Nigel Rapport – författare

Distortion occurs between the intentions of actions and their outcomes. It can also occur between thoughts and actions; between words and how they are interpreted; between a statement of law and its enactment; between a vision and its artistic representation; and between a cultural tradition or habitus and its animation in contemporary contexts. Escaping the bounds of relationality, of structuration and of systemics, distortion is a form of complex connectedness that has seldom been addressed in the social sciences as a phenomenon in its own right. This volume argues for the key importance of distortion as a concept in the social sciences, and attempts to refine it as a concept. Each chapter examines distortion in the context of an ethnographic case study, examining how its conceptualization can further comprehension of a particular ethnographic situation. It is contended that distortion is an account of the emergent or revolutionary nature of human life, an emergence that can be attached to particular antecedent conditions in a processual or temporal way yet is a transformation of the essential nature of those conditions.Coming to terms with distortion adds significantly to the social-scientific appreciation of human activity and creativity, of conscious experience, of the nature of social interaction and exchange, and of the complexity of social milieu. Distortion should be essential reading on advanced undergraduate and postgraduate modules on social theory, contemporary issues and methodologies, communication, sociality, materiality, and intersectionality.

This volume is the first handbook to explore existentialism as epistemology and method. Transdisciplinary in scope, it considers the nature of human subjectivity and how human experience ought to be studied, examining the connections that exist between the individual’s imagining of the world and their everyday practice within it. With attention to the question of whether humans are ultimately alone in their self-knowledge or whether what they know of themselves is constructed in common with others, it enables the reader to recognize core questions that frame the methods and orientation of an existential inquiry. In addition to historical exposition, it offers a variety of chapters from around the world that explore the diverse global spaces for, and different types of, existential focus and discussion, thus questioning the view that the existential "problem" may be singularly a matter for the post-enlightenment West. The fullest and most comprehensive survey to date of what human beings can and should make of themselves, The Routledge International Handbook of Existential Human Science will appeal to scholars across the humanities and social sciences with interests in anthropology, sociology, philosophy, and research methods.

This volume is the first handbook to explore existentialism as epistemology and method. Transdisciplinary in scope, it considers the nature of human subjectivity and how human experience ought to be studied, examining the connections that exist between the individual’s imagining of the world and their everyday practice within it. With attention to the question of whether humans are ultimately alone in their self-knowledge or whether what they know of themselves is constructed in common with others, it enables the reader to recognize core questions that frame the methods and orientation of an existential inquiry. In addition to historical exposition, it offers a variety of chapters from around the world that explore the diverse global spaces for, and different types of, existential focus and discussion, thus questioning the view that the existential "problem" may be singularly a matter for the post-enlightenment West. The fullest and most comprehensive survey to date of what human beings can and should make of themselves, The Routledge International Handbook of Existential Human Science will appeal to scholars across the humanities and social sciences with interests in anthropology, sociology, philosophy, and research methods.

A pioneering attempt to formulate an anthropological approach to consciousness, Questions of Consciousness explores the importance of the conscious self, and of the `conscious collectively', in the construction and interpretation of social relations and process. It thereby explicitly raises questions, the answers to which have previously been neglected in anthropology: how aware are people of their behaviour? To what extent is the consciousness of individuals modelled by the cultures and social structures within which they live?

Transcendent Individual argues for a reappraisal of the place of the individual in anthropolgical theory and ethnographic writing. A wealth of voices illustrate and inform the text, showing ways in which individuals creatively 'write', narrate and animate cultural and social life. This is an anthropology imbued with a liberal morality which is willing to make value judgements over and against culture in favour of individuality.Rapport draws widely on ethnographic and theoretic materials bringing into the debate a range of voices, among them Nietzsche, Wilde, George Steiner, Richard Rorty, John Berger and Anthony Cohen. In doing so he approaches individuality in terms of a range of issues: biological integrity, consciousness, agency, democracy, discourse, globalism, knowledge and play.

Transcendent Individual argues for a reappraisal of the place of the individual in anthropolgical theory and ethnographic writing. A wealth of voices illustrate and inform the text, showing ways in which individuals creatively 'write', narrate and animate cultural and social life. This is an anthropology imbued with a liberal morality which is willing to make value judgements over and against culture in favour of individuality.Rapport draws widely on ethnographic and theoretic materials bringing into the debate a range of voices, among them Nietzsche, Wilde, George Steiner, Richard Rorty, John Berger and Anthony Cohen. In doing so he approaches individuality in terms of a range of issues: biological integrity, consciousness, agency, democracy, discourse, globalism, knowledge and play.

