Explorations in Culture and International History – Serie

Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History. It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars.The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in international affairs by reviewing the historiography and examining the meaning of the word culture in the context of foreign relations. In the second part, contributors analyze culture as a tool of foreign policy. They demonstrate how culture was instrumentalized for diplomatic goals and purposes in different historical periods and world regions. The essays in the third part expand the state-centered view and retrace informal cultural relations among nations and peoples. This exploration of non-state cultural interaction focuses on the role of science, art, religion, and tourism. The fourth part collects the findings and arguments of part one, two, and three to define a roadmap for further scholarly inquiry. A group of" commentators" survey the preceding essays, place them into a larger research context, and address the question "Where do we go from here?" The last and fifth part presents a selection of primary sources along with individual comments highlighting a new genre of resources scholars interested in culture and international relations can consult.

Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History. It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars.The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in international affairs by reviewing the historiography and examining the meaning of the word culture in the context of foreign relations. In the second part, contributors analyze culture as a tool of foreign policy. They demonstrate how culture was instrumentalized for diplomatic goals and purposes in different historical periods and world regions. The essays in the third part expand the state-centered view and retrace informal cultural relations among nations and peoples. This exploration of non-state cultural interaction focuses on the role of science, art, religion, and tourism. The fourth part collects the findings and arguments of part one, two, and three to define a roadmap for further scholarly inquiry. A group of" commentators" survey the preceding essays, place them into a larger research context, and address the question "Where do we go from here?" The last and fifth part presents a selection of primary sources along with individual comments highlighting a new genre of resources scholars interested in culture and international relations can consult.

Recent studies on the meaning of cultural diplomacy in the twentieth century often focus on the United States and the Cold War, based on the premise that cultural diplomacy was a key instrument of foreign policy in the nation’s effort to contain the Soviet Union. As a result, the term “cultural diplomacy” has become one-dimensional, linked to political manipulation and subordination and relegated to the margin of diplomatic interactions. This volume explores the significance of cultural diplomacy in regions other than the United States or “western” countries, that is, regions that have been neglected by scholars so far—Eastern Europe, Asia, and the Middle East. By examining cultural diplomacy in these regions, the contributors show that the function of information and exchange programs differs considerably from area to area depending on historical circumstances and, even more importantly, on the cultural mindsets of the individuals involved.

Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.

In Cold War historiography, the 1960s are often described as a decade of mounting diplomatic tensions and international social unrest. At the same time, they were a period of global media revolution: communication satellites compressed time and space, television spread around the world, and images circulated through print media in expanding ways. Examining how U.S. policymakers exploited these changes, this book offers groundbreaking international research into the visual media battles that shaped America's Cold War from West Germany and India to Tanzania and Argentina.

Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.

A relatively recent coinage within international relations, "nation branding" designates the process of highlighting a country's positive characteristics for promotional purposes, using techniques similar to those employed in marketing and public relations. Nation Branding in Modern History takes an innovative approach to illuminating this contested concept, drawing on fascinating case studies in the United States, China, Poland, Suriname, and many other countries, from the nineteenth century to the present. It supplements these empirical contributions with a series of historiographical essays and analyses of key primary documents, making for a rich and multivalent investigation into the nexus of cultural marketing, self-representation, and political power.

In Cold War historiography, the 1960s are often described as a decade of mounting diplomatic tensions and international social unrest. At the same time, they were a period of global media revolution: communication satellites compressed time and space, television spread around the world, and images circulated through print media in expanding ways. Examining how U.S. policymakers exploited these changes, this book offers groundbreaking international research into the visual media battles that shaped America's Cold War from West Germany and India to Tanzania and Argentina.

A recent coinage within international relations, “nation branding” designates the process of highlighting a country’s positive characteristics for promotional purposes, using techniques similar to those employed in marketing and public relations. Nation Branding in Modern History takes an innovative approach to illuminating this contested concept, drawing on fascinating case studies in the United States, China, Poland, Suriname, and many other countries, from the nineteenth century to the present. It supplements these empirical contributions with a series of historiographical essays and analyses of key primary documents, making for a rich and multivalent investigation into the nexus of cultural marketing, self-representation, and political power.

Music and Postwar Transitions takes a groundbreaking and much anticipated dive into the concept of postwar transitions and how these affect and are affected by the world of music. Leading scholars in the field explore new approaches to create a novel understanding of music and postwar periods.

This book offers a critical reflection of the historical genesis, transformation, and problématique of “humanity” in the transatlantic world, with a particular eye on cultural representations. “Humanity,” the essays show, was consistently embedded in networks of actors and cultural practices, and its meanings have evolved in step with historical processes such as globalization, cultural imperialism, the transnationalization of activism, and the spread of racism and nationalism. Visions of Humanity applies a historical lens on objects, work, and sounds to provide a more nuanced understanding of the historical tensions and struggles involved in constructing, invoking, and instrumentalizing the “we” of humanity.

