recent events in Eastern Europe, questions surrounding European identity seem more pressing than ever. This volume explores, through a series of ethnographic case studies, the construction and experience of identities in Western Europe. All of the case studies are based on fieldwork, and in geographical scope range from Wales to the Basque country; from Corsica to the Lake District. The peoples they look at are similarly diverse: nationalists and members of the Communist party; rural and urban populations. The essays illustrate the ways in which detailed ethnographic case studies can illuminate how identities are lived by ordinary people.

Art is a major political weapon of our times. Today, peoples around the world use art to boost their own identity and to attack the ways others represent them. At a time of increasing intercultural exchange, art has become a primary means through which groups reinforce their challenged sense of culture.This pioneering book breaks with the tradition of the anthropology of art as the depoliticized study of aesthetics in exotic settings. Transcending artificial distinctions between the West and the Rest, it examines the increasingly significant relations among art, identity and politics in the modern world.Among the themes investigated by the contributors: - how African painters undermine racist stereotypes yet remain dominated by the Western art market - the role of anthropology museums in the perpetuation of the Western market in 'tribal art' - the internal and external political disputes underlying the 'repatriation' of cultural property.

Art is a major political weapon of our times. Today, peoples around the world use art to boost their own identity and to attack the ways others represent them. At a time of increasing intercultural exchange, art has become a primary means through which groups reinforce their challenged sense of culture.This pioneering book breaks with the tradition of the anthropology of art as the depoliticized study of aesthetics in exotic settings. Transcending artificial distinctions between the West and the Rest, it examines the increasingly significant relations among art, identity and politics in the modern world.Among the themes investigated by the contributors: - how African painters undermine racist stereotypes yet remain dominated by the Western art market - the role of anthropology museums in the perpetuation of the Western market in 'tribal art' - the internal and external political disputes underlying the 'repatriation' of cultural property.

In the past, territorial conflict usually involved major powers seeking hegemony over strategic spaces and resources. More recently, however, the decline of opposing global power blocs has elevated ethnicity to a prime cause of conflict over land. This book considers the multiple roles ethnicity plays in fostering territorial conflicts, both violent and non-violent, across the globe. While land disputes relating to nationalism have resulted in the loss of human life in some regions, in others ties between ethnicity and land are asserted more peacefully. Nationalism and challenges to the validity of the links between people and places have caused widespread bloodshed in the disputed territory of Palestine, involving competing claims of Arabs and Jews, have led to war. In North America, however, indigenous Indians' claims to land are settled in the courts, rather than through violence. This book shows how human behaviour is affected by the multiple ways in which people identify with land, topography and natural resources. In doing so, it highlights the growing trend towards defining physical space in specific ethnic contexts, associated with a contemporary world that facilitates global movement.

In the past, territorial conflict usually involved major powers seeking hegemony over strategic spaces and resources. More recently, however, the decline of opposing global power blocs has elevated ethnicity to a prime cause of conflict over land. This book considers the multiple roles ethnicity plays in fostering territorial conflicts, both violent and non-violent, across the globe. While land disputes relating to nationalism have resulted in the loss of human life in some regions, in others ties between ethnicity and land are asserted more peacefully. Nationalism and challenges to the validity of the links between people and places have caused widespread bloodshed in the disputed territory of Palestine, involving competing claims of Arabs and Jews, have led to war. In North America, however, indigenous Indians' claims to land are settled in the courts, rather than through violence. This book shows how human behaviour is affected by the multiple ways in which people identify with land, topography and natural resources. In doing so, it highlights the growing trend towards defining physical space in specific ethnic contexts, associated with a contemporary world that facilitates global movement.

The fact that tourism is a major global industry forecast to continue its dramatic growth well into the twenty-first century is often cited as a rationale for its analysis. However, while the connection between individual locations and the world's global markets is an obvious product of tourism, the heart of the tourist experience is the construction of identity: the relation of the traveller to resident populations; the participants' views of themselves and others; tourists' search for authenticity and their testing of boundaries.This book significantly furthers current debates on tourism by asking important and vexing questions about the nature of the tourist experience: 'folk museums' that forget many of the 'folk' who live in the areas represented; the environments and events that are shaped to meet the 'imagined dreams' of tourist spectators; the categorization of visitors and returnees who take up residence and participate in the construction of 'local' identities; the evolving meanings associated with indigenous culture, tradition, heritage, representation, reality and authenticity. In renegotiating the definitions of tourism for the new millennium, this book represents a major contribution to an emerging and highly topical area of study.

The fact that tourism is a major global industry forecast to continue its dramatic growth well into the twenty-first century is often cited as a rationale for its analysis. However, while the connection between individual locations and the world's global markets is an obvious product of tourism, the heart of the tourist experience is the construction of identity: the relation of the traveller to resident populations; the participants' views of themselves and others; tourists' search for authenticity and their testing of boundaries.This book significantly furthers current debates on tourism by asking important and vexing questions about the nature of the tourist experience: 'folk museums' that forget many of the 'folk' who live in the areas represented; the environments and events that are shaped to meet the 'imagined dreams' of tourist spectators; the categorization of visitors and returnees who take up residence and participate in the construction of 'local' identities; the evolving meanings associated with indigenous culture, tradition, heritage, representation, reality and authenticity. In renegotiating the definitions of tourism for the new millennium, this book represents a major contribution to an emerging and highly topical area of study.

Since the 1960s, policies to 'revive' minority cultures and languages have flourished. But what does it mean to have a 'cultural identity'? And are minorities as deeply attached to their languages and traditions as revival policies suppose? This book is a sophisticated analysis of responses to the 'Gaelic renaissance' in a Scottish Hebridean community. Its description of everyday conceptions of belonging and interpretations of cultural policy takes us into the world of Gaelic playgroups, crofting, local history, religion and community development. Historically and theoretically informed, this book challenges many of the ways in which we conventionally think about ethnic and national identity.This accessible and engaging account of life in this remote region of Europe provides an original and timely contribution to questions of considerable currency in a broad range of social science disciplines.

Since the 1960s, policies to 'revive' minority cultures and languages have flourished. But what does it mean to have a 'cultural identity'? And are minorities as deeply attached to their languages and traditions as revival policies suppose? This book is a sophisticated analysis of responses to the 'Gaelic renaissance' in a Scottish Hebridean community. Its description of everyday conceptions of belonging and interpretations of cultural policy takes us into the world of Gaelic playgroups, crofting, local history, religion and community development. Historically and theoretically informed, this book challenges many of the ways in which we conventionally think about ethnic and national identity.This accessible and engaging account of life in this remote region of Europe provides an original and timely contribution to questions of considerable currency in a broad range of social science disciplines.

Global movement is commonly characterized as one of the quintessential experiences of our age. Market forces, territorial conflicts and environmental changes uproot an increasing number of people, while mass communication, travel, tourism, and a global market of commodities, texts, tastes, fashions and ideologies place individuals more than ever in a global arena. As traditional conceptions of individuals as members of stationary, fixed and separate societies and cultures no longer convince, to what extent does movement become central to individuals' self-conceptions? How do people cultivate, negotiate, nurture and maintain an identity? To what extent do individuals become ‘migrants of identity' whose home is movement?Defining ‘home' as ‘where one best knows oneself', this pioneering book explores the various ways in which people perceive themselves to be ‘at home' in today's world. Through a series of case studies, authors show that for a world of travellers, labour migrants, exiles and commuters, ‘home' comes to be found in behavioural routines and techniques, in styles of dress and address, in memories, myths and stories, in jokes and opinions. In short, people who live their lives in movement make sense of their lives as movement.