Power is conventionally regarded as being held by social institutions. We are taught to believe that it is these social structures that determine the environment and circumstances of individual lives. In I Am Dynamite, the anthropologist Nigel Rappaport argues for a different view. Focusing on the lives and works of the writer and Auschwitz survivor Primo Levi, refugee and engineer Ben Glaser, Israeli ceramicist and immigrant Rachel Siblerstein, artist Stanley Spencer, and philosopher Friedrich Nietzsche, he shows how we can have the capacity and inclination to formulate 'life projects'. It is in the pursuit of these life projects, that is, making our life our work, that we can avoid the structures of ideology and institution.

Power is conventionally regarded as being held by social institutions. We are taught to believe that it is these social structures that determine the environment and circumstances of individual lives. In I Am Dynamite, the anthropologist Nigel Rappaport argues for a different view. Focusing on the lives and works of the writer and Auschwitz survivor Primo Levi, refugee and engineer Ben Glaser, Israeli ceramicist and immigrant Rachel Siblerstein, artist Stanley Spencer, and philosopher Friedrich Nietzsche, he shows how we can have the capacity and inclination to formulate 'life projects'. It is in the pursuit of these life projects, that is, making our life our work, that we can avoid the structures of ideology and institution.

2000 Years and Beyond brings together some of the most eminent thinkers of our time - specialists in philosophy, theology, anthropology and cultural theory. In a horizon-scanning work, they look backwards and forwards to explore what links us to the matrix of the Judaeo-Christian tradition from which Western cultural identity has evolved.Their plural reflections raise searching questions about how we move from past to future - and about who 'we' are. What do the catastrophes of the twentieth century signify for hopes of progress? Can post - Enlightment humanism and its notion of human nature survive without faith? If the 'numinous magic global capitalism' is our own giant shadow cast abroad, does that shadow offer hope enough of a communal future? Has the modern, secularized West now outgrown its originating faith matrix? Often controversial and sometimes visionary, these seven new essays ask: how do we tell - and rewrite - the story of the Common Era? Introduced by Paul Gifford, and discussed in a lively dialogic conclusion, they add their distinctive voices to a debate of profound and urgent topicality.

2000 Years and Beyond brings together some of the most eminent thinkers of our time - specialists in philosophy, theology, anthropology and cultural theory. In a horizon-scanning work, they look backwards and forwards to explore what links us to the matrix of the Judaeo-Christian tradition from which Western cultural identity has evolved.Their plural reflections raise searching questions about how we move from past to future - and about who 'we' are. What do the catastrophes of the twentieth century signify for hopes of progress? Can post - Enlightment humanism and its notion of human nature survive without faith? If the 'numinous magic global capitalism' is our own giant shadow cast abroad, does that shadow offer hope enough of a communal future? Has the modern, secularized West now outgrown its originating faith matrix? Often controversial and sometimes visionary, these seven new essays ask: how do we tell - and rewrite - the story of the Common Era? Introduced by Paul Gifford, and discussed in a lively dialogic conclusion, they add their distinctive voices to a debate of profound and urgent topicality.

Social and Cultural Anthropology: the Key Concepts is an easy to use A-Z guide to the central concepts that students are likely to encounter in this field.Now fully updated, this third edition includes entries on:Material CultureEnvironmentHuman RightsHybridityAlterityCosmopolitanismEthnographyApplied AnthropologyGenderCyberneticsWith full cross-referencing and revised further reading to point students towards the latest writings in Social and Cultural Anthropology, this is a superb reference resource for anyone studying or teaching in this area.

Social and Cultural Anthropology: the Key Concepts is an easy to use A-Z guide to the central concepts that students are likely to encounter in this field.Now fully updated, this third edition includes entries on:Material CultureEnvironmentHuman RightsHybridityAlterityCosmopolitanismEthnographyApplied AnthropologyGenderCyberneticsWith full cross-referencing and revised further reading to point students towards the latest writings in Social and Cultural Anthropology, this is a superb reference resource for anyone studying or teaching in this area.