Intimate Histories focuses on intimate relations as sites of shared pasts connecting African American and German history in the years between 1933 and 1990. By tracing topics that include anti-miscegenation laws, forced sterilization, casual sexual encounters, marriage, and friendships, Intimate Histories broadens our understanding of African American–German relations during the so-called “century of extremes.”

From the Napoleonic Wars to the genocide of the Tutsis in Rwanda, via the great world conflicts of the 20th century, Music and Postwar Transitions in the 19th and 20th Centuries is the first book to highlight the significance of ‘postwar transitions’ in the field of music and to demonstrate the influence that musicians, composers, critics, institutions, and publics have had on the period that follows conflict. Leading historians, political scientists, psychologists and musicologists explore the roles of music and culture in demobilization, reconstruction, memory, reconciliation, revenge, and nationalist backlash. Moving beyond the popular conception of music as an agent of peace, this study reveals music’s more complex and ambivalent role in the process of transition from war to peace.

Whether rising up from fiery leaders such as Venezuela’s Hugo Chavez and Cuba’s Fidel Castro or from angry masses of Brazilian workers and Mexican peasants, anti U.S. sentiment in Latin America and the Caribbean today is arguably stronger than ever. It is also a threat to U.S. leadership in the hemisphere and the world. Where has this resentment come from? Has it arisen naturally from imperialism and globalization, from economic and social frustrations? Has it served opportunistic politicians? Does Latin America have its own style of anti Americanism? What about national variations? How does cultural anti Americanism affect politics, and vice versa? What roles have religion, literature, or cartoons played in whipping up sentiment against ‘el yanqui’? Finally, how has the United States reacted to all this?This book brings leaders in the field of U.S. Latin American relations together with the most promising young scholars to shed historical light on the present implications of hostility to the United States in Latin America and the Caribbean. In essays that carry the reader from Revolutionary Mexico to Peronist Argentina, from Panama in the nineteenth century to the West Indies’ mid century independence movement, and from Colombian drug runners to liberation theologists, the authors unearth little known campaigns of resistance and probe deeper into episodes we thought we knew well. They argue that, for well over a century, identifying the United States as the enemy has rung true to Latin Americans and has translated into compelling political strategies. Combining history with political and cultural analysis, this collection breaks the mold of traditional diplomatic history by seeing anti Americanism through the eyes of those who expressed it. It makes clear that anti Americanism, far from being a post 9/11 buzzword, is rather a real force that casts a long shadow over U.S. Latin American relations.

".an excellent collection.Like any good collection, the articles raise as many questions as they answer.[that] highlight the value of the collection for use in undergraduate courses on Latin American history, inter-American relations or U.S. foreign policy. Liberal use of appropriate political cartoons adds spice to the readings." * Hispanic American Historical Review "..a very interesting collection of nine original essays, plus an extensive introduction by the editor.[whose]concluding remarks leave room for future debates. [It] could help undergraduate students in many disciplines, from international relations and American Studies to history and geopolitics.[It] must be seen as a fundamental addendum to any bibliography on the study of anti-Americanism." * The Latin Americanist "This volume addresses an important topic and does so very effectively. All of the essays take on a high level of quality. All the essays are well written and well researched. They also show a high level of methodological and conceptual sophistication. They effectively deal with uniformities and differences in manifestations of anti-Americanism from time to time and from place to place."* Mark Gilderhus, Texas Christian University ".the collection succeeds in generating a number of stimulating explorations of anti-Americanism, providing an important starting point for further re-examination of a phenomenon that continues to grow in significance in the contemporary global environment." * Journal of Latin American Studies Whether rising up from fiery leaders such as Venezuela's Hugo Chavez and Cuba's Fidel Castro or from angry masses of Brazilian workers and Mexican peasants, anti U.S. sentiment in Latin America and the Caribbean today is arguably stronger than ever. It is also a threat to U.S. leadership in the hemisphere and the world. Where has this resentment come from? Has it arisen naturally from imperialism and globalization, from economic and social frustrations? Has it served opportunistic politicians? Does Latin America have its own style of anti Americanism? What about national variations? How does cultural anti Americanism affect politics, and vice versa? What roles have religion, literature, or cartoons played in whipping up sentiment against 'el yanqui'? Finally, how has the United States reacted to all this?This book brings leaders in the field of U.S. Latin American relations together with the most promising young scholars to shed historical light on the present implications of hostility to the United States in Latin America and the Caribbean. In essays that carry the reader from Revolutionary Mexico to Peronist Argentina, from Panama in the nineteenth century to the West Indies' mid century independence movement, and from Colombian drug runners to liberation theologists, the authors unearth little known campaigns of resistance and probe deeper into episodes we thought we knew well. They argue that, for well over a century, identifying the United States as the enemy has rung true to Latin Americans and has translated into compelling political strategies. Combining history with political and cultural analysis, this collection breaks the mold of traditional diplomatic history by seeing anti Americanism through the eyes of those who expressed it. It makes clear that anti Americanism, far from being a post 9/11 buzzword, is rather a real force that casts a long shadow over U.S. Latin American relations. Alan McPherson teaches history at Howard University in Washington, D.C.He is the author of Yankee No! Anti Americanism in U.S. Latin American Relations (2003). He is at work on a survey of U.S. Latin American relations since 1945 and on a study of Caribbean anti U.S. movements from 1912 to 1934.

