Exeter Medieval – serie

In 2000, a sixteenth-century manuscript containing a copy of a previously unknown play in Middle Cornish, probably composed in the second half of the fifteenth century, was discovered among papers bequeathed to the National Library of Wales, Aberystwyth.This eagerly awaited edition of the play, published in association with the National Library of Wales, offers a conservatively edited text with a facing-page translation, and a reproduction of the original text at the foot of the page – vital for comparative purposes. Also included are a complete vocabulary, detailed linguistic notes, and a thorough introduction dealing with the language of the play, the hagiographic background of the St Kea material and the origins of other parts in the work of Geoffrey of Monmouth.The theme of the play is the contention between St Kea, patron of Kea parish in Cornwall, and Teudar, a local tyrant. This is combined with a long section dealing with the dispute over tribute payments between King Arthur and the Emperor Lucius Hiberius; Queen Guinevere’s adultery with Arthur’s nephew Modred; the latter’s invitation to Cheldric and his Saxon hordes to come to Britain to assist him in his conflict with his uncle; and Arthur’s battle with Modred.Winner of the 2008 Holyer An Gof Award for Cornish language publications.

This monograph is a critical study of the medieval manuscript held in Exeter Cathedral Library, popularly known as ‘The Exeter Book’.  Recent scholarship, including the standard edition of the text, published by UEP in 2000 (2 ed’n 2006), has re-named the manuscript ‘The Exeter Anthology of Old English Poetry’.  The book gives us intelligent, sensitive literary criticism, profound readings of all of the poems of the Anthology.God’s Exiles and English Verse is the first integrative, historically grounded book to be written about the Exeter Book of Old English poetry. By approaching the Exeter codex as a whole, the book seeks to establish a sound footing for the understanding of any and all of its parts, seen as devout yet cosmopolitan expressions of late Anglo-Saxon literary culture.The poems of the Exeter Book have not before been approached primarily from a codicological perspective. They have not before been read as an integrated expression of a monastic poetic: that is to say, as a refashioning of the medium of Old English verse so as to serve as an emotionally powerful, intellectually challenging vehicle for Christian doctrine and moral instruction.Part One, consisting of three chapters, introduces certain of the book’s main themes, addresses matters of date, authorship, audience, and the like, and evaluates hypotheses that have been put forth concerning the origins of the Exeter Anthology in the south of England during the period of the Benedictine Reform.Part Two, the main body of the book, begins with a long chapter, divided into seven sections, that introduces the contents of the Exeter Anthology poem by poem in a more systematic fashion than before, with attention to the overall organization of the Anthology and certain factors in it that have a unifying function. The five shorter chapters that follow are devoted to topics of special interest, including the volume’s possible use as a guide to vernacular poetic techniques, its underlying worldview, its reliance on certain thematically significant keywords, and its intertextual versus intratextual relations. The riddles, especially those of a sexual content, receive attention in a chapter of their own.In addition, there is a translation of the popular poem The Wanderer into modern English prose, a folio-by-folio listing of the contents of the Exeter Anthology, and a listing of a number of the poems of the Anthology with notes on their genre, according to Latin generic terms familiar to educated Anglo-Saxons.This book is the first of its kind - an integrative, book-length critical study of the Exeter Anthology.

The earliest version of William Langland’s Piers Plowman shows this elusive and centrally important fourteenth-century poet inventing the forms that his life’s work will take. Piers Plowman is a sinuous cycle of dream visions in alliterative verse comprehending many aspects of medieval English culture from tavern life, plague, homelessness, and labour politics to religious devotion and theological controversy. At once socially capacious and spiritually electrifying, Langland’s poem was an instant bestseller in its own time and has provoked strong reactions from the fourteenth century to the present.At under 2,500 lines, the A-text is significantly more compact than the later B- and C-texts, yet it contains much of the poetic thinking that Langland would elaborate in the longer versions. The poem proceeds as a spiritual quest, undertaken by the dreamer Will, to discover how to save his soul, reform church and society, and attain an ethical mode of life in this world. The action oscillates between the cultivated fields of England’s West Midlands and the commotion of London and Westminster.Piers Plowman poses both textual and interpretative difficulties. This is the first critically considered edition of the A-text supported by an introduction, side glosses, and on-page explanatory notes with undergraduate, postgraduate, and scholarly readers in mind.

This monograph is a critical study of the medieval manuscript held in Exeter Cathedral Library, popularly known as ‘The Exeter Book’.  Recent scholarship, including the standard edition of the text, published by UEP in 2000 (2 ed’n 2006), has re-named the manuscript ‘The Exeter Anthology of Old English Poetry’.  The book gives us intelligent, sensitive literary criticism, profound readings of all of the poems of the Anthology.God’s Exiles and English Verse is the first integrative, historically grounded book to be written about the Exeter Book of Old English poetry. By approaching the Exeter codex as a whole, the book seeks to establish a sound footing for the understanding of any and all of its parts, seen as devout yet cosmopolitan expressions of late Anglo-Saxon literary culture.The poems of the Exeter Book have not before been approached primarily from a codicological perspective. They have not before been read as an integrated expression of a monastic poetic: that is to say, as a refashioning of the medium of Old English verse so as to serve as an emotionally powerful, intellectually challenging vehicle for Christian doctrine and moral instruction.Part One, consisting of three chapters, introduces certain of the book’s main themes, addresses matters of date, authorship, audience, and the like, and evaluates hypotheses that have been put forth concerning the origins of the Exeter Anthology in the south of England during the period of the Benedictine Reform.Part Two, the main body of the book, begins with a long chapter, divided into seven sections, that introduces the contents of the Exeter Anthology poem by poem in a more systematic fashion than before, with attention to the overall organization of the Anthology and certain factors in it that have a unifying function. The five shorter chapters that follow are devoted to topics of special interest, including the volume’s possible use as a guide to vernacular poetic techniques, its underlying worldview, its reliance on certain thematically significant keywords, and its intertextual versus intratextual relations. The riddles, especially those of a sexual content, receive attention in a chapter of their own.In addition, there is a translation of the popular poem The Wanderer into modern English prose, a folio-by-folio listing of the contents of the Exeter Anthology, and a listing of a number of the poems of the Anthology with notes on their genre, according to Latin generic terms familiar to educated Anglo-Saxons.This book is the first of its kind - an integrative, book-length critical study of the Exeter Anthology.