'Community' is one of social science's longest-standing concepts. The assumption of much social science has been that humans belong in communities, as social and cultural beings.The trouble with 'community' is that this is not necessarily so; the personal social networks of individuals' actual experience crosscut collective categories, situations and institutions. Communities can prove unviable or imprisoning; the reality of community life and identity can often be very different from the ideology and the ideal.In this book, the authors draw on their ethnographic experiences to reappraise the concept and the reality of 'community', in the light of globalisation, religious fundamentalism, identity politics, and renascent localisms. How might anthropology better apprehend social identities which are intrinsically plural, transgressive and ironic? What has anthropology to say about the way in which civil society might hope to accommodate the ongoing construction and the rightful expression of such migrant identities?

Do notions of community remain central to our sense of who we are, or can we see beyond community closures to a human whole?This volume explores the nature of contemporary sociality. It focuses on the ethical, organisational and emotional claims and opportunities sought or fashioned for mobilising and evading social collectivities in a world of mobile subjects. Vered Amit and Nigel Rapport present an examination of the tensions and interactions between everyday forms of fluid fellowship, culturally normative claims to identity, and opportunities for realising a universal humanity.

Do notions of community remain central to our sense of who we are, or can we see beyond community closures to a human whole?This volume explores the nature of contemporary sociality. It focuses on the ethical, organisational and emotional claims and opportunities sought or fashioned for mobilising and evading social collectivities in a world of mobile subjects. Vered Amit and Nigel Rapport present an examination of the tensions and interactions between everyday forms of fluid fellowship, culturally normative claims to identity, and opportunities for realising a universal humanity.

In this innovative volume, anthropologists turn their attention to a topic that has rarely figured as a focus of concerted investigation and yet which can be described as an intrinsic aspect of all human knowing and part of all processes by which human beings process information about themselves, their identities, their environments and their relations: the imagination. How do anthropologists use imagination in coming to know their research subjects? How might they, and how should they, use their imagination? And how do research subjects themselves understand, describe, justify and limit their use of the imagination? Presenting a range of case studies from a variety of locations including the UK, US, Africa, East Asia and South America, this collection offers a comparative exploration of how imagination has been conceptualized and understood in a range of analytical traditions, with regard to issues of both methodology and ethnomethodology. With emphasis not on abstraction but on imagination as activity, technique and subject situated in the middle of lives, Reflections on Imagination sheds new light on imagination as a universal capacity and practice - something to which human beings attend whenever they make sense of their environments and situate their life-projects in these environments - the means by which worlds come to be.

The significance that people grant to their affiliations as members of nations, religions, classes, races, ethnicities and genders is evidence of the vital need for a cosmopolitan project that originates in the figure of Anyone – the universal and yet individual human being. Cosmopolitanism offers an alternative to multiculturalism, a different vision of identity, belonging, solidarity and justice, that avoids the seemingly intractable character of identity politics: it identifies samenesses of the human condition that underlie the surface differences of history, culture and society, nation, ethnicity, religion, class, race and gender. This book argues for the importance of cosmopolitanism as a theory of human being, as a methodology for social science and as a moral and political program.

What is it to be human? What are our specifically human attributes, our capacities and liabilities? Such questions gave birth to anthropology as an Enlightenment science. This book argues that it is again appropriate to bring “the human” to the fore, to reclaim the singularity of the word as central to the anthropological endeavor, not on the basis of the substance of a human nature – “To be human is to act like this and react like this, to feel this and want this” – but in terms of species-wide capacities: capabilities for action and imagination, liabilities for suffering and cruelty. The contributors approach “the human” with an awareness of these complexities and particularities, rendering this volume unique in its ability to build on anthropology’s ethnographic expertise.

In conversation, and in the company of a new generation of scholars working in the field, Nigel Rapport and Huon Wardle re-explore the terrain and meaning of cosmopolitan studies now. This book offers a new survey and theorisation of cosmopolitan research, a burgeoning topic responding to increasingly complex patterns of human interaction in world society. It considers the question of cosmopolitan methodology: What are the methods needed for, or elicited by, studying cosmopolitan situations? And how are we to remain faithful to the heteronomous human interiority and intentionality from which cosmopolitan moments are constructed? The volume focuses on the open-ended moment of ethnographic fieldwork that generates the concepts and methods needed to understand contemporary cosmopolitanisation. The chapters cover a wide range of ethnographic situations and open up debate on what are the opportunities and responsibilities of a cosmopolitan anthropology in its exploration of human difference and commonality.