Public diplomacy, neglected following the end of the Cold War, is once again a central tool of American foreign policy. This book, examining as it does the Marshall Plan as the form of public diplomacy of the United States in France after World War Two, offers a timely historical case study. Current debates about globalization and a possible revival of the Marshall Plan resemble the debates about Americanization that occurred in France over fifty years ago. Relations between France and the United States are often tense despite their shared history and cultural ties, reflecting the general fear and disgust and attraction of America and Americanization. The period covered in this book offers a good example: the French Government begrudgingly accepted American hegemony even though anti-Americanism was widespread among the French population, which American public diplomacy tried to overcome with various cultural and economic activities examined by the author. In many cases French society proved resistant to Americanization, and it is questionable whether public diplomacy actually accomplished what its advocates had promised. Nevertheless, by the 1950s the United States had established a strong cultural presence in France that included Hollywood, Reader’s Digest, and American-style hotels.

"Decentering" has fast become a dynamic approach to the study of American cultural and diplomatic history. But what precisely does decentering mean, how does it work, and why has it risen to such prominence? This book addresses the attempt to decenter the United States in the history of culture and international relations both in times when the United States has been assumed to take center place. Rather than presenting more theoretical perspectives, this collection offers a variety of examples of how one can look at the role of culture in international history without assigning the central role to the United States. Topics include cultural violence, inverted Americanization, the role of NGOs, modernity and internationalism, and the culture of diplomacy. Each subsection includes two case studies dedicated to one particular approach which while not dealing with the same geographical topic or time frame illuminate a similar methodological interest. Collectively, these essays pragmatically demonstrate how the study of culture and international history can help us to rethink and reconceptualize US history today.

"A useful, well-researched monograph ...[that connects] the policy of Americanization that Marshall Planners overtly laid out in the late 1940s to its actual implementation as a form of cultural power. This is an aspect of the Marshall Plan experience that is often completely absent from the earlier cold-war focused scholarship." * H-France "This study opens up fascinating terrain for further critical evaluation in France and Western Europe." * International Studies Review "An intriguing analysis of the postwar Marshall Plan as a form of public diplomacy to win the hearts and minds of the recalcitrant French. It is a timely study given the current calls for a revival of the Marshall Plan as part of American global strategy? Rich and convincing evidence of the bureaucratic turf battles, the haggling between European recovery agencies, the naive propaganda experiments...There is much to learn from this book about what happens when foreign policy distorts into a vision of American national culture as a transformative model for the rest of the world."* American Historical Review Public diplomacy, neglected following the end of the Cold War, is once again a central tool of American foreign policy. This book, examining as it does the Marshall Plan as the form of public diplomacy of the United States in France after World War Two, offers a timely historical case study. Current debates about globalization and a possible revival of the Marshall Plan resemble the debates about Americanization that occurred in France over fifty years ago. Relations between France and the United States are often tense despite their shared history and cultural ties, reflecting the general fear and disgust and attraction of America and Americanization. The period covered in this book offers a good example: the French Government begrudgingly accepted American hegemony even though anti-Americanism was widespread among the French population, which American public diplomacy tried to overcome with various cultural and economic activities examined by the author. In many cases French society proved resistant to Americanization, and it is questionable whether public diplomacy actually accomplished what its advocates had promised.Nevertheless, by the 1950s the United States had established a strong cultural presence in France that included Hollywood, Reader's Digest, and American-style hotels. Brian A. McKenzie teaches history and comparative government at Kutztown University. His work has previously been published in French Politics, Culture, and Society and presented at a number of professional conferences.

There is much discussion these days about public diplomacy—communicating directly with the people of other countries rather than through their diplomats—but little information about what it actually entails. This book does exactly that by detailing the doings of a US Foreign Service cultural officer in five hot spots of the Cold War - Germany, Laos, Poland, Austria, and the Soviet Union - as well as service in Washington DC with the State Department, the Helsinki Commission of the US Congress, and the National Endowment for Democracy. Part history, part memoir, it takes readers into the trenches of the Cold War and demonstrates what public diplomacy can do. It also provides examples of what could be done today in countries where anti-Americanism runs high.

"Decentering" has fast become a dynamic approach to the study of American cultural and diplomatic history. But what precisely does decentering mean, how does it work, and why has it risen to such prominence? This book addresses the attempt to decenter the United States in the history of culture and international relations both in times when the United States has been assumed to take center place. Rather than presenting more theoretical perspectives, this collection offers a variety of examples of how one can look at the role of culture in international history without assigning the central role to the United States. Topics include cultural violence, inverted Americanization, the role of NGOs, modernity and internationalism, and the culture of diplomacy. Each subsection includes two case studies dedicated to one particular approach which while not dealing with the same geographical topic or time frame illuminate a similar methodological interest. Collectively, these essays pragmatically demonstrate how the study of culture and international history can help us to rethink and reconceptualize US history today.