Folkloristics - Böcker

"[This book] is a contribution of considerable substance because it takes a holistic view of the field of folk music and the scholarship that has dealt with it." —Bruno Nettl" . . . a praiseworthy combination of solid scholarship, penetrating discussion, and global relevance." —Asian Folklore Studies" . . . successfully ties the history and development of folk music scholarship with contemporary concepts, issues, and shifts, and which treats varied folk musics of the world cultures within the rubric of folklore and ethnomusicology with subtle generalizations making sense to serious minds . . . " —Folklore Forum" . . . [this book] challenges many carefully-nurtured sacred cows. Bohlman has executed an intellectual challenge of major significance by successfully organizing a welter of unruly data and ideas into a single, appropriately complex but coherent, system." —Folk Music JournalBohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective and espouses a more expansive view of folk music, stressing its vitality in non-Western cultures as well as Western, in the present as well as the past.

" . . . excellent book . . . " —The Classical Outlook" . . . brief and readable . . . There is good tonic in these pages for the serious student of oral tradition . . . a remarkable book." —Asian Folklore Studies"The bibliography is a boon for students and faculty at any level who are curious about the nature, composition, and performance of oral poetry." —Choice" . . . concise, evolutionary account . . . " —Religious Studies Review"As ever, Professor Foley's conscientious scholarship and sound judgements combine to make a further substantial contribution to the field." —E. C. Hawkesworth, School of Slavonic and East European Studies, University of London, The Slavonic Review"Foley is probably the only scholar who is in a position even to suggest the extent of what we should know to work in this area." —Speculum"Foley's survey stands as a fitting tribute to the achievements of Parry and Lord and as a sure guide to future productive work in the field." —Journal of American Folklore" . . . detailed and informative study . . . We are fortunate that John Foley chose to write this book." —Motif" . . . Theory of Oral Composition . . . detailed account written in an elegant style which could serve equally as a textbook for college and graduate students and as a reference tool for scholars already in the field." —Olifant"As an 'introductory history,' The Theory of Oral Composition accomplishes its purpose admirably. It has the capacity to arouse interest on the part of the uninitiated." —AnthropologicaPresents the first history of the new field of oral-formulaic theory, which arose from the pioneering research of Milman Parry and Albert Lord on the Homeric poems.

"American Folklore Scholarship is rich reading, outlining the intellectual genealogy of American folklore and delivering many interesting historical tidbits. Folklore teachers will want to use this book in their introductory theory classes, while doctoral students will want to memorize the book before their qualifying exams." —Folklore Forum". . . a welcome overview of the discipline in North America and the practitioners who established it." —American AnthropologistIn this classic text, Zumwalt examines the split between literary folklorists and anthropological folklorists. The former looked at literary forms for folklore; the latter looked at the life and unwritten culture of the people. This struggle shaped the study of folklore in the U.S.