In conversation, and in the company of a new generation of scholars working in the field, Nigel Rapport and Huon Wardle re-explore the terrain and meaning of cosmopolitan studies now. This book offers a new survey and theorisation of cosmopolitan research, a burgeoning topic responding to increasingly complex patterns of human interaction in world society. It considers the question of cosmopolitan methodology: What are the methods needed for, or elicited by, studying cosmopolitan situations? And how are we to remain faithful to the heteronomous human interiority and intentionality from which cosmopolitan moments are constructed? The volume focuses on the open-ended moment of ethnographic fieldwork that generates the concepts and methods needed to understand contemporary cosmopolitanisation. The chapters cover a wide range of ethnographic situations and open up debate on what are the opportunities and responsibilities of a cosmopolitan anthropology in its exploration of human difference and commonality.

A pioneering attempt to formulate an anthropological approach to consciousness, Questions of Consciousness explores the importance of the conscious self, and of the `conscious collectively', in the construction and interpretation of social relations and process. It thereby explicitly raises questions, the answers to which have previously been neglected in anthropology: how aware are people of their behaviour? To what extent is the consciousness of individuals modelled by the cultures and social structures within which they live?

How do anthropologists write their texts? What is the nature of creativity in the discipline of anthropology? This book follows anthropologists into spaces where words, ideas and arguments take shape and explores the steps in a creative process. In a unique examination of how texts come to be composed, the editors bring together a distinguished group of anthropologists who offer valuable insight into their writing habits. These reflexive glimpses into personal creativity reveal not only the processes by which theory and ethnography come, in particular cases, to be represented on the page but also supply examples that students may follow or adapt.

How do anthropologists write their texts? What is the nature of creativity in the discipline of anthropology? This book follows anthropologists into spaces where words, ideas and arguments take shape and explores the steps in a creative process. In a unique examination of how texts come to be composed, the editors bring together a distinguished group of anthropologists who offer valuable insight into their writing habits. These reflexive glimpses into personal creativity reveal not only the processes by which theory and ethnography come, in particular cases, to be represented on the page but also supply examples that students may follow or adapt.

Distortion occurs between the intentions of actions and their outcomes. It can also occur between thoughts and actions; between words and how they are interpreted; between a statement of law and its enactment; between a vision and its artistic representation; and between a cultural tradition or habitus and its animation in contemporary contexts. Escaping the bounds of relationality, of structuration and of systemics, distortion is a form of complex connectedness that has seldom been addressed in the social sciences as a phenomenon in its own right. This volume argues for the key importance of distortion as a concept in the social sciences, and attempts to refine it as a concept. Each chapter examines distortion in the context of an ethnographic case study, examining how its conceptualization can further comprehension of a particular ethnographic situation. It is contended that distortion is an account of the emergent or revolutionary nature of human life, an emergence that can be attached to particular antecedent conditions in a processual or temporal way yet is a transformation of the essential nature of those conditions.Coming to terms with distortion adds significantly to the social-scientific appreciation of human activity and creativity, of conscious experience, of the nature of social interaction and exchange, and of the complexity of social milieu. Distortion should be essential reading on advanced undergraduate and postgraduate modules on social theory, contemporary issues and methodologies, communication, sociality, materiality, and intersectionality.

In this ground-breaking book, a theory of ’distortion’ - of the way in which the processes of human life are subject to interference, diversion and transformation - is developed by way of the art of one of Britain’s greatest twentieth-century painters and that art’s public reception. Devoted to his native village of Cookham-on-Thames, Stanley Spencer painted not only landscapes and portraits with loving detail but also the ’memory-feelings’ which he felt were a ’sacred’ part of his consciousness. Yet Spencer was also a controversial public figure, with some taking the view that his visionary paintings were ugly distortions of human life, even marks of an immoral nature. Examining how Spencer lived his vision, how he painted it and wrote it, and also how his attempts to communicate that vision were received by his contemporaries and have continued to be interpreted since his death, the author posits distortion as key: an intrinsic aspect both of human creation and of human interaction. What we intend to make, to say, to do and have done, often mutates in the process of being expressed or put into effect: we live amid distortion. Love - the affective appreciation of one another - is then a means by which we accommodate distortion and its consequences in our lives. An illustration, through Stanley Spencer’s story, of significant aspects of a human condition, this book will appeal across disciplines, including to art historians and students of Spencer’s work, as well as to scholars of anthropology with interests in creativity, perception and interpretation.

While we all live our lives in designed landscapes of various types, only on occasion do we consider what these landscapes mean to us and how they have acquired that significance. Can a landscape architect or garden designer imbue new settings with meaning, or does meaning evolve over time, created by those who perceive and use these landscapes? What role does the selection and arrangement of plants and hard materials play in this process and just where does the passage of time enter the equation?These questions collectively provide the core material for Meaning in Landscape Architecture and Gardens, a compendium of four landmark essays written over a period of twenty years by leading scholars in the field of landscape architecture. New commentaries by the authors accompany each of the essays and reflect on the thinking behind them as well as the evolution of the author's thoughts since their original publication.Although the central theme of these writings is landscape architecture broadly taken, the principal subject of several essays and commentaries is the garden, a subject historically plentiful in allusions and metaphors. Meaning in Landscape Architecture and Gardens offers the general reader as well as the professional a rich source of ideas about the designed landscape and the ways by which we perceive, consider, react, and dwell within them – and what they mean to us.The essays have been perennial favorites in landscape courses since their original publication in Landscape Journal. Bringing them together – bolstered by the new commentaries – creates a book valuable to all those creating gardens and landscapes, as well as those teaching and studying these subjects.

In a time of intellectual uncertainty, the question of how we know what we do about human lives becomes ever more pressing. The essays collated in this volume argue that anthropology can be used to acknowledge, explore and interpret divergence and ideological conflict over human meaning. Using questions raised as part of the Enlightenment movement, this volume is structured around some of the key themes the Enlightenment fostered, including human nature, time, Earth and the Cosmos, beauty, order, harmony and design, moral sentiments, and the query of whether wealthy nations make for healthy publics. The volume focuses in particular on how 'moral sentiment' offered a guiding idea in Enlightenment thought. The idea of 'moral sentiment' is central to the essays' grappling with the ethical anxieties of contemporary anthropology. The essays therefore trace historical connections and fissures and focus on Adam Smith's attempts toward an understanding of what would later be called 'modernity'. With an afterword from Marilyn Strathern, this volume will be a strong addition to the Association of Social Anthropologists conference proceedings.

In a time of intellectual uncertainty, the question of how we know what we do about human lives becomes ever more pressing. The essays collated in this volume argue that anthropology can be used to acknowledge, explore and interpret divergence and ideological conflict over human meaning. Using questions raised as part of the Enlightenment movement, this volume is structured around some of the key themes the Enlightenment fostered, including human nature, time, Earth and the Cosmos, beauty, order, harmony and design, moral sentiments, and the query of whether wealthy nations make for healthy publics. The volume focuses in particular on how 'moral sentiment' offered a guiding idea in Enlightenment thought. The idea of 'moral sentiment' is central to the essays' grappling with the ethical anxieties of contemporary anthropology. The essays therefore trace historical connections and fissures and focus on Adam Smith's attempts toward an understanding of what would later be called 'modernity'. With an afterword from Marilyn Strathern, this volume will be a strong addition to the Association of Social Anthropologists conference proceedings.

In this innovative volume, anthropologists turn their attention to a topic that has rarely figured as a focus of concerted investigation and yet which can be described as an intrinsic aspect of all human knowing and part of all processes by which human beings process information about themselves, their identities, their environments and their relations: the imagination. How do anthropologists use imagination in coming to know their research subjects? How might they, and how should they, use their imagination? And how do research subjects themselves understand, describe, justify and limit their use of the imagination? Presenting a range of case studies from a variety of locations including the UK, US, Africa, East Asia and South America, this collection offers a comparative exploration of how imagination has been conceptualized and understood in a range of analytical traditions, with regard to issues of both methodology and ethnomethodology. With emphasis not on abstraction but on imagination as activity, technique and subject situated in the middle of lives, Reflections on Imagination sheds new light on imagination as a universal capacity and practice - something to which human beings attend whenever they make sense of their environments and situate their life-projects in these environments - the means by which worlds come to be.